because when I was 37, I suffered from an unexpected carotid artery dissection, which caused an aneurysm, which caused a stroke. It resulted in some brain damage and it also seemed to result in divorce from my marriage, exactly one year later. Following that combination of factors, I had discomfort and uncertainty and doubt and questioning and lack of trust related to true love and significant relationships, as well as fear that I might suffer from another unexpected carotid artery dissection/ stroke that made me immobile and/or even more disabled - that damaged my brain far away from the real me.
Where were you when you started to actually write the poem? And please describe the place in great detail. What month and year did you start writing this poem? (Right - Juliet Cook in December of 2011) For similar reasons to the above, I can't describe this in a detailed manner either. My brain has issues with dates and numbers,but I think the poem was
written sometime in 2011. I think it was written during theyear I was temporarily living with my parents, on the brink of and for several months after
my divorce. I spent a lot of my time there inside a bedroom and the adjoining room where I had my computer installed. I
spent a lot of my time trying to write out my thoughts in different (Above Right: Juliet Cook in her "Poet" socks) ways. My small space was filled with unorganized boxes and for a while I thought that was because I didn't have my own space during that time - and that once I
got my own space, I'd arrange itspecifically, creatively, uniquely, and in a clearly organized fashion. But as it turns out, my current space, which IS my own space is still unorganized and cluttered. I am semi-frequently rearranging, misplacing, and and other items. For reasons such as these, I do most of my creative writing on my computer in recent years, because it's more save-able and find-able that way.
Which part of the poem was the most emotional of you to write and why?
After I regained my ability to read and write and understand, I was nervous about attempting to write new poetry, because I was worried that I wouldn't be able to anymore. Thank goodness, I found out I still could, although it did emerge a bit differently than it used to. It still felt like me, but a shorter, more abstract, more visual variation of me. (Left- The Poet's Hand attributed and copyright granted by Juliet Cook)
called Dive Back Down (Dancing Girl Press, 2015). Cook's first full-length individual poetry book, “Horrific Confection”, was
published by BlazeVOX and her second full-length individual poetry book, "Malformed Confetti" is forthcoming from Crisis Chronicles Press. Her most recent full-length poetry book, "A Red Witch, Every Which Way", is a collaboration with j/j hastain published by
Hysterical Books in 2016. She also sometimes creates abstract painting collage art hybrid creatures. She also serves as an editor and publisher for a small indie poetry press, Blood Pudding Press. (Left - Horrific Confection flyer attributed to