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****Hank Phillippi Ryan’s THE MURDER
LIST is #68 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from
a fiction genre and how that fiction writer wrote that specific excerpt. All INSIDE
THE EMOTION OF FICTION links are at the end of this piece.
Name of fiction work?
And were there other names you considered that you would like to share with us?
The title of my newest
book is THE MURDER LIST. And you know what? It was always called THE MURDER LIST. Unlike
several of my other books where the names changed, this was instant and perfect.
Has this been published?
And it is totally fine if the answer is no.
If yes, what publisher and what publication date? Forge Books, August 20, 2019
What is the date you
began writing this piece of fiction and the date when you completely finished
the piece of fiction? Because I keep track of my words per day, I can
tell you that this book was begun on September 23, 2017. The first draft
was sent to the publisher on August 20, 2018. Final-final version was done
sometime in January 2019.
Where did you do most of
your writing for this fiction work? And
please describe in detail. I do most of my work at my desk, in my study,
in our 1894 Victorian outside of Boston, Massachusetts. It is a wonderful and
strangely-shaped room, painted a color that is called, ridiculously, Rhino
Tusk, which resulted when I told the paint person I wanted it to be “tawny. “I
look out about a window onto a gorgeous 200-year-old sugar maple tree.
It’s full of books, and all my Emmys and Agathas, and way too many piles
of paper. I am also delighted to write on airplanes—a safe space with a
built-in deadline.
What were your writing
habits while writing this work- did you drink something as you wrote, listen to
music, write in pen and paper, directly on laptop; specific time of day? If I wrote my book in longhand, I would not be able to read it!
That’s why I only writer on a computer. As fast as I possibly can, and I am a
really bad typist. Fast, but terrible. I write anytime of day, but I think I am
better later in the day, and even late at night. If I can manage to get someone to bring me an iced latte, I am thrilled.
What is the summary of
this specific fiction work? Three strong main characters: Rachel North, a
law student. Married to Jack Kirkland, a brilliant defense attorney. Rachel
also has a summer job as an intern with Martha Gardiner, the powerful district
attorney. Rachel thinks she has everything: a fabulous and faithful husband,
and a job with the District Attorney’s Office that will lead her on a path to
glorious financial success. Rachel always tells you the truth as she knows it:
The problem is, she’s wrong. It’s a twisty triple triangle of suspense--A cat
and mouse and cat game. But which one is the mouse?
Rachel. Jack. Martha. Who is next on THE MURDER LIST?
Here is Rachel North, when she was the brand new chief of staff to State Senator Tom Rafferty. And they both are having a bad day in court.
Please include just one excerpt and include page numbers as reference. This one excerpt can be as short or as long as you prefer.
Rachel North
A wall of bodies and cameras and
microphones presses toward us and a din of insistent voices engulfs us,
questions echoing on the white brick walls, doubling the sound, tripling the
sound. We almost can’t get out of the elevator. It crosses my mind to push
the close door button, escape, and sneak back into the
courtroom some other way.
“Let’s do this,” I say. I
narrow my eyes, lift my chin and power ahead, carving a path for the Senator,
unstoppably determined, as if I’m his personal fullback. What these people are
asking, what they’re demanding, what they’re thinking, is outrageous.
Insensitive. Demeaning. Disrespectful. And, I hate myself for thinking, exactly
what I’d like to know myself.
“Is your wife a murderer, Senator?” “Why did she
do it?” “Why would Nina kill her?” “Were you having an affair?” “Are you going
to resign?”
“No comment no comment the senator has no
comment,” I repeat. I’m a robot, a talking robot, but I can feel Tom Rafferty,
silent and seething, behind me. We make it to the tall wooden courtroom doors
of room 226. I pull one of the metal door handles. Nothing. Try the other one.
Nothing. And again. Nothing. Locked.
“No comment no comment no comment.” I say as I
keep trying, rattling the curved handles with one hand, knocking like crazy
with the other. Tom and I are trapped here, sandwiched between the closed doors
and the insistent reporters. Not a good battle strategy.
I almost fall over when one of the doors opens
right onto me, and I lurch a step backward, almost tripping on the Senator
who’s close behind me. A scowling court officer, a head taller than I am and
shoulders twice as broad, appears in the doorway, clearly ready to order us
away. He stops mid-command. Closes his mouth. Regroups.
“Get in here,” he mutters, waving us through.
I go first, ducking my head, then Tom. I feel
the crowd behind us surging, as a group, trying to follow.
“Get back!” the officer instructs. His bulk
blocks the still-open door, arms crossed over his chest. “Court stays closed
until l:30. Rules are rules.”
“Come on, Hector,” someone whines
from the back of the hallway. “If they can go in, we can go in.”
“He’s the President of the Senate,” the court
officer hisses.
“Not for long!” someone calls out.
Why is this excerpt so
emotional for you as a writer to write?
And can you describe your own emotional experience of writing this
specific excerpt? As I am writing from each character’s point of
view, I try to almost channel that
character, to become that character.
So when I am writing the possibly manipulative but certainly ambitious Rachel,
I can feel myself being that beautiful 30-something.
To write the benevolent
but manipulative lawyer Jack Kirkland, I make myself feel big and important and
confident--and the tiniest bit vulnerable. As for Martha Gardiner, the district
attorney, she has, like the others, had an event happen to her that damaged
her, professionally, so much that she will do anything to regain her reputation.
The clash of all these three strong personalities? That’s what creates the page
turning suspense.
So I try to feel how they would feel, to
think how they would think, and desperately want what they want. Sometimes when
I’m writing, I can feel my face and body change to become the character.
Other works you have
published? I have four published
novels in the Charlotte McNally series (Above), the first, Prime Time won the Agatha
for Best First Novel. (The first of five Agathas!) I have published five Jane
Ryland novels (Below), so far, with one more at least under contract. My first
psychological standalone, TRUST ME, was named best of the year
by The New York Post, Real Simple Magazine and many other publications.
THE MURDER LIST is my second psychological standalone. I am working on book 12, crossing fingers for that, and it will be in bookstores in August 2020.
https://www.
amazon.com/Murder-List-
Hank-Phillippi-Ryan/dp/125019721X/
ref=sr_1_1?keywords=
The+Murder+LIst&qid=1564974363&s=gateway&sr=8-1
HANK PHILLIPPI RYAN Contact Information
INSIDE THE EMOTION OF FICTION links
THE MURDER LIST is my second psychological standalone. I am working on book 12, crossing fingers for that, and it will be in bookstores in August 2020.
https://www.
amazon.com/Murder-List-
Hank-Phillippi-Ryan/dp/125019721X/
ref=sr_1_1?keywords=
The+Murder+LIst&qid=1564974363&s=gateway&sr=8-1
HANK PHILLIPPI RYAN Contact Information
Hank Phillippi Ryan on Facebook
Hank Phillippi Ryan Author Facebook Page
Hank Phillippi Ryan Website Page
Hank
Phillippi Ryan Instagram Link
@Hankpryan
@Hankpryan
INSIDE THE EMOTION OF FICTION links
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#068 08 04 2019 Hank Phillippi Ryan’s
Suspense
Suspense