Marly Youman’s Charis in the World of Wonders is #151 in the never-ending series called INSIDE THE EMOTION OF FICTION

Chris Rice Cooper 

caccoop@aol.com

https://www.facebook.com/car.cooper.7

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****Marly Youman’s Charis in the World of Wonders is #151 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece

Fiction genre?  Ex science fiction, short story, fantasy novella, romance, drama, crime, plays, flash fiction, historical, comedy, movie script, screenplay, etc.  And how many pages long? 

Historical, I suppose, though you could say that it contains a good deal of adventure and a romance and a smattering of comedy. People often describe my books as beautifully written, though literary now appears to be a bad word that tends to mean boring for many people. Luckily, readers don’t seem to be finding Charis in the World of Wonders to be the least bit boring…

Has this been published? And it is totally fine if the answer is no.   If yes, what publisher and what publication date? It’s fresh from Ignatius Press; the mid-pandemic pub date was March 26th. Ignatius heard about Charis in the World of Wonders through the grapevine during the time when I was revising. Editor Vivian Dudro wrote to ask whether they could take a look at the manuscript.

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? Dates, dates: I’m numbers-challenged, perhaps… But I know when I started dreaming about the 1690’s. I live in a strange little Yankee village, awash in opera and baseball and museums and even literary history via James Fenimore Cooper and his clan. 

Behind the Fenimore Museum is a stone and grass amphitheater that slopes down toward Otsego Lake (Cooper called it Glimmerglass.) 

The Glimmerglobe theater troupe stages plays there, and it’s lovely to watch a performance as the eagles fly above the treetops and the stars and moon appear. 

Back in the summer of 2016, Glimmerglobe put on Arthur Miller’s The Crucible. My eldest son was Marshal Herrick of Salem, my husband played Goodman Putnam, and my daughter silkscreened T-shirts for the production. I expect that pondering the 1690’s started right there, by starlight.

Later on that year, my husband and I spent time on the Massachusetts coast and visited the Andover of the book (now North Andover.) I remember taking notes, standing in the burying ground where poet Anne Bradstreet is buried, so I must have been on my way to dreaming up a story.

So it must have been written and revised in parts of 2017-2018. Editor Vivian Dudro wrote me, I believe, in July of 2018, when I was nearly done with revision.

Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo? I have a writing room but often ramble where it’s warmer—my bedroom, my kitchen. I write all over the house. That’s the wonder of laptops. But I am fond of my little writing room. From the window, I can catch a glimpse of Otsego Lake with Kingfisher Tower standing on Point Judith but looking as if it floats on the waves.

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day?

I tend to write on my laptop because pen and paper is a bit slow for me. Then I print out the day’s pages and scribble my changes in pen or pencil. Drink? Water or tea, most likely. No alcohol when writing! And I seldom listen to music when I write.

I confess to being horribly obsessive once I’m launched on a story. I’ll write any time of day that’s free, and I have written books in the small hours of the night when that was my only time available. My first draft comes quickly.

What is the summary of this specific fiction work? “When I swung over that windowsill, everything changed for me. We are meant to go in and out of doors in civilized style, but my mother bade me climb into woodsy wildness and a darkness flushed with crimson light and torches…” 

Clambering into the branches of a tree, a young woman flees flaming arrows and massacre. She will need to struggle for survival: to scour the wilderness for shelter, to strive and seek for a new family and a setting where she can belong. Her unmarked way is costly, heroic, hard.         

For Charis, the world outside the window of home is a maze of hazards. And even if she survives the wilds, it is no small, simple matter to discover and nest among her own kind—the godly, those called Puritans by others. She may be tugged by her desires for companionship, may even stumble into a sharp, intense love for a man, and may be made to try the strength of female heroism in ways no longer familiar to women in our century. 

Streams of darkness run through the seventeenth-century villages of the Massachusetts Bay Colony. Occult fears have a way of creeping into the mind. And what young woman can be safe from the dangers of wilderness when its shadowy thickets spring up so easily in the soil of human hearts? 

Can you give the reader just enough information for them to understand what is going on in the excerpt? I don’t want to share the most intense passages because nobody loves spoilers. So I’ll share a little passage close to the start of the book.

Charis has lost a great deal—how much, I will leave it to a reader to find out—and is alone in the forest.

Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer.

“Hortus!”

How strangely a human voice clangs on our ears in the deep forest when no one seems near! And yet the word was only my own, eagerly ringing out.

Our Lincolnshire Black—so my father called the gelding because he was a sturdy horse with the white stockings of the old breed, though he might not have been English at all—was standing in a deep pool below the lacy white frills where a stream tumbled over ledges, and never did I find water with its fine meanders and laughing over stones to be as beautiful as at that moment. He lifted his head and surveyed me and knew me.

I smiled for the pleasure of gazing at him and for the hour that turned more golden than before, the beams of sun growing intense and gilding Hortus with its rays.

“Hortus. Hortus, come to me,” I called softly.

He dipped his head to the water and drank before moving down the stream, his head rocking. I reveled in the sight of something saved from the mayhem of the day past. His legs splashed in the water. I could see right through the current to the pebbles underneath, and the jocund sunlight struck sparks from the water. As if in a mirror-glass, I glimpsed another world of gay-colored agates and purest clarity and playful stars.

Bending low, I crept under a trunk and scrambled over a wedge of stone to gain the brink.

“Hortus, Hortus.” I found myself again in tears and reached for his neck. The anvil of his head nudged against me, and he blew air shudderingly from his nostrils.

“I must have sensed that you were something good for me and not some wild beast,” I told him.

His lips mumbled at the stream. When he caressed me with the side of his head, I reached for the unfamiliar reins.

“Who put this on you?” 

The simple bridle was not leather but a fine basket weave of some unfamiliar sort, the brow- and nose-bands dyed with red ochre. 

“And where did you toss the horseman?” 

I swept a hand over his side, noticing a streak of yellow earth on his haunches. 

“Hortus, what an adventure you must have had,” I said. “Did someone ride you bareback into the woods? And where is he?”

I whirled and stared behind me. The gloom of the trees beyond the glade did not answer, and Hortus kept the secret of his brief captivity among the warriors. Turning back, I seized the reins and bent his head to mine.

“Wait here for me. Stay. Stay.”

He snorted at me as I stepped slantwise, keeping my eyes on him. I climbed from the stream, hauling myself up by a root, and hurried to where I had dropped the sling and sealskin. Once or twice I felt affrighted that my way had vanished, but I looked over my shoulder at the spot too often to be truly lost.

“Hortus!” The sound of his name was all that connected us, once he was no longer in sight.

One worry often gives way to the next; having a fear that he would be gone on my return, I grasped my few worldly possessions in my arms and did not stop to arrange them.

“Hortus, Hortus—.”

In the clearing where the higgledy-piggledy trees were jackstraws for giants’ play, Hortus lifted his head and glanced at me, asking, I guessed, why I called his name so often.

Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt? I suspect a writer’s emotional life while making a story should remain a mystery. After all, it is somewhat of a riddle to herself.

What emotion there may be in this scene comes from the dramatic contrast with what has just gone before, and from the narrator’s sudden knowledge that something has been salvaged from a day of terror and loss.

There are many scenes more intense than this one in the book because Charis’s lively, adventurous life includes massacre, abrupt romance, betrayal, childbirth, and perilous escapes. Like many born in the Massachusetts Bay Colony, this unfortunate young woman didn’t ask for adventure, but she found it. And she bore up well under the weight.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. This is a second draft page with a few minor deletions and additions. I’ve been told that my drafts are on the clean side, though I don’t really know if that’s true.

Other works you have published?

p = collection of poems

lp = longpoem

n = novel

y = Southern fantasy for younger readers

The Book of the Red King

   (Montreal, CA: Phoenicia Publishing, 2019)  p

Maze of Blood

   (Macon, GA: Mercer University Press, 2014)  n

Glimmerglass

   (Macon, GA: Mercer University Press, 2014)  n

Thaliad

    (Montreal, CA: Phoenicia Publishing, 2012)  lp

The Foliate Head

   (Hornsea, UK: Stanza Press, 2012)  p

A Death at the White Camellia Orphanage

   (Macon, GA: Mercer University Press, 2012)  n

The Throne of Psyche

   (Macon, GA: Mercer University Press, 2011)  p

Val/Orson

   (Hornsea, UK:  P. S. Publishing,2009)  n

Ingledove

   (New York: Farrar, Straus & Giroux, 2005)  y

Claire

   (Baton Rouge: Louisiana State University

    Poetry Series, 2003)  p

The Curse of the Raven Mocker

    (New York: Farrar, Straus & Giroux, 2003)  y

The Wolf Pit

   (New York: Farrar, Straus & Giroux, 2001)  n

Catherwood

    (New York: Farrar, Straus & Giroux, 1996)  n

Little Jordan

   (Boston: David R. Godine, 1995)  n

Anything you would like to add? Like many of my books, Charis in the World of Wonders has a cover and interior art made with the stellar artistry of Clive Hicks-Jenkins of Wales. 

I have been the happy recipient of his illuminations, which have adorned many of my books. Charis has chapter division pages, each with an image from Clive’s clever, skillful hand. 

I am grateful that an artist of his calibre wants to collaborate with me, and to make my books more beautiful. Here is a sample of the images from Charis in the World of Wonders:

If you go to my page for the novel, you can find out more about Clive and see what he has to say about the book.

Biography of Marly Youmans: I’m a native of the Carolinas, a wife, a mother of three adult children, and a writer of poetry and fiction. And I’m a 21-year resident of Cooperstown, New York, where I’m involved in lots of volunteer activities (that’s the inevitable in a small village!) 

     Among other things, I run a rather artsy program through Christ Church, the church where novelist James Fenimore Cooper was warden. He turned it into a Gothic bandbox after visiting Europe and finding that his wilderness home could be more inclined toward beauty. And I’m on the board of an interesting center for contemplative prayer in the Catskills, Mons Nubifer Sanctus. One of my favorite recent (early March) activities was hanging out with artists and thinkers at Fujimura Institute (Pasadena), one of the many brain children of the remarkable Makoto Fujimura, painter and writer and a shepherd of culture.

https://twitter.com/marlyyoumans

https://www.facebook.com/marly.youmans

Website and blog:

http://www.thepalaceat2.blogspot.com

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001   11 15 2018 Nathaniel Kaine’s

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John Hunter – The Veteran

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002   11 18 2018 Ed Protzzel’s

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The Antiquities Dealer 

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003   11 23 2018 Janice Seagraves’s

Science Fiction Romance

Exodus Arcon

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004   11 29 2018 Christian Fennell’s

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The Fiddler in the Night

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005  12 02 2018 Jessica Mathews’s

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006  12 04 2018 Robin Jansen’s

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007  12 12 2018  Adair Valerez’s

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008  12 17 218 Kit Frazier’s

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009 12 21 2019 Robert Craven’s

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010 01 13 2019 Kristine Goodfellow’s

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011 01 17 2019 Nancy J Cohen’s

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012 01 20 2019 Charles Salzberg’s

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013 01 23 2019 Alexis Fancher’s

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014 01 27 2019 Brian L Tucker’s

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POKEWEED:  AN ILLUSTRATED NOVELLA

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015 01 31 2019 Robin Tidwell’s

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Reduced

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016 02 07 2019 J.D. Trafford’s

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017 02 08 2019 Paula Shene’s

Young Adult ScieFi/Fantasy/Romance/Adventure

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018 02 13 2019 Talia Carner’s

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019 02 15 2019 Rick Robinson’s

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023 03 06 2019 Samuel Snoek-Brown’s

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024 03 08 2019 Marlin Barton’s

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027  03 25 2019 Faith Gibson’s

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030 04 05 2019  Marianne Maili’s

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Lucy, go see

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031 04 10 2019 Gregory Erich Phillips’s

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032 04 15 2019 Jason Ament’s

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035 05 05 2019 Erika Sams’s

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037 05 08 2019 Marci Baun’s

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039 05 12 2019 Edward DeVito’s

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040 05 14 2019 Gytha Lodge’s

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041 05 16 2019 Kari Bovee’s

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042 05 20 2019 Annie Seaton’s

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043 05 22 2019 Paula Rose Michelson’s

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044 05 24 2019 Gracie C McKeever’s

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051 06 19 2019 Rita Dragonette’s

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052  06 20 2019 Nona Caspers’s

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054 06 28 2019 Brian Moreland’s

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055 06 29 2019

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069 08 08 2019 Diana Y. Paul’s

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070 08 10 2019 Phyllis H. Moore’s

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BIRDIE & JUDE

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071 08 11 2019 Sara Dahmen’s

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072  08 19 2019 Carolyn Breckinridge’s

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073 08 21 2019 Alison Ragsdale’s

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074  08 22 2019 Lee Matthew Goldberg’s

Suspense Thriller

THE DESIRE CARD

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075 08 23 2019 Jonathan Brown’s

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076 09 02 2019 Chera Hammons Miller’s

Literary Fiction w/ suspense, concern with animals & land management

Monarchs of the Northeast Kingdom

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077 09 09 019 Joe William Taylor’s

Literary Mystery

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078 09 15 2019 Linda Hughes’s

Romantic Suspense

Secret of the Island

https://chrisricecooper.blogspot.com/2019/09/78-inside-emotion-of-fiction-secrets-of.html

079 09 19 2019 Max Elliot Anderson’s

Middle Grade Adventure/Mystery

Snake Island

https://chrisricecooper.blogspot.com/2019/09/79-inside-emotion-of-fiction-snake.html

080 09 22 2019 Danny Adams’s

Science Fiction

Dayworld: A Hole In Wednesday

https://chrisricecooper.blogspot.com/2019/09/80-inside-emotion-of-fiction-dayworld.html

081 09 24 2019 Arianna Dagnino’s

Social/Historical/Adventure

The Afrikaner

https://chrisricecooper.blogspot.com/2019/09/81-inside-emotion-of-fiction-afrikaner.html

082 09 29 2019 Lawrence Verigin’s

Thriller/Suspense

Seed of Control

https://chrisricecooper.blogspot.com/2019/09/82-inside-emotion-of-fiction-seed-of.html

083  10 05 2019 Emma Khoury’s

Fantasy

The Sword And Shield

https://chrisricecooper.blogspot.com/2019/10/83-inside-emotion-of-fiction-sword-and.html

#084 10 07 2019 Steve McManus’s

Mystery/Suspense/Thriller

SEVEN DEVILS

https://chrisricecooper.blogspot.com/2019/10/84-inside-emotion-of-fiction-seven.html

#085 10 08 2019 Sheila Lowe’s

Mystery/Psychological/Suspense with Scientific Bent

PROOF OF LIVE

https://chrisricecooper.blogspot.com/2019/10/085-inside-emotion-of-fiction-proof-of.html

#086 10 10 2019 Jess Neal Woods’s

Historical Fiction

THE PROCESS OF FRAYING

https://chrisricecooper.blogspot.com/2019/10/86-inside-emotion-of-fiction-process-of.html

#087 10 11 2019 Karen Odden’s

Historical Suspense

A TRACE OF DECEIT

https://chrisricecooper.blogspot.com/2019/10/87-inside-emotion-of-fiction-trace-of.html

#88 10 14 2019 Kate Maruyama’s

Love, Loss & Supernatural

“HARROWGATE”

https://chrisricecooper.blogspot.com/2019/10/88-inside-emotion-of-fiction-harrowgate.html

#89 10 17 2019 Sherry Harris’s

Mystery

“LET’S FAKE A DEAL”

https://chrisricecooper.blogspot.com/2019/10/89-inside-emotion-of-fiction-lets-fake.html

#90 10 18 2019 Linda Mooney’s

Science Fiction Apocalyptic/ Post Apocalyptic

“THE TRUNK”

https://chrisricecooper.blogspot.com/2019/10/90-inside-emotion-of-fiction-trunk-by.html

#91 10 19 2019 Jayne Martin’s

Flash Fiction Short Story Collection

“TENDER CUTS”

https://chrisricecooper.blogspot.com/2019/10/91-inside-emotion-of-fiction-tender.html

#92 10 22 2019 Janice Cole Hopkins’s

Inspirational Romance

“IT ALL STARTED AT THE MASQUERADE”

https://chrisricecooper.blogspot.com/2019/10/92-inside-emotion-of-fiction-it-all.html

#93 10 29 2019 Kristi Petersen Schoonover’s

Short Story Collection

“THE SHADOWS BEHIND”

https://chrisricecooper.blogspot.com/2019/10/93-inside-emotion-of-fiction-shadows.html

#94 11 01 2019 David Henry Sterry’s

Fiction: Sexual Violence

“THE TENDERLOIN WARS”

https://chrisricecooper.blogspot.com/2019/11/94-inside-emotion-of-fiction-tenderloin.html

#95 11 03 2019 Jay Requard’s

Dark Fantasy/Horror

“DEATH & DUST: THE PALE SAND ADVENTURES”

https://chrisricecooper.blogspot.com/2019/11/95-inside-emotion-of-fiction-death-dust.html

#96 11 04 2019 Caroline Leavitt’s

Fiction

“WITH OR WITHOUT YOU”

http://chrisricecooper.blogspot.com/2019/11/96-inside-emotion-of-fiction-with-or.html

#97 11 06 2019 Kelsey Clifton’s

Science Fiction

“A DAY OUT OF TIME”

https://chrisricecooper.blogspot.com/2019/11/97-inside-emotion-of-fiction-day-out-of.html

#098 11 13 2019 John F Allen’s

Urban Fantasy Tale

“The God Killers’
https://chrisricecooper.blogspot.com/2019/11/98-inside-emotion-of-fiction-god.html

#99 11 16 2019 Damian McNicholl’s

Historical Novel

“The Moment of Truth”

http://chrisricecooper.blogspot.com/2019/11/99-inside-emotion-of-fiction-moment-of.html

#100 11 19 2019 Stacia Levy’s

Mystery/Suspense Novel

“Girl Crush”

https://chrisricecooper.blogspot.com/2019/11/100-inside-emotion-of-fiction-girl.html

#101 11 24 2019 Charlotte Morgan’s

Fiction Novel

“Protecting Elvis”

http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s

Children’s Christian Fiction

“Ed On My Shoulder:  Maria & The Candy Trail”

https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s

Coming of Age Literary Novel

The Nine

https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s

Adult Paranormal

“MYSTIC EMBRACE”

https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s

Satire Novel

“THE LAND OF GRACE”

https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s

Screenplay

“Escapement”

http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s

Crime Fiction/Police Procedural Novel

“KILLER’S COUNTDOWN”

https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s

Historical Literary Fiction

“The Ash, the Well and the Blue Bell”

https://chrisricecooper.blogspot.com/2019/12/1

8-inside-emotion-of-fiction-ash-well.html

#109 12 16 2019 Amalia Carosella’s

Historical/Contemporary/Duel Timeline/ Women’s

Fiction

“DAUGHTER OF A THOUSAND YEARS”

https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html

#110 12 19 2019 Laura Bickle’s

Weird Western/Contemporary Fantasy

“DARK ALCHEMY”

https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html

#111 12 27 2019 Brian Pinkerton’s

Science Fiction Thriller

“THE GEMINI EXPERIMENT”

https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s

Lesbian Thriller

“TILL DARKNESS COMES”

https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s

Vampire Thriller

“THE CROSSING”

https://chrisricecooper.blogspot.com/2019/12/113-inisde-emotion-of-fiction-crossing.html

#114 12 30 2019 Sam Richard’s

Short Story Collection of Weird and Transgressive

Horror

“To Wallow In Ash and Sorrows”

https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s

Literary Fiction Novel

“A DOG BETWEEN US”

https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s

Young Adult Novel

“BAD HAIR”

https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s

Literary Satire Novel

“THE CUBAN COMEDY”

http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s

Historical/Literary Novel

“THE ROAD TO MATEWAN”

https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s

Contemporary Novel

“The Face Tells the Secret”

https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s

Young Adult, Historical and Fantasy

“Brimstone And Lily”

https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html

#121 01 12 2020 Melissa Yi’s

Fiction Thriller

“GRAVEYARD SHIFT”

http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s

Crime Thriller

“GIRL GONE MISSING”

http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s

Multi Genre Novel

“THE NINJA DAUGHTER”

https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html

#124 01 17 2020 Kristen Joy Wilks’s

Christian Romantic Comedy

“YELLOWSTONE YONDERING”

https://chrisricecooper.blogspot.com/2020/01/124

inside-emotion-of-fiction.html

#125 01 20 2020 Susan C. Shea’s

Cozy Mystery

“DRESSED FOR DEATH IN BURGUNDY”

http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html

#126  01 22 2020 Phong Nguyen’s

Improvisational Fiction

“ROUDABOUT”

https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html

#127 01 23 2020 Kate Thornton’s

Mystery Short Story In Its Entirety

“Ai Witness”

https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html

#128 01 24 2020 Phil McCarron’s

Semi Fictional Essays

“The Great Facepalm: The Farce of 21^st Century

Normality”

https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html

#129  01 27 2020 Kenneth Weene’s

Historicized Literary Fiction

“Red And White”

https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html

#130 01 28 2020 Graham Storrs’s

Science Fiction Thriller

“TimeSplash”

https://chrisricecooper.blogspot.com

/2020/01/130-inside-emotion-of-fiction.html

#131 02 08 2020 Angela Slatter’s

Short Story “Terrible As An Army With Banners”

From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS

https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html

#132 02 11 2020 Joan Joachim’s

Romance

Just One Kiss

https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html

#133 02 16 2020 Kelsey Clifton’s

Science Fiction

A DAY OUT OF TIME

https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html

#134 02 17 2020 Soraya M Lane’s

Women Historical Fiction

THE GIRLS OF PEARL HARBOR

https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html

#135 03 07 2020

Linked Fiction

BLEACHERS Fifty-Four Linked Fictions

By Joseph Mills

https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html

#136 03 15 2020

Science Fiction Romance

BLUE VISION

By Marie Lavender

https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html

#137 03 17 2020

Crime Fiction

12 Bullets

by O’Neil De Noux

https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html

#138 03 18 2020

Flash Fiction Piece

Radical

by Kelle Grace Gaddis

https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html

#139 03 20 2020

Mystery

HERE BE MONSTERS

By Jamie Sheffield

https://chrisricecooper.blogspot.com/2020/03/139-inside-emotion-of-fiction-here-be.html

#140 03 21 2020

Character Driven Novel

UNBROKEN

By Jamie Lisa Forbes

https://chrisricecooper.blogspot.com/2020/03/140-inside-emotion-of-fiction-unbroken.html

#141 03 23 2020

Literary Murder Mystery

COLD COUNTRY

By Russell Rowland

http://chrisricecooper.blogspot.com/2020/03/141-inside-emotion-of-fiction-cold.html

#142 04 01 2020

Sci-Fi/Paranormal

SWEET SLEEP

By Kim Cormack

https://chrisricecooper.blogspot.com/2020/04/142-inside-emotion-of-fiction-sweet.html

#143 04 02 2020

Western Noir Short Story

“Night Rounds”

by James Reasoner

https://chrisricecooper.blogspot.com/2020/04/143-inside-emotion-of-fiction-night.html

#144 04 03 2020

Southern Fiction

LITTLE TEA

By Claire Fullerton

http://chrisricecooper.blogspot.com/2020/04/144-inside-emotion-of-fiction-little.html

#145 04 04 2020

Mainstream novel with elements of crime, mystery, and magic

THE FORGETTING FLOWER
by Karen Hugg

https://chrisricecooper.blogspot.com/2020/04/145-inside-emotion-of-fiction.html

#146 04 07 2020

Historical Fiction

MEDICIS DAUGHTER

by Sophie Perinot

http://chrisricecooper.blogspot.com/2020/04/146-inside-emotion-of-fiction-medicis.html

#147 04 08 2020

Dark Urban Fantasy with elements of Paranormal Romance

COVEN BORN

by Stephanie Reisner aka AUDREY BRICE

https://chrisricecooper.blogspot.com/2020/04/147-inside-emotion-of-fiction-coven.html

#148 04 13 2020

Mystery With A Fantasy Twist

DEATH LIVES IN THE WATER

By Shoshana Edwards

http://chrisricecooper.blogspot.com/2020/04/148-inside-emotion-of-fiction-death.html

#149 04 14 2020

Historical Fiction

ASHES

by Sharon Glogal Friedman

https://chrisricecooper.blogspot.com/2020/04/149-inside-emotion-of-fiction-ashes-by.html

#150 04 19 2020

Vampire Horror Novelette

Blood Thrasher:  The Devil’s in the Metal

by Adam Messer

https://chrisricecooper.blogspot.com/2020/04/adam

messers-blood-thrasher-devils-in.html

#151 04 25 2020

Historical Fiction

Charis in the World of Wonders

by Marly Youmans

https://chrisricecooper.blogspot.com/2020/04/marly-youmans-charis-in-world-of.html