Chris Rice Cooper
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****Bill Johnson’s screenplay SWEET DREAMS is #197 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt. All INSIDE THE EMOTION OF FICTION links are at the end of this piece
Name of screenplay? And were there other names you considered that you would like to share with us? Sweet Dreams. When I discovered the name had already been used I considered changing it, but I also found the title echoing around me in unexpected places, rather like the universe was telling me to keep the title. So I did. I just finished a play that went from Trials of Dark Hearts, to Winning the Trials of Dark Hearts, to The Trials and Tribulations of Sad Clowns. I got to clowns from a phrase a character uses.
What is the date you began writing this screenplay and the date when you completely finished the piece of fiction? November of 2001, March of 2002. This is an old script, but my favorite of all I wrote or was hired to work on.
Where did you do most of your writing? And please describe in detail. I'm a night writer, feeling most creative after 10 pm. I'm also a streak writer.
When I was in my early twenties I did bellows breathing 3-4 hours a day for a year. I discovered I'm on an 11 week cycle. It starts on a high that lasts about a week, then several semi highs of about a week each, then slowly drops to a low point where my body and brain feel out of sync and nerves are irritated.
I felt most creative during my high. During semi-highs I focused more on writing and rewriting. As I dropped toward my low, I focus on editing.
When I hit the low, I go out for a good meal and a massage. When I was hired to do script work, working with others ideas made it easier for me to get into a creative flow. I did some work for a Hollywood actor Neal McDonough and was an editor for screenwriter Billy Snowden, and worked for a local low budget producer Tom Shaw who hired me to write a script and do location scouting and testing of film stock.
What were your writing habits while writing this screenplay - did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? I came of age writing fiction in long hand, but by the time I got to screenwriting and working with and for others, I became comfortable working on a computer with a screenwriting program.
Before I began writing screenplays, I wrote and directed scripts for industrial and some corporate video. I once had to write a script, shoot some footage, and get a short video edited in 24 hours for an Olympics proposal on a tight deadline, on the day a long term relationship ended. I also wrote and had some full length plays produced. Those were mostly written long hand. Through a theater group, I became an editor for a screenwriter who had just sold a script to Columbia.
When I wrote for others, I typically wrote during the day. When I wrote for myself, I typically did most of my creative work in the evening. During this time I rented an office so I had a quiet working environment. Over the Christmas holidays, I could work until 2-3 am and then sleep in the office.
The low budget film producer I worked for let me crash in his studio for 15 months while I was putting together the material for A Story is a Promise. When I was younger, I fueled on donuts and diet soda and sometimes cheap Chinese. Now I fuel on salads and caffeine free soda or water with lemon. What is the summary of your screenplay? A meek FBI agent is bringing over Russian women to take on the identity of his dead wife. The first five who didn't work out he keeps in a basement freezer.
The 6th potential wife is on her way to the US when a Russian hooker courier steals her identity but finds herself locked in the FBI agent's basement. When she escapes, the FBI agent struggles to figure out how to recapture the woman who was to be the replacement for his dead wife. Complications ensue and multiply until every character is trying to cross through to a place where they can have their sweet dreams fulfilled.
Please include just one excerpt. This one excerpt can be as short or as long as you prefer. I lost my formatting when I did a copy and paste, so I just did a quick reformat in Word.
INT. AMERICA/TOM HAWKING’S HOUSE - DAY
Sitting before an altar, TOM HAWKING lights some candles. He is young thirties, neat.
TOM
I know I will never be able to really replace you, but I had to try.
His altar is composed of various photos of his dead wife, KATE HAWKING, who bears a striking resemblance to Katrina. Strings of small Christmas lights twinkle around various pictures of Tom and Kate, obviously in love with the idea of themselves.
TOM
I promise you, our great love will survive.
Christmas lights twinkle in Tom’s tear-glistened eyes.
INT. RUSSIAN MATING/DATING SERVICE - DAY
A old, short Russian MATCHMAKER walks down a hallway with OLGA, a timid blonde who, like Katrina, has a resemblance to Kate Hawking.
MATCHMAKER
Take care of his needs, he’ll be good to you.
A door along the hall opens. Sleazy music comes out. Several clumsy young girls are being taught to be strippers. The Matchmaker hurriedly closes the door as Olga blushes.
OLGA
I’m not going to...
MATCHMAKER
That’s got nothing to do with you.
Katrina appears at the end of the hall. She nods. The Matchmaker nods at Katrina, who disappears.
OLGA
I do want to be able to please him.
MATCHMAKER
That’s easy. Even if he’s ugly and hung like a string bean, pretend he’s a Hollywood movie star like Abbot and Costello.
OLGA
Yes, Mother.
MATCHMAKER
And don’t call me Mother, god dammit. Shit can the damn religion for a few weeks.
OLGA
Shyte cane the religion. Yes, Mother.
The Matchmaker rolls her eyes.
MATCHMAKER
Look, you’re young and pretty, but there’s no life for you here. Just stick with this guy for a year. Then you can get your green card and be free.
The old Matchmaker reaches out to open a door with hands crippled by arthritis.
I once wrote a novel (The Combat Poets of Maya) while sleeping in the storage space of a restaurant that had a poetry and theater night. Returning to Sweet Dreams, I teach that a story creates movement and that movement transports a reader or audience. When I wrote this script, the underlying mechanics of the story is that as each character takes one step toward what they believe will be the fulfillment of a dream, the one step of another character knocks their dream one further step away. So as each character keeps taking an additional, realistic step forward, every character ends up in a twilight zone.
I thought writing a script as pure movement without plot points would impress some of the people I pitched. They assumed I didn't know what plot points were and that was that. I later figured out a way to pitch the script with conventional plot points, but one person who read the script suggested ways I could make the script conventional. I had to accept that my dark comedy doesn't work for some people. It has worked better in my short plays that have been produced around the US, England, and Mexico.
Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked-up rough drafts of this excerpt. This script is from too far back for me to have edits, but I'm currently working on a new play that is nearing a final draft. I'll include a few of those pages.
When I write a draft, I'm trying to get down the bones of the story. This script started as a 15 page short, that I'm rewriting to a 30 page one act. So I'm really expanding the script. When I write a new script, that's my goal, just get down the bones. I couldn't work with a writer who wrote a first draft, did a few edits, and the script was done.
A sad tale of woe about edits, I'd done a rewrite on a script for a Hollywood actor that worked through some of his notes. When I was done I was in a creative high, so I started a new script. When I wrote a script, I'd put a draft on my hard drive and a copy on a floppy.
When I started a new script, the script program I was using gave it the same name as the actor's script. Since I'd done so many writes on that script, I'd cleaned out all my recycling and it was taken away. Then I found out that script program had overwritten my new draft of that script on the floppy and my hard drive. It was lost. I could never find the thread of how I'd resolved various issues in the rewrite. The actor assumed I was blowing him off.
Has this screenplay been made into a film? And if NOT which actors would you like to portray your characters in this screenplay? Back when I wrote Sweet Dreams, I saw Tom Hanks (Above Right) as the FBI agent and Samuel L Jackson (Above Left) as a hitman trying to track down Katrina, the courier from Russia.
How many pages? What does that equate to how long the film would be? 100 pages. I figured a minute a page. An old aol address. That brings back memories. I used to post some of my insights on storytelling in the screenwriter area, until a new moderator announced that no one could post anything that would offend a child. A guy (Above Right: Josh Olson) who went by BadCog wrote the script for the movie A History of Violence.
Besides working on the play, I'm trying to see if I can use meditation techniques to tap into a more universal state of creative energy. What the poet Walt Whitman (Right) referred to as 'God licked my brain.' I figure it will take meditating three hours a day for a year to see what happen
Bill Johnson is the author of the writing workbook A Story is a Promise & The Spirit of Storytelling. He's a produced playwright and was a long time board member of the Northwest Playwrights Guild. He was office manager of Willamette Writers, a non-profit writer's group. He is currently webmaster of Essays on the Craft of Dramatic Writing! (www.storyispromise.com) a website that explores principles of storytelling through reviews of movies, novels, and plays.
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#106 12 09 2019 Phil McCarron’s
Screenplay
“Escapement”
http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html
#107 12 11 2019 Wendy H. Jones’s
Crime Fiction/Police Procedural Novel
“KILLER’S COUNTDOWN”
https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html
#108 12 13 2019 Sandra Arnold’s
Historical Literary Fiction
“The Ash, the Well and the Blue Bell”
http://chrisricecooper.blogspot.com/2019/12/108-inside-emotion-of-fiction-ash-well.html
#109 12 16 2019 Amalia Carosella’s
Historical/Contemporary/Duel Timeline/ Women’s
Fiction
“DAUGHTER OF A THOUSAND YEARS”
https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html
#110 12 19 2019 Laura Bickle’s
Weird Western/Contemporary Fantasy
“DARK ALCHEMY”
https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html
#111 12 27 2019 Brian Pinkerton’s
Science Fiction Thriller
“THE GEMINI EXPERIMENT”
https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html
#112 12 28 2019 Sandra de Helen’s
Lesbian Thriller
“TILL DARKNESS COMES”
https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html
#113 12 29 2019 Jo Wilde’s
Vampire Thriller
“THE CROSSING”
http://chrisricecooper.blogspot.com/2019/12/113-inside-emotion-of-fiction-crossing.html
#114 12 30 2019 Sam Richard’s
Short Story Collection of Weird and Transgressive
Horror
“To Wallow In Ash and Sorrows”
https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html
#115 12 31 2019 Duncan B Barlow’s
Literary Fiction Novel
“A DOG BETWEEN US”
https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html
#116 01 02 2020 Allison Landa’s
Young Adult Novel
“BAD HAIR”
https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html
#117 01 03 2020 Pablo Medina’s
Literary Satire Novel
“THE CUBAN COMEDY”
http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html
#118 01 06 2020 William Trent Pancoast’s
Historical/Literary Novel
“THE ROAD TO MATEWAN”
https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html
#119 01 07 2020 Jane Bernstein’s
Contemporary Novel
“The Face Tells the Secret”
https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html
#120 01 09 2020 Terry Kroenung’s
Young Adult, Historical and Fantasy
“Brimstone And Lily”
https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html
#121 01 12 2020 Melissa Yi’s
Fiction Thriller
“GRAVEYARD SHIFT”
http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html
#122 01 15 2020 Marcie R. Rendon’s
Crime Thriller
“GIRL GONE MISSING”
http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html
#123 01 16 2020 Tori Eldridge’s
Multi Genre Novel
“THE NINJA DAUGHTER”
https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html
#124 01 17 2020 Kristen Joy Wilks’s
Christian Romantic Comedy
“YELLOWSTONE YONDERING”
http://chrisricecooper.blogspot.com/2020/01/124-inside-emotion-of-fiction.html
#125 01 20 2020 Susan C. Shea’s
Cozy Mystery
“DRESSED FOR DEATH IN BURGUNDY”
http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html
#126 01 22 2020 Phong Nguyen’s
Improvisational Fiction
“ROUDABOUT”
https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html
#127 01 23 2020 Kate Thornton’s
Mystery Short Story In Its Entirety
“Ai Witness”
https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html
#128 01 24 2020 Phil McCarron’s
Semi Fictional Essays
“The Great Facepalm: The Farce of 21st Century
Normality”
https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html
#129 01 27 2020 Kenneth Weene’s
Historicized Literary Fiction
“Red And White”
https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html
#130 01 28 2020 Graham Storrs’s
Science Fiction Thriller
“TimeSplash”
https://chrisricecooper.blogspot.com
/2020/01/130-inside-emotion-of-fiction.html
#131 02 08 2020 Angela Slatter’s
Short Story “Terrible As An Army With Banners”
From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS
https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html
#132 02 11 2020 Joan Joachim’s
Romance
Just One Kiss
https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html
#133 02 16 2020 Kelsey Clifton’s
Science Fiction
A DAY OUT OF TIME
https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html
#134 02 17 2020 Soraya M Lane’s
Women Historical Fiction
THE GIRLS OF PEARL HARBOR
https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html
#135 03 07 2020
Linked Fiction
BLEACHERS Fifty-Four Linked Fictions
By Joseph Mills
https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html
#136 03 15 2020
Science Fiction Romance
BLUE VISION
By Marie Lavender
https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html
#137 03 17 2020
Crime Fiction
12 Bullets
by O’Neil De Noux
https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html
#138 03 18 2020
Flash Fiction Piece
Radical
by Kelle Grace Gaddis
https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html
#139 03 20 2020
Mystery
HERE BE MONSTERS
By Jamie Sheffield
https://chrisricecooper.blogspot.com/2020/03/139-inside-emotion-of-fiction-here-be.html
#140 03 21 2020
Character Driven Novel
UNBROKEN
By Jamie Lisa Forbes
https://chrisricecooper.blogspot.com/2020/03/140-inside-emotion-of-fiction-unbroken.html
#141 03 23 2020
Literary Murder Mystery
COLD COUNTRY
By Russell Rowland
http://chrisricecooper.blogspot.com/2020/03/141-inside-emotion-of-fiction-cold.html
#142 04 01 2020
Sci-Fi/Paranormal
SWEET SLEEP
By Kim Cormack
https://chrisricecooper.blogspot.com/2020/04/142-inside-emotion-of-fiction-sweet.html
#143 04 02 2020
Western Noir Short Story
“Night Rounds”
by James Reasoner
https://chrisricecooper.blogspot.com/2020/04/143-inside-emotion-of-fiction-night.html
#144 04 03 2020
Southern Fiction
LITTLE TEA
By Claire Fullerton
http://chrisricecooper.blogspot.com/2020/04/144-inside-emotion-of-fiction-little.html
#145 04 04 2020
Mainstream novel with elements of crime, mystery, and magic
THE FORGETTING FLOWER
by Karen Hugg
https://chrisricecooper.blogspot.com/2020/04/145-inside-emotion-of-fiction.html
#146 04 07 2020
Historical Fiction
MEDICIS DAUGHTER
by Sophie Perinot
http://chrisricecooper.blogspot.com/2020/04/146-inside-emotion-of-fiction-medicis.html
#147 04 08 2020
Dark Urban Fantasy with elements of Paranormal Romance
COVEN BORN
by Stephanie Reisner aka AUDREY BRICE
https://chrisricecooper.blogspot.com/2020/04/147-inside-emotion-of-fiction-coven.html
#148 04 13 2020
Mystery With A Fantasy Twist
DEATH LIVES IN THE WATER
By Shoshana Edwards
http://chrisricecooper.blogspot.com/2020/04/148-inside-emotion-of-fiction-death.html
#149 04 14 2020
Historical Fiction
ASHES
by Sharon Glogal Friedman
https://chrisricecooper.blogspot.com/2020/04/149-inside-emotion-of-fiction-ashes-by.html
#150 04 19 2020
Vampire Horror Novelette
Blood Thrasher: The Devil’s in the Metal
by Adam Messer
http://chrisricecooper.blogspot.com/2020/04/adam-messers-blood-thrasher-devils-in.html
#151 04 25 2020
Historical Fiction
Charis in the World of Wonders
by Marly Youmans
https://chrisricecooper.blogspot.com/2020/04/marly-youmans-charis-in-world-of.html
#152 04 29 2020
Historical Fiction
The Master of Verona
by David Blixt
https://chrisricecooper.blogspot.com/2020/04/david-blixts-master-of-verona-is-152-in.html
#153 04 30 2020
General Fiction (Family)
Bread Bags & Bullies: Surviving the 80s
by Steven Manchester
https://chrisricecooper.blogspot.com/2020/04/steven-manchesters-bread-bags-bullies.html
#154 05 01 2020
Adventure-Thriller/Horror
Into The Ashes
by Lee Murray
http://chrisricecooper.blogspot.com/2020/05/lee-murrays-into-ashes-is-154-in-never.html
#155 05 06 2020
Coming of Age/Crime Novel
All Things Left In The Wild
by James Wade
https://chrisricecooper.blogspot.com/2020/05/james-wades-all-things-left-in-wild-is.html
#156 05 10 2020
Paranormal Mystery
Southern Bound
by Stuart Jaffe
https://chrisricecooper.blogspot.com/2020/05/stuart-jaffes-southern-bound-is-156-in.html
#157 05 13 2020
Mystery/Crime Novel
Yardbird
By Mark Slade
http://chrisricecooper.blogspot.com/2020/05/mark-slades-yardbird-is-157-in-never.html
#158 05 15 2020
Horror/Crime Novel
Hotel Nowhere
By David E Adkins
https://chrisricecooper.blogspot.com/2020/05/david-e-adkinss-hotel-nowhere-is-158-in.html
#159 05 16 2020
Satire/Crime Novel
THE LYING BASTARD
by Clint Margrave
https://chrisricecooper.blogspot.com/2020/05/clint-margraves-lying-bastard-is-159-in.html
#160 05 19 2020
Southern Gothic Fiction
REVIVING THE HAWTHORN SISTERS
by Emily Carpenter
https://chrisricecooper.blogspot.com/2020/05/emily-carpenters-reviving-hawthorn.html
#161 05 21 2020
Women’s Domestic Life Fiction
MERCY HOUSE
by Alena Dillon
http://chrisricecooper.blogspot.com/2020/05/alena-dillons-mercy-house-is-161-in.html
#162 05 26 2020
Screenplay/Film
BEAST MODE
by Drew Fortune and Spain Willingham
https://chrisricecooper.blogspot.com/2020/05/drew-fortunes-and-spain-willinghams_26.html
#163 05 31 2020
Coming of Age/ Psychological Thriller
MY SISTER & OTHER LIARS
by Ruth Dugdall
http://chrisricecooper.blogspot.com/2020/05/ruth-dugdalls-my-sister-and-other-liars.html
#164 06 01 2020
Psychological Thriller
IN HARM’S WAY
by Owen Mullen
https://chrisricecooper.blogspot.com/2020/06/owen-mullens-in-harms-way-is-164-in.html
#165 06 02 2020
Small Town Short Story Collection
SNAPSHOT “Old Lady”
by Eliot Parker
https://chrisricecooper.blogspot.com/2020/06/eliot-parkers-old-lady-from-snapshots.html
#166 06 04 2020
Noir Crime Novel
SKIN OF TATTOOS
by Christina Hoag
https://chrisricecooper.blogspot.com/2020/06/christina-hoags-skin-of-tattoos-is-166.html
#167 06 06 2020
Coming of Age/Historical
THE ORPHAN COLLECTOR
by Ellen Marie Wiseman
https://chrisricecooper.blogspot.com/2020/06/ellen-marie-wisemans-orphan-collector.html
#168 06 08 2020
World War Two Historical Fiction
THE PRISONER’S WIFE
by Maggie Brookes
http://chrisricecooper.blogspot.com/2020/06/maggie-brookess-prisoners-wife-is-168.html
#169 06 09 2020
Novella
(about the 1960s,
Rolling Stones in their exile,
genocide, it’s survivors, and
people from places that no longer exist.)
BLUE COAST MYSTERY: ALMOST SOLVED
by Nick Sweeney
http://chrisricecooper.blogspot.com/2020/06/nick-sweeneys-blue-coast-mystery-almost.html
#170 06 11 2020
Family Life/Coming of Age Novel
THE EXTRAORDINARY LIFE OF SAME HELL
by Robert Dugoni
http://chrisricecooper.blogspot.com/2020/06/robert-dugonis-extraordinary-life-of.html
#171 06 26 2020
Women’s Divorce Fiction
QUEEN OF THE OWLS
by Barbara Linn Probst
https://chrisricecooper.blogspot.com/2020/06/barbara-linn-probsts-queen-of-owls-is.html
#172 07 01 2020
Short Story “The Belindas” from the Short Story Collection LOVE WAR STORIES
By Ivelisse Rodriguez
https://chrisricecooper.blogspot.com/2020/07/ivelisse-rodriguezs-short-story.html
#173 Inside the Emotion of Fiction
07 04 2020
Organized Crime Thriller
BLUES IN THE DARK
by Raymond Benson
https://chrisricecooper.blogspot.com/2020/07/raymond-bensons-blues-in-dark-is-173-in.html
#174 Inside the Emotion of Fiction
07 08 2020
Contemporary Literature & Fiction
THE ESCAPE OF MALCOLM POE
by Allison Burnett
https://chrisricecooper.blogspot.com/2020/07/allison-burnetts-escape-of-malcolm-poe.html
#175 Inside the Emotion of Fiction
07 09 2020
Horror Novella
TERMINUS STATION
by Jeff Lyons
https://chrisricecooper.blogspot.com/2020/07/jeff-lyonss-terminus-station-is-175-in.html
#176 Inside the Emotion of Fiction
07 12 2020
20th Century Historical Romance
“The Bootlegger’s Wife”
by Denise Devine
#177 Inside the Emotion of Fiction
07 24 2020
Literary Fiction Novel
“What Drives Men”
by Susan Tepper
#178 Inside the Emotion of Fiction
07 27 2020
Short story
“Tidings of Comfort and Joyce”
by Kimberly Kurth Gray
#179 Inside the Emotion of Fiction
07 28 2020
Historical Fiction
“Cher Ami and Major Whittlesey”
by Kathleen Rooney
#180 Inside the Emotion of Fiction
08 04 2020
Screenplay
“BUNNY”
by Shaun Hughes
#181 Inside the Emotion of Fiction
08 09 2020
Short Story
“Wrong Road” from the Short Story Collection George’s Mother and Other Weird Stories
by Susan Berliner
#182 Inside the Emotion of Fiction
08 11 2020
Thriller Mystery
“Death in the Time of Ice”
by Kaye George
#183 Inside the Emotion of Fiction
08 13 2020
Screenplay
“Igor and Frankie”
by Jim Picariello
#184 Inside the Emotion of Fiction
08 14 2020
Short Story
Short Story “Breaking on the Wheel” from the Short Story Collection No Call Too Small.
by Oscar Martens
#185 Inside the Emotion of Fiction
08 20 2020
Romance
A Secret, a Safari, a Second Chance
by Liz Fielding
#186 Inside the Emotion of Fiction
08 26 2020
Mystery and Psychological Fiction
Falling Woman
by Richard Farrell
#187 Inside the Emotion of Fiction
09 03 2020
Children’s Picture Book
MAC AND CHEESE AND THE PERSONAL SPACE INVADER
By Jolene Gutierrez
#188 Inside the Emotion of Fiction
09 07 2020
Screenplay
JUDE COLE
By Janelle Marie Evans
#189 Inside the Emotion of Fiction
09 09 2020
Historical Christian Romance
UNTIL JUNE
by Barbara M Britton
#190 Inside the Emotion of Fiction
09 10 2020
Screenplay
THROUGH THE SILENCE
by Elaine Roberts-Kercheff
#191 Inside the Emotion of Fiction
09 16 2020
1960s Historical Fiction
California Dreamin’ Teens Interrupted 2
by KC Sprayberry
#192 Inside the Emotion of Fiction
09 17 2020
Screenplay
DAUGHTERS LOST TO THE DESERT
by April Snachez
#193 Inside the Emotion of Fiction
09 18 2020
Contemporary Literature and Fiction
THE SHAMAN OF TURTLE VALLEY
by Clifford Garstang
#194 Inside the Emotion of Fiction
09 19 2020
Crime Fiction
THE ACE OF DIAMONDS
by ES Gibson
#195 Inside the Emotion of Fiction
09 20 2020
Historical Fiction
Katherine-Tudor Duchess
by Tony Riches
#196 Inside the Emotion of Fiction
09 21 2020
Short Fiction
“Dinner Prep”
by Thaddeus Rutkowski
#197 Inside the Emotion of Fiction
09 22 2020
Screenplay
SWEET DREAMS
by Ben Johnson