#123 Inside the Emotion of Fiction "THE NINJA DAUGHTER" by Tori Eldridge

Chris Rice Cooper 

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****Tori Eldridge’s THE NINJA DAUGHTER  is #123 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece. 

Name of fiction work? And were there other names you considered that you would like to share with us? THE NINJA DAUGHTER. The novel was inspired by my short story published in Suspense Magazine’s Best of 2014 issue (Bottom Right). For a while, the novel and story shared the same title: “Call Me Dumpling.” I thought it was ironic and amusing to have my badass ninja warrior telling the world to call her Dumpling. But, of course, I knew who Lily Wong was and the history behind the nickname. Everyone else was confused and had no idea what kind of book they’d be reading. Was it a cozy, a chic lit, a cookbook?! Readers (and publishers) needed a title that would say exactly what this novel was about. When I finally came up with The Ninja Daughter, the title hit me like a palm to the face.

Fiction genre?  Ex science fiction, short story, fantasy novella, romance, drama, crime, plays, flash fiction, historical, comedy, movie script, screenplay, etc. The Ninja Daughter has been listed in several genre: thriller, mystery, crime fiction, women’s adventure, action thriller, and Asian literature.

Has this been published? And it is totally fine if the answer is no.   If yes, what publisher and what publication date? Published by Agora Books / Polis Books on November 5^th, 2019

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? I began the novel in the Spring of 2015 and finished at the end of 2016, but I had to step away from it for a month, here and there, to write a couple of short stories for anthologies and to rewrite a manuscript my agent had in submission, for travel, and to care for my ailing parents. After it had been in submission a year, I rewrote it one more time and gave it the new title. That was the version that sold.

Where did you do most of your writing for this fiction work?  And please describe in detail. I’ve always been a kinetic person (former Broadway dancer and martial arts instructor), so the sedentary life of a writer was challenging for me. To combat leg cramps and back fatigue, I changed positions and locations throughout the day. I began each writing day by standing at the kitchen counter with my laptop on a wire platform. (Left)

          I didn’t sit down until twelve or one in the afternoon. Sometimes I wrote in silence. Other times, I’d danced salsa while thinking and typing. Needless to say, there were many typos.

In the afternoon, I’d move to my dining room table and either sit on a medicine ball or on a chair with my legs in the splits. (Right)

     I also enjoyed writing outside. Sundays were an especially nice work day for me. Here’s a shot of me writing The Ninja Daughter on our lanai while my producer husband reads a screenplay. (Left)

     This was a busy and challenging time for me. My father was in and out of the hospital that year, and I was constantly driving to San Diego to stay with my mother, who was suffering from Alzheimer’s. Several months later, my father recovered, but my mother passed away. My eldest sister and I accompanied my father to Hawaii to visit with family and friends and to scatter her ashes on Maui. A month after that, I traveled to Bali on a pre-scheduled book research trip. And through all of this, I wrote.

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? I drink a lot of tea, especially Chinese teas like Dragonwell and Lily Wong’s favorite Jin Xuan Milk Oolong from Taiwan.

I write in silence and while listening to music. It all depends on my mood.

I wrote the first draft of The Ninja Daughter on Scrivener. 

     It has a binder system where I can organize chapters by acts, write summaries, and even color code them according to characters or themes so I can see at a glance if I need to touch back with a particular story line relationship. I love this writing program because I can organize novels the way I always wrote screenplays. After it’s compiled into a Word document, I stay there for the edit and polish.

     Scrivener works wonderfully for me. It’s as if the designers jumped into my head and created a digital platform for my outlining madness.

     Once I signed a two book deal for The Ninja Daughter, I shelved this project. But one day it and the book preceding it will greet the world. In the meantime, I’m 40,000 words into a dystopian thriller than I’m really excited about.

What excerpt of the book was the most emotional for you to write? This excerpt can be as short or as long as you prefer.

“It took several minutes before I stopped shaking, before I had quieted my sobs and spit away all traces of his blood. It took a few more to crawl to my feet, where I swayed until my drugged body grew accustomed to standing. My clothes were ripped. My face and torso were covered in blood. But I was alive.

I was lucky.

I had spent years trolling for the man who had raped and murdered Rose, with only scant descriptions from eyewitnesses to guide me. I knew my fifteen-year-old sister had used a fake ID to get into one of the clubs that catered to the eighteen-plus crowd. I didn’t know if she had done it before.

Had she gotten scared? Had her friends ditched her? Was that why she had texted me? To come and get her?

I’d never know. I’d never responded.

I had abandoned Rose when she needed me most, and all I could do after her death was hunt down her murderer. I played bait in every underage haunt I could find and searched for the tall, blond twenty-something man with the strong jaw, predatory eyes, and out-of-place suit the witnesses had described. I had felt certain I would recognize his ill intent when he came to prey on me.

I was wrong.

I had fallen for his charms, just as my sister had, and had come close to suffering the same fate.

As I staggered away from that car and into the alley, covered in my sister’s killer’s blood, I made a promise to always remain vigilant and never accept what was presented. I would look deep and jump slow. And I would question everything. It would keep me alive. More than that, it helped me keep others alive.”

Why is this excerpt so emotional for you to write?  And can you describe your own emotional experience of writing this specific scene/excerpt? When I’m writing a scene, I embody my characters as I used to do as an actress. This scene had me in fight or flight mode all the way through and physically trembling in the aftermath. As I recall, it took quite a while and a strong cup of tea before I settled down.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. This excerpt is from a longer scene in the book that originated as a short story. I rewrote it many times to find the right tone for the novel, but I don’t have any rough drafts to share.

Other works you have published?

Non-Fiction

Empowered Living: A Guide to Physical and Emotional Protection

Short Stories

“Call Me Dumpling” – Suspense Magazine’s Best of 2014 issue

“Ace of Wands” -  Never Fear: The Tarot anthology

“Resistant” – Never Fear: The Apocalypse anthology

“Life After Breath” – Running Wild Anthology of Short Stories Volume 2

Anything you would like to add? The Ninja Daughter has been nominated for the Lefty Award for Best Debut Mystery Novel!

     And the second book in the Lily Wong series is scheduled to release September 1, 2020.

     Tori Eldridge is a Honolulu-born thriller writer. Her debut novel, The Ninja Daughter, is the first book in the Lily Wong series and was inspired by her debut short story featured in Suspense Magazine’s Best of 2014. Other short stories have been published in several anthologies, and her screenplay The Gift earned a semi-finalist place for the prestigious Academy Nicholl Fellowship.

     Tori is of Hawaiian, Chinese, Norwegian descent and graduated from Punahou School with classmate Barack Obama. She holds a fifth-degree black belt in To-Shin Do ninjutsu and has traveled the USA teaching seminars on the ninja arts, weapons, and women’s self-protection. Tori has performed under her maiden name (Tori Brenno) as an actress, singer, dancer on Broadway, television, and film. She and her husband, Tony, live in Los Angeles where they raised two wonderful sons. (Above Left: in October of 2019)

Website: https://torieldridge.com

Amazon: http://bit.ly/TheNinjaDaughter

Facebook: https://www.facebook.com/ToriEldridgeAuthor/

Instagram: https://www.instagram.com/writer.tori/

Twitter: https://twitter.com/ToriEldridge

Bookbub: https://www.bookbub.com/profile/tori-eldridge

INSIDE THE EMOTION OF FICTION links

001   11 15 2018 Nathaniel Kaine’s

Thriller Novel

John Hunter – The Veteran

http://chrisricecooper.blogspot.com/2018/11/001-inside-emotion-of-fiction-nathaniel.html

002   11 18 2018 Ed Protzzel’s

Futuristic/Mystery/Thriller

The Antiquities Dealer 

https://chrisricecooper.blogspot.com/2018/11/002-inside-emotion-of-fiction-ed.html

003   11 23 2018 Janice Seagraves’s

Science Fiction Romance

Exodus Arcon

https://chrisricecooper.blogspot.com/2018/11/003-inside-emotion-of-fiction-exodus.html

004   11 29 2018 Christian Fennell’s

Literary Fiction Novel

The Fiddler in the Night

https://chrisricecooper.blogspot.com/2018/11/004-inside-emotion-of-fiction-christian.html

005  12 02 2018 Jessica Mathews’s

Adult Paranormal Romance

Death Adjacent

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006  12 04 2018 Robin Jansen’s

Literary Fiction Novel

Ruby the Indomitable

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007  12 12 2018  Adair Valerez’s

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008  12 17 218 Kit Frazier’s

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009 12 21 2019 Robert Craven’s

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010 01 13 2019 Kristine Goodfellow’s

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011 01 17 2019 Nancy J Cohen’s

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012 01 20 2019 Charles Salzberg’s

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013 01 23 2019 Alexis Fancher’s

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014 01 27 2019 Brian L Tucker’s

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POKEWEED:  AN ILLUSTRATED NOVELLA

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015 01 31 2019 Robin Tidwell’s

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016 02 07 2019 J.D. Trafford’s

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017 02 08 2019 Paula Shene’s

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018 02 13 2019 Talia Carner’s

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019 02 15 2019 Rick Robinson’s

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020 02 21 2019 LaVerne Thompson’s

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023 03 06 2019 Samuel Snoek-Brown’s

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027  03 25 2019 Faith Gibson’s

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030 04 05 2019  Marianne Maili’s

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057 07 03 2019 Saralyn Ricahrd’s

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#068 08 04 2019 Hank Phillippi Ryan’s

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069 08 08 2019 Diana Y. Paul’s

Literary Mainstream Fiction

THINGS UNSAID

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070 08 10 2019 Phyllis H. Moore’s

Women’s Historical Fiction

BIRDIE & JUDE

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071 08 11 2019 Sara Dahmen’s

Historical Fiction

TINSMITH 1865

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072  08 19 2019 Carolyn Breckinridge’s

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073 08 21 2019 Alison Ragsdale’s

Emotional Women’s Fiction

THE ART OF REMEMBERING

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074  08 22 2019 Lee Matthew Goldberg’s

Suspense Thriller

THE DESIRE CARD

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075 08 23 2019 Jonathan Brown’s

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THE BIG CRESCENDO

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076 09 02 2019 Chera Hammons Miller’s

Literary Fiction w/ suspense, concern with animals & land management

Monarchs of the Northeast Kingdom

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077 09 09 019 Joe William Taylor’s

Literary Mystery

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078 09 15 2019 Linda Hughes’s

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079 09 19 2019 Max Elliot Anderson’s

Middle Grade Adventure/Mystery

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080 09 22 2019 Danny Adams’s

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081 09 24 2019 Arianna Dagnino’s

Social/Historical/Adventure

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082 09 29 2019 Lawrence Verigin’s

Thriller/Suspense

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083  10 05 2019 Emma Khoury’s

Fantasy

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#084 10 07 2019 Steve McManus’s

Mystery/Suspense/Thriller

SEVEN DEVILS

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#085 10 08 2019 Sheila Lowe’s

Mystery/Psychological/Suspense with Scientific Bent

PROOF OF LIVE

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#086 10 10 2019 Jess Neal Woods’s

Historical Fiction

THE PROCESS OF FRAYING

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#087 10 11 2019 Karen Odden’s

Historical Suspense

A TRACE OF DECEIT

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#88 10 14 2019 Kate Maruyama’s

Love, Loss & Supernatural

“HARROWGATE”

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#89 10 17 2019 Sherry Harris’s

Mystery

“LET’S FAKE A DEAL”

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#90 10 18 2019 Linda Mooney’s

Science Fiction Apocalyptic/ Post Apocalyptic

“THE TRUNK”

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#91 10 19 2019 Jayne Martin’s

Flash Fiction Short Story Collection

“TENDER CUTS”

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#92 10 22 2019 Janice Cole Hopkins’s

Inspirational Romance

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#93 10 29 2019 Kristi Petersen Schoonover’s

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#94 11 01 2019 David Henry Sterry’s

Fiction: Sexual Violence

“THE TENDERLOIN WARS”

https://chrisricecooper.blogspot.com/2019/11/94-inside-emotion-of-fiction-tenderloin.html

#95 11 03 2019 Jay Requard’s

Dark Fantasy/Horror

“DEATH & DUST: THE PALE SAND ADVENTURES”

https://chrisricecooper.blogspot.com/2019/11/95-inside-emotion-of-fiction-death-dust.html

#96 11 04 2019 Caroline Leavitt’s

Fiction

“WITH OR WITHOUT YOU”

http://chrisricecooper.blogspot.com/2019/11/96-inside-emotion-of-fiction-with-or.html

#97 11 06 2019 Kelsey Clifton’s

Science Fiction

“A DAY OUT OF TIME”

https://chrisricecooper.blogspot.com/2019/11/97-inside-emotion-of-fiction-day-out-of.html

#098 11 13 2019 John F Allen’s

Urban Fantasy Tale

“The God Killers’
https://chrisricecooper.blogspot.com/2019/11/98-inside-emotion-of-fiction-god.html

#99 11 16 2019 Damian McNicholl’s

Historical Novel

“The Moment of Truth”

http://chrisricecooper.blogspot.com/2019/11/99-inside-emotion-of-fiction-moment-of.html

#100 11 19 2019 Stacia Levy’s

Mystery/Suspense Novel

“Girl Crush”

https://chrisricecooper.blogspot.com/2019/11/100-inside-emotion-of-fiction-girl.html

#101 11 24 2019 Charlotte Morgan’s

Fiction Novel

“Protecting Elvis”

http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s

Children’s Christian Fiction

“Ed On My Shoulder:  Maria & The Candy Trail”

https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s

Coming of Age Literary Novel

The Nine

https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s

Adult Paranormal

“MYSTIC EMBRACE”

https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s

Satire Novel

“THE LAND OF GRACE”

https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s

Screenplay

“Escapement”

http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s

Crime Fiction/Police Procedural Novel

“KILLER’S COUNTDOWN”

https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s

Historical Literary Fiction

“The Ash, the Well and the Blue Bell”

https://chrisricecooper.blogspot.com/2019/12/1

8-inside-emotion-of-fiction-ash-well.html

#109 12 16 2019 Amalia Carosella’s

Historical/Contemporary/Duel Timeline/ Women’s

Fiction

“DAUGHTER OF A THOUSAND YEARS”

https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html

#110 12 19 2019 Laura Bickle’s

Weird Western/Contemporary Fantasy

“DARK ALCHEMY”

https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html

#111 12 27 2019 Brian Pinkerton’s

Science Fiction Thriller

“THE GEMINI EXPERIMENT”

https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s

Lesbian Thriller

“TILL DARKNESS COMES”

https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s

Vampire Thriller

“THE CROSSING”

https://chrisricecooper.blogspot.com/2019/12/113-inisde-emotion-of-fiction-crossing.html

#114 12 30 2019 Sam Richard’s

Short Story Collection of Weird and Transgressive

Horror

“To Wallow In Ash and Sorrows”

https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s

Literary Fiction Novel

“A DOG BETWEEN US”

https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s

Young Adult Novel

“BAD HAIR”

https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s

Literary Satire Novel

“THE CUBAN COMEDY”

http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s

Historical/Literary Novel

“THE ROAD TO MATEWAN”

https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s

Contemporary Novel

“The Face Tells the Secret”

https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s

Young Adult, Historical and Fantasy

“Brimstone And Lily”

https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html

#121 01 12 2020 Melissa Yi’s

Fiction Thriller

“GRAVEYARD SHIFT”

http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s

Crime Thriller

“GIRL GONE MISSING”

http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s

Multi Genre Novel

“THE NINJA DAUGHTER”

https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html