Richard Farrell’s "The Falling Woman" is #186 in the never-ending series called INSIDE THE EMOTION OF FICTION

Chris Rice Cooper 

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***The CRC Blog welcomes submissions from published and unpublished fiction genre writers for INSIDE THE EMOTION OF FICTION.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

****Richard Farrell’s The Falling Woman is #186 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece

Name of fiction work? And were there other names you considered that you would like to share with us? My novel is titled The Falling Woman.  The book title changed once, after my agent (Marly Rusoff at https://rusoffagency.com/)  and a few of her editors suggested that my original title was a bit off.  I didn’t agree, at first.  I really liked my original title, and only acquiesced when I understood my working title was for me, not for a reader. The original title was The Greatest Thing that Ever Came to Kansas. There’s a reason for that title…I’ll explain below!

Has this been published? And it is totally fine if the answer is no.   If yes, what publisher and what publication date? Algonquin Books on June 23, 2020

https://www.algonquin.com/

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? I don’t remember exactly when I started writing this story, but the concept began to develop sometime in 2011.  I had just finished my MFA and was then working on short stories and hoping to get a few out into the world.

            I’d stumbled upon a real story (not sure where) about Allan Magee, (Bottom Left) a tail gunner who’d fallen out of a B-17 bomber in World War II.  The tail gunner’s compartment was so small that the crew often took off their parachutes to be more comfortable.  When the plane got hit, Magee had to bailout, from 22,000 feet, without a parachute.  He fell through the roof of a train station in Occupied France.  And he lived!  

         

          That story crawled around in my brain for a while, and I began to imagine writing a short story about someone falling from a plane and surviving.  

          At some point, I told this idea to Bob Vivian (http://www.robertvivian.org), a writing mentor and friend, who asked if I knew the James Dickey poem “Falling,” (https://poets.org/poem/falling)  in which Dickey lyrically describes the final moments of a flight attendant sucked out of an airplane over Kansas (again, based on a real event): 

And now will drop in    SOON    now will drop//In like this   the greatest thing that ever came to Kanas    down from all // Heights    all levels of American breath

     Bob recited those lines to me from memory, and a chill ran down my spine.  I knew, if nothing else, that I had my title: The Greatest Thing That Ever Came to Kansas.  In many ways, that original title and the Dickey poem were touchstones for the work that followed.  And though I had to eventually lose the title, I gained much from the inspiration it provided.

Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo? I have two children, who grew up while I wrote this book. I wrote wherever and whenever I could.  Coffee shops, bars, airplanes; I edited at swim meets and baseball practices.  I wrote in the mornings mostly, usually too drained by the end of the day to do much.  For three glorious weeks in 2016, I had an artist’s residence at Ragdale, north of Chicago.  That space and time was transformational. I had landed an agent the previous spring on a collection of short stories, but she asked me if I had a novel, and so I had to kick into novel-writing gear. 

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? I tried to write every day.  I was an editor at two magazines, so my day often began by reading submissions or working on essays from the slush pile. Now, I am often working on several stories at once: short stories, essays, the next novel. As I began to become more serious about finishing the novel, I imposed page counts on my writing, especially as I moved past a solid first draft.  I found this incredibly useful.  I would work on those pages until I reached the daily goal and then punch out.  Ten pages a day yields three-hundred pages a month. 

I mostly write on a laptop.  Sometimes I edit on the printed page.  Coffee is essential.  Diet Coke helps too.  I can’t listen to music (usually) when I write.  Early morning is best.

Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer.

Excerpt (from prologue of the book):

. . . and then my seat gives way and black sky siphons me through a gaping hole in the fuselage, my body aspirating through the suddenly ruptured coach-class ceiling like a lottery ball in a pneumatic tube. Jagged teeth in the disintegrating cabin tear at the fingers on my left hand. Shattering aluminum nearly decapitates me. And suddenly, I’m outside. I’m outside. These are the words that flash as my body, still strapped to my seat, zooms past the tail. I’m outside. Lights flash by. I’m outside. I close my eyes. I tuck my chin to my chest. My body somersaults.

And then I’m alone.

Falling through the night sky.

I fall toward humid cornfields, toward silos, barns, and bridges. I fall toward varsity quarterbacks dreaming of glory, toward farm girls with pet rabbits, toward meth heads riding the rails, toward retired veterans, librarians, lunch ladies, and lucid dreamers.

Down and down I go, accelerating earthward for nine seconds before I reach terminal velocity, a point at which the sensation of falling ceases. Freezing air riffles past. Sprays of rain and plinks of hail punch and jab, scratching my face. In my mind, I see my daughters, babies again, crawling along the kitchen floor, two perfect angels, reaching for me, and the pressure of their yearning, memories so deep and physical that, for a moment, I forget what’s happening. But then the rush of air, and the rain and hail, become painful. The temperature warms as I drop. Humidity increases, the dewy sweetness of loamy farm smells rising up, my body spiraling, still strapped to that seat, twirling and twirling like a seedpod in a late summer breeze. I open my eyes. Lightning flashes in clouds. Then a split second later, I spot the flaming comet tail of the plane, my plane, disintegrating, its aerodynamic fragments still flying away from me, shedding pieces of itself. I think of Peter, Paul and Mary singing that song my mother loved—“Leaving on a Jet Plane”—until I pass through the densest parts of the storm and the plane disappears for good. And I’m still falling. Instinctually, I grab the side of my seat with my undamaged hand. I grip it with fury, with everything I have left. Streaming blood coats my face, stinging my eyes. My blood tastes like a cocktail of copper pennies and Communion wafers. Oh, if ever there were a time to still believe in God. My one remaining shoe rips off. Then my shirt flutters over my face and disappears into the night. A moment later, my bra peels away and then my underwear goes. I was always so modest growing up, always afraid to be seen. Bloodied and naked now, I begin to scream, only to stop in terror when I can’t hear the sound of my own shrieking. How can I know that I’m outracing my voice? I fall and fall. And when it seems impossible to continue, when it seems that I’m trapped in a nightmare from which I will surely soon awaken, I begin to count. I count, slowly, in my head—one, two, three, four, five. I count all the way to fifty-seven. I’m still falling.

More than anything, I just want to reach the end, no matter what that means.

Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt? I worked on these three pages more than any other part of the whole book.  I took inspiration for the prologue from the James Dickey poem (mentioned above), and tried to recreate a sensation of whirling doom, and yet I wanted to write the scene with a detached voice as well.  I didn’t want the character to sound panicked. I wanted the reader to get a sense of falling when they opened the book.  I probably reworked these pages three-hundred times.  Maybe more.  I wanted the reading of this section to take as long as it would take for the woman to fall.  At some point, I worked out the math, and would time myself reading it to make it align. For me, I had to get this part right before I could move on, which probably explains why it took so much damn time to get it done.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked-up rough drafts of this excerpt. Deletions from this: Yes!  I don’t remember exactly where in the drafting, but at one point the voice of this character was much snarkier, with a lot more humor. Here’s an example:

Down and down I go, accelerating earthward for nine seconds before I reach terminal velocity, a point at which the sensation of falling ceases. Terminal, from the Latin terminus: end; boundary line. Oh yes, cats and jammers, this most certainly qualifies as the end of the line for yours truly.

My editor (Chuck Adams https://www.facebook.com/charlesfadams)

felt like this more sarcastic voice moved the reader too far away from the character, so a lot of her humor was cut.  I think they were good cuts, and made the story more serious, but man, I liked her when she was edgy!

Richard Farrell is a graduate of the U.S. Naval Academy and a former pilot who holds an MFA in writing from Vermont College of Fine Arts. His work has appeared in Hunger Mountain, upstreet, New Plains Review, Potomac Review, Descant, and elsewhere. Originally from Worcester, Massachusetts, he teaches creative writing at Grossmont College in San Diego, where he lives with his wife and two children. This is his first novel.

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“THE TRUNK”

https://chrisricecooper.blogspot.com/2019/10/90-inside-emotion-of-fiction-trunk-by.html

#91 10 19 2019 Jayne Martin’s

Flash Fiction Short Story Collection

“TENDER CUTS”

https://chrisricecooper.blogspot.com/2019/10/91-inside-emotion-of-fiction-tender.html

#92 10 22 2019 Janice Cole Hopkins’s

Inspirational Romance

“IT ALL STARTED AT THE MASQUERADE”

https://chrisricecooper.blogspot.com/2019/10/92-inside-emotion-of-fiction-it-all.html

#93 10 29 2019 Kristi Petersen Schoonover’s

Short Story Collection

“THE SHADOWS BEHIND”

https://chrisricecooper.blogspot.com/2019/10/93-inside-emotion-of-fiction-shadows.html

#94 11 01 2019 David Henry Sterry’s

Fiction: Sexual Violence

“THE TENDERLOIN WARS”

https://chrisricecooper.blogspot.com/2019/11/94-inside-emotion-of-fiction-tenderloin.html

#95 11 03 2019 Jay Requard’s

Dark Fantasy/Horror

“DEATH & DUST: THE PALE SAND ADVENTURES”

https://chrisricecooper.blogspot.com/2019/11/95-inside-emotion-of-fiction-death-dust.html

#96 11 04 2019 Caroline Leavitt’s

Fiction

“WITH OR WITHOUT YOU”

http://chrisricecooper.blogspot.com/2019/11/96-inside-emotion-of-fiction-with-or.html

#97 11 06 2019 Kelsey Clifton’s

Science Fiction

“A DAY OUT OF TIME”

https://chrisricecooper.blogspot.com/2019/11/97-inside-emotion-of-fiction-day-out-of.html

#098 11 13 2019 John F Allen’s

Urban Fantasy Tale

“The God Killers’
https://chrisricecooper.blogspot.com/2019/11/98-inside-emotion-of-fiction-god.html

#99 11 16 2019 Damian McNicholl’s

Historical Novel

“The Moment of Truth”

http://chrisricecooper.blogspot.com/2019/11/99-inside-emotion-of-fiction-moment-of.html

#100 11 19 2019 Stacia Levy’s

Mystery/Suspense Novel

“Girl Crush”

https://chrisricecooper.blogspot.com/2019/11/100-inside-emotion-of-fiction-girl.html

#101 11 24 2019 Charlotte Morgan’s

Fiction Novel

“Protecting Elvis”

http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s

Children’s Christian Fiction

“Ed On My Shoulder:  Maria & The Candy Trail”

https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s

Coming of Age Literary Novel

The Nine

https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s

Adult Paranormal

“MYSTIC EMBRACE”

https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s

Satire Novel

“THE LAND OF GRACE”

https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s

Screenplay

“Escapement”

http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s

Crime Fiction/Police Procedural Novel

“KILLER’S COUNTDOWN”

https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s

Historical Literary Fiction

“The Ash, the Well and the Blue Bell”

https://chrisricecooper.blogspot.com/2019/12/1

8-inside-emotion-of-fiction-ash-well.html

#109 12 16 2019 Amalia Carosella’s

Historical/Contemporary/Duel Timeline/ Women’s

Fiction

“DAUGHTER OF A THOUSAND YEARS”

https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html

#110 12 19 2019 Laura Bickle’s

Weird Western/Contemporary Fantasy

“DARK ALCHEMY”

https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html

#111 12 27 2019 Brian Pinkerton’s

Science Fiction Thriller

“THE GEMINI EXPERIMENT”

https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s

Lesbian Thriller

“TILL DARKNESS COMES”

https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s

Vampire Thriller

“THE CROSSING”

https://chrisricecooper.blogspot.com/2019/12/113-inisde-emotion-of-fiction-crossing.html

#114 12 30 2019 Sam Richard’s

Short Story Collection of Weird and Transgressive

Horror

“To Wallow In Ash and Sorrows”

https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s

Literary Fiction Novel

“A DOG BETWEEN US”

https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s

Young Adult Novel

“BAD HAIR”

https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s

Literary Satire Novel

“THE CUBAN COMEDY”

http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s

Historical/Literary Novel

“THE ROAD TO MATEWAN”

https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s

Contemporary Novel

“The Face Tells the Secret”

https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s

Young Adult, Historical and Fantasy

“Brimstone And Lily”

https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html

#121 01 12 2020 Melissa Yi’s

Fiction Thriller

“GRAVEYARD SHIFT”

http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s

Crime Thriller

“GIRL GONE MISSING”

http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s

Multi Genre Novel

“THE NINJA DAUGHTER”

https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html

#124 01 17 2020 Kristen Joy Wilks’s

Christian Romantic Comedy

“YELLOWSTONE YONDERING”

https://chrisricecooper.blogspot.com/2020/01/124

inside-emotion-of-fiction.html

#125 01 20 2020 Susan C. Shea’s

Cozy Mystery

“DRESSED FOR DEATH IN BURGUNDY”

http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html

#126  01 22 2020 Phong Nguyen’s

Improvisational Fiction

“ROUDABOUT”

https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html

#127 01 23 2020 Kate Thornton’s

Mystery Short Story In Its Entirety

“Ai Witness”

https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html

#128 01 24 2020 Phil McCarron’s

Semi Fictional Essays

“The Great Facepalm: The Farce of 21^st Century

Normality”

https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html

#129  01 27 2020 Kenneth Weene’s

Historicized Literary Fiction

“Red And White”

https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html

#130 01 28 2020 Graham Storrs’s

Science Fiction Thriller

“TimeSplash”

https://chrisricecooper.blogspot.com

/2020/01/130-inside-emotion-of-fiction.html

#131 02 08 2020 Angela Slatter’s

Short Story “Terrible As An Army With Banners”

From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS

https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html

#132 02 11 2020 Joan Joachim’s

Romance

Just One Kiss

https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html

#133 02 16 2020 Kelsey Clifton’s

Science Fiction

A DAY OUT OF TIME

https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html

#134 02 17 2020 Soraya M Lane’s

Women Historical Fiction

THE GIRLS OF PEARL HARBOR

https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html

#135 03 07 2020

Linked Fiction

BLEACHERS Fifty-Four Linked Fictions

By Joseph Mills

https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html

#136 03 15 2020

Science Fiction Romance

BLUE VISION

By Marie Lavender

https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html

#137 03 17 2020

Crime Fiction

12 Bullets

by O’Neil De Noux

https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html

#138 03 18 2020

Flash Fiction Piece

Radical

by Kelle Grace Gaddis

https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html

#139 03 20 2020

Mystery

HERE BE MONSTERS

By Jamie Sheffield

https://chrisricecooper.blogspot.com/2020/03/139-inside-emotion-of-fiction-here-be.html

#140 03 21 2020

Character Driven Novel

UNBROKEN

By Jamie Lisa Forbes

https://chrisricecooper.blogspot.com/2020/03/140-inside-emotion-of-fiction-unbroken.html

#141 03 23 2020

Literary Murder Mystery

COLD COUNTRY

By Russell Rowland

http://chrisricecooper.blogspot.com/2020/03/141-inside-emotion-of-fiction-cold.html

#142 04 01 2020

Sci-Fi/Paranormal

SWEET SLEEP

By Kim Cormack

https://chrisricecooper.blogspot.com/2020/04/142-inside-emotion-of-fiction-sweet.html

#143 04 02 2020

Western Noir Short Story

“Night Rounds”

by James Reasoner

https://chrisricecooper.blogspot.com/2020/04/143-inside-emotion-of-fiction-night.html

#144 04 03 2020

Southern Fiction

LITTLE TEA

By Claire Fullerton

http://chrisricecooper.blogspot.com/2020/04/144-inside-emotion-of-fiction-little.html

#145 04 04 2020

Mainstream novel with elements of crime, mystery, and magic

THE FORGETTING FLOWER
by Karen Hugg

https://chrisricecooper.blogspot.com/2020/04/145-inside-emotion-of-fiction.html

#146 04 07 2020

Historical Fiction

MEDICIS DAUGHTER

by Sophie Perinot

http://chrisricecooper.blogspot.com/2020/04/146-inside-emotion-of-fiction-medicis.html

#147 04 08 2020

Dark Urban Fantasy with elements of Paranormal Romance

COVEN BORN

by Stephanie Reisner aka AUDREY BRICE

https://chrisricecooper.blogspot.com/2020/04/147-inside-emotion-of-fiction-coven.html

#148 04 13 2020

Mystery With A Fantasy Twist

DEATH LIVES IN THE WATER

By Shoshana Edwards

http://chrisricecooper.blogspot.com/2020/04/148-inside-emotion-of-fiction-death.html

#149 04 14 2020

Historical Fiction

ASHES

by Sharon Glogal Friedman

https://chrisricecooper.blogspot.com/2020/04/149-inside-emotion-of-fiction-ashes-by.html

#150 04 19 2020

Vampire Horror Novelette

Blood Thrasher:  The Devil’s in the Metal

by Adam Messer

https://chrisricecooper.blogspot.com/2020/04/adam

messers-blood-thrasher-devils-in.html

#151 04 25 2020

Historical Fiction

Charis in the World of Wonders

by Marly Youmans

https://chrisricecooper.blogspot.com/2020/04/marly-youmans-charis-in-world-of.html

#152 04 29 2020

Historical Fiction

The Master of Verona

by David Blixt

https://chrisricecooper.blogspot.com/2020/04/david-blixts-master-of-verona-is-152-in.html

#153 04 30 2020

General Fiction (Family)

Bread Bags & Bullies:  Surviving the 80s

by Steven Manchester

https://chrisricecooper.blogspot.com/2020/04/steven-manchesters-bread-bags-bullies.html

#154 05 01 2020

Adventure-Thriller/Horror

Into The Ashes

by Lee Murray

http://chrisricecooper.blogspot.com/2020/05/lee-murrays-into-ashes-is-154-in-never.html

#155 05 06 2020

Coming of Age/Crime Novel

All Things Left In The Wild

by James Wade

https://chrisricecooper.blogspot.com/2020/05/james-wades-all-things-left-in-wild-is.html

#156 05 10 2020

Paranormal Mystery

Southern Bound

by Stuart Jaffe

https://chrisricecooper.blogspot.com/2020/05/stuart-jaffes-southern-bound-is-156-in.html

#157 05 13 2020

Mystery/Crime Novel

Yardbird

By Mark Slade

http://chrisricecooper.blogspot.com/2020/05/mark-slades-yardbird-is-157-in-never.html

#158 05 15 2020

Horror/Crime Novel

Hotel Nowhere

By David E Adkins

https://chrisricecooper.blogspot.com/2020/05/david-e-adkinss-hotel-nowhere-is-158-in.html

#159 05 16 2020

Satire/Crime Novel

THE LYING BASTARD

by Clint Margrave

https://chrisricecooper.blogspot.com/2020/05/clint-margraves-lying-bastard-is-159-in.html

#160 05 19 2020

Southern Gothic Fiction

REVIVING THE HAWTHORN SISTERS

by Emily Carpenter

https://chrisricecooper.blogspot.com/2020/05/emily-carpenters-reviving-hawthorn.html

#161 05 21 2020

Women’s Domestic Life Fiction

MERCY HOUSE

by Alena Dillon

http://chrisricecooper.blogspot.com/2020/05/alena-dillons-mercy-house-is-161-in.html

#162 05 26 2020

Screenplay/Film

BEAST MODE

by Drew Fortune and Spain Willingham

https://chrisricecooper.blogspot.com/2020/05/drew-fortunes-and-spain-willinghams_26.html

#163 05 31 2020

Coming of Age/ Psychological Thriller

MY SISTER & OTHER LIARS

by Ruth Dugdall

http://chrisricecooper.blogspot.com/2020/05/ruth-dugdalls-my-sister-and-other-liars.html

#164 06 01 2020

Psychological Thriller

IN HARM’S WAY

by Owen Mullen

https://chrisricecooper.blogspot.com/2020/06/owen-mullens-in-harms-way-is-164-in.html

#165 06 02 2020

Small Town Short Story Collection

SNAPSHOT “Old Lady”

by Eliot Parker

https://chrisricecooper.blogspot.com/2020/06/eliot-parkers-old-lady-from-snapshots.html

#166 06 04 2020

Noir Crime Novel

SKIN OF TATTOOS

by Christina Hoag

https://chrisricecooper.blogspot.com/2020/06/christina-hoags-skin-of-tattoos-is-166.html

#167 06 06 2020

Coming of Age/Historical

THE ORPHAN COLLECTOR

by Ellen Marie Wiseman

https://chrisricecooper.blogspot.com/2020/06/ellen-marie-wisemans-orphan-collector.html

#168 06 08 2020

World War Two Historical Fiction

THE PRISONER’S WIFE

by Maggie Brookes

http://chrisricecooper.blogspot.com/2020/06/maggie-brookess-prisoners-wife-is-168.html

#169 06 09 2020

Novella

(about the 1960s,

Rolling Stones in their exile,

genocide, it’s survivors, and

people from places that no longer exist.)

BLUE COAST MYSTERY:  ALMOST SOLVED

by Nick Sweeney

http://chrisricecooper.blogspot.com/2020/06/nick-sweeneys-blue-coast-mystery-almost.html

#170 06 11 2020

Family Life/Coming of Age Novel

THE EXTRAORDINARY LIFE OF SAME HELL

by Robert Dugoni

http://chrisricecooper.blogspot.com/2020/06/robert-dugonis-extraordinary-life-of.html

#171 06 26 2020

Women’s Divorce Fiction

QUEEN OF THE OWLS

by Barbara Linn Probst

https://chrisricecooper.blogspot.com/2020/06/barbara-linn-probsts-queen-of-owls-is.html

#172 07 01 2020

Short Story “The Belindas” from the Short Story Collection LOVE WAR STORIES

By Ivelisse Rodriguez

https://chrisricecooper.blogspot.com/2020/07/ivelisse-rodriguezs-short-story.html

#173 Inside the Emotion of Fiction

07 04 2020

Organized Crime Thriller

BLUES IN THE DARK

by Raymond Benson

https://chrisricecooper.blogspot.com/2020/07/raymond-bensons-blues-in-dark-is-173-in.html

#174 Inside the Emotion of Fiction

07 08 2020

Contemporary Literature & Fiction

THE ESCAPE OF MALCOLM POE

by Allison Burnett

https://chrisricecooper.blogspot.com/2020/07/allison-burnetts-escape-of-malcolm-poe.html

#175 Inside the Emotion of Fiction

07 09 2020

Horror Novella

TERMINUS STATION

by Jeff Lyons

https://chrisricecooper.blogspot.com/2020/07/jeff-lyonss-terminus-station-is-175-in.html

#176 Inside the Emotion of Fiction

07 12 2020

20^th Century Historical Romance

“The Bootlegger’s Wife”

by Denise Devine

https://chrisricecooper.blogspot.com/2020/07/chris-rice-cooper-blog-176-inside.html

#177 Inside the Emotion of Fiction

07 24 2020

Literary Fiction Novel

“What Drives Men”

by Susan Tepper

https://chrisricecooper.blogspot.com/2020/07/susan-teppers-what-drives-men-is-177-in.html

#178 Inside the Emotion of Fiction

07 27 2020

Short story

“Tidings of Comfort and Joyce”

by Kimberly Kurth Gray

https://chrisricecooper.blogspot.com/2020/07/kimberly-kurth-grays-short-story.html

#179 Inside the Emotion of Fiction

07 28 2020

Historical Fiction

“Cher Ami and Major Whittlesey”

by Kathleen Rooney

https://chrisricecooper.blogspot.com/2020/07/kathleen-rooneys-cher-ami-and-major.html

#180 Inside the Emotion of Fiction

08 04 2020

Screenplay

“BUNNY”

by Shaun Hughes

https://chrisricecooper.blogspot.com/2020/08/director-shaun-hughess-screenplay-bunny.html

#181 Inside the Emotion of Fiction

08 09 2020

Short Story

“Wrong Road” from the Short Story Collection George’s Mother and Other Weird Stories

by Susan Berliner

https://chrisricecooper.blogspot.com/2020/08/susan-berliners-short-story-wrong-road.html

#182 Inside the Emotion of Fiction

08 11 2020

Thriller Mystery

“Death in the Time of Ice”

by Kaye George

http://chrisricecooper.blogspot.com/2020/08/kaye-georges-death-in-time-of-ice-is.html

#183 Inside the Emotion of Fiction

08 13 2020

Screenplay

“Igor and Frankie”

by Jim Picariello

https://chrisricecooper.blogspot.com/2020/08/jim-picariellos-screenplay-igor-and.html

#184 Inside the Emotion of Fiction

08 14 2020

Short Story

Short Story “Breaking on the Wheel” from the Short Story Collection No Call Too Small.

by Oscar Martens

https://chrisricecooper.blogspot.com/2020/08/oscar-martenss-short-story-breaking-on.html

#185 Inside the Emotion of Fiction

08 20 2020

Romance

A Secret, a Safari, a Second Chance

by Liz Fielding

https://chrisricecooper.blogspot.com/2020/08/liz-feldings-secret-safari-second.html

#186 Inside the Emotion of Fiction

Mystery and Psychological Fiction

Falling Woman

by Richard Farrell

https://chrisricecooper.blogspot.com/2020/08/richard-farrells-falling-woman-is-186.html