Christal Cooper
“How To Be A
Man” from How To Be A Man Stories by Tamara
Linse.
Copyright granted by Tamara Linse and Willow Words
tamaralinse.com.
Guest Blogger Tamara Linse
Short
story: How to Be a Man
Never acknowledge the fact that you’re a
girl, and take pride when your guy friends say, “You’re one of the guys.” Tell
yourself, “I am one of the guys,” even though, in the back of your mind, a
little voice says, “But you’ve got girl parts.”
You are born on a ranch in central
Colorado or southern Wyoming or northern Montana and grow up surrounded by
cowboys. Or maybe not a ranch, maybe a farm, and you have five older brothers.
Your first memory is of sitting on the back of Big Cheese, an old sorrel
gelding with a sway back and—you find out later when you regularly ride
bareback—a backbone like a ridge line. Later, you won’t know if this first
memory is real or comes from one of the only photos of you as a baby. You study
that photo a lot. It must be spring or late fall because you’re wearing a
quilted yellow jacket with a blue-lined hood and your brother’s hands reach
from the side of the frame and support you in the saddle. You look half asleep
with your head tilted to the side against your shoulder, a little sack of
potatoes.
Your dad is a kind man, a hard worker,
who gives you respect when no one else will. When you’re four, if he asks,
“Birdie, do you think the price of hogs is going up?” ponder this a while. Take
into account how Rosie has just farrowed seven piglets and how you’re
bottle-raising the runt and how you’ve heard your brothers complaining about
pig shit on the boots they wear to town. Think about how much Jewel—that’s what
you’ve decided to name the pig—means to you and say, “Yes, Daddy, pigs are
worth a lot.” He’ll nod his head, but he won’t smile like other people when
they think what you say was cute or precocious.
Your mother is a mouse of a woman who
takes long walks in the gray sagebrushed hills beyond the fields or lays in the
cool back bedroom reading the Bible. When your brothers ask “Where’s Mom?” you
won’t know. You don’t think it odd when at five you learn how to boil water in
the big speckled enamelware pot and to shake in three boxes of macaroni, to
watch as it turn from off-yellow plasticity to soft white noodles, to hold both
handles with a towel and carefully pour it into the colander in the sink while
avoiding the steam, to measure the butter and the milk—one of your brothers
shows you how much—and then to mix in the powdered cheese. You learn to dig a
dollop of bacon grease from the Kerr jar in the fridge into the hot cast iron
skillet, wait for it to melt, and then lay in half-frozen steaks, the wonderful
smell of the fat and the popping of ice crystals filling the kitchen. When your
brothers come in from doing their chores, they talk and laugh instead of
opening the cupboards and slamming them shut. And your dad doesn’t clench his
jaw while washing his hands with Dawn dishwashing liquid at the kitchen sink
and then toss big hunks of Wonder Bread into bowls filled with milk.
When you wear hand-me-downs from your
brothers, be proud. Covet the red plaid shirt of your next older brother, and
when you get it—a hot late summer afternoon when he tosses three shirts on your
bed—wear it until the holes in the elbows decapitated the cuffs. If you go to
town with your dad for parts, be proud of your shitty boots and muddy jeans and
torn-up shirts. It shows that you know an honest day’s work. Work is more important
than fancy things, and you are not one of those ninnies who wear girlie dresses
and couldn’t change a tire if their lives depended on it.
Be prepared: when you go to school, you
won’t know quite where you fit. All the other kids will seem to know something
that you don’t, something they whisper to each other behind their hands. They
won’t ever whisper it to you. But they won’t make fun of you either
because—you’ll get this right away and take pride in it—you are tough and also
you have five older brothers and the Gunderson family sticks together. Be proud
of the fact that, in seventh grade social studies, you sit elbows-on-the-table
next to a boy about your size, and he says with a note of admiration, “Look at
them guns. You got arms bigger than me.” It’s winter, and you’ve been throwing
hay bales every morning to feed the livestock.
Your friends will be boys. You
understand boys. When you say something, they take it at face value. If they
don’t understand, hit them, and they’ll understand that. For a couple of
months—until your dad finds out about it—your second oldest brother will give
you a dime every time you get into a fist fight. The look on your brother’s
face as he hands you those dimes will make your insides puff to bursting. Use
the dimes to buy lemons at the corner grocery during lunch time. Slice them up
with your buck knife and hand them out to see which of the boys can bite into
it without making a face.
Leave the girls alone, and they will
leave you alone. When you have to be together, like in gym class, they’ll
ignore you, which will be fine with you. Always take the locker by the door so
you can jet in and out as fast as you can. You’ll be mortified that they’ll see
your body, how gross and deformed it is. Be proud of the muscles, but the buds
of breast and the peaking pubic hair will be beyond embarrassing. Still, you’ll
be fascinated with their bodies, not in a sexual way, but in that they seem to
be so comfortable with them, even—to your disgust—proud. They’ll compare boobs
in the mirror, holding their arms up against their ribs so that their breasts
push forward. One girl, Bobbie Joe Blanchard, won’t stand at the mirror though
because she’ll get breasts early, big round ones. She’ll quickly go from a slip
of a girl who never says anything to the most popular because the boys pay
attention, and the attention of the boys is worth much more than any giggling
camaraderie of the girls. You’ll agree with this, but you’ll also be mystified
as to the boys’ motivations. Ask your best friend Jimmy Mockler, “What’s up
with that?” He’ll just shrug and smile, sheepishly but with pride too.
In middle school, don’t be surprised if
the guys who used to be your friends forget about you. They’ll still be nice,
but they’ll spend their time playing rough games of basketball and daring each
other to talk to this girl or that. You won’t be good at basketball—you’re
tough, but you don’t have the height or the competitiveness. Plus, they don’t
really want you to play—you can tell. Think about this a lot, how to regain
their respect. Go so far as to ask the coach about trying out for football.
He’ll look at you like you’re a two-headed calf and say, “Darlin’, girls don’t
play football.” You’ll want to scream, “I’m not a girl!” but you won’t.
Instead, never tell anyone, especially the boys, and hope to God that the coach
never mentions it in gym class, which he teaches. He won’t. He’ll agree with
you that it’s embarrassing.
One day at lunch time, Jimmy Mockler
will tell a story to the other guys about Bobbie Joe Blanchard and how he’s
asked her to meet him under the bleachers in the gym during fifth period study
hall. There is no gym during fifth period. He and Bobbie Joe are going to get
passes to go to the bathroom and sneak in when no one’s looking. “I bet she lets
me kiss her!” he says and laughs and the other boys laugh. Then he says, “Maybe
she’ll even give me a hand job.” He’ll glance at you and this look of horror
will come over his face. They’ll all look at you. Right then you’ll know you’ve
lost them. At home that night, cry in your room without making a sound in case
your brothers walk by.
Realize at this point that you have two
choices: either you have to win back the boys or you have to throw in with the
girls. But you don’t understand the girls at all. You wouldn’t know the first
thing about it. How do you talk to girls, anyway? Don’t lose heart. Maybe there
is a way to make it through to the boys. If pretty girls are what gets their
attention, maybe you’ll have to learn to look like a girl, even if you aren’t
really one. You can learn. Didn’t you teach yourself how to make peach pies
from scratch? How to braid horsehair into hat bands? How to pick the lock on
the second oldest brother’s bottom drawer, only to be disgusted with the
magazines you found there? You can do this.
Imagine the looks on the boys’ faces.
The admiration filling their eyes. Respect, even. And the jealousy in the
girls’ eyes. Jimmy will walk up to you and put his arm around you and say,
“Where you been?” There’ll be no more awkward silences, no more conversations
that switch when you walk up. It’ll be the same as before, once they notice
you. All you have to do is get their attention.
Raid your mom’s closet for a dress.
Smuggle it into your room. It’s the one you’ve seen her wear to
church—knee-length, sky blue with a white scalloped collar. You are her height
now, and it’ll fit you. To your surprise, you’ll even fill it out in the bust.
Surreptitiously steal a copy of a girls’ magazine from the library and study
it—the way the girls’ hair is curled, the way their lips shine, how clean their
hands are. Decide to try it the following Monday. Sunday night, take a long
bath and try to soak off all the dirt and scrub the elephant hide off your
feet. The leg bruises from working in the barn won’t come off, but sacrifice
your toothbrush to scrub your fingernails. Tie up your wet hair in rags like
you’ve seen your mother do on Saturday nights before Sunday church services.
The next morning, get ready in your room so no one will see you. Climb into the
dress. You will feel naked and drafty around the legs. This is normal. Brush
out your hair. Instead of nice wavy curls, it will stuck out all over the
place. Wet it down just a little, which will help, but it will still look like
an alfalfa windrow. You don’t have any lip gloss, so use bag balm, the sticky
yellow substance you put on cow teats when they chap. This won’t really be new
because when your lips crack from sun or wind burn, that’s what you use. It
will feel different though.
Look at yourself in the mirror. You
won’t recognize yourself. It will be a weird double consciousness—this person
in the mirror is you, you’ll know it, but you’ll have to glance down anyway
just to match the image in the mirror with the one attached to your body.
Beware. It will creep you out. It looks like a girl in the mirror, but it can’t
be because you aren’t one of them.
Whatever happens, keep telling yourself:
it’ll be worth it if it works.
Don’t go downstairs until just before
your brothers are ready to drive to school. When you come down, your brothers
will stop talking. The brother just older than you will laugh, but then your
dad will whistle and say, “My, don’t you look pretty today.” This will make you
feel a little better and stop the boys’ wolf whistles, though they’ll keep
glancing sideways at you in the car. If the brother just older than you
whispers, “Look who’s a ger-rel,” the oldest one will tap him upside the head
to shut him up.
Make your oldest brother drop you off
two blocks from school and hide behind a tree until you’re sure school has
started. You won’t want anyone to see you ahead of time. In fact, you’ll be
having second thoughts about the whole project. Be brave. You’ll think of Jimmy
Mockler and the embarrassed way he looks at you, maybe even avoids you when you
come down the hall, and that’ll help. Creep in a side door, scoot to your
locker, get your books, and go to homeroom. If you feel like you might let
loose in your pants as you peek into the classroom through the wire-latticed
window, wait—this will pass. Mrs. Garcia will probably have everyone working in
groups, and desks will be pushed together in four messy circles. The guys in
the back will be in one group, including Jimmy. Rest your hand on the door knob
for a long time, take a deep breath, and then push through the door.
The noise of everyone talking at once
will hit you as the door opens. That and the smell of the fish tank and Mrs.
Garcia’s sickeningly sweet perfume. Stutter-breathe and make a beeline toward
the boy’s circle. Talking will begin to peter out as you enter the room, and
you’ll make it halfway along the wall toward the back before there’s dead
silence. Everyone will be looking at you, but keep your eyes on the boys’
circle. The looks on the boys’ faces will be wonderful. All their eyes fastened
on you, looking admiringly, small smiles in the corners of their mouths. They
will be looking at you, noticing you. Jimmy, particularly, will have a
wide-eyed slack-jawed grin on his face.
Celebrate. You’ve done it. You’ve
regained their attention. You are once more an honorary boy, respected and
included.
But then it’ll be like a slow-motion
horror movie. From behind you, Mrs. Garcia will say, “Why, Birdie Gunderson, I
almost didn’t recognize you.” Watch these words register on the boys’ faces.
Some of them will give a little shrug and turn back toward the others, but it’s
Jimmy’s reaction that will bruise you to the core. You’ll see the time delay of
the words entering his ears and then his brain and then the look on his face
fix as his brain processes the words and then his eyes widen as he finally
understands. Then, it’ll be as if someone grabs the center of his face and twists.
The look will be so awful your body will wander to a stop, and you’ll stand,
unbelieving, still caught in the adrenalin of the moment before. You’re going
to cry, so flip around and push back out through the door and run down the hall
and out the big double doors by the principal’s office. Run until you can’t
breathe and then walk, taking in big hiccupping breaths of air, all the way to
the high school. Make your oldest brother take you home.
Accept your fate. You’ll never regain
that special place with the boys, and you become a second-hand friend. Every
once in a while your brothers will say, “Remember the time Birdie tried to be a
girl?” and they’ll laugh. Laugh with them. You know how ridiculous it was.
High school will be a long lonely blur,
but take it like a man. Never go on a date, never kiss a boy. Instead, watch
football and memorize the stats and, if anyone tries to strike up a
conversation, bring up the Dallas Cowboys. Take your one stab at getting
outside your life—after high school, go to community college for a semester,
but when your mom dies of some unnamable female ailment, your dad will need you
on the farm. You’ll tell yourself that you can always go back and get that
degree, but you won’t. Fill your days with the routine of agriculture. The
animals won’t care if you’re a boy or a girl—they just need to be fed and
watered. Same with your dad and brothers. Don’t think about being a man. Or
being a woman. You are an efficient cog in the machinery of the farm.
“Sis, you’re the best,” they’ll all say.
“Birdie is as faithful as a hound dog.”
You are, you know? You’re a good cook,
you know a lot about football, and you work hard. It doesn’t matter that you
don’t have any friends, men or women. It doesn’t matter that you don’t get out
much and you’ll never be kissed, much less married. When you have needs, take
care of them yourself. Don’t think about becoming a skinny whiskery-chinned old
batty with too many dogs. You’re happy. Or at least you’re not sad. You’re
comfortable. You have a full life taking care of your dad and your brothers.
You do. You really do.
Or, maybe this isn’t the way it goes.
Maybe, when you’re in your early
thirties, your fourth oldest brother will bring home an old college buddy for
two weeks one summer. Conrad Patel. You’ll resent the hell out of it, this
change in routine. This guy will make you uncomfortable. At first you’ll think
he’s gay because he’s thin and has a loose-limbed way of walking. This will
make you wonder about your brother. Then you’ll understand by the way they talk
about women that they’re just comfortable with each other. They understand each
other. It’ll remind you of how it used to be with you and Jimmy Mockler—you’ll
be sad at first and then angry. Go out of your way to avoid this Conrad Patel. You
might even do little things to make yourself feel better, like flushing the
downstairs toilet when he’s in the upstairs shower. Every time you get the
chance.
A lot of your energy during the summer
goes into growing the garden, and after your dad and the boys leave for the
fields, spend your mornings watering and weeding. In the evening after the
supper dishes are done, walk through the garden and inspect things—pollinate
the tomatoes, check for potato bugs, and shut the hothouse boxes. You will love
this time of cool breeze and setting sun. But it will annoy the hell out of you
when Conrad Patel breaks away from the card game or the sitcom TV to follow you
out the back door and down the porch steps. He won’t seem to understand the
very strong hints you drop. Start sneaking out the front door, but don’t be
surprised if you find him already there in the garden.
“But you don’t grow coriander?” Conrad
Patel will say. “You don’t grow fennel? Not even tarragon?” He will say this
with wonder, as if these things are essential to life.
Say, “If you don’t like what I cook,
don’t eat it,” and turn your back.
If he says, “Oh no—your cooking is a
marvel. So very different from my mother’s,” you won’t be sure how to take
this, just like you’re never quite sure how to take anything he says. Say,
“You’re comparing me to your mother?” It will irritate you. Really irritate
you. You’ll wish you were ten again so you could sock him.
“Yes, of course,” he’ll say, once again
as if this were a given.
Realize that he doesn’t understand you
any more than you understand him. You won’t know what to say so don’t say
anything and hope that’s the end of it.
But it won’t be. He’ll say, “You would
drive across this country to eat her mashed potatoes. The key is browning the
mustard seeds, with just enough chilies to make your lips burn. This makes me
want to drop everything and go for a visit.” His voice will be both intense and
wistful.
As you finish up in the garden, he’ll
talk about cooking but then about his family. He’ll tell you about his mother
and his aunts and grandmother. Also about his brothers and his dad, who has
passed away. It’s not what he says so much as how he says it. Women to him are
a mystery, much like they are to you, but not in a contemptuous way. He talks
about them with such respect and such admiration, like they are men and men are
women. To him, women are the source of all goodness and men are the source of
all evil. Women are the ones who get things done, the practical ones, and men
spend their time being frivolous with money.
It will all be so foreign to you that
when he stops talking it’ll be as if you walked out of a movie theater. Remind
yourself of where you are. And who you are. Your body and your approach to the
world will have traveled to another place where what you were supposed to be
doesn’t seem so far from what you are. You’ll want to reject it whole cloth,
but there’s a part of you that will want to break into tears.
Shut the last hothouse lid and turn to
leave.
Conrad Patel will say, “I have said something
wrong.” He will step in front of you. “What I meant was that your potatoes are
the same. Not the same—they don’t contain mustard seeds. But the same in that
they are wonderful. And your beef stew is wonderful. You are a wonderful
woman.”
Are you? Do those words go together?
It’s dark enough that you won’t be able
to see his face, but if he steps closer to you, don’t step away. He’ll stand in
front of you and you’ll feel the heat of his body through the cool of the
evening. You’ll like this feeling. You might wonder what’s coming, if he’s
leaning toward you ever so slightly—it will be hard to tell in the fading
light. Don’t let this frighten you. Don’t run away. Face your fears. Be a man.
Tamara Linse On
“How To Be A Man”
“How
to Be a Man” is a second-person story. I was never going to write one of those
because they are what every first-year MFA student does, thinking themselves
edgy and clever. But then I was reading
Junot Dias’s “How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie”
http://genius.com/Junot-diaz-how-to-date-a-brown-girl-black-girl-white-girl-or-halfie-annotated
—a second-person story—for the umpteenth time, and I
couldn’t help it. I wondered how I would
write a similar story, and the idea grabbed hold and wouldn’t let go. I started writing it in my head in the shower
one morning—where I do some of my best thinking. And then I got to the point in
the story where she’s a whiskery-chinned old batty, and that felt like the
end. But I didn’t want it to end
there—she needed to have a happy ending! After stewing for a while, I said,
it’s my story, I’m the writer, I can write a second ending if I want to, and
that’s where the other happy ending came about. I’m so glad I was able to bring
her around.
The author Tamara Linse—writer, cogitator, recovering
ranch girl—broke her collarbone when she was three, her leg when she was four,
a horse when she was twelve, and her heart ever since. Raised on a ranch in
northern Wyoming, she earned her master’s in English from the University of
Wyoming, where she taught writing. She is the author of the short story
collection How to Be a Man and the novels Deep Down Things and Earth's
Imagined Corners. Her work appears in the Georgetown Review, South
Dakota Review, and Talking River, among others, and she was a finalist for an
Arts & Letters and Glimmer Train contests, as well as the Black Lawrence
Press Hudson Prize for a book of short stories. She works as an editor for a
foundation and a freelancer. Find her online at
Author Email: tamara@tamaralinse.com
Author Website: www.tamaralinse.com
Author Blog: tamara-linse.blogspot.com
Author Facebook: fb.com/tlinse
Author Twitter: tw.com/tamaralinse
Author Website: www.tamaralinse.com
Author Blog: tamara-linse.blogspot.com
Author Facebook: fb.com/tlinse
Author Twitter: tw.com/tamaralinse
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