April Sanchez’s screenplay DAUGHTERS LOST TO THE DESERT is #192 in the never-ending series called INSIDE THE EMOTION OF FICTION

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***April Sanchez’s screenplay DAUGHTERS LOST TO THE DESERT is #192 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece

Name of screenplay? And were there other names you considered that you would like to share with us? The name of my screenplay is DAUGHTERS LOST TO THE DESERT. It was originally called “Daughters of the Desert.”                                                                                                                                    What is the date you began writing this screenplay and the date when you completely finished the piece of fiction? I cannot remember the date I began, but it has been perhaps four or five years since I started it. It has been through many rewrites. I don’t really consider it complete just yet as I still get notes and make adjustments here or there. I guess I’ll consider it complete if I ever sell it or can make myself put it aside and move on from it.

Where did you do most of your writing? And please describe in detail. I tend to write in my tiny office in my house. I don’t write at a desk like other writers, I always write on my office couch, a purple, velvet loveseat that has a fun, wavy design. I have a tapestry from my trip to northern India on the wall above it that is purple and blue and there are scarves over the lamps to make it moody at night. There are pictures and paintings all over the wall above a small table covered by a large scarf that I rarely sit at, but instead use as a spot to dump random things I need to sort or toss. There is a small bookshelf by the door to the room and a west facing window across from my couch that illuminates the room so if I’m in there during the day I don’t have to turn on any lights. It is a very small space but one of my most favorite spaces in my house.

What were your writing habits while writing this screenplay - did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? I don’t have a ritual as far as consistently doing the same thing every time. I do drink water and save cocktails or coffee for before/after I write in order to be in a neutral zone (coffee makes me want to jump ahead, alcohol can make me overwrite). If it is a quiet, still day or night I usually write without music, but sometimes I’m in the mood for it. If the neighbors are outside listening to their music and I can hear it, then I definitely write to music to drown out theirs. I listen to instrumental or foreign music where I don’t understand what they are saying because listening to contemporary music is distracting for me. I used to write with pen and paper, but nowadays I save that for notes and do my writing directly on my laptop. I prefer to write in the mornings, but am not always able to so I will write whenever I can carve out the time be it in the afternoons or at night.

What is the summary of your screenplay? A protective mother seeks justice for the murder of her youngest daughter amidst systemic corruption and accusations of being a murderous vigilante herself, which causes tension with her surviving daughter.

 

Please include just one excerpt. This one excerpt can be as short or as long as you prefer.

INT. EDUARDO’S HOUSE, BEDROOM - DAY

 

Tomasa enters the small bedroom where Soledad sits on the edge of the bed sobbing. She is unable to look her mother in the eye and instead lays down with her back to her.

 

Tomasa lays down next to Soledad, putting her arm around her in an embrace. She kisses Soledad’s tear-stained cheek and brushes hair out her face.

 

The women say nothing, but the mother/daughter love between the two is palpable. Two fierce women, allowing their vulnerability, grief and warmth to take over in the moment. All that matters is that they still have each other.

 

Why is this excerpt so emotional for you as a writer to write? And can you describe your own emotional experience of writing this specific excerpt? *and humor is one of many emotions. It is emotional for me because even though the story contains violence, the essence of the story is about a relationship between a mother and a daughter. My emotions were really this feeling of bittersweetness and also love for these two characters and how they become fully human at this moment because it is the moment in the story where the daughter, Soledad, allows herself to be the most vulnerable and the mother, Tomasa, finally shows the affection that Soledad had wanted from her. It’s the moment where they finally come back together to heal after their relationship was torn apart through their immense grief and inability to find a healthy way of coping with their loss. There’s something so wonderful and human in these two larger than life women stepping out of their shell and quietly reconciling when their lives had gone so horribly out of control. This scene was the missing link for a while… the story didn’t have it, but desperately needed it and it really changed the story for the better. So I really enjoy the love I feel for this scene and these two complex characters, but it is really bittersweet because of all the sad and scary stuff that they went through.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. There weren’t any deletions from this excerpt as I wanted to make sure that it was short and without dialogue so as to focus on seeing their emotion and connection… in other words there is no need for them to say anything as they already understand everything. So of all the scenes, this was probably the only that didn’t change.

 

Has this screenplay been made into a film? And if NOT which actors would you like to portray your characters in this screenplay? No, unfortunately not yet, but I have hope that it will eventually be made into a film. I think Selma Hayek would be perfect for Tomasa, Rosa Salazar would make a great Soledad and Michael Peña would be wonderful as Deputy Coronado.

How many pages? What does that equate to how long the film would be? It is currently 108 pages which is roughly a little more than an hour and a half, but I do think it would be closer to two hours if actually filmed due to some of the action sequences.

          Award-winning screenwriter April M. Sánchez was born and raised in El Paso, TX, which borders Juarez, Mexico. Growing up in a bicultural city has inspired her stories, which reflect the beauty, wonder, and traditional elements of border town Latinx culture.                            April holds a bachelors degree in Screenwriting and a Latino Media Studies certification from the University of Texas at Austin. Her scripts have made their way to the finalist round in screenplay competitions such as the Sundance Screenwriters Lab, and as a Semi-Finalist in The Academy Nicholl Fellowship and the Universal Writers Lab. She has participated in the NALIP Screenwriting Lab, the Stowe Story Labs and the Athen a Film Festival LA TV & Screenwriting Lab.

     When she’s not writing or creating short films, April can be found traveling around the world, from India to Europe to Central America and beyond. Especially fond of road trips, April will eagerly take an open road in any direction with friends or on a solo adventure. Through her travels, April has discovered just how unique her hometown is, describing El Paso as a gray area of the U.S. where two countries, languages and cultures converge into one dreamy landscape that is both lovely and forsaken.

amsanchezmedia.com 

https://www.imdb.com/name/nm10528985/

twitter.com/A_M_Sanchez

INSIDE THE EMOTION OF FICTION links

 

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Mystery/Suspense Novel

Girl Crush

https://chrisricecooper.blogspot.com/2019/11/100-inside-emotion-of-fiction-girl.html

#101 11 24 2019 Charlotte Morgan’s

Fiction Novel

Protecting Elvis

http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s

Children’s Christian Fiction

Ed On My Shoulder:  Maria & The Candy Trail

https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s

Coming of Age Literary Novel

The Nine

https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s

Adult Paranormal

MYSTIC EMBRACE

https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s

Satire Novel

THE LAND OF GRACE

https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s

Screenplay

Escapement

http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s

Crime Fiction/Police Procedural Novel

KILLER’S COUNTDOWN

https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s

Historical Literary Fiction

The Ash, the Well and the Blue Bell

http://chrisricecooper.blogspot.com/2019/12/108-inside-emotion-of-fiction-ash-well.html 

#109 12 16 2019 Amalia Carosella’s

Historical/Contemporary/Duel Timeline/ Women’s

Fiction

DAUGHTER OF A THOUSAND YEARS

https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html 

#110 12 19 2019 Laura Bickle’s

Weird Western/Contemporary Fantasy

DARK ALCHEMY

https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html

#111 12 27 2019 Brian Pinkerton’s

Science Fiction Thriller

THE GEMINI EXPERIMENT

https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s

Lesbian Thriller

TILL DARKNESS COMES

https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s

Vampire Thriller

THE CROSSING

http://chrisricecooper.blogspot.com/2019/12/113-inside-emotion-of-fiction-crossing.html

#114 12 30 2019 Sam Richard’s

Short Story Collection of Weird and Transgressive

Horror

“To Wallow In Ash and Sorrows”

https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s

Literary Fiction Novel

A DOG BETWEEN US

https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s

Young Adult Novel

BAD HAIR

https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s

Literary Satire Novel

THE CUBAN COMEDY

http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s

Historical/Literary Novel

THE ROAD TO MATEWAN

https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s

Contemporary Novel

The Face Tells the Secret

https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s

Young Adult, Historical and Fantasy

Brimstone And Lily

https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html

#121 01 12 2020 Melissa Yi’s

Fiction Thriller

GRAVEYARD SHIFT

http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s

Crime Thriller

GIRL GONE MISSING

http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s

Multi Genre Novel

THE NINJA DAUGHTER

https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html

#124 01 17 2020 Kristen Joy Wilks’s

Christian Romantic Comedy

YELLOWSTONE YONDERING

http://chrisricecooper.blogspot.com/2020/01/124-inside-emotion-of-fiction.html

#125 01 20 2020 Susan C. Shea’s

Cozy Mystery

DRESSED FOR DEATH IN BURGUNDY

http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html

#126  01 22 2020 Phong Nguyen’s

Improvisational Fiction

ROUDABOUT

https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html

#127 01 23 2020 Kate Thornton’s

Mystery Short Story In Its Entirety

“Ai Witness”

https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html

#128 01 24 2020 Phil McCarron’s

Semi Fictional Essays

The Great Facepalm: The Farce of 21st Century

Normality

https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html

#129  01 27 2020 Kenneth Weene’s

Historicized Literary Fiction

Red And White

https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html

#130 01 28 2020 Graham Storrs’s

Science Fiction Thriller

TimeSplash

https://chrisricecooper.blogspot.com /2020/01/130-inside-emotion-of-fiction.html

#131 02 08 2020 Angela Slatter’s

Short Story “Terrible As An Army With Banners”

From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS

https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html

#132 02 11 2020 Joan Joachim’s

Romance

Just One Kiss

https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html

#133 02 16 2020 Kelsey Clifton’s

Science Fiction

A DAY OUT OF TIME

https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html

#134 02 17 2020 Soraya M Lane’s

Women Historical Fiction

THE GIRLS OF PEARL HARBOR

https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html

#135 03 07 2020

Linked Fiction

BLEACHERS Fifty-Four Linked Fictions

By Joseph Mills

https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html

#136 03 15 2020

Science Fiction Romance

BLUE VISION

By Marie Lavender

https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html

#137 03 17 2020

Crime Fiction

12 Bullets

by O’Neil De Noux

https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html

#138 03 18 2020

Flash Fiction Piece

Radical

by Kelle Grace Gaddis 

https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html

#139 03 20 2020

Mystery

HERE BE MONSTERS

By Jamie Sheffield

https://chrisricecooper.blogspot.com/2020/03/139-inside-emotion-of-fiction-here-be.html

#140 03 21 2020

Character Driven Novel

UNBROKEN

By Jamie Lisa Forbes

https://chrisricecooper.blogspot.com/2020/03/140-inside-emotion-of-fiction-unbroken.html

#141 03 23 2020 

Literary Murder Mystery

COLD COUNTRY

By Russell Rowland

http://chrisricecooper.blogspot.com/2020/03/141-inside-emotion-of-fiction-cold.html

#142 04 01 2020 

Sci-Fi/Paranormal

SWEET SLEEP

By Kim Cormack

https://chrisricecooper.blogspot.com/2020/04/142-inside-emotion-of-fiction-sweet.html

#143 04 02 2020 

Western Noir Short Story

“Night Rounds”

by James Reasoner

https://chrisricecooper.blogspot.com/2020/04/143-inside-emotion-of-fiction-night.html

#144 04 03 2020 

Southern Fiction

LITTLE TEA

By Claire Fullerton

http://chrisricecooper.blogspot.com/2020/04/144-inside-emotion-of-fiction-little.html

#145 04 04 2020

Mainstream novel with elements of crime, mystery, and magic

THE FORGETTING FLOWER

by Karen Hugg 

https://chrisricecooper.blogspot.com/2020/04/145-inside-emotion-of-fiction.html

#146 04 07 2020 

Historical Fiction

MEDICIS DAUGHTER

by Sophie Perinot

http://chrisricecooper.blogspot.com/2020/04/146-inside-emotion-of-fiction-medicis.html

#147 04 08 2020

Dark Urban Fantasy with elements of Paranormal Romance

COVEN BORN

by Stephanie Reisner aka AUDREY BRICE

https://chrisricecooper.blogspot.com/2020/04/147-inside-emotion-of-fiction-coven.html

#148 04 13 2020

Mystery With A Fantasy Twist

DEATH LIVES IN THE WATER

By Shoshana Edwards 

http://chrisricecooper.blogspot.com/2020/04/148-inside-emotion-of-fiction-death.html

#149 04 14 2020

Historical Fiction

ASHES

by Sharon Glogal Friedman 

https://chrisricecooper.blogspot.com/2020/04/149-inside-emotion-of-fiction-ashes-by.html

#150 04 19 2020

Vampire Horror Novelette 

Blood Thrasher:  The Devil’s in the Metal

by Adam Messer

http://chrisricecooper.blogspot.com/2020/04/adam-messers-blood-thrasher-devils-in.html 

#151 04 25 2020

Historical Fiction

Charis in the World of Wonders

by Marly Youmans

https://chrisricecooper.blogspot.com/2020/04/marly-youmans-charis-in-world-of.html

#152 04 29 2020

Historical Fiction

The Master of Verona

by David Blixt

https://chrisricecooper.blogspot.com/2020/04/david-blixts-master-of-verona-is-152-in.html

#153 04 30 2020

General Fiction (Family)

Bread Bags & Bullies:  Surviving the 80s

by Steven Manchester 

https://chrisricecooper.blogspot.com/2020/04/steven-manchesters-bread-bags-bullies.html

#154 05 01 2020

Adventure-Thriller/Horror

Into The Ashes

by Lee Murray

http://chrisricecooper.blogspot.com/2020/05/lee-murrays-into-ashes-is-154-in-never.html

#155 05 06 2020

Coming of Age/Crime Novel

All Things Left In The Wild

by James Wade

https://chrisricecooper.blogspot.com/2020/05/james-wades-all-things-left-in-wild-is.html

#156 05 10 2020

Paranormal Mystery

Southern Bound

by Stuart Jaffe

https://chrisricecooper.blogspot.com/2020/05/stuart-jaffes-southern-bound-is-156-in.html

#157 05 13 2020

Mystery/Crime Novel

Yardbird

By Mark Slade

http://chrisricecooper.blogspot.com/2020/05/mark-slades-yardbird-is-157-in-never.html

#158 05 15 2020 

Horror/Crime Novel

Hotel Nowhere

By David E Adkins 

https://chrisricecooper.blogspot.com/2020/05/david-e-adkinss-hotel-nowhere-is-158-in.html

#159 05 16 2020

Satire/Crime Novel

THE LYING BASTARD

by Clint Margrave

https://chrisricecooper.blogspot.com/2020/05/clint-margraves-lying-bastard-is-159-in.html

#160 05 19 2020

Southern Gothic Fiction

REVIVING THE HAWTHORN SISTERS

by Emily Carpenter

https://chrisricecooper.blogspot.com/2020/05/emily-carpenters-reviving-hawthorn.html

#161 05 21 2020

Women’s Domestic Life Fiction

MERCY HOUSE

by Alena Dillon 

http://chrisricecooper.blogspot.com/2020/05/alena-dillons-mercy-house-is-161-in.html

#162 05 26 2020

Screenplay/Film

BEAST MODE

by Drew Fortune and Spain Willingham

https://chrisricecooper.blogspot.com/2020/05/drew-fortunes-and-spain-willinghams_26.html

#163 05 31 2020

Coming of Age/ Psychological Thriller

MY SISTER & OTHER LIARS

by Ruth Dugdall

http://chrisricecooper.blogspot.com/2020/05/ruth-dugdalls-my-sister-and-other-liars.html

#164 06 01 2020 

Psychological Thriller

IN HARM’S WAY

by Owen Mullen

https://chrisricecooper.blogspot.com/2020/06/owen-mullens-in-harms-way-is-164-in.html

#165 06 02 2020 

Small Town Short Story Collection

SNAPSHOT “Old Lady”

by Eliot Parker

https://chrisricecooper.blogspot.com/2020/06/eliot-parkers-old-lady-from-snapshots.html

#166 06 04 2020

Noir Crime Novel

SKIN OF TATTOOS

by Christina Hoag

https://chrisricecooper.blogspot.com/2020/06/christina-hoags-skin-of-tattoos-is-166.html

#167 06 06 2020

Coming of Age/Historical

THE ORPHAN COLLECTOR

by Ellen Marie Wiseman

https://chrisricecooper.blogspot.com/2020/06/ellen-marie-wisemans-orphan-collector.html

#168 06 08 2020

World War Two Historical Fiction

THE PRISONER’S WIFE

by Maggie Brookes

http://chrisricecooper.blogspot.com/2020/06/maggie-brookess-prisoners-wife-is-168.html

#169 06 09 2020

Novella 

(about the 1960s, 

Rolling Stones in their exile,

genocide, it’s survivors, and

people from places that no longer exist.)

BLUE COAST MYSTERY:  ALMOST SOLVED

by Nick Sweeney

http://chrisricecooper.blogspot.com/2020/06/nick-sweeneys-blue-coast-mystery-almost.html

#170 06 11 2020

Family Life/Coming of Age Novel

THE EXTRAORDINARY LIFE OF SAME HELL

by Robert Dugoni

http://chrisricecooper.blogspot.com/2020/06/robert-dugonis-extraordinary-life-of.html

#171 06 26 2020

Women’s Divorce Fiction

QUEEN OF THE OWLS

by Barbara Linn Probst

https://chrisricecooper.blogspot.com/2020/06/barbara-linn-probsts-queen-of-owls-is.html

#172 07 01 2020

Short Story “The Belindas” from the Short Story Collection LOVE WAR STORIES 

By Ivelisse Rodriguez

https://chrisricecooper.blogspot.com/2020/07/ivelisse-rodriguezs-short-story.html

#173 Inside the Emotion of Fiction

07 04 2020

Organized Crime Thriller

BLUES IN THE DARK

by Raymond Benson

https://chrisricecooper.blogspot.com/2020/07/raymond-bensons-blues-in-dark-is-173-in.html

#174 Inside the Emotion of Fiction

07 08 2020

Contemporary Literature & Fiction

THE ESCAPE OF MALCOLM POE

by Allison Burnett

https://chrisricecooper.blogspot.com/2020/07/allison-burnetts-escape-of-malcolm-poe.html

#175 Inside the Emotion of Fiction

07 09 2020

Horror Novella

TERMINUS STATION

by Jeff Lyons

https://chrisricecooper.blogspot.com/2020/07/jeff-lyonss-terminus-station-is-175-in.html

#176 Inside the Emotion of Fiction

07 12 2020

20th Century Historical Romance

The Bootlegger’s Wife

by Denise Devine

https://chrisricecooper.blogspot.com/2020/07/chris-rice-cooper-blog-176-inside.html

#177 Inside the Emotion of Fiction

07 24 2020

Literary Fiction Novel

What Drives Men

by Susan Tepper 

https://chrisricecooper.blogspot.com/2020/07/susan-teppers-what-drives-men-is-177-in.html

#178 Inside the Emotion of Fiction

07 27 2020

Short story

“Tidings of Comfort and Joyce"

by Kimberly Kurth Gray

https://chrisricecooper.blogspot.com/2020/07/kimberly-kurth-grays-short-story.html

 

#179 Inside the Emotion of Fiction 

07 28 2020

Historical Fiction

Cher Ami and Major Whittlesey

by Kathleen Rooney

https://chrisricecooper.blogspot.com/2020/07/kathleen-rooneys-cher-ami-and-major.html

#180 Inside the Emotion of Fiction 

08 04 2020

Screenplay

BUNNY

by Shaun Hughes 

https://chrisricecooper.blogspot.com/2020/08/director-shaun-hughess-screenplay-bunny.html 

#181 Inside the Emotion of Fiction

08 09 2020

Short Story 

“Wrong Road” from the Short Story Collection George’s Mother and Other Weird Stories

by Susan Berliner 

https://chrisricecooper.blogspot.com/2020/08/susan-berliners-short-story-wrong-road.html

#182 Inside the Emotion of Fiction 

08 11 2020

Thriller Mystery

Death in the Time of Ice

by Kaye George

http://chrisricecooper.blogspot.com/2020/08/kaye-georges-death-in-time-of-ice-is.html

#183 Inside the Emotion of Fiction 

08 13 2020

Screenplay

Igor and Frankie

by Jim Picariello

https://chrisricecooper.blogspot.com/2020/08/jim-picariellos-screenplay-igor-and.html

#184 Inside the Emotion of Fiction

08 14 2020

Short Story 

Short Story “Breaking on the Wheel” from the Short Story Collection No Call Too Small. 

by Oscar Martens 

https://chrisricecooper.blogspot.com/2020/08/oscar-martenss-short-story-breaking-on.html

#185 Inside the Emotion of Fiction

08 20 2020

Romance

A Secret, a Safari, a Second Chance

by Liz Fielding

https://chrisricecooper.blogspot.com/2020/08/liz-feldings-secret-safari-second.html

#186 Inside the Emotion of Fiction

08 26 2020

Mystery and Psychological Fiction 

Falling Woman

by Richard Farrell

https://chrisricecooper.blogspot.com/2020/08/richard-farrells-falling-woman-is-186.html

#187 Inside the Emotion of Fiction

09 03 2020

Children’s Picture Book

MAC AND CHEESE AND THE PERSONAL SPACE INVADER 

By Jolene Gutierrez

https://chrisricecooper.blogspot.com/2020/09/jolene-gutierrezs-mac-and-cheese-and.html

#188 Inside the Emotion of Fiction 

09 07 2020

Screenplay

JUDE COLE

By Janelle Marie Evans

https://chrisricecooper.blogspot.com/2020/09/janelle-evanss-screenplay-jude-cole-is.html

#189 Inside the Emotion of Fiction

09 09 2020

Historical Christian Romance

UNTIL JUNE

by Barbara M Britton

http://chrisricecooper.blogspot.com/2020/09/barbara-m-brittons-until-june-is-189-in.html

#190 Inside the Emotion of Fiction

09 10 2020

Screenplay

THROUGH THE SILENCE

by Elaine Roberts-Kercheff

http://chrisricecooper.blogspot.com/2020/09/filmmaker-elaine-roberts-kercheffs.html 

#191 Inside the Emotion of Fiction

09 16 2020

1960s Historical Fiction

California Dreamin’ Teens Interrupted 2

by KC Sprayberry 

https://chrisricecooper.blogspot.com/2020/09/kc-sprayberrys-california-dreamin-teens.html