Monday, February 17, 2020

#134 Inside the Emotion of Fiction "THE GIRLS OF PEARL HARBOR" by Soraya M. Lane




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****Soraya M. Lane’s The Girls of Pearl Harbor is #134 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece. 

Name of fiction work? And were there other names you considered that you would like to share with us?
The Girls of Pearl Harbor. Often, my working title isn’t what my publishing team decide to use, but in this case it was!

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction?
I honestly don’t remember when exactly I started it, as my books are published between 6-12 months after I finish writing them so it was a little while ago. Usually they take me around 4 months to write, plus an extra month of solid research.

Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo?
I write full time at home, so always in the same place. I move between my office/kitchen table/sofa/bed to be honest, depending on what stage of the novel I’m at. Early on I like to have my research and Pinterest board on my big desktop screen at my desk, while I write on my laptop, and then later when I’m full immersed in the story I often move around the house to sit in the sun.

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day?
I always write on my laptop, then move to my desktop computer for editing once the book is finished. I also do all my edits/revisions from my editor on my desktop. I always need to eat chocolate by mid-afternoon to keep going when I’m writing, and I always sip black tea or a latte if I’ve had time to go to a coffee shop! And water, I drink a lot of water when I’m writing too. Sometimes I have a playlist going of songs I like, but more often it’s either silence or I play thunderstorm/rain tracks via an app on my phone as white noise.

Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer.
Oh, this is an easy one! Actually there are two, but I don’t want to give away the other one as it happens later in the book. The hardest one to write emotionally was the one scene that I had fully formed in my head before I started writing. I use part of it as a ‘flash forward’ type prologue at the start of the book, but the reader gets the fully developed scene in a later chapter.

‘No!’ Grace’s scream cut through the air, echoing sharply against the drone of aircraft overhead.
‘Grace, stop!’ April called, her hand slipping from Grace’s wrist.
‘Grace!’
The planes were deafening, the roar so low and loud that when Grace looked up, she could see the pilot’s face, could see his smile before he unleashed a torrent of bullets raining down around them. They were under attack!
‘Grace!’ April called again.
But Grace ignored her, her eyes locked on Poppy, so close but so far away, bending down toward a cowering puppy. ‘Run!’ she screamed to her friend. ‘Poppy, run!’
Poppy stood still, her eyes filled with horror as she looked up at Grace, her mouth open as if she were about to call back.
Grace started to sprint, desperate to get to Poppy, to do something, anything, to save her. What was happening? Who was shooting at them? Why wouldn’t Poppy move?
Seconds felt like days as Poppy finally started to run, but then strong arms circled Grace from behind as her scream caught in her throat, holding her back, forcing her to stop.
‘Let me go!’ Grace yelled, gasping as people started to fall across the field, as the relentless drone continued, ammunition raining from the sky like a ferocious storm lashing the land. ‘We need to get to her!’
‘No.’ The word was whispered, but it was still a command. Teddy had hold of her, Teddy was dragging her back, and no matter how much she clawed at him or struggled, he wasn’t letting her go.
Grace could only watch in horror, screaming out to Poppy as one thought echoed over and over through her mind. Please let Poppy 
live.
Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt?
I felt very teary/emotional writing it, because it was an accurate historical depiction, which made it very confrontational. I find that with a lot of my historical fiction.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt.
I unfortunately don’t have a marked up rough draft, as I work on Word and just keep changing the draft as my edits come through from my editor in track and change.

Other works you have published?
I have four other historical women’s fiction novels – The Spitfire Girls, Hearts of Resistance, Wives of War and Voyage of the Heart, as well as a long backlist of romance/contemporary women’s fiction novels!

Soraya M. Lane graduated with a law degree before realising that law wasn't the career for her and that her future was in writing. She is the author of historical and contemporary women's fiction, and her most recent historical novel, Voyage of the Heart, was an Amazon bestseller.



Soraya lives on a small farm in her native New Zealand with her husband, their two young sons and a collection of four-legged friends. When she's not writing, she loves to be outside playing make-believe with her children or snuggled up inside reading. (Soraya with her family in August of 2019)
www.facebook.com/SorayaLaneAuthor

INSIDE THE EMOTION OF FICTION links

001   11 15 2018 Nathaniel Kaine’s
Thriller Novel
John Hunter – The Veteran

002   11 18 2018 Ed Protzzel’s
Futuristic/Mystery/Thriller
The Antiquities Dealer 

003   11 23 2018 Janice Seagraves’s
Science Fiction Romance
Exodus Arcon

004   11 29 2018 Christian Fennell’s
Literary Fiction Novel
The Fiddler in the Night

005  12 02 2018 Jessica Mathews’s
Adult Paranormal Romance
Death Adjacent

006  12 04 2018 Robin Jansen’s
Literary Fiction Novel
Ruby the Indomitable

007  12 12 2018  Adair Valerez’s
Literary Fiction Novel
Scrim

008  12 17 218 Kit Frazier’s
Mystery Novel
Dead Copy

009 12 21 2019 Robert Craven’s
Noir/Spy Novel
The Road of a Thousand Tigers

010 01 13 2019 Kristine Goodfellow’s
Contemporary Romantic Fiction
The Other Twin

011 01 17 2019 Nancy J Cohen’s
Cozy Mystery
Trimmed To Death

012 01 20 2019 Charles Salzberg’s
Crime Novel
Second Story Man

013 01 23 2019 Alexis Fancher’s
Flash Fiction
His Full Attention

014 01 27 2019 Brian L Tucker’s
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POKEWEED:  AN ILLUSTRATED NOVELLA

015 01 31 2019 Robin Tidwell’s
Dystopian
Reduced

016 02 07 2019 J.D. Trafford’s
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017 02 08 2019 Paula Shene’s
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018 02 13 2019 Talia Carner’s
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019 02 15 2019 Rick Robinson’s
Multidimensional Fiction
Alligator Alley

020 02 21 2019 LaVerne Thompson’s
Urban Fantasy
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021 02 27 2019 Marlon L Fick’s
Post-Colonialist Novel
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022 03 02 2019 Carol Johnson’s
Mainstream Novel
Silk And Ashes

023 03 06 2019 Samuel Snoek-Brown’s
Short Story Collection
There Is No Other Way to Worship Them

024 03 08 2019 Marlin Barton’s
Short Story Collection
Pasture Art

025 03 18 2019 Laura Hunter’s
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Beloved Mother

026 03 21 2019 Maggie Rivers’s
Romance
Magical Mistletoe

027  03 25 2019 Faith Gibson’s
Paranormal Romance
Rafael

028 03 27 2019 Valerie Nieman’s
Tall Tale
To The Bones

029 04 04 2019 Betty Bolte’s
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Veiled Visions of Love

030 04 05 2019  Marianne Maili’s
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Lucy, go see

031 04 10 2019 Gregory Erich Phillips’s
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032 04 15 2019 Jason Ament’s
Speculative Fiction
Rabid Dogs

033 04 24 2019 Stephen P. Keirnan’s
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034 05 01 2019 George Kramer’s
Fantasy
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035 05 05 2019 Erika Sams’s
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Rose of Dance

036 05 07 2019 Mark Wisniewski’s
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037 05 08 2019 Marci Baun’s
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038 05 10 2019 Suzanne M. Wolfe’s
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039 05 12 2019 Edward DeVito’s
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040 05 14 2019 Gytha Lodge’s
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041 05 16 2019 Kari Bovee’s
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042 05 20 2019 Annie Seaton’s
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043 05 22 2019 Paula Rose Michelson’s
Inspirational Christian Romance
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044 05 24 2019 Gracie C McKeever’s
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045 06 03 2019 Micheal Maxwell’s
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046 06 04 2019 Jeanne Mackin’s
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047 06 07 2019 Philip Shirley’s
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048 06 08 2019 Bonnie Kistler’s
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049 06 13 2019 Barbara Taylor Sissel’s
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050 06 18 2019 Charles Salzberg’s
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051 06 19 2019 Rita Dragonette’s
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052  06 20 2019 Nona Caspers’s
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053 06 26 2019 Jeri Westerson’s
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055 06 29 2019
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#061 07 11 2019 Anne Raeff’s
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#062 07 12 2918 Vic Sizemore’s
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#063 07 13 2019 Deborah Riley Magnus’s
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#065 07 15 2019 Lori Baker Martin’s
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#066 08 01 2019 Sabine Chennault’s
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#067 08 02 2019 Margaret Porter’s
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BEAUTIFUL INVENTION:  A NOVEL OF HEDY LAMARR

#068 08 04 2019 Hank Phillippi Ryan’s
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069 08 08 2019 Diana Y. Paul’s
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070 08 10 2019 Phyllis H. Moore’s
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071 08 11 2019 Sara Dahmen’s
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072  08 19 2019 Carolyn Breckinridge’s
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073 08 21 2019 Alison Ragsdale’s
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074  08 22 2019 Lee Matthew Goldberg’s
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075 08 23 2019 Jonathan Brown’s
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077 09 09 019 Joe William Taylor’s
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078 09 15 2019 Linda Hughes’s
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079 09 19 2019 Max Elliot Anderson’s
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080 09 22 2019 Danny Adams’s
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081 09 24 2019 Arianna Dagnino’s
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082 09 29 2019 Lawrence Verigin’s
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#087 10 11 2019 Karen Odden’s
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#88 10 14 2019 Kate Maruyama’s
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#89 10 17 2019 Sherry Harris’s
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#90 10 18 2019 Linda Mooney’s
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#93 10 29 2019 Kristi Petersen Schoonover’s
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#95 11 03 2019 Jay Requard’s
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#96 11 04 2019 Caroline Leavitt’s
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#97 11 06 2019 Kelsey Clifton’s
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#098 11 13 2019 John F Allen’s
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#99 11 16 2019 Damian McNicholl’s
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#100 11 19 2019 Stacia Levy’s
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#101 11 24 2019 Charlotte Morgan’s
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#102 11 26 2019 T. L. Moore’s
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#103 11 27 2019 Jeanne McWilliams Blasberg’s
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#104 11 29 2019 Charlotte Blackwell’s
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#105 12 07 2019 Mike Burrell’s
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#106 12 09 2019 Phil McCarron’s
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#107 12 11 2019 Wendy H. Jones’s
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#108 12 13 2019 Sandra Arnold’s
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#109 12 16 2019 Amalia Carosella’s
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#110 12 19 2019 Laura Bickle’s
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#111 12 27 2019 Brian Pinkerton’s
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#112  12 28 2019 Sandra de Helen’s
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#115 12 31 2019 Duncan B Barlow’s
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#116 01 02 2020 Allison Landa’s
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#118 01 06 2020 William Trent Pancoast’s
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#119 01 07 2020 Jane Bernstein’s
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#121 01 12 2020 Melissa Yi’s
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Multi Genre Novel
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#124 01 17 2020 Kristen Joy Wilks’s
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#125 01 20 2020 Susan C. Shea’s
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#126  01 22 2020 Phong Nguyen’s
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#127 01 23 2020 Kate Thornton’s
Mystery Short Story In Its Entirety
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#128 01 24 2020 Phil McCarron’s
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#129  01 27 2020 Kenneth Weene’s
Historicized Literary Fiction
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#130 01 28 2020 Graham Storrs’s
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#131 02 08 2020 Angela Slatter’s
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#132 02 11 2020 Joan Joachim’s
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#133 02 16 2020 Kelsey Clifton’s
Science Fiction
A DAY OUT OF TIME

#134 02 17 2020 Soraya M Lane’s
Women Historical Fiction
THE GIRLS OF PEARL HARBOR

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