Friday, June 5, 2015

Supernatural Suspense Novelist Kristine Goodfellow: The Dark Side Of Writing MANSION ON BUTCHER LAKE

Christal Rice Cooper


article with excerpts 2,480 Words


Guest Blogger Kristine Goodfellow:
The Dark Side of Writing
Mansion on Butcher Lake


       *Reader’s Note:  The Mansion On Butcher Lake takes place in 1887 Pennsylvania where red-head Gwen Butcher is a witch in every sense of the word.  She is the wife of the very wealthy Lane Butcher, co-owner of the prestigious industrial business Valiant Ironworks and the family estate, Iron Heights.  The other owner of Valiant Ironworks and Iron Heights is Lane’s brother Cameron.  The brothers appear to be close, but something happens the moment Lane Butcher marries Gwen, and that something worsens when Gwen has her husband drink a certain potion.  Then Lane makes a startling discovery that involves Gwen and his brother Cameron, throwing him into the dark side. . .


       What results is sex, passion, anger, hate, revenge, love, and in the, end redemption, in the form of Corwyn Blackstone, who, along with her abusive husband Jayce, comes to Iron Heights.  Jayce, Lane’s cousin, not only abuses his wife, but the servants as well, while Lane hides in the basement, haunted by things that are terrifying and real.


       Soon Lane and Corwyn develop a friendship that makes them realize their enemies are not of flesh and blood, but of spirit.

As with all my stories, the idea for Mansion on Butcher Lake started with a visual muse, followed by a flash of inspiration which continued into full-blown obsession. On a walk with my husband, we found a wonderfully, spooky, mansion…and I fell in love.


The real mansion on which the story is loosely based was built in the 1700's by a wealthy ironmaster who owned the iron forge across the street. The gorgeous estate was passed down for several generations, but then was sold.  Years later, it was abandoned.


After a couple decades of falling into disrepair, it was once again purchased, renovated and reoccupied. However, it wasn't long until it had been abandoned again.
       This time—it was abandoned with everything inside.


The once-glorious mansion had a story to tell. On my many, many furtive visits, I sat mesmerized by its crumbling magnificence. The house called to me. I listened.  Mansion on Butcher Lake is a work of fiction. Names of people, the events and most of the places are strictly from my imagination.


However, there are many ideas in the book that came from visiting and/or obsessing about the actual estate. For example, in my book there is an explanation for the Japanese Garden hidden in a grove of trees. The once-beautiful garden is now forgotten and rotting.


Lane bounded into the parlor where Gwen read her new novel.  She reclined in a black and red velvet fainting couch.  “There you are!  I have a surprise for you.  I couldn’t give it to you yesterday since the weather was bad, but I can’t wait for you to see your birthday present.”
“My birthday?”  She wrinkled her nose.  “That was weeks ago.”
“I know.  I’ve been waiting to give you this.  You were gone and I really wanted to-“
“”Can’t you just give me the present here?”
“No, you must come with me.”  He grinned.  “It’s not something I can bring inside.”
“Can’t this wait?  I only wish to read my book.”
“No, this has been long overdue.  Come with me.”  He held out his hand.
Gwen sighed and placed her book on the end table.  She stood up without his assistances and followed him out the kitchen door and down the steps.  He cupped his hands over her eyes and guided her behind a group of trees on the west side of the estate and thirty yards form the summer porch of the mansion.
“Really, Lane, is this ridiculous pretense necessary?”
He removed his hands, “Just for you, Gwen.”
Dainty red metal lanterns led to a Japanese garden complete with koi fishpond with lily pads.  A footbridge crossed over a babbling brook.  Imported Asian lawn furniture sat in a cluster on a brick landing under the shade of trees.
She squealed with joy, “Oh, how beautiful!”  Gwen wiggled her finger sin the koi pond.  ‘I never expected this.”
“A tranquil, special reading area just for you.  Happy belated birthday, my love.”
Gwen threw her arms around Lane’s neck, but before their lips touched, she pulled away.  “I’ll be right back.  I want to get my novel.”  She left him standing under the blood red leaves of the expensive Japanese Maple tree.  At last, one of my gifts did not fall flat.  It was wroth bringing in the gardeners from Philadelphia and paying them extra to work here.

Excerpt from Mansion On Butcher Lake
Pages 13 -14
Copyright granted by Kristine Goodfellow

And just like in the book, the real house is across the lane from an iron forge/furnace. Of course, the physical descriptions of the house in the book came from staring at my muse in all her decaying glory and trying to capture the splendor with words.
There are several instances where the strike of imagination came from something I'd seen while 'visiting' this house.

      
       He pulled on the reins and stopped the thoroughbred before he approached Iron Heights.  Atop a hill, looking down on his beloved home, a sad sense of nostalgia gripped him for a moment.  Double door with decorative beveled glass were propped open to engage the cool autumn breeze.  The stately Federal–style mansion shining pristinely in the Pennsylvania sun should’ve made him proud.  Built by his grandfather, Iron Heights bore witness to the Butcher family’s continuing prosperity.  Everything belonged to him now, but Lane couldn’t enjoy the breathtaking sight

Excerpt from Mansion On Butcher Lake
Pages 17 – 19
Copyright granted by Kristine Goodfellow

After admiring the mansion from a decent distance, I eventually gathered enough courage to walk up to the porch and peek in the windows.


What I saw set my imagination on fire. It looked like nothing had been disturbed inside the house in years–everything had a layer of dust. Cobwebs hung from every doorframe. To the side of the staircase stood a half-decorated Christmas tree, a box of ornaments near its base. Garland hung suspended from the banister as though someone stopped midway through the job. Boxes marked ‘ornaments’ lined the walls. The entry table held several Christmas knickknacks. It looked as if the residents started decorating and someone or something scared them away and they never returned.
As soon as I peeked through the door windows, a narrative began forming in my mind. An idea was planted into my subconscious.


Standing on the front porch of Iron Heights, Hugo removed his hat, wiped his sweaty brow with his handkerchief and knocked.  He wrinkled his nose at the dead Christmas wreath hanging from the front door.  Coated with dust and almost devoid of needles, what was left of the wreath was laced with silky spider webs.  The ominous adornment warned him that something within was extremely wrong.  He clanked the door- knocker with more force.

Excerpt from Mansion On Butcher Lake
Page 169
Copyright granted by Kristine Goodfellow

I found beauty in the mansion, but also sensed danger. There was something sad, yet proud. Angry, yet resigned.  I felt a powerful yearning radiating from the walls and since the current owner denied my frequent requests to learn its actual history, I simply made up my own. I used some strange features I'd found on the abandoned estate to enhance my tale—details of the house that piqued my interest.


And perhaps, just perhaps, there is a reasonable explanation for simply abandoning a house halfway through decorating for Christmas. However, I let my imagination loose to come up with a sinister explanation.?
I’m influenced by so many writers, but I don’t know if any of them specifically inspired Mansion on Butcher Lake. However, I once read a book where a crumbling, decaying mansion was almost like a character in the novel. I loved that idea. The book was The Thirteenth Tale by Diane Setterfield. It’s a dark story that follows an aging novelist who enlists a young woman to write her life story including her enigmatic childhood spent in a dilapidating mansion called Angelfield. I loved how the house in The Thirteenth Tale almost had a personality. I tried to make Iron Heights (the name of my fictional manor) as much part of Mansion on Butcher Lake as any of the characters.




My writing this fear-provoking story coincided with my husband’s six-week-long business trip. And this business trip coincided with a series of violent spring thunderstorms that plagued south central Pennsylvania for weeks. I remember writing until deep into the night. Thunder shook the window- panes as the sun went down and shadows crept up the walls. Sometimes the house creaked and moaned after a storm.


A few times, I became so lost in writing, it would become dark in the living room (where my desk was) and I wouldn’t even notice until there was a lightning/thunder episode that jolted me back into reality.


One time, I heard something in the basement. I sat in my darkened living room unable to move. My watchdog was nowhere to be found—probably hiding under my bed. The next clap of thunder made me slam my laptop shut and fly up the stairs turning on every light along the way. I’d locked my bedroom door, threw myself under the covers and turned the TV to a nice romantic comedy. I fell asleep with the lights and TV on.


On one of her walks, she’d discovered a neglected Japanese garden.  Overgrown bushes almost hid the red iron lanterns lining the path.  She stepped over the tangle of thickets and thistles and crossed the small arched bridge over a brook.  A swollen carcass of a mouse floated atop a mossy pond.  The young widow carried her novel to one of the lily-carved chairs under the Japanese Maple.  Weeds chocked everything surrounding the reading terrace.  Shaggy grass grew between the bricks beneath her feet.
An ebony bird with a yellow head picked through the dead grass snatches up insects until it suddenly turned and fixed jet black eyes on Corwyn.  Her heart beat as though she faced a dire threat.  They studied each other without moving until the bird flew straight at her with rapid wing beasts.  Had she not ducked, it would’ve flown into her forehead.  Corwyn covered her face and cried.
After a few minutes, she gained control of herself.  She lifted her head.  Iron Heights came into view.  The white mansion appeared sullied and dull.  Because of a particularly cruel autumn, the red paint on the double-arched front doors curled and peeled into sharp slivers.  Ivy crept up the walls like a hand from the grave coming to claim its rightful property.  The vine twisted up the Georgian pillars and crawled across the porch’s roofline.  Gangly stands hung off the edge like a row of nooses swaying in the breeze.

Excerpt from Mansion On Butcher Lake
Page 245
Copyright granted by Kristine Goodfellow

Of course, the next day I continued writing. And scared the crap out of myself all over again. Every day, I vowed to stop working when it got dark and every night, I regretted not stopping when it got dark. I simply lose myself when I’m working on a novel. I wouldn’t have it any other way.
      I had fun writing Mansion on Butcher Lake. I’m not sure I could pick out the ‘most’ compelling scene. But, when I wrote the following excerpt, I realized I was going to a very dark place—a place I hadn’t gone in my writing before. To be honest, I enjoyed releasing a little bit of my dark side.


Sitting on the bank of the stream, Lane broke a stick into small pieces. He tossed them one at a time into the water of Winter Creek. As the strong current swiftly carried the pieces downstream, the increasing need for his wife’s comfort burned within him.
I’ve done what she asked—everything she asked and she still looks at me with contempt, he thought.
At dusk, the stream appeared bottomless. Low, black clouds assembled above him. Lane shivered. He stood, ready to go home again when a voice behind him whispered, “Murderer.”
He whipped around. He listened with intent, but only heard the sound of leaves rustling, predicating a fall storm. One quick glance at the tree line disclosed a pair of yellow eyes staring at him from the dark woods.
“Who’s there? Identify yourself at once.”
A voice came from behind him, the opposite direction than before. “Murderer,” it whispered again.
Lane spun around, wishing he’d brought his revolver. His heart thumped in his ears; his mouth dried. “I demand that you come out and show yourself.”
Two consecutive lightning bolts lit up the sky. A large, mysterious shape ran on all fours straight towards him. Abruptly, the wolf-like creature stopped at the edge of the woods. He stood upright revealing he was no animal, but a misshapen man. Course patches of fur and rough skin covered his body. Long, matted hair topped an elongated, deformed head. His sinewy arms hung down at his sides; his oversized hands clenched in fists. Before Lane fully processed what he’d seen, another series of lightning bolts let him witness the man’s head falling backward like the hood of a cape. A torrent of blood spilled down the sunken chest. A large snake slithered out of the gaping hole atop the neck. During the next lightning flash, the blood-bathed snake glared at Lane with saffron eyes. Its split tongue thrust out between fangs. “Murderer!”
Darkness enveloped the woods once again.
A clap of thunder jolted Lane out of his terror-induced paralysis. His breath came in short bursts; his heart flogged his chest as he hurried to his horse. The next bolt of lightning startled [his horse] and lit up the forest once again. Lane glanced over his shoulder afraid the creature had followed him. The forest showed no signs of such a being.
Lane jumped on [his horse]. He raced through the meadow en route for the comforting lights of the mansion on the shores of Butcher Lake. Rain came down in giant, heavy drops soaking both horse and rider.

Excerpt Mansion On Butcher Lake
Pages 38 – 40
Copyright granted by Kristine Goodfellow

I had a hard time classifying this novel at first. But, then I heard of a genre called Supernatural Suspense. Blogger, RN Adams, describes Supernatural Suspense as “The plot revolves around the ‘other-worldly’ but the emphasis is on suspense rather than horror…”


I thought that description fit Mansion on Butcher Lake pretty well. I do believe that is about spiritual warfare, too. Overall, I believe Mansion on Butcher Lake is a tale of love, redemption and forgiveness. I like to tell people it’s a love/hate story about people trapped in a haunted house. I often get puzzled looks, but I think they get what I’m saying. I hope so.



Photograph Description and Copyright Information

Photo 1 and Photo 5
Kristine Goodfellow standing in front of the Pennsylvania mansion that inspired the story Mansion On Butcher Lake.
Copyright granted by Kristine Goodfellow

Photo 2, Photo 8, and Photo 21
Jacket cover of Mansion On Butcher Lake

Photo 3
Painting attributed to Franz Von Stuck (02/23/1863 – 08/30/1928)
Public Domain

Photo 4
18th Century Painting
Public Domain

Photo 6, Photo 7, Photo 10, Photo 13, Photo 14, Photo 18, and Photo 20.
The real mansion in Pennsylvania that is the inspiration behind Mansion On Butcher Lake.

Photo 9
The Japanese Garden behind the real mansion
Copyright granted by Kristine Goodfellow.

Photo 11
Kristine Goodfellow peeking over a tree
Attributed to Christal Rice Cooper
Copyright granted by Christal Rice Cooper and Kristine Goodfellow

Photo 16
Diane Setterfield’s web logo photo
Fair Use Under the Untied States Copyright Law

Photo 17
Jacket cover of The Thirteenth Tale

Photo 19
Painting Thunderstorm Over Dordrecht
Painted by Aelbert Cuyp (10/20/1620 – 11/15/1691)
Public Domain

Photo 22
Kristine Goodfellow in Montgomery, Alabama
Attributed to Christal Rice Cooper
Copyright granted by Christal Rice Cooper and Kristine Goodfellow

Photo 23
Kristine Goodfellow in Pensacola, Florida

Copyright granted by Kristine Goodfellow

Friday, May 29, 2015

Sande Boritz Berger: tasting THE SWEETNESS through the eyes of two Jewish girls separated by an ocean during World War Two.

Christal Rice
https://www.facebook.com/christalann.ricecooper



article with excerpts 2,060 Words


Tasting The Sweetness


“I gave it the title The Sweetness for the irony. The grandmother carries only a jug of lemons and water when the family is forced out by the Nazis. The child, confused, asks why.  Her answer is: only by tasting the bitterness of lemons will you remember better times.”
Sande Boritz Berger



In Sande Boritz Berger’s recent novel The Sweetness, two Jewish cousins, 7-year-old Rosha Kaninsky (modeled after Berger’s 2nd cousin by the same name) and 18-yr-old Mira Kane (modeled after Berger’s own mother) are separated by an ocean and continent.


Rosha lives in Vilna, Lithuania, hiding in a root cellar from the Nazis; and Mira lives with her immigrant parents Charles and Ina, older brother Roy, two aunts Rena and Jeanette, and Uncle Louis in a well-to-do neighborhood in Avenue T in Brooklyn, New York. 






Mira Kane dreams of becoming a fashion designer in Hollywood, and dressing the famous movie stars of the day including Carole Lombard and Rita Hayworth. 





She attends New York City’s Rockefeller Institute of Design with her best friend Faye, who also dreams of designing for the famous stars of Hollywood. 


Her dreams are crushed when she is betrayed by her father Charles Kane, who owns the successful Kane Knitting, whom the entire family, except for Mira’s mother, is employed by. 
Mira finds true love and has a chance to make her dreams of becoming a fashion designer come true, despite living in a generation where women who had careers were frowned upon. 


She also finally discovered the little girl she knew existed….Rosha, and always wondered if she were alive.


     “Vat is dat shana?”  “Oh, I’m studying fashion design.”  The woman stared at her blankly, so Mira referred to her outfit, sweeping her delicate fingers along the buttons, then gesturing to her own  trim waistline.  Still no response, so Mira unzipped her portfolio and the woman shimmied in closer.  Their heads touched slightly as they looked through the several sketches in Mira’s book.  The woman reached out and ran her pinky over one of the drawings.  Most were of attractive young women all wearing Mira’s designs.  Some actually resembled Mira, especially those wearing beauty marks placed precisely on the left check.  The fashions themselves were upscale and elegant, not what anyone would expect emanating from an eighteen-year-old’s imagination.  Mira had used her palette of paints to simulate fabrics like shiny satins and textured velvets.  Her brush strokes were so fine that she managed to create the illusion of fur trim along a sweeping dolman sleeve.  She used sparkles of silver and gold glitter to indicate beading.  
     Her teachers had constantly showered her with praise, and some of their notes were written in the far corners of the sketches:  “Spectacular, Mira!”  or “Mira, no doubt you have a future in couture.”
     Without hesitation the woman leaned over and planted a slightly moist kiss on Mira’s check.  The gesture felt so genuine that Mira was immediately overwhelmed with pride.  
     Again, the woman spoke, and although Mira didn’t understand a single word of what she was saying, she could tell by her exuberance that the woman was impressed, and so, to be respectful she nodded her appreciation enthusiastically.

Excerpt from The Sweetness

Copyright granted by Sande Boritz Berger

Rosha’s existence is almost mundane – she is a little girl living in a darkened root cellar, never able to see the light of day or commune with her own people. 



She, like Mira is a dreamer, except this little girl doesn’t dream about fashion or stardom, but about her Poppa coming to the Juraska home to take her back to her own home and family. Unbeknownst to Rosha, her grandmother Bubbe and her parents are never coming back, all having reached an unimaginable end at the hands of the Nazis.  



Rosha finds some solace in her doll with blonde braids, and tries to mark the passage of time by writing the number of each day with a fork on the wall behind her cot.  




Rosha finds hope in the white wooden shelves the Juraska family built for her, where she props up photographs of her family with stones.  One of the photographs is of a beautiful, black-haired girl named Mira.
The novel begins with 7 year Rosha old looking out the window, waiting for her beloved father to return.


Like Most Friday nights, I wait for Poppa by the parlor window.  Leaning against the pane where someone recently threw a fistful of stones, I run my fingers along the spidery break.  Bubbe looks up from her crocheting (she is making a wool cape for me in this heat) and scolds.  She warns me to move away from the window.  There is such fright in her voice that all the hairs on my arms stand straight up.  Yet still I don’t budge.
“They might see you,” Bubbe says, “no matter what Rosha, you must not let them see you.”
But because I am not certain who it is that may be watching me, and Bubbe’s words create even more curiosity, I take one more peek.
“I am watching for Poppa . . . what is the harm?”

Excerpt from The Sweetness
Copyright granted by Sande Boritz Berger

Berger was born in Brooklyn and raised on Long Island’s south shore by a traveling salesman father (like Nathan) and a mother who dreamed of being a fashion designer (like Mira) but gave it all up for wifehood and motherhood.  


Berger wrote her first creative piece when she was seven years old in protest of the birth of her second brother, making her the only girl:  “I stood on a chair and wrote little complaints on my rose-patterned wallpaper.  My mom had just had another baby – another boy.  I wanted a sister.”


Berger always wanted to be a writer and considered writing her first love:  “I knew I was a writer when I realized that every birthday from the time I was a young girl, I composed a letter about what it was like to be that particular age.”


       Berger also wrote about the loneliness, sadness, and depression she experienced being reared in a family that had so many family secrets – secrets that they refused to talk about:  “I felt there was so much more that I didn’t know.  I guess that void was enough to create a certain sensitivity in me that eventually led me to want to unravel the truth.”
Berger received her BS in Education and Minor in English from Oneonta State University, a college in upstate New York.


Berger taught English to fourth and sixth graders in Montgomery County, Maryland.


Berger had two daughters Jennifer and Bari, 18 months apart.  She became a divorced mother while the children were still very young, and once again, Berger found solace in her writing:  “Poetry is what kept me sane when I was a young mother. I would write poems stopped at traffic lights.”


She pursued other career avenues in the Advertising and Marketing arena in New York City; and became the President of Videowave, working as a scriptwriter and video/film producer for Fortune 500 companies.


After twenty years, she decided to close her business and take the big plunge and earn her MFA in Writing and Literature, at Stony Brook Southampton College, graduating in December of 2009.


 “I’d heard great things about the program and it was conveniently located near my home.  The faculty members were well known writers who were extremely generous with time and knowledge.  It was a gift to have such an opportunity.”


Her first creative piece published was her short story, “A Light From The Beach,” in a college literary review titled Reflections.  
Her thesis consisted of many short stories, which would later make up her debut novel The Sweetness, earning her The Deborah Hecht Memorial Prize in Fiction.
“I wrote The Sweetness in parallel stories between two protagonists and on two separate continents.   I’d worked on Mira’s story almost exclusively for years, never knowing about the other young girl Rosha. 
When I learned about my family’s history I began another shorter tale (Rosha’s story) that I then merged with the first (Mira’s story).”



Berger knew there was something about her family history that was a mystery, until, one December day in 1999, she made a routine lunch visit to her Aunt Irene, 99 years old, at her tiny studio apartment in Brooklyn.


Her Aunt Irene gave her niece a round metal cookie box full of documents, letters, telegrams, and photographs – one in particular of her second cousin Rosha, who is the little girl on the cover of The Sweetness.



 “It wasn’t until she passed away that I began writing my story. It was Rosha’s story, which I eventually alternated with Mira’s story, which was nearly completed. And it was through the merging of those two parallel tales that a theme finally became clear to me.”






Berger spent many hours late at night reading the testimonies of actual Vilna ghetto events and Nuremberg trial documents.
She also read books that helped inspire her writing in The Sweetness:  Those Who Saved Us by Jenna Blum; Night by Elie Wiesel; Call It Sleep by Henry Roth, and the works of Jonathan Safran Foer.









Berger wrote The Sweetness in a variety of coffee shops and diners, which is strange because she hates being indoors.
The writing was emotional, especially since most of The Sweetness is factual and inspired by true events that happened in her own family.  The most difficult and emotional scene to write from The Sweetness was when Rosha and her father are separated during the round up of the Jews by the Nazis.
       “I felt my heart beating so fast as I wrote it and he ran with the girl through the ghetto.”


 Come here my darling girl,” Poppa says, scooping me up into his arms, holding me, his duffel bag, and mine.  Mama presses her fingers into my cheeks and kisses me on my lips.  Hers taste like salt, another opposite of sweetness.  Then Poppa takes off weaving in and out between people.  Just like the little baby, Friedlich, I stretch out my arms toward Mama, and stop my crying.  I will go anywhere with Poppa, anywhere he wants to take me.
The soldiers do not see Poppa who starts running in the direction of the marketplace toward Mrs. Juraska.  All the time he is reciting a prayer, and in between the words:
Baruchi Atoi Adonai, he whispers my name, as if it were something really good, something sweet and sacred.
Mrs. Juraska holds a crumpled sheet in front of her as if she were to hang it out do dry.  “Please, please,” are the last words I hear my father say.  He places me in the candle maker’s damp fleshy arms, turns, and is gone.

Excerpt from The Sweetness
Copyright granted by Sande Boritz Berger

It is the candle maker, Mrs. Marta Juraska, that Berger identifies the most in The Sweetness – the Catholic wife who saves Rosha by hiding her in her root cellar for years.
“My message and her selflessness is what I aspire to and what I hoped readers would identify with, though I lived in many other characters as well for a time being.”


“Please child, don’t cry.  Don’t you remember me?  Marta Juraska, the candle maker,” she said over and over again, while she carried me in her arms.  She had wrapped me in a pile of damp sheets that felt rough and scratchy against my face.  My body was pressed tightly against her big bosom.  So tight, I could smell the salty sweat as it poured from her neck and the stinky odor from her armpits that reminded me of soured milk.
She moved quickly, like a zebra running through the jungles of Africa.  I remember that above all the loud commands and sirens that would not stop, all I heard was the sound of the candle maker’s heart.  It beat faster and faster as she ran, pulsing through her big bones and soaked skin, drumming into my ears and muffling everything.

Excerpt from The Sweetness
Copyright granted by Sande Boritz Berger

The Sweetness, which Berger dedicated to her four grandchildren and grandparents, is published by She Writes Press and was released on September 23, 2014.



       The Sweetness is full of truth and fact; but the ending is somewhat different from reality.  In fact, some readers wonder:  What happened to the real Rocha?
       “No one knows what happened . . . so I hope that she is alive somewhere in her 80s enjoying life.”
       Presently Berger resides in Manhattan and Bridgehampton with her husband of 40 years Steve. 



She is also taking a short hiatus from writing in order to focus on marketing The Sweetness:  “I look forward to mornings and late day writing again soon.  I’m not strict about meeting my muse, sometimes, she comes with me shopping.”



Photograph Description And Copyright Information

Photo 1
Web logo photo of Sande Boritz Berger
Copyright granted by Sande Boritz Berger

Photo 2
Jacket cover of The Sweetness

Photo 3
Girl Holding Lemons
Painted by William Adolphe Bouguereau in 1899
Public Domain

Photo 4
Sande, age 6, standing by her mother Manette Duchin Boritz
Copyright granted by Sande Boritz Berger

Photo 5
Vilna, Lithuanian ghetto
Public Domain

Photo 6
Sande Boritz Berger standing in front of her Grandparents home on Avenue T in Brooklyn, New York, the same house that the Kane family resides in The Sweetness.
Copyright granted by Sande Boritz Berger.

Photo 7
Picture taken in 1935 of the house on Avenue T. Brooklyn.  Sande’s aunts and uncles, grandmother in center, and mother kneeling. This porch was the gathering place for family and where some of The Sweetness enfolds.

Photo 8
1940s photograph of young woman walking in New York City.
Public Domain

Photo 9
Carole Lombard
Public Domain

Photo 10
Rita Hayworth
Public Domain

Photo 11 and 12 
Fashion drawings by Sande’s mother, Manette Duchin Boritz
Copyright granted by Sande Boritz Berger

Photo 13.
Jacket cover of The Sweetness

Photo 14
Root Cellar in the home of Yonah Steiner in Poland where he hid until he was found by the Nazis and sent to Auschwitz.
Public Domain

Photo 15
Synagogue burning in Vilna, Lithuania
June 1941
German Federal Archive
Public Domain

Photo 16
Ana McGuffey Doll in 1937
Fair Use Under the United States Copyright Law

Photo 17
Display of numerous copies of The Sweetness at a bookshop
Copyright granted by Sande Boritz Berger. 

Photo 18
Sande’s parents Nathan Boritz and Manette Duchin Boritz
Copyright granted by Sande Boritz Berger

Photo 19
Sande Boritz Berger’s third grade classroom photo. 
Sande is 6 years old since she skipped a grade. 
Front row, fifth from right
Copyright granted by Sande Boritz Berger.

Photo 20
1960s photograph of Sande and her two brothers, Marv and Randy Boritz.
Copyright granted by Sande Boritz Berger 

Photo 21
Sande Boritz Berger while attending Oneonta State University
Copyright granted by Sande Boritz Berger. 

Photo 22
Sande and her father Nathan Boritz at her first wedding
Copyright granted by Sande Boritz Berger.

Photo 23.
Sande with her two daughters Bari and Jennifer on Mother’s Day 1972.
Copyright granted by Sande Boritz Berger.

Photo 24
Sande Boritz Berger in New York City in the 1980s.
Copyright granted by Sande Boritz Berger.



Photo 25
Web photograph logo for Stonybrook Southampton College
Fair Use Under the United States Copyright Law

Photo 26
Frank McCourt and Sande Boritz Berger.  Sande was Frank McCourt’s assistant while attending Stonybrook Southampton College to pursue her MFA.
Copyright granted by Sande Boritz Berger.

Photo 27
Some of the family photographs Aunt Irene gave to Sande in 1999. Copyright granted by Sande Boritz Berger.

Photo 28
Sande as a little girl with Aunt Irene and her husband, Fred Klaber
Copyright granted by Sande Boritz Berger

Photo 29
More photographs and papers Aunt Irene gave to Sande on that day in 1999.
Copyright granted by Sande Boritz Berger.

Photo 30
Rosha Duchin in 1941
Copyright granted by Sande Boritz Berger

Photo 31
Sande’s mother, Manette Duchin Boritz
Copyright granted by Sande Boritz Berger

Photo 32
Jacket cover of Those Who Saved Us 

Photo 33
Jacket cover of Night 

Photo 34
Jacket cover of Call It Sleep 

Photo 35
Winners of the 2006 Moment Magazine Fiction Contest.  Sande Boritz Berger, second from right, Jonathan Safron Foer, far right. 
Copyright granted by Sande Boritz Berger.  

Photo 36
Box full of copies of The Sweetness
Copyright granted by Sande Boritz Berger

Photo 37
jacket cover of The Sweetness 

Photo 38
Web logo for She Writes Press
Fair Use Under the United States Copyright law

Photo 39
Sande Boritz Berger, second from right, with other writers She Writes Press 

Photo 40
Sande and her husband Steve Berger.
Copyright granted by Sande Boritz Berger

Photo 41
Sande at her home in Bridgehampton
Copyright granted by Sande Boritz Berger