Thursday, October 26, 2017

The PersonalLordSaviorJesusChrist Poetry Contest 2017 - The Results Are In!

Chris Rice Cooper 

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

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Personal
Lord
Savior
Jesus
Christ 
Poetry 
Contest 
2017
“And the Winners Are . . .”

PersonalLordSaviorJesus
ChristPoetry Contest 2017 is the first poetry contest sponsored by the www.chrisricecooper.
blogspot.com
Right - The Entombment by Moretto de Besco
 
 The CRC Blog received a total of 63 entrants from Albania, Australia, France, India, Nigeria, United Kingdom, Paraguay, and the United States.
Poets submitted from Alabama, Arizona, California, Colorado, Florida, Georgia, Illinois, Indiana, Iowa, Maryland, Massachusetts, Michigan, Minnesota, Missouri, Nebraska, New York, North Carolina, Ohio, Oklahoma, Oregon, South Carolina, Texas, Utah, Virginia, Washington, Washington D.C., West Virginia, and Wisconsin. Above Left - Agony in the Garden by Andrew Mantegna.

Poet Helen Losse https://helenl.
word
press.com/about/ judged the contest determining the Top Three Place Winners ($300, $200, and $100); Three Honorable Mentions $25 each); and four poems noted for Excellence.  All received a Certificate of Poetry. 
Below are the winning poem titles, the status each poem placed in the contest, the poet’s name, contact information, the place the poet resides in, and the poem. Above Right - Helen Losse


First Place “Promises Had Been Made” 
by Sarah Sarai

 New York, New York




Promises Had Been Made

       On “The Entombment” by Moretto de Besco

The women hide nothing.
She, captured in
       accusation,
a collaborative creator.

Her envelopment has no meaning
       to a dead man
       whose death won’t
       even end death.
Promises had been made.

Would that be me in her arms?
Not me here on
       a bench in the gallery’s center
       squaring off
with loneliness and imagination,
       both being among art’s disciples.

But some me – with a body
       almost human as his.
       I know much of everything
       but not enough.

Another Mary,
       head lowering to his arm –
       his conjuration of a once life
               – touching but for
the confident artist’s oils of
       celestial buoyancy.

The men are concerned in their way,
       eyes averted from mine.
       I’m no Mary.
Loyal middle-management, they deny
the present’s threat of pain,
       the present’s carry-through.

He is translucent in her arms,
       an embodied splay of
       too much beauty to be real.




Second Place “Another Pieta”
by Atar Hadari
United Kingdom




Another Pieta

She is looking out over his shoulder
Eyes wide awake to what’s in store
And the babe is no longer a baby,
He sprawls across her arms, her chair

His eyes too are now itinerant,
He has a look like he has known
Too many tables set like this,
Sees a last one with twelve plates down.

But they sit there in a huddle,
The radiant mother and longed for child,
Both now more darkness in their eyes than wonder,
Both now in wait for the lion on the prowl

That slouches toward Bethlehem,
Trailing a crowd with prayer-shawls,
Tourists desperate to believe in anything,
Addicts who have seen it all

But want the blood to spurt
Out of a tiny child holding a ball
Before they watch the cracks
Run to the ceiling as the cake crumbles,

His maid mother weeping with abandon,
The streets run with blood entirely pure,
The Temple empty finally of tourists
When the last family meal has done.

Where is the baby, where is his mother?
The lion’s on the loose, stay in her lap, don’t run.
A man with a cup is looking to anoint an heir,
Whatever you do, play dumb.




Third Place “View from Gethsemane”
by Marletta Nichols Hemphill      
marletta53@aol.com
Erie, Colorado






View from Gethsemane

The olive trees stand throughout the land.

Abundant white blossoms
Ensure a harvest of plenty.
Plump, ripe, dark fruit
Gladly give of their bounty—
Drops of nourishing oil;
No thought given to the stress
Of yielding to the oil press.

The Savior’s knee bends; life blood He lends.
Abundant life blossoms,
Promising a harvest of plenty.
Fresh, clean, light fruit
Gladly give from the bounty—
Drops of life-giving oil;
Ever mindful of His stress
In yielding to the oil press.

From the mount He ascends, again He will stand.

Eternal life blossoms,
Reaping a harvest of plenty
Pure, whole, perfect fruit
Gladly rejoice in the bounty—
Drops of everlasting oil;
Forever grateful for the stress
Of the long-forgotten oil press.


Honorable Mention #1 “Atonement:  Mystery and Reality”
by James Langley
Washington, DC 20016-2716
Left Victory Over the Grave by Bernhard Plockhorst



Atonement: Mystery and Reality
              
Long heralded, the coming of a Savior,
Now an open secret for humankind,
Revealing the grace and heart of God’s mind
To offer the repentant heaven’s favor.

It is not in us to undo wrong,
The wrong which stains and warps the soul,
Corrupts God’s image and scorns life’s goal,
That drains life’s joy, and steals our song.

How vain the boast of mastering evil,
How empty the hope of cures man-made,
The debt is deeper than any has repaid---
Apart from One who battled the devil,

And won---at infinite cost, for us mortals,
Salvation of which the angels only dream,
Reversing the ages’ dark, disastrous scene,
So opened for man high heaven’s portals.

It was for me---the bitter tree,
For all, He suffered in our place,
Yet through time no tongue can tell or thought
       trace
The travail of His soul that sets us free.

Atonement rests on grace alone,
Beyond all logic, a mystery baffling reason,
But reason gives way to a glorious season
For love, all loves surpassing, to atone.

So man must plead for mercy divine,
No claim of worthiness to bring,
All human goodness does hollow ring,
Where God’s love alone restores God’s design.

Received by humble trust, a gift,
For faith itself, to willing hearts, is offered,
By the God whose conquering love is proffered,
That heals our self-righteous and ruinous rift.

To the Father, Son, and Spirit, all praise!
Our shame and unpayable debt redeemed,
Forgiven, made whole, set free, life-streamed,
To strive for God’s will in all our ways.

Still, sinners all we remain, yet more,
For now our sin is against the Holy Cross---
Its light, and unfailing love, and loss,
As though the Christ need die as before.

If heaven marks where we are impure,
Can any stand?  But grace is there,
To lift the fallen, whose cry is a prayer---
On divine grace our hope and peace are sure.




Honorable Mention #2 “Conversation with my lord on a terrace in California”
by Michelle Reed
Kentwood, Michigan




Conversation with my lord on a terrace in California”

The mist is so thick in this valley, my lord
like lace, shall I weave it? Like Avila
told her virgins, to see you at last through their blushing
of white toothed hills, claws clasping their cloud of unknowing
shall I crawl, my lord, like Rome’s saints for lapsing
if you’re here with me already, my lord?
I can’t see through the mystic Aquinas’s vision beatific
in this terraced terra more like Dante’s Purgatorio, shall I
be the hero in my own solemn comedy, my lord, shall I
see the uplift of the clouds muffle my own crucifixion scene,
while someone somewhere looks on, gently draws smoke
from his cigar and puffs, sad eyes seeing us all? My lord?





Honorable Mention #3 “My Shepherd”
by Sherill Morris
Metamora, Illinois 61548





My Shepherd

I hang, precariously, over the edge -
Convinced that just beyond this tangle
Of briars, that mercilessly rip through my soul,
Lie the green pastures, the still waters,
The world of tranquility - the world without wolves.
He calls my name; I do not care to hear.
I thrash through thorns; my cries obscuring His voice.
But then I feel the determined, solid crook of His staff
Around my struggling soul: insistent; persistent.
He draws me firmly from the precipice
Toward His sheltering arms,
Engulfs me with His tender presence,
And carries me safely home.




Poem Of Excellence “Clay for the Potter”
by Belinda Stedman 

https://www.facebook.com
St. Pauls, North Carolina.



Clay for the Potter
  
Upon the potter’s wheel I stand,
A piece of clay in the master’s hand.
Lines and cracks there may be,
But without them there,
I wouldn’t be me.
So, examine these places within my clay,
And listen well to what they say.
I’ve walked in valleys,
And felt their pain,
Yet, through each one there was gain.
I’m still here upon his wheel,
A piece of clay for him to build.
Shape me, mold me,
Make me strong,
Place inside me a brand new song.
It’s your holy presence that I seek,
Come before me,
Make me meek.
Draw me in,
Please, hold me tight,
Never lose me from your sight.
It’s you I trust Lord,
With my whole being.
For I walk by faith,
And not by seeing.
So, upon your wheel I firmly stand,
A piece of clay in your great hands.




Poem of Excellence “I Broke My Bust of Jesus”
by Susan Sundwall
Valatie, New York





I Broke My Bust of Jesus

I broke my bust of Jesus
‘cuz I don’t believe no more.
I picked it up and laughed at it
then smashed it to the floor.

“It’s just a silly myth,” they said.
“How stupid can you be?
To think someone would hang for you
upon a cursed tree.”

You can’t imagine how it felt
To finally give it up;
leave hypocrites and thumpers,
the wafer and the cup.

A carpenter from long ago
He couldn’t have a clue.
And would have been much better off
to stick with wood and glue.

I got the broom, I got the pan
to give the floor a sweep,
then suddenly I felt the urge
to bend my head and weep.

The broken bits around my feet
were hard to recognize,
but somewhere in the rotten mess
I saw a pair of eyes.

The eyes implored, “I love you,”
and were somehow piercing mine,
the dirty windows of my soul
were cleansed in salty brine.

What madness had come over me?
What stupefying lie,
had crept into my very soul,
my savior to decry?

I scooped the broken pieces up,
my own eyes rose to Heaven,
convicted then,  I knew my doubts
in His love were forgiven.



Poem of Excellence “Little Political Sense”
by Lindsey Martin-Bowen
Lee’s Summit, Missouri


Little Political Sense

Zebar says you have little political sense.
He grumbled with other Sanhedrin scribes
in the Temple. Its pillars tremble when you whirl in,
overturn tables, upset cages, and let loose doves—
they spread winds and flock to altars. You squint at them
and your heart breaks open. Its two halves become dove wings
spread out in a sacrifice. And you don’t adhere
to politics when you heal a blind man on the Sabbath.
His hands quiver as his eyes fill with water.

I, too, have little political sense
when I watch the Humane University dismiss
a spinster librarian who served there fifteen years.
The supervisor drove her mad—harped at her
like a magpie pecking eggs in a dove’s next. She can’t
remember which day is which. She blinks dovelike
eyes. “They’re trying to fire me,” she repeats, clutches
her walking papers. Her void voice spooks me. I squeeze
her fingers and later try to reason with her supervisor.
But my words rebounds from the speech she draws
with Roman numerals. “Not doing her job,” she argues,
her eyelids taut as steel. Her teeth glow like iridescent glass.
I shake my head. “Not so,” I try to say, but she’s gone on
to Roman Numeral II. I nearly choke on her Channel No. 5
and chew my lower lip. Her numerals stand like the pillars
in the Sanhedrin Temple, where you once preached love
of God and man. They will not bend. So I check out
of the library and brush the dust from my sandals.
And you exit the Temple, lug wood beams on your back.


Poem of Excellence “The Wrath of the Waltz”
by Annette Marie Griffin
San Antonio, Texas

*Poet chose not to print the poem.

Wednesday, October 18, 2017

the memoir FIRE SEASON by Hollye Dexter is not a book about defeat but VICTORY !

Chris Rice Cooper 

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

**Some of the links will have to be copied and then posted in your search engine in order to pull up properly


Watch the FIRE SEASON book trailer by clicking on the link below in blue :




Chris Rice Cooper on
Hollye Dexter’s Memoir Fire Season
“The Mustard Seed of Victory”
      
     In 2010 Hollye Dexter https://www.
came to the realization that she had been living a depressed and defeated life since November 18, 1994.   

In a Facebook interview with Chris Rice Cooper Hollye said: Until the night my house burned down in 1994, I was a strong, independent woman, but after the fire, as one catastrophe after the next hit — bankruptcy, cars blowing up and a child in need of surgery — I unraveled. I became clinically depressed, struggling with persistent suicidal thoughts. I didn’t know it then, but I was in the grip of post-traumatic stress disorder from both our fire and events in my childhood. I was a complete mess.
For years I couldn’t talk about the fire. I couldn’t allow myself to look back at how I came so close to losing my children. I also didn’t want to remember how I came so close to losing my mind. But it was a grey cloud following me through life, never letting me sleep through the night, never letting me go.”
       Then the year 2010 came to pass and she found herself in so much despair that she finally confided in her writer friend Amy Friedman http://www.
amyfriedman.net right who gave Hollye a sound piece of advice:  Hollye’s only escape and only effective therapy was to write about her deep painful experiences and memories; and so Hollye Dexter began writing Fire Season.
       “What I learned in the grueling process of writing and reflecting was that though yes, I was an emotional disaster, I also fought harder than I ever knew I could to find something to believe in again. Faith is hard earned and, like a beating heart, is a muscle that must be worked. I worked to find mine so that my children would not grow up in a hopeless world.
Instead of focusing on the loss, I focused on the hope that can be found in the most disastrous of circumstances — like the kindness of others who came to lift us back on our feet.  Above right. I found, while bankrupt and destitute, we still had our ability to dream, to love, to create, to hope and to remember. And in writing, I discovered that though we had lost everything, on a deeper level we really hadn’t lost anything. These are the jewels we unearth when excavating our complicated histories.”







     For the next three years from 2010 to 2013 Hollye wrote Monday through Friday from 8 a.m. to 2 p.m. surrounded by pets, piles of laundry and an unanswered phone.
  

     “I wrote while my youngest was in school.  I was very disciplined about it.”  
And discipline in writing was something Hollye practiced since she was a little girl:  “I’ve kept a diary since I was in the second grade.”
       In 2013 Fire Season was completed and the next step was the publishing process, which proved to be almost as arduous as writing the book itself.
“In the three years it took me to write the first draft of Fire Season, the publishing industry had completely changed. So I sat on the book, and hemmed and hawed for over a year, deciding what direction to take. I attended conferences, lectures, read books about it, asked the counsel of my friends. I did send it out to about a dozen or so agents and publishers and though I got good feedback and had a good track record with my first book Dancing At the Shame Prom with Seal Press, I kept getting the response that they just couldn't take the financial risk with an “unknown” memoirist.
Because my stories are the only thing of true value that I own, I decided I had to move forward in a way that felt right to me, and that meant having more control over this book’s destiny. Time and again, friends had recommended Brooke Warner’s http://brookewarner.com above right new hybrid publishing option, She Writes Press, and because I have deep respect for and trust in Brooke after publishing Dancing At the Shame Prom with her at Seal, I finally committed. She Writes gave me all the perks of traditional publishing, but more creative and financial control.”
       On October 14, 2015 She Write Press http://shewritespress.com published the memoir Fire Season My Journey From Ruin to Redemption written by Hollye Dexter http://hollyedexter.blogspot.com with jacket cover art by Stacey Aaronson https://www.facebook.com/stacey.aaronson.7.    


Hollye Dexter is on her second marriage with the love of her life Troy Dexter.  At the time the couple shares two children – Cissy, age 8, Hollye’s daughter from her first marriage, and their son Taylor, age 4.
Hollye and Troy each have their own business they are passionate about:  Hollye owns her own child clothing business out of her home and Troy http://www.
music.com is a successful Los Angeles based musician.  Along with their variety of pets, the family of four are happy and joyful in their beloved rented home partially situation in a Los Angeles cliff. Above right Troy and Hollye a few weeks before the fire.
      
On November 18, 1994 there is a sense of smoky fore- 
shadowing in Hollye’s soul – she doesn’t know why she is feeling this or where it’s coming from so she pushes it aside.  She drops her daughter Cissy off at her biological father’s house for the weekend and then heads back home. The foreshadowing continues and in the middle of the night she senses a voice telling her to go check on the baby; and gets up from her own bed and lays in bed with her four year old son Taylor.  She awakens to her Troy’s panicked voice and to the blazes of fire.

       A guttural, instinctual wailing fills the air – a voice I’ve never heard before.  It’s my voice.
       Fire behind me, a thirty-foot drop to concrete below.
       Troy shouts from our bedroom window,  “Hold on!  I’m coming – I’m gonna jump.”  Following his words is the loud thwack of his body, the sickening sound of bones against cement.  I scream his name over and over but he doesn’t respond.  I start to cry but there is no time for panic.
       Taylor and I hang out the window, engulfed in smoke, suffocating.  I lower him as far as my arms will stretch so he can breathe.  I hold only his tiny hands, his body dangling midair.  I am in the center of the firestorm. Above right a thank you card Taylor wrote to his mom Hollye. 
    
   The fire completely destroys everything except for their very own lives and very tiny burnt pieces of mementoes, which are discovered by Troy and his father Dennis.
       “My husband, wearing thigh-high fishing boots, dug through piles of rubble four-feet deep and pulled out small blackened squares. They looked like charcoal briquets, but they turned out to be my childhood diaries – one of them used to have a Holly Hobbie cover and a little gold key attached.”
       Other mementoes are discovered which gives Troy and Hollye reason to feel hopeful.  There, in vivid color, is a photo of me and Troy on our wedding day.  The edges are singed, the colors running together.  Like us, our wedding album is damaged, but it survived.  I smile and wrap my arms around him happy tears in my eyes.  Of all the things to be saved from the ashes.  Is this a random coincidence?  I take it as a sign.

Soon Hollye realizes it is more than just one fire but many fires that traumatized her throughout her life.  The physical fire that November night was just the tip of the ice burg.  And the ice burg is massive in titanic proportions.
       Hollye has to deal with the traumatic events in her childhood concerning her mother, her suicidal brother, the disturbing truth about her father whom she was led to believe was dead, incidences of violence that happened to her as a child and that she witnessed as a child, and the rejection from Troy’s family. The two pictures above are of Hollye and Troy inside their burnt home. December of 1994
       Hollye goes through intense PTSD about all the fires in her life that results in flashbacks, intense weeping, nightmares, insomnia, depression, suicidal thoughts, a sense of helplessness and hopelessness.                                                              


May 13, 1995

I tried to throw myself from the car today.  I didn’t care anymore what happened to me.  I wanted to hurt myself.  Troy grabbed me by the hair and yanked me back.  I lost a lot of hair, but now I see how drastic a situation this is.  I called the psychologist who helped me after the fire.  I am going to see him tomorrow.


New fires are started when they are conned by a supposedly reputable man in the music business, betrayed by close friends, and betrayed by Hollye’s business partner.  The couple is forced to lose the next two homes they reside in – one due to the owners going through a nasty divorce and not placing the rent money toward the mortgage; the other due to the owner not abiding by the rent-to-own legal contract between them.  As a result they lose thousands and thousands of dollars and have no choice but to file for bankruptcy.

Everything I once felt certain of is shaken loose like soil from the roots of an upturned tree, leaving me raw, exposed.  I have to find a way of taking root within myself.

       The fires of not knowing who to trust, of deep depression, of emotional hurts within Troy and Hollye continue to grow stronger making the PTSD incidences almost intolerable.  Hollye begins to question the existence of God and why all of these bad things are happening to their family.

       I pace the house for hours like the night watchman, my anxiety never letting me rest.  I lie awake thinking about our dogs and cats – trying to remember how their fur felt the last time they slept with me in bed.  I wonder if I made the right decision in letting my business go.  I pray that if I dare fall asleep, God will protect my children.  But I don’t trust God. Above right is an image Taylor drew about the fire; and Taylor himself in December of 1994.

There are moments of respite – Hollye managed to reach inside herself and find her own art which proved to be therapeutic and her next business venture called One of a Kind; Troy and Hollye create memories drinking red wine as they sit conversing in their backyard; romantic evenings the couple shared in their famous 12-seater Jacuzzi above top left;  and numerous times the family as a whole turns what should have been a bad day into a day of good memories; like when they were so broke the electric company turned off their electricity.  Hollye and Cissy go to their regular art class and return home to a something magical.

       Troy and Taylor sit in camping chairs on our back lawn our tent behind them, sleeping bags rolled out on the grass.  Taylor is roasting marshmallows over the hibachi.  Troy plucks at his acoustic guitar.  Peering through that window, I marvel at how Troy is able to turn this disaster into a tiny miracle, and my heart swells with love for him.

      
But these are only happy little breadcrumbs in a life of many fires and soon their marriage is tested; and Holly finds herself at her breaking point in a field of mustard flowers, praying to a God she doesn’t even know exists.

       I wander into a wide-open field, with yellow mustard flowers growing waist high.  At the center of it I plunk down, where no one can see or hear me, and I wail with grief.  . . .
       I feel all the color drain from my face and from my life as I come to the realization that my marriage is failing.  Since I’m already on my knees, with nothing else to lose, I pray . . .

       Fire Season is more than a memoir about the Dexter home being destroyed by fire, Holly overcoming her PTSD, but it is also a memoir about the power of love so strong it conquered all.  And remains victorious. Right Hollye and Troy with their son Taylor (middle) and son Evan bottom left and their daughter Cissy bottom right.