*The images in this specific piece are granted copyright privilege by: Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.
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***The CRC Blog welcomes submissions from published and unpublished fiction genre writers for INSIDE THE EMOTION OF FICTION. Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7
****Kimberly Kurth Gray’s short story “Tidings of Comfort and Joyce” is #178 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt. All INSIDE THE EMOTION OF FICTION links are at the end of this piece
Name of fiction work? And were there other names you considered that you would like to share with us? The last short story I published was called Tidings of Comfort and Joyce. I knew I wanted my character’s name, Joyce, to be part of the title. I like the thought of substituting the name Joyce for joy in popular phrases and using them for the titles of my stories pertaining to her. Currently I’m working on one I’m calling Joyce to the World.
What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? Tidings of Comfort and Joyce took me about a week to write the story and get it together to my satisfaction.
Where did you do most of your writing for this fiction work? And please describe in detail. And can you please include a photo? This particular story was written while I was on a spring retreat with my Mindful Writers group.Three times a year we meet in Ligonier, Pennsylvania at a lodge(Above Right). We stay for a week and we each work on our projects. I write for about ten to twelve hours a day when on retreat. The lodge is quite large and there are usually twenty- two to twenty-four other writers with me. We have our own spot, but are all together in the great room.
What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? Writing on retreat is different for me than writing in my home office.
I’m much more focused. I drink endless cups of coffee and snack on grapes, popcorn and peanut M&M’s. The room is quiet, no music or talking is allowed during writing times. That’s fine with me because I need silence when I write. I use a Moleskine notebook to develop my ideas and flesh out my story.
When I have all the details worked out I use my laptop to write the story out. On retreat we write nearly all day. At home I write for an hour in the morning as part of Ramona DeFelice’s Sprint Group, and then I write for another two – four hours in the late afternoon. I think more clearly after 2PM.
Please include just one excerpt and include page numbers as reference. This one excerpt can be as short or as long as you prefer. Here’s my excerpt. This is the first paragraph of my story which can be found in Over the River and Through the Woods anthology page 47.
“It was harder and harder to get arrested these days in Waverly Springs. I shifted the gear into drive, pushed my foot firmly on the gas pedal and plowed directly into the back of Chief Beau Garland’s brand new Ford Expedition.”
Why is this excerpt so emotional for you as a writer to write? And can you describe your own emotional experience of writing this specific excerpt? This was my introduction to Joyce Pine, a character I’d been imagining for a long time, but could never quite get the proper story for her. I was thrilled to find her a home, so to speak. Once I put her in that car, I knew exactly who she was and what she was capable of doing.
Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. This opening scene was exactly how I wrote it, I didn’t change a thing. The way it appears in the book is exactly the same.
Kimberly Kurth Gray is a short story writer and blogger. She has written as The Detective's Daughter for The Wicked Authors blog and now can be found writing her posts on Scenes from a Baltimore Kitchen and Getting Cozy:My Year Discovering Agatha Christie. She was a Hruska Fellowship finalist and a Wellstone Emerging Writer winner and also the 2009 recipient of the William F. Deeck/Malice Domestic grant for unpublished writers. She resides in Baltimore with her family and two dogs.
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