#138 Inside the Emotion of Fiction "Radical" by Kelle Grace Gaddis

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****Kelle Grace Gaddis’s “Radical” is #138 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece. 

Name of fiction work? And were there other names you considered that you would like to share with us?      I’ll discuss my short story “Radical” that recently won a monetary prize in the National Fiction War Contest (Summer 2018). I did consider other titles, such as “Boxes” and “The Stoop” but, ultimately believe that “Radical” was the best choice because it ties the entire story together.

Fiction genre? Ex science fiction, short story, fantasy novella, romance, drama, crime, plays, flash fiction, historical, comedy, etc. And how many pages long?      “Radical” is a 1000-word flash fiction piece.

Has this been published? And it is totally fine if the answer is no. If yes, what publisher and what publication date?    Fiction War Magazine Issue #8 in 2019.

https://www.facebook.com/fictionwar/   

(Fiction War Magazine Facebook Logo Right)

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction?   The exciting thing about the National Fiction War Contest is that it takes place over a single weekend. We’re given a prompt on Friday at 12 noon and writers have until Sunday at midnight to finish a 1000-word or less story.

Where did you do most of your writing for this fiction work? And please describe in detail. And can you please include a photo?   Currently, I’m without a special writing space. I wrote “Radical” in what I sometimes refer to as “my writing chair” (Right) but, in truth, it isn’t a comfortable chair or a great place to write. I wrote it here because it was the only quiet place in the house.

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day?   Sometimes I like the idea of making myself a hot tea to drink while I work but they often go cold because once I’m working I forget about the cup.

The weekend of the Fiction War Contest I had to tend to quite a few clients for my small business. I had to write around work, so, I wrote the first draft right after the prompt arrived on Friday at 12 noon. After I got home, I revised the draft between 9 PM and midnight. On Saturday, I woke up early and managed to put in eight uninterrupted hours before I went to meet my clients. Sunday was another busy workday, so I only had time to rewrite the story one more time mid-afternoon before submitting it.

http://kellegracegaddis.com/

What is the summary of your fiction work?   I’m the worst at the “quick summary” but I’ll give it a try. “Radical” is about the oppression of women in a fictional world called “The Box.” The primary character recognizes systemic issues that have plagued women for as long as she can remember. After she falls victim to the same oppressions, she becomes radicalized and decides to blow the lid off the box and begin a new world where women reign supreme.

Please include excerpt and include page numbers as reference. The excerpt can be as short or as long as you prefer.  I remember when I thought life inside the box was good. We had four walls, a sturdy floor, and a ceiling that, even though I bumped my head on it, it never rendered me unconscious.

Complete short story in its entirety:

Radical

I used to think life inside the box was good. We had four walls, a sturdy floor, and a ceiling that, even though I bumped my head, it never rendered me unconscious. When younger, I kept my head down, worked hard, and expected to be rewarded. The older I got, the less I liked the box. It was a pain in the neck figuratively and metaphorically. By forty, I’d hit my head on its ceiling so many times I’d begun to stoop.

Like the majority of older women inside the box my mother was permanently stooped. She said it was osteoporosis, but everyone knew it was the box.

~

Early on I noticed there weren’t any female CEOs in the box. If a woman were set to rise to that level, they’d be cast out for talking too much, wearing a provocative suit, or no reason at all. Whatever the cost, I wanted equality for my daughter Lily and I.

                                    ~

Men talked about thinking outside the box, but never in detail when we women were present, quickly changing the topic to beard maintenance or sports. In time, we decided they no longer mattered to us. Equity for women is what piqued us, women mattering is what mattered.

~

I held secret meetings with my female coworkers. We grew in number until it wasn’t just the women from the office but housewives, women who’d never stepped foot inside a corporation, were now thinking outside the box.

                                    ~

When the men discovered that we were planning something, they grumbled about our “Not knowing our place” and insisted we were “undermining society.” We didn’t let their fear stop us; if anything, it inspired us. The idea of equity for women had become a movement and I was leading the charge.

We came out of hiding and orchestrated rallies at the center of the box. Peaceful protests, where we’d chant, “No more ceilings, no more stoop, firing women is a load of poop!” Some men encouraged us; others snickered and told us to “Pipe down.” The indignant ones said that our behavior was “unladylike.” The more stern husbands told their wives to go home. It hurt to see some comply.

                                    ~

Soon I realized we’d come at our protests too soft. Not that this was our fault, soft is what we were taught. It was as if women were brainwashed, even me. I realized it when Lily was a teen. She told me she wanted to be a CEO someday and I’d laughed before saying, “I hope you make it.”

I was taught not to expect to rise to the top of the box. So much so that the idea of women thinking outside of the box sounded like the ranting of an unemployable. No one knew what was out there. We women were practiced at running households, the secretarial pool, cooking in cafes, and various facets of business that helped men relate, or sell products to women, nothing more.

People often told me that I was lucky to be as high up in the corporation as I was. For years no one knew I despised hitting my head on the box’s ceiling everyday; the knots, bruises, and humiliation were as familiar as morning coffee, but, I suppose it looked lucky to those that had even less room to move than I did.

Eventually, I’d hit my head enough to wake my inner radical. She got me thinking there might be something beyond the box.

                                    ~

At times, both sexes advocated against women in the workplace, but eventually all conceded that the insights of women were necessary for corporations to maximize revenue. Necessity was our gateway. It sizzled and burned in us until it ignited our will to do the unimaginable.

Of course, years went by without any real progress or action. I was resolute in my vision even if nothing appeared to be happening around me. Nothing discouraged me, until Lily entered the workforce and I had to face the fact that her prospects and paychecks weren’t going to be better than mine. Escalation was necessary. What did we have to lose?

                                    ~

 I was cast out. Box leaders wanted a younger woman to take my place, someone they could train to submit to rules, someone with lower expectations.

Even if I had stayed, in-box chatter suggested that wage reductions were expected for women because the men were demanding what they called “overdue raises.” Why suffer that indignity? There would be no going further for women under the current system. Boldness was the only cure.

After I was let go, a man from the office reached out to me. He said that he’d fought for me to stay, citing my experience and value to the company. The box CEOs rewarded him with a pink slip of his own. They’d become wary of anyone that advocated for women.

My husband, older, long retired, and content with his stipend, suggested I let it all go, but I couldn’t. Lily had come home sounding like a corporate cog. She was excited to meet the expectations of her male employers and insisted submission would help her rise further than I had. It was all the same claptrap I’d told my mother when I started at the company. Nothing had changed.

I decided to blow the lid off the place once and for all. I gathered the most radical women I could find, women who’d protested with me for years. Women I trusted.

After years of disappointment, most had a hint of madness in their eyes. When they’d whisper “dynamite” or “murder,” it was as if they were saying, “I love you.” It’s funny, most of my life I was wary of radicals, now I was one.

                                    ~

The day the bomb went off it rocked the box from its bottom to its top. It blew a hole in the ceiling that allowed scores of women and a few men to escape. I was blindsided when Lily refused to leave. She was too young to see clearly, I had to leave her behind.

                                    ~

Outside there were boxes in all directions. We headed for the wilderness ready to build a new world. I’d never felt more alive.

Now that women outnumbered men, we bid them to build our box, prepare food, and dispose of our waste. They’d burdened us, now it was their turn to toil. Besides, men are designed for labor. I can’t believe none saw it sooner. Menial labor was men’s work. We formed a council and set the rules. Only women were allowed to vote because we were in charge. Men were strong enough for us to stand on even if our heels dug into their backs. Besides, everyone knows you have to control one’s lessers to create a just world.

Why is this excerpt so emotional for you? And can you describe your own emotional experience of writing this specific excerpt?   I’m going to leave this question blank. I enjoyed writing the story but it is more comedic / satire and not particularly emotional for me.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt.   I wrote the entire story on the computer and don’t have any marked up drafts.

Other works you have published?   My book, My Myths, came out in January of 2017. Yellow Chair Review published one edition but I sold all 550 copies at my readings.

I’ve also published three chapbooks 1) It Is What It Is, It Was What It Was; 2) Visions Of; and 3) American Discard.

Kelle Grace Gaddis's other recently published works appear in Rye Whiskey Review, Chicken Soup For The Soul: Dreams & The Unexplainable, Dispatches Editions Resist Much / Obey Little, Vending Machine Presses Very Fine Writing, The Till, Five Willows Poetry Review, The Hessler Street Fair Anthology, Moonlight Dreamers of the Yellow Haze, BlazeVOX Issues 15 & 17, The New Independents Magazine, Thirteen Myna Birds Journal, Knot Literary Magazine, Entropy, DoveTales, and in the forthcoming Fiction War Magazine Volume 8, 2019 and elsewhere.

            Ms. Gaddis has written several poetry chapbooks including It Is What It Is, It Was What It Was, Visions Of, and American Discard. She is honored to be one of 4Culture’s “Poetry on the Buses” contest winners in 2015 and 2017 and one of fourteen prize-winning finalists in the National Fiction War Contest / Summer 2018. 

          She earned her MFA in Creative Writing from the University of Washington in 2014 (UWB). She works as a counselor and meditation instructor in Seattle, Washington where she lives with her partner Martin and her cat Merlin.

www.kellegracegaddiswriter.com

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#086 10 10 2019 Jess Neal Woods’s

Historical Fiction

THE PROCESS OF FRAYING

https://chrisricecooper.blogspot.com/2019/10/86-inside-emotion-of-fiction-process-of.html

#087 10 11 2019 Karen Odden’s

Historical Suspense

A TRACE OF DECEIT

https://chrisricecooper.blogspot.com/2019/10/87-inside-emotion-of-fiction-trace-of.html

#88 10 14 2019 Kate Maruyama’s

Love, Loss & Supernatural

“HARROWGATE”

https://chrisricecooper.blogspot.com/2019/10/88-inside-emotion-of-fiction-harrowgate.html

#89 10 17 2019 Sherry Harris’s

Mystery

“LET’S FAKE A DEAL”

https://chrisricecooper.blogspot.com/2019/10/89-inside-emotion-of-fiction-lets-fake.html

#90 10 18 2019 Linda Mooney’s

Science Fiction Apocalyptic/ Post Apocalyptic

“THE TRUNK”

https://chrisricecooper.blogspot.com/2019/10/90-inside-emotion-of-fiction-trunk-by.html

#91 10 19 2019 Jayne Martin’s

Flash Fiction Short Story Collection

“TENDER CUTS”

https://chrisricecooper.blogspot.com/2019/10/91-inside-emotion-of-fiction-tender.html

#92 10 22 2019 Janice Cole Hopkins’s

Inspirational Romance

“IT ALL STARTED AT THE MASQUERADE”

https://chrisricecooper.blogspot.com/2019/10/92-inside-emotion-of-fiction-it-all.html

#93 10 29 2019 Kristi Petersen Schoonover’s

Short Story Collection

“THE SHADOWS BEHIND”

https://chrisricecooper.blogspot.com/2019/10/93-inside-emotion-of-fiction-shadows.html

#94 11 01 2019 David Henry Sterry’s

Fiction: Sexual Violence

“THE TENDERLOIN WARS”

https://chrisricecooper.blogspot.com/2019/11/94-inside-emotion-of-fiction-tenderloin.html

#95 11 03 2019 Jay Requard’s

Dark Fantasy/Horror

“DEATH & DUST: THE PALE SAND ADVENTURES”

https://chrisricecooper.blogspot.com/2019/11/95-inside-emotion-of-fiction-death-dust.html

#96 11 04 2019 Caroline Leavitt’s

Fiction

“WITH OR WITHOUT YOU”

http://chrisricecooper.blogspot.com/2019/11/96-inside-emotion-of-fiction-with-or.html

#97 11 06 2019 Kelsey Clifton’s

Science Fiction

“A DAY OUT OF TIME”

https://chrisricecooper.blogspot.com/2019/11/97-inside-emotion-of-fiction-day-out-of.html

#098 11 13 2019 John F Allen’s

Urban Fantasy Tale

“The God Killers’
https://chrisricecooper.blogspot.com/2019/11/98-inside-emotion-of-fiction-god.html

#99 11 16 2019 Damian McNicholl’s

Historical Novel

“The Moment of Truth”

http://chrisricecooper.blogspot.com/2019/11/99-inside-emotion-of-fiction-moment-of.html

#100 11 19 2019 Stacia Levy’s

Mystery/Suspense Novel

“Girl Crush”

https://chrisricecooper.blogspot.com/2019/11/100-inside-emotion-of-fiction-girl.html

#101 11 24 2019 Charlotte Morgan’s

Fiction Novel

“Protecting Elvis”

http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s

Children’s Christian Fiction

“Ed On My Shoulder:  Maria & The Candy Trail”

https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s

Coming of Age Literary Novel

The Nine

https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s

Adult Paranormal

“MYSTIC EMBRACE”

https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s

Satire Novel

“THE LAND OF GRACE”

https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s

Screenplay

“Escapement”

http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s

Crime Fiction/Police Procedural Novel

“KILLER’S COUNTDOWN”

https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s

Historical Literary Fiction

“The Ash, the Well and the Blue Bell”

https://chrisricecooper.blogspot.com/2019/12/1

8-inside-emotion-of-fiction-ash-well.html

#109 12 16 2019 Amalia Carosella’s

Historical/Contemporary/Duel Timeline/ Women’s

Fiction

“DAUGHTER OF A THOUSAND YEARS”

https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html

#110 12 19 2019 Laura Bickle’s

Weird Western/Contemporary Fantasy

“DARK ALCHEMY”

https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html

#111 12 27 2019 Brian Pinkerton’s

Science Fiction Thriller

“THE GEMINI EXPERIMENT”

https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s

Lesbian Thriller

“TILL DARKNESS COMES”

https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s

Vampire Thriller

“THE CROSSING”

https://chrisricecooper.blogspot.com/2019/12/113-inisde-emotion-of-fiction-crossing.html

#114 12 30 2019 Sam Richard’s

Short Story Collection of Weird and Transgressive

Horror

“To Wallow In Ash and Sorrows”

https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s

Literary Fiction Novel

“A DOG BETWEEN US”

https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s

Young Adult Novel

“BAD HAIR”

https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s

Literary Satire Novel

“THE CUBAN COMEDY”

http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s

Historical/Literary Novel

“THE ROAD TO MATEWAN”

https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s

Contemporary Novel

“The Face Tells the Secret”

https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s

Young Adult, Historical and Fantasy

“Brimstone And Lily”

https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html

#121 01 12 2020 Melissa Yi’s

Fiction Thriller

“GRAVEYARD SHIFT”

http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s

Crime Thriller

“GIRL GONE MISSING”

http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s

Multi Genre Novel

“THE NINJA DAUGHTER”

https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html

#124 01 17 2020 Kristen Joy Wilks’s

Christian Romantic Comedy

“YELLOWSTONE YONDERING”

https://chrisricecooper.blogspot.com/2020/01/124

inside-emotion-of-fiction.html

#125 01 20 2020 Susan C. Shea’s

Cozy Mystery

“DRESSED FOR DEATH IN BURGUNDY”

http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html

#126  01 22 2020 Phong Nguyen’s

Improvisational Fiction

“ROUDABOUT”

https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html

#127 01 23 2020 Kate Thornton’s

Mystery Short Story In Its Entirety

“Ai Witness”

https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html

#128 01 24 2020 Phil McCarron’s

Semi Fictional Essays

“The Great Facepalm: The Farce of 21^st Century

Normality”

https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html

#129  01 27 2020 Kenneth Weene’s

Historicized Literary Fiction

“Red And White”

https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html

#130 01 28 2020 Graham Storrs’s

Science Fiction Thriller

“TimeSplash”

https://chrisricecooper.blogspot.com

/2020/01/130-inside-emotion-of-fiction.html

#131 02 08 2020 Angela Slatter’s

Short Story “Terrible As An Army With Banners”

From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS

https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html

#132 02 11 2020 Joan Joachim’s

Romance

Just One Kiss

https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html

#133 02 16 2020 Kelsey Clifton’s

Science Fiction

A DAY OUT OF TIME

https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html

#134 02 17 2020 Soraya M Lane’s

Women Historical Fiction

THE GIRLS OF PEARL HARBOR

https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html

#135 03 07 2020

Linked Fiction

BLEACHERS Fifty-Four Linked Fictions

By Joseph Mills

https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html

#136 03 15 2020

Science Fiction Romance

BLUE VISION

By Marie Lavender

https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html

#137 03 17 2020

Crime Fiction

12 Bullets

by O’Neil De Noux

https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html

#138 03 18 2020

Flash Fiction Piece

Radical

by Kelle Grace Gaddis

https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html