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The CRC Blog welcomes
submissions from published and unpublished fiction genre writers for INSIDE THE EMOTION OF FICTION.
Contact CRC Blog via email at caccoop@aol.com or personal Facebook
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**Kit Frazier’s Dead Copy is the eighth in a never-ending series called INSIDE
THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC)
focuses on one specific excerpt from a fiction genre and how that fiction
writer wrote that specific excerpt. All INSIDE
THE EMOTION OF FICTION links are at the end of this piece.
Name
of fiction work? And were there other names you considered that you would like
to share with us? Christal, before we
get started, I’d like to thank you for the opportunity to get to know you and
your readers! It was fun (and
frightening) to do a little retrospection on my life and my writing process. It
reminded me of the questions my first editor sent me in preparation for my book
tour. Her first question was, “Who are
you and why are you interesting?” I
wrote back my reply, “Why am I interesting?
I can’t answer that – I don’t even know where my car keys are!” She said, “You lost your car keys?” I said, “They’re not lost. I just don’t know where they are.” (Left: Kit Frazier with her dog in 2009. Copyright permission granted by Kit Frazier for this CRC Blog Post Only)
Dead Copy is the second book in my Cauley MacKinnon mystery series. I have a weird
writing style, and start with the title, and for whatever reason, the first and
last sentences always come to me first. Since my heroine, Cauley MacKinnon is
an obituary writer whose life ambition is to get off the “Dead Beat” and become
an investigative reporter, my titles are always newspaper-related, and
organically wind up being about 400 pages, though, since so much of the books
are banter and conversation, I’ve been told by readers they can finish them in
about two days. It warms my heart when readers tell me they couldn’t put it
down.
Has
this been published? And it is totally fine if the answer is no. If yes, what publisher and what publication date? Dead Copy was published in hard cover in 2007 by Midnight Ink, and is the second in
the series. I wanted to make sure each book could be read as a stand-alone, so
readers can start anywhere in the series without needing to catch up. http://www.midnightinkbooks.com/
What
is the date you began writing this piece of fiction and the date when you
completely finished the piece of fiction?
Dead Copy took almost a year to write. My
first novel, Scoop, I hammered out in
sixty-five days, because the story came to me fully formed one day while I was
driving home from the doctor. Of course, as I was writing, the characters took
control, and the twists surprised even me.
I made the
novel-sophomore mistake of thinking my second book (DEAD COPY) would be a breeze, but that
book gave me problems and fits that often kept me ups all night.
I made the decision to go digital for the third and any future novels after talking to other bestselling authors. Digital, when done right, has much better earning potential. With the digital procedes from the first three novels, I was able to buy lakefront property.
I made the decision to go digital for the third and any future novels after talking to other bestselling authors. Digital, when done right, has much better earning potential. With the digital procedes from the first three novels, I was able to buy lakefront property.
I did a book
tour for my first two books, which were successful, amazing and fun, but
decided to forgo the traditional publishing route with my third book, A MacKinnon Christmas. That book took
me about two-and-a-half months to write, thought it was emotional book because
I’d just taken a break with my boyfriend. While the novel is as funny as the
first two, I used those deep emotions to pour into that novel.
Where did you do most of your writing for this fiction work? And please describe in detail. And can you please include a photo? I’d found my dream lakefront property before I wrote the second book was even done, a leap of faith and put the earnest money down to hold it. I’m glad I took I took the chance. I wrote the next three books on the private island that went with the property. The sound of the waves crashing against the rocks, the cool breeze coming in off the Central Texas lake, my dog and cat by my side, was the perfect writing spot. The birds and wildlife made the second book so vividly clear in the lake scenes. ( Below: Kit's island wheres where she wrote DEAD COPY. Copyright attribution and permission granted by Kit Frazier for this CRC Blog Post Only)
Where did you do most of your writing for this fiction work? And please describe in detail. And can you please include a photo? I’d found my dream lakefront property before I wrote the second book was even done, a leap of faith and put the earnest money down to hold it. I’m glad I took I took the chance. I wrote the next three books on the private island that went with the property. The sound of the waves crashing against the rocks, the cool breeze coming in off the Central Texas lake, my dog and cat by my side, was the perfect writing spot. The birds and wildlife made the second book so vividly clear in the lake scenes. ( Below: Kit's island wheres where she wrote DEAD COPY. Copyright attribution and permission granted by Kit Frazier for this CRC Blog Post Only)
What
were your writing habits while writing this work- did you drink something as
you wrote, listen to music, write in pen and paper, directly on laptop;
specific time of day? When I’m working, I write every day. Because I was a fulltime journalist,
finding the time to write every day at
the same time each day took more discipline than I had, so I took a job as the
opening shift at a nearby gym. I had to be there at 4 a.m., so I put a sign-in
sheet on the counter and used that three hours to write on my laptop. I know
that writing at 4 a.m. makes a lot of people cringe, it works for me. When I
would get home from I’d make dinner, eat, then head down to the island to write
until I was exhausted. (Above Left: Attribution and Copyright permission granted by Kir Frazier for this CRC Blog Post Only)
What
is the summary of this specific fiction work?
Cauley MacKinnon novels are about a
twenty-eight-year-old who’s paying for some mistakes in her life. After a
devastating divorce, she finishes the journalism degree she left behind at her
husband’s insistence.
She moves back to Austin, where she loses her first job as a reporter by,
as she refers to it, “accidentally sleeping with her boss.” The only job
available in her field is as an obituary writer, but she never gives up on her
dream to become an investigative journalist. To that end, she leaps before looking,
and winds up up-to-her-eyelashes in dead bodies, big trouble, and some really
hot guys. Her main love interest is Special Agent FBI Agent Tom Logan, though
residual self-doubt from her failed marriage makes progress with Logan more
difficult.
Tom Logan is based on a real FBI agent I’d worked with during my days at
the newspaper. When I asked him if it would be okay to base a character on him,
he said, “I always wanted to be a thinly veiled character.”
Some plots begin with experiences that happed between us in real life. Of course, the stories veer off wildly from real life, and he gets a kick getting to see himself through my eyes.
Some plots begin with experiences that happed between us in real life. Of course, the stories veer off wildly from real life, and he gets a kick getting to see himself through my eyes.
Can you give the reader just
enough information for them to understand what is going on in the excerpt? Dead Copy, and despite the fits
this book gave me, it was a lot of fun because Logan’s real life character
really did call me in the middle of the night to write a fake obituary for a
covert informant he needed to appear dead until he could get him to trial.
While nothing that happens after that happened in real life, it was a lot of
fun. (Right: Kit Frazier writing with her dog as the audience in 2009. Copyright permission granted by Kit Frazier for this CRC Blog Post Only)
Please
include the excerpt and include page numbers as reference. The excerpt can be as short or as long as you
prefer. Dead Copy, pages one through twenty-one.
Answering the phone is a crapshoot. It's usually the electric company checking
to see if I'm dead because they haven't received a payment in two months or my
mother calling to remind me that I'm on a swift approach to thirty and time's
a-wasting.
It's never a good call, like my dream guy ringing from
the driveway or Publishers Clearing House calling to tell me they're circling
the block with a big fake check for a million dollars. Although if it was one
of the guys from Publishers Clearing House, he would definitely be at the top of
my Dream Guy list.
The phone trilled again. From the foot of the bed,
Marlowe growled low in his husky-mutt throat. I cracked open one eye. Family or
creditor, it was clear the phone was not going to stop ringing. My voice mail
was full, so, short of faking my own kidnapping, I was going to have to answer
it. Searching through the tangle of sheets, I nearly knocked Muse's grouchy
little calico butt off the bed. Jeez, what time was it anyway?
"Sorry, cat," I muttered, ferreting the
cordless landline out from a pile of pillows.
"Cauley MacKinnon," I growled into the
receiver, my voice heavy with sleep and sounding a bit like Lauren Bacall.
I waited.
Nothing.
"Hello-o-o-o," I said into the
silence.
And there it was.
The unmistakable sound of heavy breathing. The little
hairs on the back of my neck lifted, and I blinked myself awake. I'd been
getting calls like this since word got out I was testifying in the upcoming
federal trial of Selena Obregon, a beautiful, blond Argentinean gang leader who
looked like Grace Kelly with fangs.
"Look, you big jerk," I said into the
receiver with a mix of fear and false bravado. I was about to blast the
butthead with a string of anatomically impossible suggestions when a deep voice
drawled, "I need somebody dead."
I did a whole-body grin.
Aha! This
time it really was my dream guy.
Smiling like an idiot, I wrapped my quilt around me
and snuggled deep into my big, empty bed. "Somebody already dead, or
somebody you want to get dead?" I said.
Just for clarification.
"The latter."
I nuzzled the phone to my ear and could practically
see FBI Special Agent Tom Logan leaning against his battered gray bureau car,
looking like a tall, dark-haired Eagle Scout on high-octane testosterone.
"Is this going to be one of those things where I have to help save the
world and I get stabbed in the ass and then I don't get to write a Pulitzer
Prize-winning article when it's all over?"
After a long pause, he said, "Probably you won't
get stabbed again."
"Tom Logan, how you talk. FBI agents are so mercurial."
"How many FBI agents do you know?" he said.
"Enough that you shouldn't leave town again
anytime soon."
I could practically hear him smile over the line, and
I wondered where things stood between us. The last time I'd seen Tom Logan,
he'd thoroughly inspected my tonsils at the Fourth of July picnic and then
disappeared into the night to go interrogate fugitives or use thumbscrews or
whatever it was FBI agents did when they were called away in the line of duty.
"Yeah, sorry ‘bout that," he said, and he
sounded like he really meant it. After a short pause, he said, “I need a
favor."
"Right now?" I rolled my head to look at the
little analog clock ticking away on the antique nightstand.
Four in the morning. It is my opinion that four
o'clock should only come once a day, and it should come firmly entrenched in a
happy hour.
In his deep Fort Worth drawl, Logan said, "I need
an obituary."
I frowned. "An obituary?"
Anywhere else in the world, a request for an obituary
in the middle of the night might seem crazy. But in Texas, we have a special
affinity for crazy. I hear up North they lock their crazy people in the attic.
Down here, we prop them up on the sofa and invite the neighbors over for iced
tea.
Rubbing my eyes, I said, "An obituary for
who?"
"I can't get into it on the phone," he said.
"I just need to know if you can do it. If you can't, I can get somebody
else… "
"Well, of course I can do it," I said
irritably. "Besides. How many obituary writers do you know?"
"One is all I need," he said, and I blinked
in the darkness. Was Tom Logan flirting with me at four in the morning?
"It needs to look authentic," he went on,
"with the right wording and on newspaper, printed on both sides so it
looks like the real deal. And this should be off the record. No files laying
around. No ghost images floating in the hard drive."
I sighed. Not flirting. But then, that was Logan: all
business. "Well," I said. "The last part's no problem. We've got
a Dead Copy file we use to obliterate information from confidential sources. It’s
the Sentinel's reaction to you Feds tippy-toeing all over the First
Amendment."
"We never tippy-toe," he said, and I smiled.
“So. Let me get this straight," I said. "You
want a fake obituary on a tear sheet?" I said, wondering how I was going
to pull that off. "And when would you need this real-looking fake
obituary?"
"Now."
I bolted upright in bed. If Tom Logan said he needed
something now, he wasn't kidding.
"Okay, just… give me a minute," I said.
Stumbling out of my old four-poster, I stepped on the sharp
corner of a DVD case of The Searchers. "Ow!"
"You okay?"
"It's four o'clock in the morning," I
growled, snatching up the DVD. Logan had given me the flick right after my
house had been burgled and my movie collection trashed, probably hoping to win over
another John Wayne convert. The movie wasn't noir, my favorite, but it was
pretty good if you like endings where the hero wanders off into the sunset
alone.
Which I don't.
But wandering off into the sunset alone is something I
seemed to be doing a lot more of since I met Tom Logan.
"Is this going to be a problem?" he said.
"No… I'm ready, sort of… " With the phone
wedged between my shoulder and ear, I tossed the DVD onto the dresser and
yanked open a drawer for a pair of jeans and a tee shirt, wishing I had time to
find a killer summer sweater that fit so well it would make him think twice
before leaving again.
I glanced in the mirror above the dresser and
immediately wished I hadn't. Ordinarily, no self-respecting southern girl would
be caught dead going out of the house with Stage Three Bed Head. But I have
found that self-respect is often highly overrated. I swiped a brush through my
hair and gave up.
"Cauley? You still there?"
"I said I'm ready," I huffed, juggling the
phone as I hopped on one leg, wriggling into a pair of jeans. "Where do
you want me to meet you?"
the dresser and yanked open a drawer
for a pair of jeans and a tee shirt, wishing I had time to find a killer summer
sweater that fit so well it would make him think twice before leaving again.
I glanced in the mirror above the
dresser and immediately wished I hadn't. Ordinarily, no self-respecting
southern girl would be caught dead going out of the house with Stage Three Bed
Head. But I have found that self-respect is often highly overrated. I swiped a
brush through my hair and gave up.
"Cauley? You still there?"
"I said I'm ready," I
huffed, juggling the phone as I hopped on one leg, wriggling into a pair of
jeans. "Where do you want me to meet you?"
“No need,” he said. “I’m in your
driveway.”
Why
is this excerpt so emotional for you?
And can you describe your own emotional experience of writing this
specific excerpt? Like many of us, Cauley is insecure and unsure about her
budding relationship with Logan, who she describes as Captain America, who is
such a badass she suspects he eats a bowl of bullets for breakfast. As their relationship unfolds, it is funny
and fraught with missteps, misgivings and, happily, romance. I’ve had readers tell me they are in love
with Logan. But the character who gets
the most fan mail is Marlowe, the wolf-like stray police dog that Cauley
discovers is really Logan’s dog, who the FBI gent sent to watch over her while
Logan is away. (Above Right: Kit Frazier's pet cat and dog. Copyright permission granted by Kit Frazier for this CRC Blog Post Only)
Were
there any deletions from this excerpt that you can share with us? And can you
please include a photo of your marked up rough drafts of this excerpt. I revise as I write on my laptop. Each time I open the document to get to work,
I save that draft with the date and send it to the Cloud so I don’t have to
start all over – and yes, I’ve had to start all over before. That’s how I set up this system to save the
document. (Left: Copyright permission granted by Kit Frazier for this CRC Blog Post Only)
Other works you have published? Scoop; Dead Copy;
A MacKinnon Christmas. “I am currenly working on two books (which,
turns out, I don’t recommend this technique.”
Anything
you would like to add? Writing is hard. If
writing wasn’t hard, everyone would do it. Stick to it, write every day, read a
lot, learn the craft, and don’t give up!
Kit Frazier is an award-winning novelist and
journalist living on a lake in Central Texas near Austin, Texas. Like her character, Cauley MacKinnon, Kit and
her dog, Bodhi, are certified Search and Rescue. Her fat floof of a cat, Marlowe, is not
involved in search and rescue, and is, in fact pretty much a freeloader who
pitches a fit when Fancy Feast is not served on time. (Left: Kit Frazier today. Copyright permission granted by Kit Frazier for this CRC Blog Post Only)
INSIDE THE EMOTION OF
FICTION links
001 11 15 2018 Nathaniel Kaine’s
Thriller Novel
John
Hunter – The Veteran
002 11 18 2018 Ed Protzzel’s
Futuristic/Mystery/Thriller
The
Antiquities Dealer
003 11 23 2018 Janice Seagraves’s
Science Fiction
Romance
Exodus
Arcon
004 11 29 2018 Christian Fennell’s
Literary
Fiction Novel
The
Fiddler in the Night
005 12 02 2018 Jessica Mathews’s
Adult
Paranormal Romance
Death
Adjacent
006 12 04 2018 Robin Jansen’s
Literary
Fiction Novel
Ruby the
Indomitable
007 12 12 2018
Adair Valerez’s
Literary
Fiction Novel
Scrim
008 12 17 218 Kit Frazier’s
Mystery Novel
Dead Copy
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