#36 Backstory of the Poem "The Second Breakfast" by Gary Glauber

Chris Rice Cooper 

caccoop@aol.com

https://www.facebook.com/christalann.ricecooper

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

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***This is the thirty-sixth in a never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

#36 Backstory of the Poem “The Second Breakfast”

by Gary Glauber

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form?  I have several methods of kick starting my poetic inspiration, and sometimes that means going through an exercise or a prompt. 

For instance, there is a fine journal entitled The First Line (https://www.the
firstline.com/) that provides an opening line, and all the stories in that issue will branch off from that shared opener.  (Right:  The First Line logo) Other publications (like 3 Elements Review or Eclectica’s Word Challenge) (http://3elementsreview.com/submit) provide a list of unrelated words that must be used in the work. 

For this particular poem, I read a call for submissions from a small literary journal based in Edinburgh, Scotland entitled Far Off Places (http://faroffplaces.org/). They provided the title months ahead of the deadline and in turn writers were asked to create pieces from that. Their Volume III, Issue 1, was going to be called “The Second Breakfast.” The first draft of my poem with that title was written in early June, 2014. 

I found the title intriguing. What would make someone eat a second breakfast? I started thinking back on any memorable breakfasts from my own past, and an idea began to form. I’m not one to kiss and tell, but this poem contains aspects based on a true story.  My junior undergraduate year of college (Left:  Copyright permission granted by Gary Glauber for this CRC Blog Post Only) was a busy one made busier by the attempted feat of juggling several relationships simultaneously. 

      Long story short, it cannot be done. It is just a matter of time before worlds collide and things fall apart. In my youthful ignorance, perhaps I thought otherwise – or more likely, I did not think it through at all.  At any rate, I performed original music at coffeehouses back then, and after one performance, a woman came up to me and asked if I had any plans for breakfast the next day. I admired the clever way she caught my interest, and that soon became a memorable breakfast story.  So now I had my rough source material – my task was to access the emotional confusion of that time, pondering whether or not to pursue that relationship further (hence, the second breakfast). 

Where were you when you started to actually write the poem? What month and year?  I worked hard at my computer in my book-lined den (which is my regular workspace) (Copyright permission granted by Gary Glauber for this CRC Blog Post Only) and managed to put together a draft that I felt was worthy of submission. It often seems fairly messy, but I do have a system of arranging my writings. I also enjoy listening to music as I write (on most occasions).

On June 7^th, 2014, I sent it via email to the journal.  About a week later, I received an acknowledgment of my submission, and a promise that final decisions would be made by August of that year. (Right:  Gary Glauber in June of 2014. Copyright permission granted by Gary Glauber for this CRC Blog Post Only)     

 That promise was optimistic.  On November 8^th, I actually heard back from Annie Rutherford in an email that said the following:  Dear Gary,     Many thanks again for your submission to Far Off Places (https://www.
facebook.com/
FarOffPlaces/) and apologies for the horribly slow response - the last few months were considerably more hectic than we could have anticipated.

 We had quite a ponder over your poem, but I'm sorry to say that, on consideration, we didn't feel it was right for the magazine. I enjoyed the tone and the relationship depicted was fresh and unusual - but something just didn't click.   I wonder whether the piece might almost work better as a (longer) prose piece? It feels like either the poem should be stripped down to its bare bones - at the moment it tells us, rather than shows us what happens - or it should be developed into a longer portrait of the relationship.  Sorry for the disheartening news. Please do submit to us in future though - we'd be keen to read more of your work.

     

  It was disheartening, but it forced me to reassess the poem. I removed parts of lines that seemed trite or clichéd, and grouped the stanzas differently until I got to where it seemed stronger. I now had to find a new home for it, but I was keeping the title.  (For those interested, take a look at my notes on an earlier version of the poem.)

So I sent out the revised version.  It got a nice personalized rejection in December from Four Chambers Press (http://fourchamberspress.com/), who said “while we loved the opportunity of second breakfast, the way you were able to entertain both playful and serious,(and) the narrative conflict was really strong to boot, we regret to inform you that we are unable to publish 'The Second Breakfast' at this point in time.”  It was getting closer.  

Several journals rejected it outright, but I persisted. Finally, on February 28, 2015, the poem was accepted as one of a group of poems by Katie Moore (https://www.facebook.
com/asherahkatlst
=100004428366683
%3A1153156572%3A1540925608) and John Hancock (https://www.face
book.com/jghmemphis?lst=100004428366683%3A1425125146
%3A1540925731) of The Legendary, who published it in their March, 2015 Issue 48 online (http://www.down
dirtyword.com/authors/garyglauber.html)

It also was included in my chapbook Memory Marries Desire (from Finishing Line Press) in 2016, with my preferred spacing intact. (Interesting side note: Far Off Places published “The Second Breakfast” issue in February 2015 – and it did not include this).

Anything you would like to add?   I think people avoid love poems in general these days, but there are notes of the universal to be found in the complexity of relationships – the emotions, the turmoil, the challenges.  I would encourage the exploration of those aspects, because they are genuine and offer points of association and identification.

Contact information?  It would be lovely if people felt curious enough to seek out my work at either Amazon or Barnes & Noble, or through the sites of the indie publishers. Here is the link to my Amazon page:  https://www.amazon.com/default/e/B012BMLL3E?redirectedFromKindleDbs=true

The Second Breakfast

The second breakfast was not lavish.

It was conciliatory; eaten alone,

clouded with heavy thoughts,

strong espresso, and long reflection.

He pondered the impossibility

of making it work. 

She was kind, sweet,

attentive, interested.

She approached, a smiling stranger,

asking, “Have any plans for breakfast?”

The maneuver’s playful candor

subtly insinuated her into his life.

He admired the forwardness,

let himself be charmed into the invite.

The night proved pleasant enough;

morning delivered the promise

of superb banana-chocolate chip pancakes,

then she left. 

Now, he was eating again, but less.

The second breakfast was a time for decisions.

She was older, a former French major,

a little exotic, a nurse with varied shifts.

Beyond that, she hadn’t told him much:

she lived in town, enjoyed the pancakes.

Hesitant, he wasn’t sold

on another steady relationship

so close on the heels

of last year’s crash and burn. 

Over a bite of toast, he searched

for graceful ways out, pouring another cup,

debating compassion, morals, obligations,

sip by painful sip.

Gary Glauber is a poet, fiction writer, teacher, and former music journalist.  His works have received multiple Pushcart Prize and Best of the Net nominations. He champions the underdog to the melodic rhythms of obscure power pop. His two collections, Small Consolations (Aldrich Press) and Worth the Candle (Five Oaks Press) and a chapbook Memory Marries Desire (Finishing Line Press) are available through Amazon, Barnes & Noble, and the publishers. 

BACKSTORY OF THE POEM LINKS

001  December 29, 2017
Margo Berdeshevksy’s “12-24”

http://chrisricecooper.blogspot.com/2017/12/a-new-crc-blog-series-backstory-of-poem.html

002  January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

http://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem.html

003 January 12, 2018

Barbara Crooker’s “Orange”

https://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem_12.html

004 January 22, 2018

Sonia Saikaley’s “Modern Matsushima”

https://chrisricecooper.blogspot.com/2018/01/the-fourth-installment-of-new-crc-blog.html

005 January 29, 2018

Ellen Foos’s “Side Yard”

http://chrisricecooper.blogspot.com/2018/01/5-backstory-of-poem-sidewalk-by-ellen.html

006 February 03, 2018

Susan Sundwall’s “The Ringmaster”

https://chrisricecooper.blogspot.com/2018/02/6-backstory-of-poem-susan-sundwalls.html

007 February 09, 2018

Leslea Newman’s “That Night”

https://chrisricecooper.blogspot.com/2018/02/7-backstory-of-poem-that-night-by.html

008 February 17, 2018

Alexis Rhone Fancher “June Fairchild Isn’t Dead”

https://chrisricecooper.blogspot.com/2018/02/8-backstory-of-poem-june-fairchild-isnt.html

009 February 24, 2018

Charles Clifford Brooks III “The Gift of the Year With Granny”

https://chrisricecooper.blogspot.com/2018/02/9-backstory-of-poem-gift-of-year-with.html

010 March 03, 2018

Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

https://chrisricecooper.blogspot.com/2018/03/chris-ricecooper-caccoopaol.html

011 March 10, 2018

Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

https://chrisricecooper.blogspot.com/2018/03/11-backstory-of-poem-after-diane.html

012  March 17, 2018

Angela Narciso Torres’s “What I Learned This Week”

https://chrisricecooper.blogspot.com/2018/03/12-backstory-of-poem-series-angela.html

013 March 24, 2018

Jan Steckel’s “Holiday On ICE”

https://chrisricecooper.blogspot.com/2018/03/13-backstory-of-poem-jan-steckels.html

014 March 31, 2018

Ibrahim Honjo’s “Colors”

https://chrisricecooper.blogspot.com/2018/03/14-backstory-of-poem-ibrahim-honjos.html

015 April 14, 2018

Marilyn Kallett’s “Ode to Disappointment”

https://chrisricecooper.blogspot.com/2018/04/15-backstory-of-poem-ode-to_14.html

016  April 27, 2018

Beth Copeland’s “Reliquary”

https://chrisricecooper.blogspot.com/2018/04/16-backstory-of-poem-reliquary-by-beth.html

017  May 12, 2018

Marlon L Fick’s “The Swallows of Barcelona”

https://chrisricecooper.blogspot.com/2018/05/17-backstory-of-poem-swallows-of.html

018  May 25, 2018

Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

https://chrisricecooper.blogspot.com/2018/05/18-backstory-of-poem-arterial.html

019  June 09, 2018

Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

https://chrisricecooper.blogspot.com/2018/06/19-backstory-of-poem-stiletto-killer.html

020 June 16, 2018

Charles Rammelkamp’s “At Last I Can Start Suffering”

https://chrisricecooper.blogspot.com/2018/06/20-backstory-of-poem-at-least-i-can.html

021  July 05, 2018

Marla Shaw O’Neill’s “Wind Chimes”

https://chrisricecooper.blogspot.com/2018/07/21-backstory-of-poem-wind-chimes-by.html

022 July 13, 2018

Julia Gordon-Bramer’s “Studying Ariel”

https://chrisricecooper.blogspot.com/2018/07/22-backstory-of-poem-studying-ariel-by.html

023 July 20, 2018

Bill Yarrow’s “Jesus Zombie”

https://chrisricecooper.blogspot.com/2018/07/23-backstory-of-poem-jesus-zombie-by.html

024  July 27, 2018

Telaina Eriksen’s “Brag 2016”

https://chrisricecooper.blogspot.com/2018/07/24-backstory-of-poem-brag-2016-by.html

025  August 01, 2018

Seth Berg’s “It is only Yourself that Bends – so Wake up!”

https://chrisricecooper.blogspot.com/2018/08/25-backstory-of-poem-it-is-only.html

026  August 07, 2018

David Herrle’s “Devil In the Details”

https://chrisricecooper.blogspot.com/2018/08/26-backstory-of-poem-devil-in-details.html

027  August 13, 2018

Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

https://chrisricecooper.blogspot.com/2018/08/27-backstory-of-poem-carmen-polo-lady.html

028  August 21, 2018

Connie Post’s “Two Deaths”

https://chrisricecooper.blogspot.com/2018/08/28-backstory-of-poem-two-deaths-by.html

029  August 30, 2018

Mary Harwell Sayler’s “Faces in a Crowd”

https://chrisricecooper.blogspot.com/2018/08/29-backstory-of-poem-faces-in-crowd-by.html

030 September 16, 2018

Larry Jaffe’s “The Risking Point”

https://chrisricecooper.blogspot.com/2018/09/30-backstory-of-poem-risking-point-by.html

031  September 24, 2018

Mark Lee Webb’s “After We Drove”

https://chrisricecooper.blogspot.com/2018/09/31-backstory-of-poem-after-we-drove-by.html

032  October 04, 2018

Melissa Studdard’s “Astral”

https://chrisricecooper.blogspot.com/2018/10/32-backstory-of-poem-astral-by-melissa.html

033 October 13, 2018

Robert Craven’s “I Have A Bass Guitar Called Vanessa”

https://chrisricecooper.blogspot.com/2018/10/33-backstory-of-poem-i-have-bass-guitar.html

034  October 17, 2018

David Sullivan’s “Paper Mache Peaches of Heaven”

https://chrisricecooper.blogspot.com/2018/10/34-backstory-of-poem-paper-mache.html

035 October 23, 2018

Timothy Gager’s “Sobriety”

https://chrisricecooper.blogspot.com/2018/10/35-backstory-of-poem-sobriety-by.html

036  October 30, 2018

Gary Glauber’s “The Second Breakfast”

https://chrisricecooper.blogspot.com/2018/10/36-backstory-of-poem-second-breakfast.html

CRC Blog Scripted Interview With Crime Writer C. S. DeWildt on "SUBURBAN DICK"

Chris Rice Cooper 

caccoop@aol.com

https://www.facebook.com/christalann.ricecooper

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

**Some of the links will have to be copied and then posted in your search engine in order to pull up properly

CRC Scripted Interview with C.S. DeWildt On His Crime Fiction Novella SUBURBAN DICK

      Shotgun Honey (https://www.shotgun

honey.com) published CS DeWildt’s crime fiction novella SUBURBAN DICK on May 1, 2018, with cover design by Bad Fido.

       DeWildt has published four other fiction novels:  Love You to A Pulp by All Due Respect; Kill Em With Kindness, All Due Respect; Dead Animals, All Martian Lit; and Candy and Cigarettes, Vagabondage Press.

SYNOPSIS of SUBURBAN DICK:  Private Detective Gus Harris isn’t paid to be nice. Problem is he isn’t paid for much of anything these days. Recently divorced, all Gus wants is a little business to keep his one-man operation afloat and a chance to be a part of his kids’ lives. So when a pair of distraught parents come calling for help locating their missing son, it appears Gus’s luck may be changing. As Gus investigates the boy’s disappearance, he discovers something rotten with the Horton High school wrestling team. Gus soon realizes the missing boy may not be missing at all, but rather part of an elaborate embezzlement scheme that serves to keep the team at peak performance and the college scholarships rolling in. Gus is certain that popular high school wrestling coach Geoff Hanson knows more than he’s willing to admit, but has no idea just how far the man is willing to go to keep his secrets from coming to light. Soon, the lines between Gus’s work and home life are blurred as he finds himself not only trying to crack the case, but also protecting the people most dear to him from Hanson’s vengeful wrath. 

Below is a scripted interview conducted between the CRC Blog and C.S. DeWildt from August 21, 2018 to September 6, 2018.

Can you go through the step-by-step process of writing SUBURBAN DICK from the moment the idea was first conceived in your brain until final book form?  Sure! First, thanks for having me by, again. I had the initial idea in 2014 (Left:  Copyright permission granted by C.S. DeWildt for this CRC Blog Post Only) I believe, just a story about a guy trying to solve a case while doing the whole “divorced dad” thing. I love PI stories but I wanted to try something that would make mine a little different which is why I chose the suburbs and a more family oriented B story. I guess I wanted to subvert the genre by being a little less subversive. Does that even make sense?

       “Hey,” Gus said.  The kid turned.  “Tell your mom I’ll be by around six.  And do the dishes for her.  You owe me.”  The kid nodded, gave Gus that snaggle-toothed smile that was surely going to call for braces.  Jesus Christ, how much was that going to set him back?

       “See you later, Dad,” the kid said as he ran to the door.

       Gus watched his boy go and glanced at the photos on the visor again.  He hated the fact that he saw the photos of his kids more often than the kid themselves.  But more than that, he hated himself.   

SD is a pretty straight forward story, took me a year to get it in good enough shape to submit it anywhere. It was rejected by agents and publishers alike for about another two years. Eventually I followed up with Down and Out Books who didn’t accept it outright but passed it on to one of their new imprints, Shotgun Honey Books. Ron (Left)(http://www.ronearl

phillips.com/) over there liked it and we made the plan to put it out in 2018, which is exactly what happened.

What environment (s) did you write SUBURBAN DICK and can you describe in great detail?  It’s not that exciting but I’ll try. The bulk of it was written in my office, which is just a den that the entire family shares, so it’s loaded up with toys and school junk, books, art supplies, workout gear and of course our dog. It does have a great window for letting in a little natural light though.

Did you have a writing routine hours in which you would write SUBURBAN DICK?  Mornings are always best for me. I have young kids, who were even younger when I was writing the book, so I tried to get up early while everyone else was still asleep. It’s always been my routine because I’m an early riser, but this was the first book where I felt it was NECESSARY to take advantage of that time. By six a.m. I had kids climbing all over me asking for some breakfast. (Left:  DeWildt and his two boys.  Copyright permission granted by C.S. DeWildt for this CRC Blog Post Only) 

How long did it take to completely write SUBURBAN DICK? 

A year to write and two more to find a publisher.

What made you give that title?  The book was originally called “Chicken Wing” (a reference a motif throughout) but the publisher thought it was a little too vague and suggested “Suburban Detective.” I shot back with Suburban Dick, which worked since not only is dick short for detective, but Gus Harris enjoys needling people, he’s a bit of a dick himself.

Gus sat behind his desk, and Mrs. Hughes began to cry again.  The man stroked her shoulder in an attempt to comfort her to calm her.  He tried to pull her to him but she resisted.

       “Stop it Gene!” she said to her husband.  The man’s hand jerked away from his wife.

       “Grace, please,” he said.

       “Don’t!” she said.  “Our son is missing!”  She broke down again hard, as if saying the words made it real all over.  Gus slid a box of tissue toward her and looked to Gene for the rest of the pitch.

       “You probably heard about it.  The wrestler from Horton High that died a few months back?  He and Albie, our boy, were friends.”

       Of course Gus had heard.  It had been all over the news, Drew David, high school wrestler jumped off a footbridge seventy feet above the rocky creek bed that ran through Horton Nature Preserve.  The story had made the national cycle for a couple weeks, leading to a series of “special investigations” on teenage suicide across the web.  The event also stood out because Gus’s home, or the home that now housed his wife Lucy and their kids, was in Horton.  His daughter was a senior at Horton high this year and he and his wife, ex-wife, were alums of the small-town school themselves.   Given all of that, it was a story that was hard to miss.  The lesser-reported part of the story was that another wrestler, all-state champion Albert “Albie” Hughes couldn’t be found and was wanted for questioning.

Can you explain the chicken on the cover?  Again, the image goes back to the  original title and the “chicken wing” motif that runs through the piece.  And they’re delicious.

Which excerpt was the most compelling for you to write? Why? And may I include it in this piece?  I really loved the scenes where Gus talks/fights with his family. Solving the case was fun, but I really liked writing the family stuff, particularly the Gus and Jessie scenes. On one hand she’s your typical surly teen, but she also has a reason to be. Gus needed her forgiveness, but it wasn’t going to come easy.    All of the family scenes were a lot of fun to write. Include anything you want! (Right:  C.S. DeWildt.  Copyright permission granted by C.S. DeWildt for this CRC Blog Post Only)

    

Gus took a long swallow from the bottle and looked around the bright, empty kitchen.  The sink was empty of dishes.  Ernie was a good kid.  The boy’s “A” graded school assignments hung on the refrigerator.  Jessie was represented too, with a discipline slip to be signed next to a playbill for the Horton High School play, her name under the title, “Frankenstein goes to Hollywood,” a modern, musical retelling of Mary Shelley’s Frankenstein, and Jessie’s first starring role after a year in the chorus and two more as an understudy.  She’d been thrilled when she got the role in time to include the information on her college applications.  Gus made a mental note, the performance a little over a week away.  He turned his attention to the discipline slip.  He read from the stock form and found, among the many listed potential crimes that weren’t checked off, Jessie was found guilty of “insubordination” with the swipe of a red pen.  She was also cited for “inappropriate language”.

       Gus took another swig of beer and caught Jessie out of the corner of his eye.  She was standing in the doorway looking at him, mouth set into the scowl he’d known since she turned thirteen.

       “What?” she said, annoyed. 

I felt the book was realistic crime fiction but the very ending seemed like horror – fantasy horror. Do you agree?  Absolutely! Another motif that developed in the process of writing this book was Mary Shelley’s Frankenstein. I like an ending that surprises people and yes, this one kind of switches genres at the end. I wouldn’t say fantasy exactly; I tried to present a realistic, albeit worst case scenario regarding “the creature.”

     

  Behind the girl a person, no, a thing, dropped form the Dr. Frankenstein’s castle set-piece, knocking it to the stage with a hard crash.  The cast turned.  Some of the audience gasped when they saw it, others screamed. . . .

. . . Gus hoped on the stage as the thing snatched Jessie. 

Were there any portions that were deleted out of the final version and can you share them with us?  I wish I could say yes to make this answer more interesting, but no. Everything made the final cut for the most part. It’s a pretty lean book.

If this were a movie which actors and actresses would play the characters?

Gus – McCauly Culkin

Lucy – Charlize Theron

Jessie – Sophia Hublitz from Ozark

Ernie – My eldest child

Henson – Danny Bonaduce

Anything you would like to add?

Not really. Just thank you again for having me! And anyone reading, please check out Suburban Dick and my new blog site https://uglydad.com