Friday, February 21, 2014

KENTUCKY POET LAUREATE FRANK X WALKER on WOMEN, the PERSONA, and ISAAC MURPHY


Christal Cooper 1,148 Words

KENTUCKY POET LAUREATE
FRANK X WALKER, on
WOMEN, the PERSONA POEM, and
ISAAC MURPHY I DEDICATE THIS RIDE


         Kentucky Poet Laureate Frank X Walker, 53,  is one of the greatest persona poets of our time, giving voices to African Americans who have made good differences to the world.

         One of those African Americans he writes about is the legendary jockey Isaac Murphy (1861 – 1896) in his book Isaac Murphy I Dedicate This Ride, published in 2010 by Old Cove Press.     
  
         Walker did not know of Isaac Murphy’s existence until he was in high school, attending Danville High School in his hometown of Danville, Kentucky.

         At the time of learning about Isaac Murphy, Walker was two personalities in one:  the nerd and the jock.  He told Progressive Radio that there were some students who thought he had a twin, because the nerd and the jock were so different, but yet, they were one in the same. 

It only seemed fitting that his classmates christened him, twice elected class president, with a new name of “X” to take into account the two sides of Walker.   

         It wasn’t until 2009 that Isaac Murphy came into Walker’s life – when Walker was commissioned to write a play about Isaac Murphy’s legendary career and life.

         The commission of writing the play grew to the desire to write a collection of persona poems about Isaac Murphy with Isaac Murphy’s voice, the voice of Murphy’s parents James and America Burns; his mentor Eli Jordan; and his wife Lucy Murphy, whom Walker dedicated the poetry collection to.

         Walker, the second of ten children, is a private poet, and never writes about himself, or about his family, but the influence of women in his life has been a strong one, stemming from when he was a boy, enduring a gruesome arm injury by getting his arm caught in the barrel of an old time washing machine.

         While he was recovering from the arm injury, his mother brought him books, magazines, and other materials to read.  It is because of this (and not having a television set) that he developed his love for reading and words and recognized their “magical power.” 

He read The Hardy Boys, Nancy Drew Series, Sherlock Holms, and devoured Childcraft Encyclopedias, a gift from his mother.  It wasn’t until his high school years that he started writing poetry. 

         Walker is proud of his history of being reared by women and credits their influence in giving him the ability to create the female voices in his persona poems, especially the female voices in his historical book of poetry about the Lewis and Clark expedition via Clark’s personal slave York’s voice in Buffalo Dance: The Journey of York.

“I believe that because I was raised by women, have been blessed with six sisters, and survived multiple failed relationships, I actually lived the research material I needed to create most of the authentic sounding female voices in my historical poetry.” Walker told CX Dillhunt and Drew Dillhunt in an online interview last year.

         Using the same research that he obtained while writing the play on Isaac Murphy’s life and career, Walker sat in his home office and wrote the persona poems in longhand with ink in his personal journal.   

         In his home office are:  posters of Malcolm X and Jamaican political leader and poet Marcus Garvey; photograph of his bride, Taunya, of less than a year, and other family photos.  

Also in the office are three bookshelves of books, magazines, and other writing materials.  Perhaps the most creative thing in his office, besides paper, is his golf putter.

         He told Kentucky reporter Candace Chaney in April of last year, “A lot of my writing process is just about sort of teasing things out.  I golf to kind of clear my head and work things out.”

        
The prolific poet writes at least one poem a day, does not believe in writer’s block, and does not carry a cell phone when he is writing:  “I try not to take my cell phone with me.  It gives me free space to think, to tease those things out, to think about a new poem or new idea or new structure."  Walker told Chaney in April of 2013.            
                               
Walker has written six poetry collections, four of those are persona poem collections.

         “Persona poems are poems written in the voice of someone other than the poet.  Adequate research is necessary to make these poems effective.”

Walker believes young people, especially African American Men, will benefit from reading these poetry persona collections because they will learn about history and discover good role models.”

Walker is associate professor of English at the University of Kentucky.  He is presently working on two poetry collections, a play, and has just completed his first novel, which he described as a dream come true.

Walker can be reached via his email at Fxw2@uky.edu
or visit his website at www.frankxwalker.com

Walker’s favorite poem from Isaac Murphy: I Dedicate This Ride is “Prairie Song,” because of its connection to the African American literary tradition. What makes this poem an unusual rarity is that it is written in the voice of Walker, telling of his personal experience visiting Isaac Murphy’s final resting place.

Praise Song        
Frank X Walker

Straddling the distance between
African Cemetery No. 2
and the Kentucky Horse Park,
between the straw-lined stables
at Churchill Downs
and the view from Millionaires Row,
between our racist history
and our proud past,
I offer these words, this elegy,
this praise song for Isaac.

For every master teacher
blessed with a willing student,
for Jimmy Winkfield and William Walker,
Pat Day and Calvin Borel,
Eddie Arcaro and Angel Cordero Jr.,
for every jockey hypnotized
by the speed, power
and the music of racing.

For every trainer, groom, hot walker
and stable hand who palmed a brush,
carried a bucket or lifted a shovel.

For every Derby Day hero
generous enough to take a jockey
along for the ride,
for every yearling dreaming
of a garland of roses,
for every also-ran.

I recommit this husband to his wife,
this son to his mother,
this student to his teacher.
I offer all of them to each of us.

I dedicate this ride to a man
whose life’s work was a blueprint
for anyone          black, white or brown
hoping to build something  better,
hoping to fulfill their own potential,
to use all their gifts and blessings
in an honorable way.

Isaac Murphy’s life teaches us
How to honor our parents,
how to love full speed,
how to outrun prejudice and oppression.

I dedicate this ride
to America and Kentucky’s son,
to a legacy worthy of a star on the walk,
a boulevard named in his honor,
this book.

Wrap your arms around his story,
close your eyes,
feel the wind whispering in your ears.

Grab the reins of any and everything
that makes your heart race.
Find your purpose.  Find your purpose.
And hold on.

*Copyright by Frank X Walker and Old Cove Press.
*Printed with permission from Frank X Walker.

PHOTOGRAPH DESCRIPTION AND COPYRIGHT INFO

Photo 1, 6, 13, 17, 18
Frank X Walker.  Attributed to Rachel Eliza Griffiths.  Copyright by Frank X Walker and Rachel Eliza Griffiths.

Photo 2
Jacket cover of Isaac Murphy:  I Dedicate This Ride.

Photo 3.
Old Cove Press Logo.  (http://oldcove.com)

Photo 4
Downtown Danville, Kentucky.  Attributed to Russell and Sydney Poore.  GNUFD License. And CCASA 3.0 Unported, 2.5, 2.0 and 1.0 Generic.

Photo 5
Isaac Murphy.  Public Domain.

Photo 7
Isaac Murphy racing.  Public Domain.

Photo 8
Lucy Murphy.  Public Domain.

Photo 9
Manual barrel washer, manufactured by J.V. Obradampf, Germany, 1930-1935.  GNU Free Documentation License.  CCASA 3.0, 2.5 , 2.0, and 1.0 license. 

Photo 10
Jacket cover of The Tower Treasure

Photo 11
Childcraft Encyclopedias in a home in India.  GNU Free Documentation License and CCASA License.

Photo 12
Jacket cover of Buffalo Dance The Journey Of York

Photo 14
Malcolm X in March of 1964.  Attributed to Library of Congress. New York World-Telegram & Sun Collection.  is photograph is a work for hire created prior to 1968 by a staff photographer at New York World-Telegram & Sun. It is part of a collection donated to the Library of Congress. Per the deed of gift, New York World-Telegram & Sun dedicated to the public all rights it held for the photographs in this collection upon its donation to the Library. Thus, there are no known restrictions on the usage of this photograph.

Photo 15
Marcus Garvey at his office on August 5, 1924.  Attributed to George Grantham Bain.  Library of Congress – no known restrictions on this photo.

Photo 16
Indoor putting green.  Public Domain.

Photo 19
Jacket cover of When Winter Come:  The Ascension of York

Photo 20
Jacket cover of Turn Me Loose:  The Unghosting of Medgar Evers.

Photo 21
Partial image of jacket cover of Isaac Murphy:  I Dedicate This Ride

Photo 22
Frank X Walker.  Photo attributed to Tracy A Hawkins.  Copyright by Frank X Walker.

Photo 23.
Isaac Murphy.  Public Domain.

Saturday, February 15, 2014

Poet Lita Hooper: "THUNDER IN HER VOICE THE NARRATIVE OF SOJOURNER TRUTH"


Christal Cooper – 1,668 Words


The Three Loves of Lita Hooper:
Poetry, Teaching, and Sojourner Truth


         When Lita Hooper, 45, was in the third grade, living in suburbia Chicago, she experienced her first love of poetry.
         “I have a very strong memory of sitting on the front steps and reading a book of poems for children.  Something just connected with poetry for me.”

         Soon reading poetry was not enough for the third grader, and she started writing her own poems in notebooks and hardcover books.
         “My mom would always find these old books and she’d flip to the back and read some little handwritten poems by me.”

         By the time she was in high school, Hooper wrote her first poetry manuscript.  She also proved herself to be academically gifted in writing, especially about poetry, to where her teachers would initiate conversation with her about the art form. 
Her high school friends also would initiate poetry talk with Hooper.
         “Someone would say they were in love with someone or they wanted someone’s attention and they would ask me to write the poem that they would give to the boy or girl.”

After graduating from high school in June of 1986, Hooper decided to major in Communications and attended DePaul University’s north side campus, located in Lincoln Park, which Hooper described as a very dynamic artistic community. 

“I started going to poetry readings and seeing the magic of poetry as a live art as opposed to just poems in a book.  I think that’s the first connection I made in sound poetry.”
         At the time, her career aspiration had nothing to do with poetry or teaching, but in corporate communications. 

         She earned her BA in Communications from DePaul University in June of 1991.

         Her career aspirations changed when she spent a year at the University of Iowa, where she decided to switch majors to African American Studies. 

         “I was always struck and very much in awe in African Americans who stood up against the institution of slavery in whatever way.  My fascination with these amazing people is the daring and the idea that you would put your life at risk for the lives of other people you don’t even know.  Harriet Tubman going back and fourth to rescue slaves and Sojourner Truth who literally walked away from her slave owner and dared the courts to stop her when she tried to get custody of her son.  That kind of audacity is just awesome to me.”

She received a full scholarship to University of Colorado at Boulder, another dynamic artistic community.  While at Boulder she made a major decision.

         “I finally decided to stop trying to find other ways to exist without writing as a primary source of my life and just give in to it.  I switched majors to creative writing, and it made all the difference.”
         Hooper took her very first creative writing class at the University of Colorado at Boulder, and made it her goal to figure out how to be a successful writer.   

She began writing and sending things out for publication.  Her first poem published was “Just Us”, a poem based on a painting by Romare Bearden (http://www.beardenfoundation.org).
“I remember saying, “Oh my gosh.  I got published.”  The guy next to me was checking his (post office) box and said, “congratulations.’”
         She earned her M.A. in Creative Writing from the University of Colorado in Boulder June of 1990.

 She moved to Atlanta, Georgia to get her Doctrine of Arts degree from Clark Atlanta University.   The Doctorate of Arts in Humanities degree is similar to the PhD but combined with teaching.
         “It was the emerging track in the 1980s.  Doctorate of Arts program is pretty rare.  Only a handful of schools offer this degree.  They emphasize a major in English, a foreign language, sociology but you also had to double major in humanities with a strong emphasis on teaching. It allows them to study what they want to study but teaching them how to teach it.”  
Her intention was to have teaching be her secondary career to support her first career of writing, only to discover that writing and teaching were both her primary careers.

         “I’m doing this masters and this doctrine. I’m teaching as well and I’m learning how to teach and loving it and all this time I thought of teaching as (just) a living.  I’m a great teacher and I love teaching and it was just kind of a fluke that I fell in this career as a way to sustain myself as a writer, but I consider myself an educator as well as a writer.”
         She earned her Doctorate of Arts Degree in English with an emphasis on teaching in June of 1999.

Hooper is Associate Professor of English at Georgia Perimeter College, the largest two-year college in the state of Georgia, where she teaches creative writing with an emphasis on poetry.   

         After six years of teaching at Georgia Perimeter College, Hooper and her husband Michael welcomed their baby girl, and named her Sojourner Truth, after Hooper’s heroine whom she admired since she was in elementary school.

“I remember vaguely learning about Sojourner Truth in a black history program around 5th or 6th grade.  Everyone had to say something about an African American.  I didn’t get Sojourner Truth as my person but someone else did.  I remember loving the name Sojourner Truth.”

It was not until her freshman year in African American Studies that she delved deeper into Sojourner Truth’s life and legacy.

Five years later, in 2005, Hooper took a sabbatical to spend time with her children (seven year old son Malik and her five year old daughter Sojourner “Soji”) and to write a collection of poems.
When people learned of five year old Soji’s full name they would exclaim how wonderful it was that she was named after Sojourner Truth.

“She used to get so embarrassed and say, “I don’t get it.”  She knew it was important because of the way people reacted.  I decided to write a collection of poems to let my daughter know and understand why we named her after someone so heroic and iconic.” 

For her research, Hooper reread the Narrative of Sojourner Truth and realized how much she had forgotten.  She also discovered how much she enjoyed the genre of the slave narrative, but found that she had unanswered questions.

“There were so many places where the narrative would say something horrific, and then it would just go on to the next thing.   Why didn’t they stop and discuss this?  Why didn’t she elaborate here and why did she go past this horrific thing?  And every time I would do that I would stop and say, “Okay, what would I say here if I were writing the narrative”.  That’s where I would stop and write the poem and that’s why the book is written in such a way with the narrative on the left side and the poem in response is on the right side.”

         It took Hooper about eighteen months to finish the manuscript.  She would write weekly at the local Starbucks coffee house, sitting in the same place, drinking espresso Octane Coffee, reading the Narrative of Sojourner Truth, and writing the Sojourner Truth persona poems in longhand.

         “I read a little bit of the narrative and every time I hit that point of – I called it gaps – I would allow myself to think about the passage and write a poem in longhand.  Each poem would take several days (to write) of course. I would take some line or phrase or excerpt from the narratives and star the poem off and it would be like a jump off point for me.”

         She made it a point to discuss her writing progress with her family at the dinner table.
         “I would read parts of the work to them and they would bounce ideas and some of the things were so insightful.  Malik would ask me the right questions.  He was a kid at the time and he didn’t know he was helping me think things through.”

         During the 18 month sabbatical Hooper also received an emerging artist grant from the City of Atlanta’s Bureau of Cultural Affairs, and decided to create an artifact that she imagined Sojourner Truth would have –a notebook in long hand of Sojourner Truth’s own thoughts in the form of Hooper’s poems.

         “I had handmade paper commissioned from a woman here in Atlanta and bound it in this beautiful kind of worn leather cover and I stained the handmade paper with coffee grinds from the coffee house that I wrote all the poems.   For the public reading for the grant I had the book on display and I wrote everything out longhand and somebody thought that it was actually Sojourner Truth’s journal and it was amazing.”

         Thunder in Her Voice The Narrative of Sojourner Truth was published by Willow Books (the Poetry Imprint of Aquarius Press) in March of 2010.

         The book is a very slim volume of poetry and tight which is what Hooper intended it to be for the purpose of having someone be able to read it and digest it in one reading and then allowing it to resonate with the reader days later.

         Hooper defines a poet as someone who manipulates language in order to reflect some truth about human kind.  In Thunder In Her Voice The Narrative of Sojourner Truth both Hooper and Truth collaborate together in the form of persona poems in response to the Slave narrative.

         Through this collaboration another poetry collection is formed and the art form is advanced, but more importantly the manipulation of language and the use of the craft help to explain Truth’s, Hooper’s, and the reader’s existence.

         Therefore, we as the readers of this unique volume of poetry, experience the world in a new way, revealing our own aspirations, but more importantly reflecting some truth about human kind that can only be for the good of all who read.

PHOTOGRAPH DESCRIPTION AND COPYRIGHT INFO

Photo 1
Lita Hooper in September of 2010.  Copyright by Lita Hooper.

Photo 2
Briyana.  Copyright by Christal Rice Cooper

Photo 3
Briyana.  Copyright by Christal Rice Cooper.

Photo 4
Lita Hooper.  Copyright by Lita Hooper.

Photo 5
Completed in 1992, Richardson Library faces the Quad in the heart of DePaul University's Lincoln Park Campus.  Attributed to Kris Gallagher.  Multi-license with GFDL and Creative Commons CC-BY-SA-2.5 and older versions (2.0 and 1.0)
http://www.depaul.edu/about/campuses/Pages/lincoln-park.aspx

Photo 6
Aerial Overview of Lincoln Park, looking NNW along North Lake Shore Drive. Passerelle is roughly halfway up, opposite North Avenue Bathing Beach at Middle Right of Frame. - Passerelle in Lincoln Park, spanning North Lake Shore Drive (U.S. Route 41) on axis of East Menomonee Street, Chicago, Cook County, Illinois. (source: http://www.loc.gov/pictures/item/il0835.photos.318376p/).  This work is in the public domain in the United States because it is a work prepared by an officer or employee of the United States Government as part of that person’s official duties under the terms of Title 17, Chapter 1, Section 105 of the US Code.

Photo 7

Photo 8
Retouched portrait of Harriet Tubman in 1885.  Attributed to Artist: H. Seymour Squyer, 1848 - 18 Dec 1905.  Public Domain.

Photo 9
Early image of Sojourner Truth.  Public Domain.

Photo 10
University of Colorado Boulder English Department Logo.  (http://english.colorado.edu)

Photo 11
photo taken by Carl Van Vechten, photographer on April 15, 1944.  Public Domain.

Photo 12.
Clark Atlanta University Seal.  Fair Use Under the United States Copyright Law.

Photo 13
Lita Hooper in August 2011.  Copyright by Lita Hooper.

Photo 14
Georgia Perimeter College logo. Fair Use Under the United States Copyright Law. 
http://www.gpc.edu

Photo 15
Lita Hooper at Leslie University.  Copyright by Lita Hooper.

Photo 16
Briyana.  Copyright by Christal Rice Cooper.

Photo 17.
Sojourner Truth in 1864.

Photo 18
Original jacket cover of The Narrative of Sojourner Truth.

Photo 19
Lita Hooper’s daughter Soji.  Copyright by Lita Hooper.

Photo 20
Sojourner Truth in 1870.  Public Domain.

Photo 21
Lita Hooper.  Copyright by Lita Hooper.

Photo 22
Lita Hooper in July 2010.  Copyright by Lita Hooper.

Photo 23, 24, and 25
Lita Hooper’s artifact – Copyright by Lita Hooper.

Photo 26
Sojourner Truth.  Public Domain.

Photo 27
Lita Hooper giving a poetry reading of Thunder In Her Voice The Narrative of Sojourner Truth

Photo 28
Jacket cover of Thunder In Her Voice The Narrative of Sojourner Truth.

Photo 29
Willow books logo.  http://willowbooks.com/

Photo 30
Lita Hooper holding Thunder In Her Voice The Narrative of Sojourner Truth.  Copyright by Lita Hooper.

Photo 31
Lita Hooper in December 2012.  Copyright by Lita Hooper.