Thursday, September 19, 2019

#79 Inside The Emotion of Fiction: "Snake Island" by Max Elliot Anderson



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***The CRC Blog welcomes submissions from published and unpublished fiction genre writers for INSIDE THE EMOTION OF FICTION.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

****Max Elliot Anderson’s "Snake Island" is #79 in a never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece.  


Has this been published? And it is totally fine if the answer is no. If yes, what publisher and what publication date? Publisher is The Book Club Network, 2017
https://www.bookfun.org/



What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? Written in 2016 over a 3 month period

Where did you do most of your writing for this fiction work? And please describe in detail. And can you please include a photo?
I have a designated writing room in my home in Illinois

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day?
My best writing times are in the evening. I play mood appropriate music in the background and keep props nearby to remind me of the location

What is the summary of this specific fiction work? Rod Campbell loved to go tubing with his friends down the lazy river outside of town. They often wondered about Snake Island as they drifted by.
Then, one day Mr. Patterson rushed out in front of the boys as they rode their bikes. People around town said he was a little crazy since he’d come back from the war. Some said his injuries had affected his brain. But Mr. Patterson warned them about the island.
Rod talked his friends into camping out on the island since it was near his grandfather’s farm. If they could last the whole night, then there wouldn’t be anything to be afraid of they reasoned.
On the night of the campout, someone came to the island, dug a hole, and rolled a large piece of carpet in. Then he began covering it up. The boys were terrified when they realized the man digging the hole was Mr. Patterson.
They raced off the island. The next day they learned that the richest
man in town was missing. Police suspected murder.
Rod and his friends reported what they saw and Mr. Patterson was accused of the crime. But did he do it? And what did he bury in that hole?

Why is this excerpt so emotional for you? And can you describe your own emotional experience of writing this specific excerpt? This is a spooky story in a spooky setting which I hope comes through in the synopsis.

Please include the excerpt and include page numbers as reference. The excerpt can be as short or as long as you prefer. From page 7 - Someone killed the richest man in town, and everyone was sure who did it. What happened in Bedford put this little community smack in the center of national news for the entire country. But before that happened, the world had pretty much forgotten about this sleepy little place after the Interstate went in outside of town. Unless a person actually grew up there, few outsiders even knew it existed. These days, about the only people who come through are either lost, broken down, or out of gas. And even though the town might be small, compared to many others, it still had the county courthouse, jail, and sheriff’s department right in the center of town.


Other works you have published? Over 30 middle grade adventures and mysteries have been published along with a book for adults, The Sense of Humor, and a book for young adults, Tracy's Choices. More information can be found at http://middlegradeadventureandmystery.blogspot.com In addition, I've been published in Guideposts publications, along with four Chicken Soup for the Soul volumes

Anything you would like to add?
Since I grew up hating to read, it is my desire to craft the kids of adventures and mysteries that will attract and hold young readers. After all, Readers are the Leaders Others Follow.
Max Elliot Anderson grew up as a struggling reader. After surveying the market as an adult, he sensed the need for action-adventures and mysteries for readers 8 – 13, that would have interested him as a child.
Using his extensive experience in the production of dramatic motion pictures, videos, and television commercials, Mr. Anderson brings that same visual excitement and heart-pounding action to the stories he writes. His books include different characters, setting, and plot as well as two traditional series.
Several middle grade books are published, more are under contract, with additional manuscripts completed. Young readers have reported that reading one of his books is like actually being in an exciting movie.
Contact link for you? mander8813@aol.com http://middlegradeadventureandmystery.blogspot.com


INSIDE THE EMOTION OF FICTION links

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John Hunter – The Veteran

002   11 18 2018 Ed Protzzel’s
Futuristic/Mystery/Thriller
The Antiquities Dealer 

003   11 23 2018 Janice Seagraves’s
Science Fiction Romance
Exodus Arcon

004   11 29 2018 Christian Fennell’s
Literary Fiction Novel
The Fiddler in the Night

005  12 02 2018 Jessica Mathews’s
Adult Paranormal Romance
Death Adjacent

006  12 04 2018 Robin Jansen’s
Literary Fiction Novel
Ruby the Indomitable

007  12 12 2018  Adair Valerez’s
Literary Fiction Novel
Scrim

008  12 17 218 Kit Frazier’s
Mystery Novel
Dead Copy

009 12 21 2019 Robert Craven’s
Noir/Spy Novel
The Road of a Thousand Tigers

010 01 13 2019 Kristine Goodfellow’s
Contemporary Romantic Fiction
The Other Twin

011 01 17 2019 Nancy J Cohen’s
Cozy Mystery
Trimmed To Death

012 01 20 2019 Charles Salzberg’s
Crime Novel
Second Story Man

013 01 23 2019 Alexis Fancher’s
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His Full Attention

014 01 27 2019 Brian L Tucker’s
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POKEWEED:  AN ILLUSTRATED NOVELLA

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024 03 08 2019 Marlin Barton’s
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026 03 21 2019 Maggie Rivers’s
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027  03 25 2019 Faith Gibson’s
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028 03 27 2019 Valerie Nieman’s
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029 04 04 2019 Betty Bolte’s
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030 04 05 2019  Marianne Maili’s
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032 04 15 2019 Jason Ament’s
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033 04 24 2019 Stephen P. Keirnan’s
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034 05 01 2019 George Kramer’s
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035 05 05 2019 Erika Sams’s
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036 05 07 2019 Mark Wisniewski’s
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047 06 07 2019 Philip Shirley’s
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079 09 19 2019 Max Elliot Anderson’s
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Snake Island