Monday, March 30, 2020

#162 Backstory of the Poem "Mare Nostrum" by Janice D Soderling


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***This is #162 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. (Below Left:  Janice D Soderling in February of 2019)

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling
Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? The many deaths of migrants in the Mediterranean weighed, and weighs, heavily on my mind. It can seem insensitive to write about the suffering of others, no matter how much you empathize. I had already written a number of poems on this theme but was/am constantly reminded of it.

Writing, all writing, for me at least, occurs on two levels: the conscious (where  I am aware of active choices) and the subconscious (which flows and is the text mass my consciousness later adjusts and revises).
       Usually, not always, I analyze the finished poem and see what I’ve done. And one revelation I had during analysis was that this poem has the same meter and introduction (without my being aware of it when writing) of a sea poem I memorized as a child: “The Wreck of the Hesperus" by Longfellow (Above Right), which begins:
It was the schooner Hesperus
That sailed a wintry sea;
And the skipper had taken his little daughter,
To bear him company.


When I came to realize this, I was in a quandry about whether or not to keep it as written.  Longfellow probably chose this meter, consciously or not, because it rises and falls like the waves of the sea. Moreover, the Hesperus poem is internalized in the minds of every American poet (at least the elder formalists and all serious craftsmen) and its echo of tragedy at sea would do a great deal of work for me in mood creation. I have handwritten drafts showing that my initial first lines did not know where they were going.  (Above Left:  STANLEY MASSEY ARTHURS (American, 1877-1950) "The Wreck of Hesperus," 1908 Oil on canvas) 
My revisions (Right) always pay particular attention to musicality, wherein sounds are echoed in nearby words.
 Where were you when you started to actually write the poem?  And please describe the place in great detail. I was in all likelihood in my home, on my living room sofa, while writing the two hand-written drafts, but once I get hot I always move upstairs to my office computer because I work faster and have better overview. 






          My handwriting is atrocious. All my reference books, dictionaries, thesauri are in my office too. Google is speedy, nice for facts, but sometimes superficial where writing tools are concerned. Both these rooms are full of books, well, so is every room in my house.
I live in a small Swedish village near a large forest (Above Left), though I grew up in rural Indiana. 


What month and year did you start writing this poem? I’m not sure, likely the fall of 2015; the first submission was April 23, 2016. Five editors foolishly turned it down, though my notes say that one sent a “nice reply”, and another “a very nice reply”. (Right:  Janice D Soderling in the Summer of 2016)
How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) Two handwritten, but probably many, many on the computer. I count each read-through and alteration, if only a comma change, as a draft.  I always return after letting a poem lie overnight, sometimes a new read-through several days in a row.

Were there any lines in any of your rough drafts of this poem that were not in the final version?  And can you share them with us? Oh, yes. Theylre were some quite awful ones.
The ship that sails from war to –
The ship that sails and never
She never docks at any port
or stops at any shore

What do you want readers of this poem to take from this poem? The tragedy of our callous era, that thousands of men, women and children flee violence only to drown in what the Romans called Mare Nostrum. The unbearable sorrow that these vulnerable souls  seeking refuge find no compassion but are turned away, forcibly returned home or placed in tent cities. There are more than seventy million displaced persons in the world at present.

Which part of the poem was the most emotional of you to write and why? When I read this in public, it is always hard to keep my voice steady at the line “War and hunger are no more” (Left: Janice D Soderling doing a poetry reading in January of 2020)

Has this poem been published before?  And if so where? It was eventually accepted by New Verse News just after two tragedies hours apart: on January 11, 2020 a boat whose passengers included eight children sank off the Turkish coast, another went down off the Greek isle of Chios.
https://www.bbc.com/news/world-europe-51081865

https://www.iom.int/news/mediterranean-migrant-arrivals-reach-76558-2019-deaths-reach-1071



Mare Nostrum
It is the ghost ship Hope-No-More
that sails a bitter sea.
Stiff on her misty deck there stands
a doleful company.

Her sails are spun of baby breath.
Her masts are made of bones.
Her draft is deep, but deeper still
the halls of Davy Jones.

Her keel is carved of hard goodbyes.
Her rigging wrought of grief.
Her rotting hull is empty
as the honor of a thief.

She sailed from war and hunger.
War and hunger are no more.
She sails like fog forever,
the good ship Hope-No-More.

Janice D. Soderling has published hundreds of poems and assorted prose in international literary journals. (Left:  Janice D Soderling in Sweden in October of 2016)
Some of her work has been published in Spanish translation, also set to music and recorded, and several times presented in videos.
Prizes and awards include first prize for short fiction at Glimmer Train Stories, the Harald Witt Memorial Award from Blue Unicorn, Woman Artist of the Year from the Swedish organization “Foundation for Creative and Artistic Women”.
Her most recent publication was a chapbook: “WAR: Make That City Desolate".
BACKSTORY OF THE POEM LINKS

001  December 29, 2017
Margo Berdeshevksy’s “12-24”

002  January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

003 January 12, 2018
Barbara Crooker’s “Orange”

004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”

005 January 29, 2018
Ellen Foos’s “Side Yard”

006 February 03, 2018
Susan Sundwall’s “The Ringmaster”

007 February 09, 2018
Leslea Newman’s “That Night”

008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”

009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”

010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

012  March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”

013 March 24, 2018
Jan Steckel’s “Holiday On ICE”

014 March 31, 2018
Ibrahim Honjo’s “Colors”

015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”

016  April 27, 2018
Beth Copeland’s “Reliquary”

017  May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”

018  May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

019  June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”

021  July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”

022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”

023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”

024  July 27, 2018
Telaina Eriksen’s “Brag 2016”

025  August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”

026  August 07, 2018
David Herrle’s “Devil In the Details”

027  August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

028  August 21, 2018
Connie Post’s “Two Deaths”

029  August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”

030 September 16, 2018
Larry Jaffe’s “The Risking Point”

031  September 24, 2018
Mark Lee Webb’s “After We Drove”

032  October 04, 2018
Melissa Studdard’s “Astral”

033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”

034  October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”

035 October 23, 2018
Timothy Gager’s “Sobriety”

036  October 30, 2018
Gary Glauber’s “The Second Breakfast”

037  November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”

039  November 00, 2018
Gordon Hilger’s “Poe”

040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”

042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”

043  November 27, 2018
Megan Merchant’s “Grief Flowers”

044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”

045  December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”

046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”

047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”

048  December 14, 2018
Frank Paino’s “Laika”

049  December 15, 2018
Jennifer Martelli’s “Anniversary”

O50  December 19, 2018
Joseph Ross’s For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov

052  December 27, 2018
“Under Surveillance”
by Michael Farry

053  December 28, 2018
“Grand Finale”
by Renuka Raghavan

054  December 29, 2018
“Aftermath”
by Gene Barry

055 January 2, 2019
“&”
by Larissa Shmailo

056  January 7, 2019
“The Seamstress:
by Len Kuntz

057  January 10, 2019
"Natural History"
by Camille T Dungy


058  January 11, 2019
“BLOCKADE”
by Brian Burmeister

059  January 12, 2019
“Lost”
by Clint Margrave

060 January 14, 2019
“Menopause”
by Pat Durmon

061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler

062  January 22, 2019
“Views From the Driveway”
by Amy Barone

063  January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky

064  January 30, 2019
“Shiprock”
by Terry Lucas

065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille

066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro

067  February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown

068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter

069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum

070 February 14, 2019
“Daily Commute”
by Christopher P. Locke

071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper


072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh

073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera

074 February 26, 2019
“Anthem”
by Sandy Coomer

075 March 4, 2019
“Shape of a Violin”
by Kelly Powell

076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear

077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall

078 March 9, 2019
“My Mother at 19”
by John Guzlowski

079 March 10, 2019
“Paddling”
by Chera Hammons Miller

080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings

081   082   083    March 14, 2019
“Little Political Sense”   “Crossing Kansas with Jim
Morrison”  “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen

084 March 15, 2019
“A Tune To Remember”
by Anna Evans

085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey

086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill

087 March 21, 2019
“Letters From a War”
by Chelsea Dingman

088 March 26, 2019
“HAT”
by Bob Heman

089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois

#090 March 30, 2019
“The Pose”
by John Hicks

#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder

#092 April 4, 2019
“Original Sin”
by Diane Lockward

#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne

#094 April 8, 2019
“XX”
by Marc Zegans

#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox

#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough

#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz

#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr

#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman

#100 April 21, 2019
“How Do You Know?”
by Stephanie

#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo

#102 April 26, 2019
“THUNDER”
by Jefferson Carter

#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser

#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox

#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai

#106 June 01, 2019
“i sold your car today”
by Pamela Twining

#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen

#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver

#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas

#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel

#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne

#112 Backstory of the Poem’s
“Relics”
by Kate Peper

#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson

#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones

#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel

#116 Backstory of the Poem
“DIVORCE”
by Joan Barasovska

#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer

#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron

#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer

#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison

#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins

#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy

#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson

#125 Backstory of the Poem
“Tracy”
by Tiff Holland

#126 Backstory of the Poem
“Legs”
by Cindy Hochman

#127 Backstory of the Poem
“Anathema”
by Natasha Saje

#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins

#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons

#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha

#131 Backstory of the Poem
“Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman

#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli

#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield

#134  Backstory of the Poem
“Eons”
by Janine Canan

#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf

#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case

#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo

#138 Backstory of the Poem
“Enough”
by Kris Bigalk

#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio

#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen

#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman

#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors

#143 Backstory of the Poem
“The Way Back”
by Robert Walicki

#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell

#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius

#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson

#147 Backstory of the Poem
“Pileated”
by David Anthony Sam

#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey

#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman

#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm

#151 Backstory of the Poem
“Comfort”
by Michael A Griffith

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever

#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel

#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm

#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May

#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain

#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow

#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh

#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma

#160 Backstory of the Poem
“Last Call”
by Ralph Culver

#161 Backstory of the Poem
“ALIVE”
by David Dephy

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling
https://chrisricecooper.blogspot.com/2020/03/162-backstory-of-poem-mare-nostrum-by.html