#110 Backstory of the Poem "When You Ask Me to Tell You About My Father" by Pauletta Hansel

Chris Rice Cooper 

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***This is #110 in a never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

#110 Backstory of the Poem
“When You Ask Me to Tell You About My Father”

by Pauletta Hansel

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? “When You Ask Me to Tell You About My Father” began as an in-class exercise for the Draft to Craft Poetry class that I teach, using an assignment that I borrowed from Rebecca Gayle Howell. The activity—we paired up and each poet interviewed the other about his or her father. (In Rebecca’s class at the Appalachian Writers Workshop the interviews were about our mothers.) 
     Then we wrote a poem about the other poet’s father and then eventually about our own, using the other poet’s poem and interview notes.  So, when I sat down to write this poem, I had a specific reader in mind—Drew, my student and fellow poet—alongside my usual mix of internal/external audience (I am writing to better understand the subject/I am writing to be understood).  
     

     It began longhand, as almost all my poems do, and this poem began as a poem/prose hybrid, which is a little unusual—I usually know right away if I am writing prose or essay. 
     I moved from written page to typed page the same day—at least in part because I was taking the draft to class with me the same week. In my mind I was filling in the gaps of what I had shared in the interview, as well as including info I had given Drew. Drew had also shared his notes from the interview, so I had those to refer to. Most of what was in the notes showed up in the poem, some in a roundabout way (the description of Dad’s Christmas bulb nose was probably influenced by me saying he made a good Santa).

Where were you when you started to actually write the poem? And please describe the place in great detail. The interview with Drew was in the hallway of the Thomas More University English Department—no one else was around, so we had privacy—bright fluorescent lights and a Formica topped table. Next to the copy machine.

     

     I drafted the poem in our guest bedroom. There’s a daybed where I sprawl out to right longhand. My husband’s books are in that room—mostly Civil War and other military history. Lots of quilts and pillows on the daybed, quilt rack behind the bed and also a hat rack with my collection of hats mostly from the 40s and 50s. Hooked floral rug which, amazingly, my cat does not like to scratch. My stepdaughter says the room is haunted, mostly because it has old stuff in it. But I often start poems there, so maybe it is poem-haunted, too.

What month and year did you start writing this poem? The class when we did the interviews was in late September 2017 and the poem was drafted in early or mid-October. (Right)

How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) 

     I have the handwritten draft, plus five typed versions. I’m sharing the handwritten version (with some mark-ups) and the first and final drafts—I don’t have pen markings on the typed drafts—I worked on the computer at that point. The title came with the first typed draft. I also added line breaks, though I kept the long prose-like lines. In one version it looked sort of like the profile of a face, which was sort of cool, and I tried to keep that, but it didn’t work with intentional line breaks.

Were there any lines in any of your rough drafts of this poem that were not in the final version? And can you share them with us? Mostly I made minor adjustments, but I took out an early line describing the Christmas bulb as “ the ones from the fifties, not/the fairy lights you’d not find him on a ladder trying to install—“ as it was tangential (though descriptive of his lack of interest in being handy around the house!). I will say that I went back and forth with the sentence, “That has to be/a symbol of something, that book,…” At least one reader felt like it was too self-conscious, but I ultimately decided that the poem as a direct address had an element of self-awareness that made the sentence fit the aesthetic of the poem—plus it was an echo back to the poem’s beginning line. (Above Right:  Pauletta's father in the 1950s)

What do you want readers of this poem to take from this poem? This poem tends to have an emotional impact on its listeners when I read it aloud, and I am glad of that. It is about loss, of course, and how little we know of our parents, no matter how we try. The poem has intentional line breaks, but it presents as a prose poem, and thus it makes me read it that way as well, with a sort of tumbling breathless quality, like I am trying to get it all in. (Above Left:  Baby Pauletta with her father)

     I hope that carries over to the reader when it is on the page. There is also something in the poem that is “about” reading a life as text, with its metaphors and serendipities, its mysteries and kismet, and as a memoirist and a poet who works from life and memory, that is part of my own purpose of writing—to make literature from life. (Right:  Father and Daughter)

Which part of the poem was the most emotional of you to write and why?  When I got to the part in the draft about the book on Dad’s lap when he died, I knew I had to go find that book. I had written about it before in a memoir piece, but that was before we had saved it from the trash, and I didn’t know the book’s title. And then, when we did rescue it, it was during such an emotional time, cleaning out Mom’s house after her move to the nursing home in 2015, and so much of my energy had been given to caring for my Mom with dementia -- and my personal writing until I gave that assignment was also mostly about Mom— Palindrome, a whole book devoted to her came out right about the time I wrote this poem. So finally searching out the book, learning the title and seeing its relationship to the poem I was writing—the poem’s ending felt like a little gift from Dad. That he was still with me, helping me see him and the world through his eyes. (I guess another way that room is haunted!)

Has this poem been published before? And if so where?
Yes, in Appalachian Heritage, Winter 2018: http://appalachianheritage.
net/2018/03/27/when-you-ask-me-
to-tell-you-about-my-father/  It Is in my new collection of poetry, Coal Town Photograph, out from Dos Madres Press in Spring 2019

Anything you would like to add? Thanks for the opportunity

When You Ask Me to Tell You About My Father

What’s left is the myth of him, the words we use, scrawled symbols

to remind us he was there. A jumble of body parts: skinny legs, a lap,

eyes that were not his without the glasses that left permanent dents

on his Christmas bulb nose, and if he was the heart of us, he turned

into a broken heart too full for its cage. A broken everything—left

shoulder, right hip that would not stop him walking. He had a high

threshold for pain, though his mind was drowning in it, a river pouring

through the doors, and anybody close would have to get a little wet.

Did I forget to tell you about his mother who died of the consumption,

his father who’d come around to drink the money from his piggybank?

Myth, more myth, but that doesn’t mean it wasn’t true. Did we talk

about his books, or just the Lexipro, before then the I’m OK, You’re OK

that saved his life back in the 70s? I know we talked about the churches

that he left, though it was never about leaving God, who’d spoken just

to him, told him to read. Books again, more books; so many books we

carted out the door, boxes of them in the weeks before and after. Did I

tell you there was one that slid off his lap when he died? That has to be

a symbol of something, the book, the way it kept getting lost and being

found. Afterwards my mother saved it, labeled with a note she’d written

on a sticky from a memo pad printed with the words, “Things To Do,”

but we found it in her basement, clearing out her stuff, in a pile left

for the trash. Mind: An Essay on Human Feeling, the abridged edition.

He’d got it secondhand, his name scrawled beneath the price tag on

the flyleaf, and as it says there in the foreword, “any abridgement

has its unhappy compromises” and this story I’m telling you, it is

not my father, it’s only what is left.

Pauletta Hansel is author of seven poetry collections, including Coal Town Photograph (Dos Madres Press, 2019) and Palindrome (Dos Madres Press, 2017), winner of the 2017 Weatherford Award for best Appalachian poetry book. Pauletta was Cincinnati’s first Poet Laureate (2016- 2018) and is artist in residence at Thomas More University. She is managing editor of Pine Moun­tain Sand & Gravel, the literary publication of Southern Appalachian Writers Cooperative and leads writing workshops and retreats in the Greater Cincinnati area and beyond. Visit her website at https://paulettahansel.wordpress.com/.
Pauletta.hansel@gmail.com

BACKSTORY OF THE POEM LINKS

001  December 29, 2017

Margo Berdeshevksy’s “12-24”

http://chrisricecooper.blogspot.com/2017/12/a-new-crc-blog-series-backstory-of-poem.html

002  January 08, 2018

Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

http://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem.html

003 January 12, 2018

Barbara Crooker’s “Orange”

https://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem_12.html

004 January 22, 2018

Sonia Saikaley’s “Modern Matsushima”

https://chrisricecooper.blogspot.com/2018/01/the-fourth-installment-of-new-crc-blog.html

005 January 29, 2018

Ellen Foos’s “Side Yard”

http://chrisricecooper.blogspot.com/2018/01/5-backstory-of-poem-sidewalk-by-ellen.html

006 February 03, 2018

Susan Sundwall’s “The Ringmaster”

https://chrisricecooper.blogspot.com/2018/02/6-backstory-of-poem-susan-sundwalls.html

007 February 09, 2018

Leslea Newman’s “That Night”

https://chrisricecooper.blogspot.com/2018/02/7-backstory-of-poem-that-night-by.html

008 February 17, 2018

Alexis Rhone Fancher “June Fairchild Isn’t Dead”

https://chrisricecooper.blogspot.com/2018/02/8-backstory-of-poem-june-fairchild-isnt.html

009 February 24, 2018

Charles Clifford Brooks III “The Gift of the Year With Granny”

https://chrisricecooper.blogspot.com/2018/02/9-backstory-of-poem-gift-of-year-with.html

010 March 03, 2018

Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

https://chrisricecooper.blogspot.com/2018/03/chris-ricecooper-caccoopaol.html

011 March 10, 2018

Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

https://chrisricecooper.blogspot.com/2018/03/11-backstory-of-poem-after-diane.html

012  March 17, 2018

Angela Narciso Torres’s “What I Learned This Week”

https://chrisricecooper.blogspot.com/2018/03/12-backstory-of-poem-series-angela.html

013 March 24, 2018

Jan Steckel’s “Holiday On ICE”

https://chrisricecooper.blogspot.com/2018/03/13-backstory-of-poem-jan-steckels.html

014 March 31, 2018

Ibrahim Honjo’s “Colors”

https://chrisricecooper.blogspot.com/2018/03/14-backstory-of-poem-ibrahim-honjos.html

015 April 14, 2018

Marilyn Kallett’s “Ode to Disappointment”

https://chrisricecooper.blogspot.com/2018/04/15-backstory-of-poem-ode-to_14.html

016  April 27, 2018

Beth Copeland’s “Reliquary”

https://chrisricecooper.blogspot.com/2018/04/16-backstory-of-poem-reliquary-by-beth.html

017  May 12, 2018

Marlon L Fick’s “The Swallows of Barcelona”

https://chrisricecooper.blogspot.com/2018/05/17-backstory-of-poem-swallows-of.html

018  May 25, 2018

Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

https://chrisricecooper.blogspot.com/2018/05/18-backstory-of-poem-arterial.html

019  June 09, 2018

Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

https://chrisricecooper.blogspot.com/2018/06/19-backstory-of-poem-stiletto-killer.html

020 June 16, 2018

Charles Rammelkamp’s “At Last I Can Start Suffering”

https://chrisricecooper.blogspot.com/2018/06/20-backstory-of-poem-at-least-i-can.html

021  July 05, 2018

Marla Shaw O’Neill’s “Wind Chimes”

https://chrisricecooper.blogspot.com/2018/07/21-backstory-of-poem-wind-chimes-by.html

022 July 13, 2018

Julia Gordon-Bramer’s “Studying Ariel”

https://chrisricecooper.blogspot.com/2018/07/22-backstory-of-poem-studying-ariel-by.html

023 July 20, 2018

Bill Yarrow’s “Jesus Zombie”

https://chrisricecooper.blogspot.com/2018/07/23-backstory-of-poem-jesus-zombie-by.html

024  July 27, 2018

Telaina Eriksen’s “Brag 2016”

https://chrisricecooper.blogspot.com/2018/07/24-backstory-of-poem-brag-2016-by.html

025  August 01, 2018

Seth Berg’s “It is only Yourself that Bends – so Wake up!”

https://chrisricecooper.blogspot.com/2018/08/25-backstory-of-poem-it-is-only.html

026  August 07, 2018

David Herrle’s “Devil In the Details”

https://chrisricecooper.blogspot.com/2018/08/26-backstory-of-poem-devil-in-details.html

027  August 13, 2018

Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

https://chrisricecooper.blogspot.com/2018/08/27-backstory-of-poem-carmen-polo-lady.html

028  August 21, 2018

Connie Post’s “Two Deaths”

https://chrisricecooper.blogspot.com/2018/08/28-backstory-of-poem-two-deaths-by.html

029  August 30, 2018

Mary Harwell Sayler’s “Faces in a Crowd”

https://chrisricecooper.blogspot.com/2018/08/29-backstory-of-poem-faces-in-crowd-by.html

030 September 16, 2018

Larry Jaffe’s “The Risking Point”

https://chrisricecooper.blogspot.com/2018/09/30-backstory-of-poem-risking-point-by.html

031  September 24, 2018

Mark Lee Webb’s “After We Drove”

https://chrisricecooper.blogspot.com/2018/09/31-backstory-of-poem-after-we-drove-by.html

032  October 04, 2018

Melissa Studdard’s “Astral”

https://chrisricecooper.blogspot.com/2018/10/32-backstory-of-poem-astral-by-melissa.html

033 October 13, 2018

Robert Craven’s “I Have A Bass Guitar Called Vanessa”

https://chrisricecooper.blogspot.com/2018/10/33-backstory-of-poem-i-have-bass-guitar.html

034  October 17, 2018

David Sullivan’s “Paper Mache Peaches of Heaven”

https://chrisricecooper.blogspot.com/2018/10/34-backstory-of-poem-paper-mache.html

035 October 23, 2018

Timothy Gager’s “Sobriety”

https://chrisricecooper.blogspot.com/2018/10/35-backstory-of-poem-sobriety-by.html

036  October 30, 2018

Gary Glauber’s “The Second Breakfast”

https://chrisricecooper.blogspot.com/2018/10/36-backstory-of-poem-second-breakfast.html

037  November 04, 2018

Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

https://chrisricecooper.blogspot.com/2018/11/37-backstory-of-poem-melanias-deaf-tone.html

038 November 11, 2018

Andrena Zawinski’s “Women of the Fields”

https://chrisricecooper.blogspot.com/2018/11/38-backstory-of-poem-women-of-fields-by.html

039  November 00, 2018

Gordon Hilger’s “Poe”

https://chrisricecooper.blogspot.com/2018/11/39-backstory-of-poem-poe-by-gordon.html

040 November 16, 2018

Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

https://chrisricecooper.blogspot.com/2018/11/40-backstory-of-poems-my-children.html

041 November 20, 2018

Jonathan Kevin Rice’s “Dog Sitting”

https://chrisricecooper.blogspot.com/2018/11/41-backstory-of-poem-dog-sitting-by.html

042 November 22, 2018

Haroldo Barbosa Filho’s “Mountain”

https://chrisricecooper.blogspot.com/2018/11/42-backstory-of-poem-mountain-by.html

043  November 27, 2018

Megan Merchant’s “Grief Flowers”

https://chrisricecooper.blogspot.com/2018/11/43-backstory-of-poem-grief-flowers-by.html

044 November 30, 2018

Jonathan P Taylor’s “This poem is too neat”

https://chrisricecooper.blogspot.com/2018/11/44-backstory-of-poem-poem-is-too-neat.html

045  December 03, 2018

Ian Haight’s “Sungmyo for our Dead Father-in-Law”

https://chrisricecooper.blogspot.com/2018/12/045-backstory-of-poem-sungmyo-for-our.html

046 December 06, 2018

Nancy Dafoe’s “Poem in the Throat”

https://chrisricecooper.blogspot.com/2018/12/046-backstory-of-poem-poem-registering.html

047 December 11, 2018

Jeffrey Pearson’s “Memorial Day”

https://chrisricecooper.blogspot.com/2018/12/47-backstory-of-poem-memorial-day-by.html

048  December 14, 2018

Frank Paino’s “Laika”

https://chrisricecooper.blogspot.com/2018/12/48-backstory-of-poem-laika-by-frank.html

049  December 15, 2018

Jennifer Martelli’s “Anniversary”

https://chrisricecooper.blogspot.com/2018/12/49-backstory-of-poem-anniversary-by.html

O50  December 19, 2018

Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

https://chrisricecooper.blogspot.com/2018/12/50-backstory-of-poem-for-gilberto-ramos.html

051 December 23, 2018

“The Persistence of Music”

by Anatoly Molotkov

https://chrisricecooper.blogspot.com/2018/12/51-backstory-of-poem-persistence-of.html

052  December 27, 2018

“Under Surveillance”

by Michael Farry

https://chrisricecooper.blogspot.com/2018/12/52-backstory-of-poem-under-surveillance.html

053  December 28, 2018

“Grand Finale”

by Renuka Raghavan

https://chrisricecooper.blogspot.com/2018/12/53-backstory-of-poem-grand-finale-by.html

054  December 29, 2018

“Aftermath”

by Gene Barry

https://chrisricecooper.blogspot.com/2018/12/54-backstory-of-poem-aftermath-by-gene.html

055 January 2, 2019

“&”

by Larissa Shmailo

http://chrisricecooper.blogspot.com/2019/01/55-backstory-of-poem-by-larissa-shmailo.html

056  January 7, 2019

“The Seamstress:

by Len Kuntz

http://chrisricecooper.blogspot.com/2019/01/56-backstory-of-poem-seamstress-by-len_6.html

057  January 10, 2019

"Natural History"

by Camille T Dungy

https://chrisricecooper.blogspot.com/2019/01/57-backstory-of-poem-natural-history-by.html

058  January 11, 2019

“BLOCKADE”

by Brian Burmeister

https://chrisricecooper.blogspot.com/2019/01/58-backstory-of-poem-blockade-by-brian.html

059  January 12, 2019

“Lost”

by Clint Margrave

https://chrisricecooper.blogspot.com/2019/01/59-backstory-of-poem-lost-by-clint.html

060 January 14, 2019

“Menopause”

by Pat Durmon

https://chrisricecooper.blogspot.com/2019/01/60-backstory-of-poem-menopause-by-pat.html

061 January 19, 2019

“Neptune’s Choir”

by Linda Imbler

https://chrisricecooper.blogspot.com/2019/01/61-backstory-of-poem-neptunes-choir-by.html

062  January 22, 2019

“Views From the Driveway”

by Amy Barone

https://chrisricecooper.blogspot.com/2019/01/62-backstory-of-poem-views-from.html

063  January 25, 2019

“The heron leaves her haunts in the marsh”

by Gail Wronsky

https://chrisricecooper.blogspot.com/2019/01/63-backstory-of-poem-heron-leaves-her.html

064  January 30, 2019

“Shiprock”

by Terry Lucas

https://chrisricecooper.blogspot.com/2019/01/64-backstory-of-poem-shiprock-by-terry_29.html

065 February 02, 2019

“Summer 1970, The University of Virginia Opens to Women in the Fall”

by Alarie Tennille

https://chrisricecooper.blogspot.com/2019/02/65-backstory-of-poem-summer-1970.html

066 February 05, 2019

“At School They Learn Nouns”

by Patrick Bizzaro

https://chrisricecooper.blogspot.com/2019/02/66-backstory-of-poem-at-school-they.html

067  February 06, 2019

“I Must Not Breathe”

by Angela Jackson-Brown

https://chrisricecooper.blogspot.com/2019/02/67-backstory-of-poem-i-must-not-breathe.html

068 February 11, 2019

“Lunch on City Island, Early June”

by Christine Potter

 https://chrisricecooper.blogspot.com/2019/02/068-backstory-of-poem-lunch-on-city.html

069 February 12, 2019

“Singing”

by Andrew McFadyen-Ketchum

https://chrisricecooper.blogspot.com/2019/02/69-backstory-of-poem-singing-by-andrew.html

070 February 14, 2019

“Daily Commute”

by Christopher P. Locke

http://chrisricecooper.blogspot.com/2019/02/70-backstory-of-poem-daily-commute-by.html

071 February 18, 2019

“How Silent The Trees”

by Wyn Cooper

http://chrisricecooper.blogspot.com/2019/02/71-backstory-of-poem-how-silent-trees.html

072 February 20, 2019

“A New Psalm of Montreal”

by Sheenagh Pugh

https://chrisricecooper.blogspot.com/2019/02/72-backstory-of-poem-new-psalm-of.html

073 February 23, 2019

“Make Me A Butterfly”

by Amy Barbera

https://chrisricecooper.blogspot.com/2019/02/73-backstory-of-poem-make-me-butterfly_23.html

074 February 26, 2019

“Anthem”

by Sandy Coomer

https://chrisricecooper.blogspot.com/2019/02/74-backstory-of-poem-anthem-by-sandy.html

075 March 4, 2019

“Shape of a Violin”

by Kelly Powell

https://chrisricecooper.blogspot.com/2019/03/75-backstory-of-poem-shape-of-violin-by.html

076 March 5, 2019

“Inward Oracle”

by J.P. Dancing Bear

http://chrisricecooper.blogspot.com/2019/03/76-backstory-of-poem-inward-oracle-by.html

077 March 7, 2019

“I Broke My Bust Of Jesus”

by Susan Sundwall

https://chrisricecooper.blogspot.com/2019/03/77-backstory-of-poem-i-broke-my-bust-of.html

078 March 9, 2019

“My Mother at 19”

by John Guzlowski

http://chrisricecooper.blogspot.com/2019/03/78-backstory-of-poem-my-mother-was-19.html

079 March 10, 2019

“Paddling”

by Chera Hammons Miller

https://chrisricecooper.blogspot.com/2019/03/79-backstory-of-poem-paddling-by-chera.html

080 March 12, 2019

“Of Water and Echo”

by Gillian Cummings

https://chrisricecooper.blogspot.com/2019/03/80-backstory-of-poem-of-water-and-echo.html

081   082   083    March 14, 2019

“Little Political Sense”   “Crossing Kansas with Jim

Morrison”  “The Land of Sky and Blue Waters”

by Dr. Lindsey Martin-Bowen

https://chrisricecooper.blogspot.com/2019/03/81-82-and-83-backstory-of-poems-by-dr.html

084 March 15, 2019

“A Tune To Remember”

by Anna Evans

https://chrisricecooper.blogspot.com/2019/03/84-backstory-of-poem-tune-to-remember.html

085 March 19, 2019

“At the End of Time (Wish You Were Here)

by Jeannine Hall Gailey

https://chrisricecooper.blogspot.com/2019/03/85-backstory-of-poem-at-end-of-time.html

086 March 20, 2019

“Garden of Gethsemane”

by Marletta Hemphill

http://chrisricecooper.blogspot.com/2019/03/86-backstory-of-poem-view-from.html

087 March 21, 2019

“Letters From a War”

by Chelsea Dingman

https://chrisricecooper.blogspot.com/2019/03/87-backstory-of-poem-letters-from-war.html

088 March 26, 2019

“HAT”

by Bob Heman

http://chrisricecooper.blogspot.com/2019/03/88-backstory-of-poem-hat-by-bob-heman.html

089 March 27, 2019

“Clay for the Potter”

by Belinda Bourgeois

https://chrisricecooper.blogspot.com/2019/03/89-backstory-of-poem-clay-for-potter-by.html

#090 March 30, 2019

“The Pose”

by John Hicks

https://chrisricecooper.blogspot.com/2019/03/90-backstory-of-poem-pose-by-john-hicks.html

#091 April 2, 2019

“Last Night at the Wursthaus”

by Doug Holder

https://chrisricecooper.blogspot.com/2019/04/91-backstory-of-poem-last-night-at.html

#092 April 4, 2019

“Original Sin”

by Diane Lockward

https://chrisricecooper.blogspot.com/2019/04/92-backstory-of-poem-original-sin-by.html

#093 April 5, 2019

“A Father Calls to his child on liveleak”

by Stephen Byrne

https://chrisricecooper.blogspot.com/2019/04/93-backstory-of-poem-father-calls-to.html

#094 April 8, 2019

“XX”

by Marc Zegans

http://chrisricecooper.blogspot.com/2019/04/94-backstory-of-poem-xx-by-marc-zegans.html

#095 April 12, 2019

“Landscape and Still Life”

by Marjorie Maddox

https://chrisricecooper.blogspot.com/2019/04/95-backstory-of-poem-landscape-and.html

#096 April 16, 2019

“Strawberries Have Been Growing Here for Hundreds of

Years”

by Mary Ellen Lough

http://chrisricecooper.blogspot.com/2019/04/096-backstory-of-poem-strawberries-have.html

#097 April 17, 2019

“The New Science of Slippery Surfaces”

by Donna Spruijt-Metz

https://chrisricecooper.blogspot.com/2019/04/97-backstory-of-poem-new-science-of.html

#098 April 19, 2019

“Tennessee Epithalamium”

by Alyse Knorr

https://chrisricecooper.blogspot.com/2019/04/098-backstory-of-poem-tennessee.html

#099 April 20, 2019

“Mermaid, 1969”

by Tameca L. Coleman

https://chrisricecooper.blogspot.com/2019/04/99-backstory-of-poem-mermaids-1969-by.html

#100 April 21, 2019

“How Do You Know?”

by Stephanie

https://chrisricecooper.blogspot.com/2019/04/100-backstory-of-poem-how-do-you-know.html

#101 April 23, 2019

“Rare Book and Reader”

by Ned Balbo

https://chrisricecooper.blogspot.com/2019/04/101-backstory-of-poem-rare-book-and.html

#102 April 26, 2019

“THUNDER”

by Jefferson Carter

https://chrisricecooper.blogspot.com/2019/04/102-backstory-of-poem-thunder-by.html

#103 May 01, 2019

“The sight of a million angels”

by Jenneth Graser

https://chrisricecooper.blogspot.com/2019/05/103-backstory-of-poem-sight-of-million.html

#104 May 09, 2019

“How to tell my dog I’m dying”

by Richard Fox

http://chrisricecooper.blogspot.com/2019/05/104-backstory-of-poem-how-to-tell-my.html

#105 May 17, 2019

“Promises Had Been Made”

by Sarah Sarai

http://chrisricecooper.blogspot.com/2019/05/105-backstory-of-poem-promises-had-been.html

#106 June 01, 2019

“i sold your car today”

by Pamela Twining

https://chrisricecooper.blogspot.com/2019/06/106-backstory-of-poem-i-sold-your-car.html

#107 June 02, 2019

“Abandoned Stable”

by Nancy Susanna Breen

http://chrisricecooper.blogspot.com/2019/06/107-backstory-of-poem-abandoned-stable.html

#108 June 05, 2019

“Cupcake”

by Julene Tripp Weaver

http://chrisricecooper.blogspot.com/2019/06/108-backstory-of-poem-cupcake-by-julene.html

#109 June 6, 2019

“Bobby’s Story”

by Jimmy Pappas

http://chrisricecooper.blogspot.com/2019/06/109-backstory-of-poem-bobbys-story-by.html

#110 June 10, 2019

“When You Ask Me to Tell You About My Father”

by Pauletta Hansel

http://chrisricecooper.blogspot.com/2019/06/110-backstory-of-poem-when-you-ask-me.html