Thursday, October 12, 2017

The Poetry Collection TIGER FUR - A Friendship Between Poet & Translator


Christal Cooper

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.


**Some of the links will have to be copied and then posted in your search engine in order to pull up properly


The Friendship of Poet Salgado Maranhao and Translator Alexis Levitin:
The Impossible Translation of Tiger Fur from Portuguese to English Through Friendship, Language, & Love

     On October 6, 2015 White Pine Press http://www.
/catalog.php?id=280 published the bilingual Portuguese-English collection Tiger Fur written in the original Portuguese by Salgado Maranhao https://
com/Salgado-Maranhão-730706050352609/, translated to English by Alexis Levitin Introduction by Alexis Levitin http://www.alexislevitin.org/alexislevitin.org/Home.html, Afterward by Antonio Cicero Above Top Right 
http://antoniocicero.blogspot.comwith jacket cover art by James Fitzgerald. Above Bottom Right 
Tiger Fur was first published in the Portuguese in 2009 by the title A Pelagem da Tigra.
Professor Luiz Fernando Valence, left formerly the chair of the Department of Portuguese at Brown University, introduced Alexis and Salgado to one another.  In an interview, Luis described that introduction. 
“I had the pleasure of bringing Salgado Maranhão and Alexis Levitin together during ”A Moveable Feast,” a festival of poetry in Portuguese, held at Brown University in the spring of 2007. That introduction was far from fortuitous. I had known and worked with Alexis since the early 1980s, and had always been impressed by the combination of precision, elegance, and creativity displayed in his superb translations from the Portuguese, both in prose and in verse. And I had been an early admirer and, indeed, the first person in the United States to have taught and written about Salgado’s poetry. I believed that it was high time Salgado’s poetry became available to English language audiences. And I was convinced that only a translator with deep sensitivity to the nuances of both Portuguese and English poetic language would be able to do justice to the intricate syntax and imagery that is the hallmark of Salgado’s poetry.”
In an email interview with Chris Rice Cooper, Alexis right in April 2015 described their friendship as a decade of good will, collaboration, poetry, language and understanding one another’s home country and its culture. 

“In 2012, I spent 90 days driving all over the country with Salgado left in New York October 2017 and we never had an unpleasant interlude. He is companionable, relaxed, and wise, an excellent combination. Cementing our strong personal feelings for each other is our shared love of poetry and our shared feeling that the music of language is the living heart of real poetry.”
 Alexis translated Salgado’s works Blood of the Sun and Tiger Fur from Portuguese into English through his friendship with Salgado, observing Salgado’s personality, the way he spoke the Portuguese language, both verbally and on the written page, and with the support of his friend Valente.
“I found Salgado's poetry very difficult at first and would not have dared to try to translate his work without the fervent support and encouragement of Prof. Luiz Valente of Brown.”
The poem that compelled Salgado into writing Tiger Fur was a poem about his ex-wife called “Boundary Five/War Heads” from his earlier poetry collection Blood of the Sun. https://milkweed.org/book/blood-of-the-sun
On April 19, 2016 both Salgado and Alexis conducted a Portuguese and English poetry reading from Blood of the Sun and Tiger Fur at Lake Community College in Eugene, Oregon. Above Left.
 During the reading Alexis described Tiger Fur as a poetry collection trying to explain the possibilities and impossibilities of passionate relationships.  He further stated that the attempt to explain these passionate relationships is not found in the passion itself but in the words that describe the emotion that deal with the passionate relationship.  
These words of emotion in the passionate relationship can be described as a form of light that burns or heats, or leaves some kind of mark:  ablaze, amber, beam, blaze, branding, burning, burst, carved, chiseled, combustion, enflames, engraved, fever, fire, flame, flash, furnace, fused, glitters, halo, illuminated, lava, light, lightning, magma, meteor, moonlight, plasma, pulses, rays, scanning, scar, shimmer, smoke, spark, stars, sun, sunlight, tattooed, etc. Above left Graduation of Fire attributed to Rene Magritte in 1939. FU
       This passionate relationship itself could refer to humanity and the elements of the earth; two people in love; language; elements of the cosmos and earth; animals; and the mythological god Eros. 

Humanity and Elements of the Earth
Alexis stated at the poetry reading that his brother chides him on his chosen life of a bachelor and questions why he chooses impossible women.  Alexis’s response to his brother was that he built his life on impossible women:  I am the sailor who loves the horizon.”
        When Alexis stated this quote he was specifically speaking of the title poem “Tiger Fur” but it could be applicable to “Pre-Logos 1” where the speaker of the poem is awed by the horizon. Right Photoshopped by Chris Rice Cooper. 

Terror, lightning, fog
spread
an ambiguous landscape
before my eyes. 

Two People In Love
       In “Sea of Flames 1” the speaker of the poem speaks of his need for his ladylove even before he meets her. When he finally sees her, the pupil of his eye literally goes through a transformation along with his libido.

or the flagrant moment (the flirtations look!)
in which the pupil
coagulates the gesture, the gestation.

Language  
       The poetry collection Tiger Fur sings and sites words of passion to language itself. 

what makes the lyric fertile (beneath
splinters of immutable
moons) I sing
to the sundered solitary heart.

Excerpt, “Sea Without Waves 1.”
  
Elements of the Cosmos (the sun) and Earth (lake)

By attachment, there will follow, to the
intimate lake (of mirrors)
this sun that breathes
stilettos, that lays waste
within, carnivorous
as a kiss.

Excerpt, “Sea Without Waves. 3.”

Animals
      There are numerous animals mentioned in these poems: dragonflies, dogs, birds, dinosaurs, jackals and serpents but the one animal that tops the list is that of the tiger which is depicted in numerous poems throughout the collection. Right Attributed to Marlene Thyssen CCB2.5

a sharper’s shimmering coat—
eyes that flow with couplets of light
and a blade beneath the fur in which it hides.

Excerpt, “Claws in the Iris”


Eros

Could it be the work of Eros
that has set the desert
there before us?

Excerpt, “Sea Drift VIII”

The last three lines of the poem “Tiger Fur” describe the impossibility of humanity trying to understand the impossibilities of these passionate relationships.  The last three lines could also be a warning to humanity to quit trying to figure out the impossible and just marvel and be in awe of the impossible. 
If we keep on trying to figure it out, as the last three lines state, we will only experience exasperation, dissatisfaction, and humiliation. Right The Lovers attributed to Ralph Magritte FU

The tracks, no more, of some forgotten tale
of treasure that bewilders us and takes us in,
so winning it we only win chagrin.



Instead the mantra of Tiger Fur can be found in “Solitude,” where we are told to always have our own individual beginning, different from every one else’s.




Mine is just a beginning
no footsteps to be followed.


We as individualas have our own impossibility, our own awe that can never be explained but forever will amaze, just like the words that describe the impossibility.

Monday, October 9, 2017

Melissa Ohden's memoir of searching for the truth about her existence in YOU CARRIED ME . . .

Chris Rice Cooper 

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

**Some of the links will have to be copied and then posted in your search engine in order to pull up properly


Analysis by Chris Rice Cooper
Melissa Ohden’s
You Carried Me
a daughter’s memoir
“Pain Too Deep To Recollect!”

Pain has an element of blank;
It cannot recollect
When it began, or if it there were
A day when it was not.

It has no future but itself,
Its infinite realms contain
Its past, enlightened to perceive
No period of pain

--Emily Dickinson


In May of 2017 Plough Publishing House  https://www.plough.com/en/topics/life/relationships/you-carried-me published You Carried Me a daughter’s memoir by Melissa Ohden below left  http://melissaohden.com with cover photo by Jude Mooney below right 
https://www.shiningdoephotography.com and jacket design by Emily Alexander.


On August 24, 1977 Melissa was born at 2 pounds and 14.5 ounces at St. Luke’s Neonatal Intensive Care Unit in Iowa.  The baby had jaundice, respiratory distress and seizures and after three weeks was transferred to the University Hospital in Iowa.
       In late October the baby was now five pounds and was adopted by Christian farming couple Ron and Linda Cross who already had an adopted daughter Tammy age 4.  The couple was thrilled to have another daughter into their farmhouse in Curlew, Iowa where she was surrounded by church-going parents, numerous relatives and animals.

       They named me Melissa Ann, after a friend who had become a quadriplegic after an accident. They admired her strength and her tenaciousness fight for life.  They hoped for the same qualities in me.     
 And there would be tough times – in 1982 Melissa left in 1983  the Cross family lost the farm and had to move to Storm Lake where Ron worked at a meatpacking plant and Linda worked as a bookkeeper. 
       But there were miraculous times – such as in 1984 when Linda got pregnant.  Ron and Linda revealed the news to Melissa on her seventh birthday and she viewed Linda’s pregnancy as a birthday present.  And when her brother Dustin was born she described her life as a big sister as pure bliss.
She naturally became interested in her birth parents and her parents allowed her to see the adoption papers. She learned that both of her parents were college students, athletic, gifted. 
       The next seven years were financially difficult ones for the family but Missy was thriving and found herself drawn to the intellectual and artistic world.  She satisfied this hunger by checking out books from the Storm Lake Public Library.Above right
       When she was in the seventh grade the Cross Family moved into their very first home they owned.    They continued to make sure that their children attended the United Methodist Church and reared them in Biblical values.
It came as a surprise when in September of 1991 Tammy revealed she was pregnant and her parents offered their support of helping her carry the baby and raising it or giving it up for adoption; but abortion was something they could not support. 
Tammy chose to carry the baby with plans to keep it and it was while her sister was fully pregnant that Missy and her sister got into a heated argument.  Tammy in her anger revealed a secret about Missy’s parentage; a secret their parents only revealed to Tammy to discourage her from having an abortion.  Later that same evening Missy above left at age 15 and her mother sat on the living room sofa.

Mom’s voice was soft and low as she took my hands in hers.  “We never meant to keep this from you . . . We should have told you when we told Tammy, but there was just no easy way . . . We love you, honey, we’ll always love you. . .” She paused and took a deep breath.  “Missy, your birth mother had an abortion during her pregnancy with you and you survived.”
I sat for a moment in utter disbelief – how was this even possible?  And then I fell into my mom’s arms and sobbed.

This knowledge literally threw her into an all- consuming crisis:  by the time she was 15 she was living a double life; anorexia, bulimia, alcohol (she would hide bottles of vodka in her bedroom closet and underneath the backseat of her red Chevy Beretta);  and sex (though she was responsible enough to use contraceptives).  Above right attributed to Christal Rice Cooper.

Bulimia, alcohol, sex – these were my unholy trinity of coping mechanisms. They dulled, but didn’t deaden, my torment.   That all this suffering was hidden from everyone who knew me seemed to be the point – I was singularly chosen for misery; I was different, broken, unworthy. Alone.

 She also developed chronic nightmares where she was afraid to fall asleep.   To prevent herself from going to sleep she would read poetry and write her own poetry only to rip the pages to shreds. left her senior year in high school.


I couldn't bear to keep tangible evidence of my anguish and confusion.

The one healthy thing she did was to speak the truth about being an abortion survivor, which she did right away in front of her English class, which proved to be therapeutic; but her real freedom did not come into being until she finally submitted completely to the Trinity God.

At long last my heart and mind turned to the One from whom I could not hide my inner life and my secret sins – the One who alone had the power to set me free.
I began to cling to Jesus in prayer, and as I did, I felt the guilt and shame and self-loathing that had defined me for so long begin to slip away. Right Jesus Painting attributed to Christal Rice Cooper. 
       She found solace in other people’s stories such as Nelson Mandela’s autobiography Long Walk to Freedom;  Alice Walker’s The Color Purple and particularly Alice Walker’s own personal story of having her own abortion while in college and writing poetry to deal with her own pain;  and Lois Lowry’s The Giver which helped Ohden understand that “the ability to feel pain and suffer is part of what makes us human beings able to give and receive love." 





By the time she graduated from high school in May of 1996 left she knew she would go to college and envisioned a career in politics and law perhaps working in DC. But  God had other plans – plans that far exceeded her expectations, plans that included the deep-seated secrets behind her biological parents relationship,  her conception and what exactly happened that made her an abortion survivor.


The secrets would almost take a full decade to unveil and would lead to devastating truths, criminal violations, grief for the dead, praise for the living, and the reunions that would reveal God’s ordained purpose and love in her life.