Kathleen Rooney’s Cher Ami and Major Whittlesey is #179 in the never-ending series called INSIDE THE EMOTION OF FICTION

Chris Rice Cooper 

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****Kathleen Rooney’s Cher Ami and Major Whittlesey is #179 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece

Name of fiction work? And were there other names you considered that you would like to share with us? My latest novel, coming out from Penguin in August, is Cher Ami and Major Whittlesey. 
         

          The simple reasoning behind this name is that those are the novel’s two main characters: Cher Ami, a World War I messenger pigeon, and Charles Whittlesey, a World War I soldier, both of whom really existed and were famous in their day, though they’ve become largely forgotten now.

My original title for the book was An Instinct. Thematically, I’m interested in what impulses drive living beings—both human and animal—to behave as they do, whether that behavior is noble, like sacrificing your own needs for the needs of someone you love, or whether that behavior is destructive, like waging a war. In the end, my publisher and I decided that the abstractness of An Instinct made it less memorable than would be ideal, so we went with Cher Ami and Major Whittlesey instead to shine the light on the two protagonists.

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? I started writing it in late 2015 and finished writing it in March of 2019. To be clear, I worked on other projects in between those dates, including editing the Selected Writings of Rene Magritte, which came out in the Fall of 2016, and the related project, The Listening Room: A Novel of Georgette and Loulou Magritte which came out in 2018. Personally, because I write in all three genres—fiction, poetry, and nonfiction—

I often rotate from project to project as I wait to get distance on something in order to revise it, or as I wait on comments from friends/first readers, or as I wait on edits from my agent and so forth.

Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo? My spouse, the writer Martin Seay (http://martinseay.com/), and I live in a small condo in a classic Chicago six-flat that’s over one hundred years old. 

          As is common in that style of architecture, it has a solarium in the front, facing the street, a little room that’s essentially floor-to-ceiling windows on three of its four sides. We’re on the top floor, three stories up, so the view is gorgeous, and pretty writerly—we’re up in the treetops where we can see birds galore, which felt like a good omen because this book is so focused on the lives of birds and birds-eye views of World War I.

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day?

Outlining is vital to me when I’m writing fiction. Cher Ami and Major Whittlesey has an alternating first-person structure, where we hear about events first from Cher Ami, then from Whit, then from Cher Ami, then from Whit and so on over the course of the successive chapters. 

          So I knew, each morning when I woke up, exactly what I had to work on—who would be speaking and what I had to have happen to them. Outlining helps me immensely from an organizational perspective and from a logistical one. I teach at DePaul University and also co-run Rose Metal Press, so having an outline enables me to work on a novel at least a little bit every day no matter what other stuff I have to do. 

         

          I’m a morning person by nature, so I tended to work on it every morning, early, and thus was never without a cup of coffee by my side. I hate sitting down, so I wrote it all standing up at the laptop in my solarium. I love music, but it draws my attention so deeply that I can’t focus on writing when I’m listening to it, so I wrote the novel in silence.

Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer. This excerpt is from p. 83 and is the scene in which—on the massive troop transport ship crossing the Atlantic from the United States to Europe—Charles Whittlesey, a commanding officer, first lays eyes on Bill Cavanaugh, an enlisted man with whom he finds himself smitten:

Though I took it at first for a trick of the morning light, a closer look confirmed that he was blushing. This soldier who’d converse with a captain or a king as easily as with a fellow private would, I’d come to learn, turn boiled-lobster-red whenever he spoke of something he loved. And he loved many things, though none, I think, more than pigeons.

“Being in the loft with my homers,” he went on, “quiets all the troubles of life. It’s like growing roses, I imagine. Pursuing beauty, cultivating it, but never reaching it completely. Not that my family ever had space for a garden.”

It felt rare, almost unsafe, to hear a grown man speak so openly of his passions. My mind alit at once on my own comparable pursuits, in much the same way that one’s hand might reach automatically for one’s wallet while navigating a crowded street. To be clear, I’m referring not to my dalliances with men—an appetite is not a passion—but rather to my dalliances with poetry, which I had written seriously since I was a boy, and for which I had earned modest acclaim at Williams. Even at work in Manhattan I would still sometimes hit upon a promising string of iambs and cancel engagements in order to spend the weekend coaxing them into a sonnet or a villanelle. But no one in the Army or back at my law office knew that I did this, and I had never for a moment considered telling them, or sharing my verses with anyone but Marguerite. It had never occurred to me that I might do so.

I tried to steer Cavanaugh back toward practicalities. “So you breed and race them?”

“Yes sir. They really are a lot like roses. Flying flowers! All different colors, different degrees of hardiness. To appreciate them, you can’t just go by how they look, but also what they can do in the air. Their power and their smarts.”

“How did you come by this hobby? Has your family always raised pigeons?”

“Oh, no, sir, not at all. Though Ma likes that I keep the birds. They’re a better thing to spend money on than drink, which is where my father’s wages go, I’m afraid. There was an old guy in our building who kept them for years, and who taught me about them. He told me once that they gave him an intelligent and profitable pastime. They keep the harp of life in tune, he said.”

This conversation was by a wide margin the longest I had ever had with an enlisted man, and certainly among the strangest, given its topic and the many bald-faced disclosures it had included. Cavanaugh’s candor was almost insubordinate; it certainly seemed heedless of the hierarchies that defined every aspect of our lives and our mission. Without question, I should have brought our exchange to a swift end, perhaps with a reprimand.

But there on the deck with him—we two quite alone, our first morning on the open sea, the horizon visible in every direction, a clouded and violent future ahead—I could not. I reassured myself that this was a special case, that as a pigeon man Cavanaugh would likely be attached to the regiment’s command staff, he wasn’t simply another interchangeable private whom I might have to tactically sacrifice, and that therefore this intimate dialogue was appropriate and constructive.

This was all hogwash. I was captivated.

Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt? Both Whit and Cher Ami experience love and loss during their time on the front in France, and in both cases, I knew that the scenes in which they first meet their beloveds (unrequited in Whit’s case) had to be momentous. I wanted Whit to be attracted to Bill not just because Bill is, objectively, a physically attractive person, but because he, like Whit, thinks hard about things and has passionate interests.

          I don’t want to spoil anything, but you can probably infer from the fact that this is a novel about World War I that not everyone winds up with a sunny, happy ending. So it was hard to write this scene between two characters for whom I felt a great deal of affection and admiration while knowing what sufferings and horrors await them when they disembark this ship and travel to the front. By the time I finished writing this scene (of which this is just a short section) I was practically crying. Like Whit, I absolutely love Bill Cavanaugh because of the way he loves pigeons, and the war was quite hard on both pigeons and soldiers.

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. Yes. This passage is from near the end of the novel when things are winding down. Because the book is based on a true story, in my earliest drafts, I had the impulse to have Cher Ami (who is speaking from her glass case in the Smithsonian where she is on display in the WWI exhibit) tell my readers everything that happened to all of the Lost Battalion men after the war.

               My agent Rebecca Makkai (http://rebecca
makkai.com/) rightly argued that this kind of summing up was better for nonfiction than fiction, and so I cut it. I don’t have a picture of the marked-up draft, but there wasn’t much marking anyway because I chopped it out wholesale.

     Zip Cepaglia moved back to his old neighborhood of Little Italy and had eight children with his childhood sweetheart, none of whom could ever get their father to say one word about his experiences in the war.

     Arthur “Mac” McKeogh—Whittlesey’s tiny adjutant during the first encirclement in the Small Pocket, the notorious scourge of German machine gun nests who’d led Jack Hershkowitz and J.J. Munson on their daring night run through enemy territory to reestablish contact with Allied Forces, earning all three soldiers Distinguished Service Crosses for valor—returned to his work in publishing and became the managing editor of Good Housekeeping magazine. He died in 1938, of natural causes.

     Hershkowitz recovered from the influenza that had nearly killed him, then returned to New York to run his prosperous dried-fruit factory. He lived another fifty years, and seemed quietly and profoundly satisfied with his circumstances.

Munson, on the other hand, was already nearly dead of liquor and tuberculosis by the time it occurred to me to seek him out. Too many Lost Battalion men to name or to count turned to alcohol for comfort after the war. Prohibition made this difficult, but when the body wants something, it seeks that thing, unless and until that want is superseded by a greater want.

I remember that from when I had a body.

       Kathleen Rooney is a founding editor of Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, as well as a founding member of Poems While You Wait, a team of poets and their typewriters who compose commissioned poetry on demand. She teaches in the English Department at DePaul University, and her most recent books include the national best-seller, Lillian Boxfish Takes a Walk (St. Martin’s Press 2017 / Picador 2018) and The Listening Room: A Novel of Georgette and Loulou Magritte (Spork Press, 2018). Her new novel, Cher Ami and Major Whittlesey, based on a true story of the Great War, will be published by Penguin in August of 2020.

A winner of the Ruth Lilly Fellowship from Poetry magazine, she is the author of nine books of poetry, fiction, and nonfiction, including the novel O, Democracy! (Fifth Star Press, 2014); the novel in poems Robinson Alone (Gold Wake Press, 2012), based on the life and work of Weldon Kees; the essay collection For You, For You I Am Trilling These Songs (Counterpoint, 2010); and the art modeling memoir Live Nude Girl: My Life as an Object (University of Arkansas Press, 2009). Her first book is Reading with Oprah: The Book Club That Changed America (University of Arkansas Press, 2005), and her first poetry collection, Oneiromance (an epithalamion) won the 2007 Gatewood Prize from the feminist publisher Switchback Books.

With Elisa Gabbert, she is the co-author of the poetry collection That Tiny Insane Voluptuousness (Otoliths, 2008) and the chapbook The Kind of Beauty That Has Nowhere to Go (Hyacinth Girl Press, 2013).. And with fellow DePaul professor Eric Plattner, she is the co-editor of Rene Magritte: Selected Writings (University of Minnesota Press, 2016).

     Her reviews and criticism have appeared in The New York Times Magazine, The Poetry Foundation website, The New York Times Book Review, BITCH, Allure, The Chicago Review of Books, The Chicago Tribune, The Paris Review, The Los Angeles Review of Books, The Nation and elsewhere.

She lives in Chicago with her spouse, the writer Martin Seay. Follow her at @KathleenMrooney or
http://kathleenrooney.com/about/

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001   11 15 2018 Nathaniel Kaine’s

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002   11 18 2018 Ed Protzzel’s

Futuristic/Mystery/Thriller

The Antiquities Dealer 

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003   11 23 2018 Janice Seagraves’s

Science Fiction Romance

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004   11 29 2018 Christian Fennell’s

Literary Fiction Novel

The Fiddler in the Night

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005  12 02 2018 Jessica Mathews’s

Adult Paranormal Romance

Death Adjacent

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006  12 04 2018 Robin Jansen’s

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007  12 12 2018  Adair Valerez’s

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008  12 17 218 Kit Frazier’s

Mystery Novel

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009 12 21 2019 Robert Craven’s

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010 01 13 2019 Kristine Goodfellow’s

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011 01 17 2019 Nancy J Cohen’s

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012 01 20 2019 Charles Salzberg’s

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013 01 23 2019 Alexis Fancher’s

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014 01 27 2019 Brian L Tucker’s

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015 01 31 2019 Robin Tidwell’s

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016 02 07 2019 J.D. Trafford’s

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017 02 08 2019 Paula Shene’s

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018 02 13 2019 Talia Carner’s

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024 03 08 2019 Marlin Barton’s

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057 07 03 2019 Saralyn Ricahrd’s

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069 08 08 2019 Diana Y. Paul’s

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070 08 10 2019 Phyllis H. Moore’s

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071 08 11 2019 Sara Dahmen’s

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072  08 19 2019 Carolyn Breckinridge’s

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073 08 21 2019 Alison Ragsdale’s

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074  08 22 2019 Lee Matthew Goldberg’s

Suspense Thriller

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075 08 23 2019 Jonathan Brown’s

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076 09 02 2019 Chera Hammons Miller’s

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077 09 09 019 Joe William Taylor’s

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078 09 15 2019 Linda Hughes’s

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Secret of the Island

https://chrisricecooper.blogspot.com/2019/09/78-inside-emotion-of-fiction-secrets-of.html

079 09 19 2019 Max Elliot Anderson’s

Middle Grade Adventure/Mystery

Snake Island

https://chrisricecooper.blogspot.com/2019/09/79-inside-emotion-of-fiction-snake.html

080 09 22 2019 Danny Adams’s

Science Fiction

Dayworld: A Hole In Wednesday

https://chrisricecooper.blogspot.com/2019/09/80-inside-emotion-of-fiction-dayworld.html

081 09 24 2019 Arianna Dagnino’s

Social/Historical/Adventure

The Afrikaner

https://chrisricecooper.blogspot.com/2019/09/81-inside-emotion-of-fiction-afrikaner.html

082 09 29 2019 Lawrence Verigin’s

Thriller/Suspense

Seed of Control

https://chrisricecooper.blogspot.com/2019/09/82-inside-emotion-of-fiction-seed-of.html

083  10 05 2019 Emma Khoury’s

Fantasy

The Sword And Shield

https://chrisricecooper.blogspot.com/2019/10/83-inside-emotion-of-fiction-sword-and.html

#084 10 07 2019 Steve McManus’s

Mystery/Suspense/Thriller

SEVEN DEVILS

https://chrisricecooper.blogspot.com/2019/10/84-inside-emotion-of-fiction-seven.html

#085 10 08 2019 Sheila Lowe’s

Mystery/Psychological/Suspense with Scientific Bent

PROOF OF LIVE

https://chrisricecooper.blogspot.com/2019/10/085-inside-emotion-of-fiction-proof-of.html

#086 10 10 2019 Jess Neal Woods’s

Historical Fiction

THE PROCESS OF FRAYING

https://chrisricecooper.blogspot.com/2019/10/86-inside-emotion-of-fiction-process-of.html

#087 10 11 2019 Karen Odden’s

Historical Suspense

A TRACE OF DECEIT

https://chrisricecooper.blogspot.com/2019/10/87-inside-emotion-of-fiction-trace-of.html

#88 10 14 2019 Kate Maruyama’s

Love, Loss & Supernatural

“HARROWGATE”

https://chrisricecooper.blogspot.com/2019/10/88-inside-emotion-of-fiction-harrowgate.html

#89 10 17 2019 Sherry Harris’s

Mystery

“LET’S FAKE A DEAL”

https://chrisricecooper.blogspot.com/2019/10/89-inside-emotion-of-fiction-lets-fake.html

#90 10 18 2019 Linda Mooney’s

Science Fiction Apocalyptic/ Post Apocalyptic

“THE TRUNK”

https://chrisricecooper.blogspot.com/2019/10/90-inside-emotion-of-fiction-trunk-by.html

#91 10 19 2019 Jayne Martin’s

Flash Fiction Short Story Collection

“TENDER CUTS”

https://chrisricecooper.blogspot.com/2019/10/91-inside-emotion-of-fiction-tender.html

#92 10 22 2019 Janice Cole Hopkins’s

Inspirational Romance

“IT ALL STARTED AT THE MASQUERADE”

https://chrisricecooper.blogspot.com/2019/10/92-inside-emotion-of-fiction-it-all.html

#93 10 29 2019 Kristi Petersen Schoonover’s

Short Story Collection

“THE SHADOWS BEHIND”

https://chrisricecooper.blogspot.com/2019/10/93-inside-emotion-of-fiction-shadows.html

#94 11 01 2019 David Henry Sterry’s

Fiction: Sexual Violence

“THE TENDERLOIN WARS”

https://chrisricecooper.blogspot.com/2019/11/94-inside-emotion-of-fiction-tenderloin.html

#95 11 03 2019 Jay Requard’s

Dark Fantasy/Horror

“DEATH & DUST: THE PALE SAND ADVENTURES”

https://chrisricecooper.blogspot.com/2019/11/95-inside-emotion-of-fiction-death-dust.html

#96 11 04 2019 Caroline Leavitt’s

Fiction

“WITH OR WITHOUT YOU”

http://chrisricecooper.blogspot.com/2019/11/96-inside-emotion-of-fiction-with-or.html

#97 11 06 2019 Kelsey Clifton’s

Science Fiction

“A DAY OUT OF TIME”

https://chrisricecooper.blogspot.com/2019/11/97-inside-emotion-of-fiction-day-out-of.html

#098 11 13 2019 John F Allen’s

Urban Fantasy Tale

“The God Killers’
https://chrisricecooper.blogspot.com/2019/11/98-inside-emotion-of-fiction-god.html

#99 11 16 2019 Damian McNicholl’s

Historical Novel

“The Moment of Truth”

http://chrisricecooper.blogspot.com/2019/11/99-inside-emotion-of-fiction-moment-of.html

#100 11 19 2019 Stacia Levy’s

Mystery/Suspense Novel

“Girl Crush”

https://chrisricecooper.blogspot.com/2019/11/100-inside-emotion-of-fiction-girl.html

#101 11 24 2019 Charlotte Morgan’s

Fiction Novel

“Protecting Elvis”

http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s

Children’s Christian Fiction

“Ed On My Shoulder:  Maria & The Candy Trail”

https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s

Coming of Age Literary Novel

The Nine

https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s

Adult Paranormal

“MYSTIC EMBRACE”

https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s

Satire Novel

“THE LAND OF GRACE”

https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s

Screenplay

“Escapement”

http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s

Crime Fiction/Police Procedural Novel

“KILLER’S COUNTDOWN”

https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s

Historical Literary Fiction

“The Ash, the Well and the Blue Bell”

https://chrisricecooper.blogspot.com/2019/12/1

8-inside-emotion-of-fiction-ash-well.html

#109 12 16 2019 Amalia Carosella’s

Historical/Contemporary/Duel Timeline/ Women’s

Fiction

“DAUGHTER OF A THOUSAND YEARS”

https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html

#110 12 19 2019 Laura Bickle’s

Weird Western/Contemporary Fantasy

“DARK ALCHEMY”

https://chrisricecooper.blogspot.com/2019/12/110-inside-emotion-of-fiction-dark.html

#111 12 27 2019 Brian Pinkerton’s

Science Fiction Thriller

“THE GEMINI EXPERIMENT”

https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s

Lesbian Thriller

“TILL DARKNESS COMES”

https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s

Vampire Thriller

“THE CROSSING”

https://chrisricecooper.blogspot.com/2019/12/113-inisde-emotion-of-fiction-crossing.html

#114 12 30 2019 Sam Richard’s

Short Story Collection of Weird and Transgressive

Horror

“To Wallow In Ash and Sorrows”

https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s

Literary Fiction Novel

“A DOG BETWEEN US”

https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s

Young Adult Novel

“BAD HAIR”

https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s

Literary Satire Novel

“THE CUBAN COMEDY”

http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s

Historical/Literary Novel

“THE ROAD TO MATEWAN”

https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s

Contemporary Novel

“The Face Tells the Secret”

https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s

Young Adult, Historical and Fantasy

“Brimstone And Lily”

https://chrisricecooper.blogspot.com/2020/01/120-inside-emotion-of-fiction-brimstone.html

#121 01 12 2020 Melissa Yi’s

Fiction Thriller

“GRAVEYARD SHIFT”

http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s

Crime Thriller

“GIRL GONE MISSING”

http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s

Multi Genre Novel

“THE NINJA DAUGHTER”

https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html

#124 01 17 2020 Kristen Joy Wilks’s

Christian Romantic Comedy

“YELLOWSTONE YONDERING”

https://chrisricecooper.blogspot.com/2020/01/124

inside-emotion-of-fiction.html

#125 01 20 2020 Susan C. Shea’s

Cozy Mystery

“DRESSED FOR DEATH IN BURGUNDY”

http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html

#126  01 22 2020 Phong Nguyen’s

Improvisational Fiction

“ROUDABOUT”

https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html

#127 01 23 2020 Kate Thornton’s

Mystery Short Story In Its Entirety

“Ai Witness”

https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html

#128 01 24 2020 Phil McCarron’s

Semi Fictional Essays

“The Great Facepalm: The Farce of 21^st Century

Normality”

https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html

#129  01 27 2020 Kenneth Weene’s

Historicized Literary Fiction

“Red And White”

https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html

#130 01 28 2020 Graham Storrs’s

Science Fiction Thriller

“TimeSplash”

https://chrisricecooper.blogspot.com

/2020/01/130-inside-emotion-of-fiction.html

#131 02 08 2020 Angela Slatter’s

Short Story “Terrible As An Army With Banners”

From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS

https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html

#132 02 11 2020 Joan Joachim’s

Romance

Just One Kiss

https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html

#133 02 16 2020 Kelsey Clifton’s

Science Fiction

A DAY OUT OF TIME

https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html

#134 02 17 2020 Soraya M Lane’s

Women Historical Fiction

THE GIRLS OF PEARL HARBOR

https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html

#135 03 07 2020

Linked Fiction

BLEACHERS Fifty-Four Linked Fictions

By Joseph Mills

https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html

#136 03 15 2020

Science Fiction Romance

BLUE VISION

By Marie Lavender

https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html

#137 03 17 2020

Crime Fiction

12 Bullets

by O’Neil De Noux

https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html

#138 03 18 2020

Flash Fiction Piece

Radical

by Kelle Grace Gaddis

https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html

#139 03 20 2020

Mystery

HERE BE MONSTERS

By Jamie Sheffield

https://chrisricecooper.blogspot.com/2020/03/139-inside-emotion-of-fiction-here-be.html

#140 03 21 2020

Character Driven Novel

UNBROKEN

By Jamie Lisa Forbes

https://chrisricecooper.blogspot.com/2020/03/140-inside-emotion-of-fiction-unbroken.html

#141 03 23 2020

Literary Murder Mystery

COLD COUNTRY

By Russell Rowland

http://chrisricecooper.blogspot.com/2020/03/141-inside-emotion-of-fiction-cold.html

#142 04 01 2020

Sci-Fi/Paranormal

SWEET SLEEP

By Kim Cormack

https://chrisricecooper.blogspot.com/2020/04/142-inside-emotion-of-fiction-sweet.html

#143 04 02 2020

Western Noir Short Story

“Night Rounds”

by James Reasoner

https://chrisricecooper.blogspot.com/2020/04/143-inside-emotion-of-fiction-night.html

#144 04 03 2020

Southern Fiction

LITTLE TEA

By Claire Fullerton

http://chrisricecooper.blogspot.com/2020/04/144-inside-emotion-of-fiction-little.html

#145 04 04 2020

Mainstream novel with elements of crime, mystery, and magic

THE FORGETTING FLOWER
by Karen Hugg

https://chrisricecooper.blogspot.com/2020/04/145-inside-emotion-of-fiction.html

#146 04 07 2020

Historical Fiction

MEDICIS DAUGHTER

by Sophie Perinot

http://chrisricecooper.blogspot.com/2020/04/146-inside-emotion-of-fiction-medicis.html

#147 04 08 2020

Dark Urban Fantasy with elements of Paranormal Romance

COVEN BORN

by Stephanie Reisner aka AUDREY BRICE

https://chrisricecooper.blogspot.com/2020/04/147-inside-emotion-of-fiction-coven.html

#148 04 13 2020

Mystery With A Fantasy Twist

DEATH LIVES IN THE WATER

By Shoshana Edwards

http://chrisricecooper.blogspot.com/2020/04/148-inside-emotion-of-fiction-death.html

#149 04 14 2020

Historical Fiction

ASHES

by Sharon Glogal Friedman

https://chrisricecooper.blogspot.com/2020/04/149-inside-emotion-of-fiction-ashes-by.html

#150 04 19 2020

Vampire Horror Novelette

Blood Thrasher:  The Devil’s in the Metal

by Adam Messer

https://chrisricecooper.blogspot.com/2020/04/adam

messers-blood-thrasher-devils-in.html

#151 04 25 2020

Historical Fiction

Charis in the World of Wonders

by Marly Youmans

https://chrisricecooper.blogspot.com/2020/04/marly-youmans-charis-in-world-of.html

#152 04 29 2020

Historical Fiction

The Master of Verona

by David Blixt

https://chrisricecooper.blogspot.com/2020/04/david-blixts-master-of-verona-is-152-in.html

#153 04 30 2020

General Fiction (Family)

Bread Bags & Bullies:  Surviving the 80s

by Steven Manchester

https://chrisricecooper.blogspot.com/2020/04/steven-manchesters-bread-bags-bullies.html

#154 05 01 2020

Adventure-Thriller/Horror

Into The Ashes

by Lee Murray

http://chrisricecooper.blogspot.com/2020/05/lee-murrays-into-ashes-is-154-in-never.html

#155 05 06 2020

Coming of Age/Crime Novel

All Things Left In The Wild

by James Wade

https://chrisricecooper.blogspot.com/2020/05/james-wades-all-things-left-in-wild-is.html

#156 05 10 2020

Paranormal Mystery

Southern Bound

by Stuart Jaffe

https://chrisricecooper.blogspot.com/2020/05/stuart-jaffes-southern-bound-is-156-in.html

#157 05 13 2020

Mystery/Crime Novel

Yardbird

By Mark Slade

http://chrisricecooper.blogspot.com/2020/05/mark-slades-yardbird-is-157-in-never.html

#158 05 15 2020

Horror/Crime Novel

Hotel Nowhere

By David E Adkins

https://chrisricecooper.blogspot.com/2020/05/david-e-adkinss-hotel-nowhere-is-158-in.html

#159 05 16 2020

Satire/Crime Novel

THE LYING BASTARD

by Clint Margrave

https://chrisricecooper.blogspot.com/2020/05/clint-margraves-lying-bastard-is-159-in.html

#160 05 19 2020

Southern Gothic Fiction

REVIVING THE HAWTHORN SISTERS

by Emily Carpenter

https://chrisricecooper.blogspot.com/2020/05/emily-carpenters-reviving-hawthorn.html

#161 05 21 2020

Women’s Domestic Life Fiction

MERCY HOUSE

by Alena Dillon

http://chrisricecooper.blogspot.com/2020/05/alena-dillons-mercy-house-is-161-in.html

#162 05 26 2020

Screenplay/Film

BEAST MODE

by Drew Fortune and Spain Willingham

https://chrisricecooper.blogspot.com/2020/05/drew-fortunes-and-spain-willinghams_26.html

#163 05 31 2020

Coming of Age/ Psychological Thriller

MY SISTER & OTHER LIARS

by Ruth Dugdall

http://chrisricecooper.blogspot.com/2020/05/ruth-dugdalls-my-sister-and-other-liars.html

#164 06 01 2020

Psychological Thriller

IN HARM’S WAY

by Owen Mullen

https://chrisricecooper.blogspot.com/2020/06/owen-mullens-in-harms-way-is-164-in.html

#165 06 02 2020

Small Town Short Story Collection

SNAPSHOT “Old Lady”

by Eliot Parker

https://chrisricecooper.blogspot.com/2020/06/eliot-parkers-old-lady-from-snapshots.html

#166 06 04 2020

Noir Crime Novel

SKIN OF TATTOOS

by Christina Hoag

https://chrisricecooper.blogspot.com/2020/06/christina-hoags-skin-of-tattoos-is-166.html

#167 06 06 2020

Coming of Age/Historical

THE ORPHAN COLLECTOR

by Ellen Marie Wiseman

https://chrisricecooper.blogspot.com/2020/06/ellen-marie-wisemans-orphan-collector.html

#168 06 08 2020

World War Two Historical Fiction

THE PRISONER’S WIFE

by Maggie Brookes

http://chrisricecooper.blogspot.com/2020/06/maggie-brookess-prisoners-wife-is-168.html

#169 06 09 2020

Novella

(about the 1960s,

Rolling Stones in their exile,

genocide, it’s survivors, and

people from places that no longer exist.)

BLUE COAST MYSTERY:  ALMOST SOLVED

by Nick Sweeney

http://chrisricecooper.blogspot.com/2020/06/nick-sweeneys-blue-coast-mystery-almost.html

#170 06 11 2020

Family Life/Coming of Age Novel

THE EXTRAORDINARY LIFE OF SAME HELL

by Robert Dugoni

http://chrisricecooper.blogspot.com/2020/06/robert-dugonis-extraordinary-life-of.html

#171 06 26 2020

Women’s Divorce Fiction

QUEEN OF THE OWLS

by Barbara Linn Probst

https://chrisricecooper.blogspot.com/2020/06/barbara-linn-probsts-queen-of-owls-is.html

#172 07 01 2020

Short Story “The Belindas” from the Short Story Collection LOVE WAR STORIES

By Ivelisse Rodriguez

https://chrisricecooper.blogspot.com/2020/07/ivelisse-rodriguezs-short-story.html

#173 Inside the Emotion of Fiction

07 04 2020

Organized Crime Thriller

BLUES IN THE DARK

by Raymond Benson

https://chrisricecooper.blogspot.com/2020/07/raymond-bensons-blues-in-dark-is-173-in.html

#174 Inside the Emotion of Fiction

07 08 2020

Contemporary Literature & Fiction

THE ESCAPE OF MALCOLM POE

by Allison Burnett

https://chrisricecooper.blogspot.com/2020/07/allison-burnetts-escape-of-malcolm-poe.html

#175 Inside the Emotion of Fiction

07 09 2020

Horror Novella

TERMINUS STATION

by Jeff Lyons

https://chrisricecooper.blogspot.com/2020/07/jeff-lyonss-terminus-station-is-175-in.html

#176 Inside the Emotion of Fiction

07 12 2020

20^th Century Historical Romance

“The Bootlegger’s Wife”

by Denise Devine

https://chrisricecooper.blogspot.com/2020/07/chris-rice-cooper-blog-176-inside.html

#177 Inside the Emotion of Fiction

07 24 2020

Literary Fiction Novel

“What Drives Men”

by Susan Tepper

https://chrisricecooper.blogspot.com/2020/07/susan-teppers-what-drives-men-is-177-in.html

#178 Inside the Emotion of Fiction

07 27 2020

Short story

“Tidings of Comfort and Joyce”

by Kimberly Kurth Gray

https://chrisricecooper.blogspot.com/2020/07/kimberly-kurth-grays-short-story.html

#179 Inside the Emotion of Fiction

07 28 2020

Historical Fiction

“Cher Ami and Major Whittlesey”

by Kathleen Rooney

https://chrisricecooper.blogspot.com/2020/07/kathleen-rooneys-cher-ami-and-major.html