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****Gregory Phillip’s The Exile is the thirty-first in a never-ending
series called INSIDE THE EMOTION OF
FICTION where the Chris Rice
Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre
and how that fiction writer wrote that specific excerpt. All INSIDE
THE EMOTION OF FICTION links are at the end of this piece.
Name of fiction work? And were there other names you considered that you would like to share with us? My novel The Exile came out on April 6. Other than slight variations (we considered “Exiled”) the name really stuck and I think it fits the work. The title can imply people who are on exile in a foreign land, or a person who has herself become an exile. That double meaning is apt for the novel.
Name of fiction work? And were there other names you considered that you would like to share with us? My novel The Exile came out on April 6. Other than slight variations (we considered “Exiled”) the name really stuck and I think it fits the work. The title can imply people who are on exile in a foreign land, or a person who has herself become an exile. That double meaning is apt for the novel.
Fiction genre? Ex science fiction, short story, fantasy novella, romance, drama, crime, plays, flash fiction, historical, comedy, movie script, screenplay, etc. And how many pages long? The Exile is upmarket, mainstream fiction, with a great love story that will appeal to romance readers. It is also a suspenseful, fast-paced novel that is a real page-turner. It is 309 pages long.
Has this been published? And it is totally fine if the answer is no. If yes, what publisher and what publication date? It is published by Koehler Books, April 6. The pre-publication period was very exciting for me, as the early reviews coming in have been very positive.
What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? I amazed myself with how fast I wrote this novel. I remember starting it the weekend after Easter, 2016, and now it has been just before Easter, 2019! I wrote the first draft in 9 months, while working full time and not taking any significant time off, while also having a lot of things in my personal life that demanded my attention. Once the story of The Exile, and even more so, the character of Leila were in my head, the words simply flowed onto the page.
Where did you do most of your writing for this
fiction work? And please describe in
detail. And can you please include a
photo? I
have a committed routine of writing for an hour or two in the mornings before
going to work. My mind is clear in the early mornings. That’s when I do my best
writing, in my home study. I also look for long weekend getaways where I can be
closer to nature and write for longer periods at a time. This picture (Left) is from a
place I like to go on Whidbey Island, a short ferry trip from my home in
Seattle, WA (Below Right). I actually started The Exile and also finished the
first draft on Whidbey Island, WA.
What were your writing habits while writing this
work- did you drink something as you wrote, listen to music, write in pen and
paper, directly on laptop; specific time of day? I
like a good cup of tea while I write: strong, loose-leaf black tea. I sometimes
listen to classical music while I write, but often prefer silence in my early
morning writing time. The romantic in me wishes I could write effectively with
pen and paper, but I go with the efficiency of the laptop.
What is the summary of this specific fiction
work? The
Exile is the story of Leila, a young Colombian American woman
who with her father escaped a violent past in Latin America, but face the
threat of deportation from the U.S. The story of The Exile has many
fascinating angles which all came together for me that weekend about three
years ago—cross-cultural love, the
housing crisis of 2008, Colombian militants in the 80s, the Latin American
immigrant experience, the effects of racism. It is a suspenseful story that
moves between Phoenix, Arizona and Cartagena, Colombia (Above Left). It is a heart-warming
love story. At its core, The Exile is a story about love,
family, home, and the courage it takes to protect those things.
Can you give the reader just enough information
for them to understand what is going on in the excerpt? In this excerpt, Leila
and her father, Manny, have just finished playing their guitars together on a
warm evening in the patio of Manny’s home in Phoenix. Leila has been focused on
career success and Manny is encouraging her to remember what’s important in
life. (Above Right: Cartagena, Columbia street art)
Please include the
excerpt and include page numbers as reference.
The excerpt can be as short or as
long as you prefer. The Exile, Chapter 2, page 8-11
It was
late. The moon shone down onto the patio through long palm fronds. A breeze
blew in off the desert, cooling the March evening. The sound of two guitars and
two voices serenaded the neighborhood to sleep.
Leila
smiled at her dad as they finished the song “La Cartera.” It was a popular
Colombian song about the gifts of love. They set down their guitars in
unison. It was a good one to end on; she
would let the song ring in her mind for the night.
“That’s
still my favorite song. You gave me all those things, Papá.”
She
breathed in the dry Arizona air, scented by spring flowers and mesquite. This
was such a nice evening. She had let it go too long since the last time they
played together.
Leila
looked over at her dad.
“Why did
you take the chance on me, after everything you went through? Why take the
risk?”
“Love is
always worth the risk.”
Leila
wasn’t sure she agreed.
“After
my first wife was killed, I didn’t expect to love again,” Manny said. “I didn’t
want to. Losing my family hurt too much. It would have been easy to destroy
myself in the revolution. Instead, I set my life on a whole new course, and now
here I am. For me, life was the risk
and death would have been easy. Life has always meant love to me, and so to
live, I had to be willing to take a risk on love again.”
He made
it sound so noble, but she knew it hadn’t been any easier for him than it would
be for her if she faced the same choices.
“I’ve
made my life be about so many other things,” she said. “It’s because I don’t
want to take the risk. I’m afraid of getting hurt the way you did.”
They had
lowered their voices. The palms brushed rhythmically against the roofs of the
single-story houses.
“You
have become such an American, my dear,” he said. “All work.”
The
remark took her by surprise.
“I
learned the value of work from you.”
“Yes, I
understand. You had much to work for. So have I. A second chance is strong
motivation. But work isn’t life. I have worked for you, for Carmen, for a night
like this playing music under the stars. But many Americans work for its own
sake. Remember the Latin way: work is so you can enjoy your family and friends
with more security and to create the little moments that make life beautiful.”
Leila
wanted to believe that.
Going it
alone wasn’t always so bad though. She had everything she needed and nothing
she didn’t want. Her life was ordered just
so, and she liked it that way. She didn’t want to think that something was
missing.
She
looked up through the branches at the stars, abundant above the Valley of the
Sun. The moon had passed behind the house but still glowed in the sky.
She
turned and looked at her dad in the darkness. “Was love worth the risk for
you?”
“Absolutely.
My heart still hurts, even after all these years. I won’t pretend that you and
Carmen have made up for it. I know you understand, but I can’t talk to Carmen
about it. She’s jealous of my old love. But you
know.”
Leila
nodded.
“I hope
you learn sooner than I did,” said Manny. “Too many years of fighting. Too long
running away from myself and arguing with God. Too many years talking about
love without living it.”
Leila
picked her guitar up from where she had set it down against her chair. She
hugged it to her chest and closed her eyes. She could still feel the faintest
vibration in the wood of the instrument, so recently touched by music. The
resonance passed into her. It comforted her but also unsettled her. Music
always reminded her that life wasn’t as simple as she tried to make it. She was
never in control. The lessons of her life should have taught her that by now,
even though it seemed like a lesson she had to learn over and over. She was
never in control of music either, even if she knew all the words of a song and
where to find every note on the strings. Music had a life all its own. It would
be frightening to let life itself take on the unpredictable magic of a song.
Why is this excerpt so
emotional for you? And can you describe
your own emotional experience of writing this specific excerpt? This
scene in the novel shows Leila’s unwillingness to risk the safety and security
for which she has worked so hard, but also her awareness of the emptiness of
her success. It shows Manny’s wisdom after years fraught with mistakes and
loss. This early scene drives the emotional foundation for both characters, as
from it are revealed Manny’s story leading to this point, and Leila’s story
leading on from there.
https://www.amazon.com/Finished-Years-Gregory-Erich-Phillips-ebook-dp-B07H9FW8Z2/dp/B07H9FW8Z2/ref=mt_kindle?_encoding=UTF8&me=&qid=
Anything you would like
to add? I
hope The
Exile is a meaningful story to readers, who I think will really come to
love the character of Leila and identify with her journey, as I did in writing
her story.
https://www.amazon.com/Exile-Gregory-Erich-Phillips/dp/1633937658/
With my novels, I aim to tell aspirational stories through strong, relatable characters that transcend time and place. I have been writing novels since I was 14 and am so happy to have finally turned the corner last year with my first published novel. I work by day as a mortgage consultant. I am also a tango dancer and musician. I have performed tango on stages in Seattle, San Francisco, New York City and elsewhere. I live in Seattle, WA with Rachel, my wife, tango dancer and muse.
https://www.amazon.com/Exile-Gregory-Erich-Phillips/dp/1633937658/
With my novels, I aim to tell aspirational stories through strong, relatable characters that transcend time and place. I have been writing novels since I was 14 and am so happy to have finally turned the corner last year with my first published novel. I work by day as a mortgage consultant. I am also a tango dancer and musician. I have performed tango on stages in Seattle, San Francisco, New York City and elsewhere. I live in Seattle, WA with Rachel, my wife, tango dancer and muse.
INSIDE THE EMOTION OF
FICTION links
001 11 15 2018 Nathaniel
Kaine’s
Thriller Novel
John
Hunter – The Veteran
002 11 18 2018 Ed
Protzzel’s
Futuristic/Mystery/Thriller
The
Antiquities Dealer
003 11 23 2018 Janice
Seagraves’s
Science
Fiction Romance
Exodus
Arcon
004 11 29 2018
Christian Fennell’s
Literary
Fiction Novel
The Fiddler
in the Night
005 12 02 2018 Jessica
Mathews’s
Adult
Paranormal Romance
Death
Adjacent
006 12 04 2018 Robin
Jansen’s
Literary
Fiction Novel
Ruby the
Indomitable
007 12 12 2018 Adair Valerez’s
Literary
Fiction Novel
Scrim
008 12 17 218
Kit Frazier’s
Mystery Novel
Dead Copy
009 12 21 2019 Robert Craven’s
Noir/Spy Novel
The Road
of a Thousand Tigers
010 01 13 2019 Kristine Goodfellow’s
Contemporary
Romantic Fiction
The Other
Twin
011 01 17 2019 Nancy J Cohen’s
Cozy Mystery
Trimmed To
Death
012 01 20 2019 Charles Salzberg’s
Crime Novel
Second
Story Man
013 01 23 2019 Alexis Fancher’s
Flash Fiction
His Full
Attention
014 01 27 2019 Brian L Tucker’s
Young Adult/Historical
POKEWEED: AN ILLUSTRATED NOVELLA
015 01 31 2019 Robin Tidwell’s
Dystopian
Reduced
016 02 07 2019 J.D. Trafford’s
Legal
Fiction/Mystery
Little Boy
Lost
017 02 08 2019 Paula Shene’s
Young Adult
ScieFi/Fantasy/Romance/Adventure
My Quest
Begins
018 02 13 2019 Talia Carner’s
Mainstream
Fiction/ Suspense/ Historical
Hotel
Moscow
019 02 15 2019 Rick Robinson’s
Multidimensional
Fiction
Alligator
Alley
020 02 21 2019 LaVerne Thompson’s
Urban Fantasy
The Soul
Collectors
021 02 27 2019 Marlon L Fick’s
Post-Colonialist
Novel
The
Nowhere Man
022 03 02 2019 Carol Johnson’s
Mainstream
Novel
Silk And
Ashes
023 03 06 2019 Samuel Snoek-Brown’s
Short Story
Collection
There Is
No Other Way to Worship Them
024 03 08 2019 Marlin Barton’s
Short Story
Collection
Pasture
Art
025 03 18 2019 Laura Hunter’s
Historical
Fiction
Beloved
Mother
026 03 21 2019 Maggie Rivers’s
Romance
Magical
Mistletoe
027 03 25 2019 Faith
Gibson’s
Paranormal
Romance
Rafael
028 03 27 2019 Valerie Nieman’s
Tall Tale
To The
Bones
029 04 04 2019 Betty Bolte’s
Paranormal
Romance
Veiled
Visions of Love
030 04 05 2019 Marianne
Maili’s
Tragicomedy
Lucy, go
see
031 04 10 2019 Gregory Erich Phillips’s
Mainstream
Fiction
The Exile
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