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CRC BLOG Analysis on
Patrick Radden Keefe’s
Say
Nothing: A True Story of Murder and
Memory In Northern Ireland
“Crossing The Crucible of Silence That Speaks!”
New York Times writer and Irish-American Patrick
Radden Keefe never felt the desire or the need to write about
the IRA or the conflict between Britain and Northern Island in what some would
describe as the bloodthirsty history between Catholics and Protestants; or
those who wanted a unified Ireland (majority Catholics) or those who wanted to
stay under British Rule (majority Protestants).
*History of the
Ireland Conflict With
Brendan Hughes
Interview
Ireland Conflict With
Brendan Hughes
Interview
Instead he focused on articles, shorts stories
and already had two non-fiction books under his belt: Chatter:
Dispatches from the Secret World of Global Eavesdropping and The
Snakehead: An Epic Tale of the Chinatown
Underworld and the American Dream.
That all changed when in January of 2013 Patrick
Radden Keefe came across the New York
Times article on Dolours Price (Left in 1972), a Provisional Irish Republican Army
Volunteer in the 1960s and the 1970s who spent 7 years in prison for her
participation in the bombing of the Old Bailey in London, England (Below) on March 8,
1973, which resulted in the injuries of 200 people and the death of one person.
The article was the obituary of Dolours Price (Right: in 2010) who
had died of a drug overdose on January 23, 2013 at her Malahide County Dublin
home. Her funeral took place on January
28, 2013.
*Funeral Procession of
Dolours Price
The article went into detail about Price’s life as a revolutionary and included the legal battle over the release of her taped interviews (conducted by Ed Moloney, Left Top) that were being housed in the Treasure Room of the John J. Burns Library at Boston College.
There were many other interviews that IRA participants had participated in (conducted by Anthony McIntyre Left Bottom) with the agreement that the interviews would not be released until after their death, which came to be known as The Belfast Project.
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“One theme that I had become fascinated with as a journalist was
collective denial: the stories that
communities tell themselves in order to cope with tragic or transgressive
events. I became intrigued by the idea that
an archive of the personal reminiscences of ex-combatants might be so explosive: what was it about these accounts that was so
threatening in the present day? In the
intertwining lives of Jean McConville, Dolours Price, Brendan Hughes, and Gerry
Adams, I saw an opportunity to tell a story about how people become radicalized
in their uncompromising devotion to a cause, and about how individuals – and a
whole society – make sense of political violence once they have passed through
the crucible and finally have time to reflect.”
Pages 339 – 340. (Left Bottom: Patrick Radden Keefe on May 10, 2019)
Keefe’s Say Nothing:
A True Story of Murder And Memory In Northern Ireland begins
with the brutal kidnapping and disappearance and murder of protestant turned
Catholic Jean McConville (Right) from her home in Divis Flats (Below in 1972), in West Belfast,
Northern Ireland at 7 p.m. on Thursday, December 7, 1972.
She was recently
widowed, the loving mother of ten children, and very poor. She struggled to make ends meet – not only by
putting food on the family table but also by attempting to maintain emotional
stability – Jean was battling depression and anxiety. (Below: Jean with her husband Arthur and three of their children)
This depression and anxiety extended to her children
but only became chronically worse after her kidnapping and disappearance.
In fact the depression, anxiety, PTSD, survivor
guilt, and full fledged guilt would also extend to those individuals
responsible for her death: another form of the collective – except instead of
collective denial it is collective mental illness.
Keefe’s book is like a pair of shoes with no shoelaces: as each page is read strings are placed in
the laces of the shoes. As the reader
learns each piece of information that astounds more string is placed in the shoelaces. With each piece of information, the reader is
shocked, unable to put the book down, until all the strings are through the
laces and the shoes are properly tied.
It is an intimate encounter of the big players
of the IRA - particularly the sisters Dolours (who graces the jacket cover of Say
Nothing) and Marian Price, Gerry Adams, and Brendan Hughes- it details
how each became members of the IRA – their backgrounds, their struggles with
regret and guilt, except perhaps for Gerry Adams, who denies any connection
with the IRA to this very day.
Many players in this blood-wrenching history are
revealed and the implications of this history encompasses intimate biography, what it means to be patriotic, and the legal issues that cross three nations: United
Kingdom, Northern Island and America’s Boston.
The issues of guilt, innocence, freedom of the press, freedom of right
to know, freedom of journalists preventing their sources from being exposed, and
what guilt can do to a person’s mind, body and soul are explored.
But perhaps the most plaguing question is the most simple question: Should the individuals in this book ever opened their mouths or should they have practiced the art of silence, as Seamus Heaney (Left in 2009) states in his poem “Whatever You Say, Say Nothing?”
The famousBut perhaps the most plaguing question is the most simple question: Should the individuals in this book ever opened their mouths or should they have practiced the art of silence, as Seamus Heaney (Left in 2009) states in his poem “Whatever You Say, Say Nothing?”
Northern reticence, the tight gag of place
And times: yes, yes. Of the "wee six" I sing
Where to be saved you only must save face
And whatever you say, you say nothing.
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