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***This is the second in a
never-ending series called BACKSTORY OF THE POEM where the Chris Rice
Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that
specific poem. Links to other BACKSTORY
OF THE POEM features are at the end
of this piece.
Backstory of the Poem
“82 Miles From the Beach, We Order The
Lobster At Clear Lake Café”
by Alexis Rhone Fancher
Where were you when you started to actually
write the poem? And please describe the
place in great detail.
I wrote this poem where I write all my poems, on my desktop computer in my
studio/office. The room is small, with a huge desk (which I share with my
husband), and shelves of books on every wall. There’s a high window behind the
desk; I look out at sky and a few houses & apartments. There’s a telephone
wire in front of the window where the huge family of crows who live nearby
often congregate. I love crows, and always stop to listen to them when they
visit. (Above Right photo attributed to Alexis Rhone Fancher)
I wrote the first draft of “82 Miles From the Beach, We Order The Lobster At Clear Lake Cafe,” in December of
2016.
How many drafts of this poem did you write
before going to the final? (And can you share a photograph of your rough drafts
with pen markings on it?)
I only wrote 3 drafts of this poem (I usually write six to ten or more
drafts of my poems before I’m satisfied) but this one came together more easily
than most. I edit only on the computer - no pen markings on anything!
I always knew the last line of the poem and wrote to it.
“I count six Harley’s in the parking lot.”
“Maybe it’s a sign?”
“The lettuce is paltry and wilted.”
How did you first meet your husband?
“82 Miles
From
the Beach, We Order The Lobster At Clear Lake Cafe,” was written in 2016, about
events that took place nine years before. It was July of 2007, and my husband
and I had fled Los Angeles in search of a respite from our then chaotic lives.
That was the year he was enamored of mountaintop hideaways, and routed us
through Clear Lake, in Northern California. North of Napa and San Francisco,
Clear Lake is the largest, natural freshwater lake in California. It’s nestled
in the hills, and a tranquil haven to vacationers. We thought we needed some of
that.
By the time we arrived
in the little town we were tired and hungry. When we saw the signs for lobster
outside Clear Lake Cafe, we decided to stop for dinner.
I wrote “82 Miles From
the Beach, We Order The Lobster At Clear Lake Cafe,” as a love poem to my
husband. I’ve never forgotten his kindness to the waitress as we made our
escape. It is indicative of the generous, compassionate person I married back
in 2002, and just one of many reasons why I adore and admire him.
82 Miles From the Beach, We Order The Lobster At Clear Lake Cafe
The neon flashes “Lobster” and
“Fresh!”
The parking lot is crowded. We’ve been
driving since dawn.
The lobster must be good here, you
say.
The harried, Korean waitress seats us
near the kitchen.
She's somewhere between forty and
dead.
I show you the strand of her coarse,
black hair
stuck between the pages of my menu.
Undeterred, you order the lobster for
two.
I investigate the salad bar.
Yellow grease pools in the dregs of
blue cheese dressing;
a small roach skims the edge.
Before the waitress can bring the clam
chowder, I kick you under the table.
I’m sorry, I say brightly. We’ve changed our minds.
I’m responsible for the look of defeat
on her face.
As I head out, you stop and leave a
twenty on the table.
I have never loved you more.
Alexis
Rhone Fancher is the author of How I Lost My Virginity To Michael Cohen and
other heart stab poems, (2014), State of Grace: The Joshua Elegies,
(2015), and Enter Here (2017). Her
chapbook about her first marriage, Junkie Wife, will be published in
March, 2018, by Moon Tide Press. She is published in Best American Poetry
2016, Rattle, Hobart, Pirene’s Fountain, Plume, Nashville Review, Diode, Glass,
Tinderbox, Verse Daily, and
elsewhere. Her
photos are published worldwide, including River Styx, and the covers of Witness,
Heyday, The Chiron Review, and Nerve Cowboy. A
multiple Pushcart Prize and Best of the Net nominee, Alexis is poetry editor of
Cultural Weekly. She lives in Los Angeles.
www.amazon.com/How-Lost
-Virginity-Michael-Cohen-
ebook/dp/B00MATGPC6
/ref=sr_1_2?s=books&ie=
UTF8&qid=
1515436498&sr=1-2
-Virginity-Michael-Cohen-
ebook/dp/B00MATGPC6
/ref=sr_1_2?s=books&ie=
UTF8&qid=
1515436498&sr=1-2
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
https://chrisricecooper.blogspot.com/2018/01/the-fourth-installment-of-new-crc-blog.html
005 January 29, 2018
Ellen
Foos’s “Side Yard”
https://chrisricecooper.blogspot.com/2018/01/5-backstory-of-poem-sidewalk-by-ellen.html
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
https://chrisricecooper.blogspot.com/2018/02/9-backstory-of-poem-gift-of-year-with.html
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
https://chrisricecooper.blogspot.com/2018/03/chris-ricecooper-caccoopaol.html
011 March 10, 2018
Arya F. Jenkins “After Diane Beatty’s Photograph, “History Abandoned" https://chrisricecooper.blogspot.com/2018/03/11-backstory-of-poem-after-diane.html
Arya F. Jenkins “After Diane Beatty’s Photograph, “History Abandoned" https://chrisricecooper.blogspot.com/2018/03/11-backstory-of-poem-after-diane.html
012 March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”
https://chrisricecooper.blogspot.com/2018/03/12-backstory-of-poem-series-angela.html
https://chrisricecooper.blogspot.com/2018/03/12-backstory-of-poem-series-angela.html
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
https://chrisricecooper.blogspot.com/2018/03/14-backstory-of-poem-ibrahim-honjos.html
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
https://chrisricecooper.blogspot.com/2018/04/15-backstory-of-poem-ode-to_14.html
016 April 27, 2018
Beth
Copeland’s “Reliquary”
https://chrisricecooper.blogspot.com/2018/04/16-backstory-of-poem-reliquary-by-beth.html
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
https://chrisricecooper.blogspot.com/2018/05/17-backstory-of-poem-swallows-of.html
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
https://chrisricecooper.blogspot.com/2018/05/18-backstory-of-poem-arterial.html
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
https://chrisricecooper.blogspot.com/2018/07/23-backstory-of-poem-jesus-zombie-by.html
024 July 27, 2018
Telaina Eriksen’s “Brag 2016”
https://chrisricecooper.blogspot.com/2018/07/24-backstory-of-poem-brag-2016-by.html
024 July 27, 2018
Telaina Eriksen’s “Brag 2016”
https://chrisricecooper.blogspot.com/2018/07/24-backstory-of-poem-brag-2016-by.html
025 August 01, 2018
Seth Berg’s (It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”