Friday, April 3, 2020

#144 Inside the Emotion of Fiction LITTLE TEA by Claire Fullerton


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**** Claire Fullerton’s Little Tea is #144 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece

Name of fiction work? And were there other names you considered that you would like to share with us? My fourth novel is titled, Little Tea, after one of the characters, whose real name is Thelonia Winfrey. Little Tea is a nickname.

Has this been published? What publisher and what publication date? Little Tea releases on May 1, 2020, by Firefly Southern Fiction. https://shoplpc.
com/firefly
-southern
-fiction/

What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction?
I began writing Little Tea in September of 2017, and finished in the winter of 2018.

Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo? I write at my desk in Malibu, California. I have my own room with an unobstructed view of the Pacific Ocean. My desk has a 27 inch, Samsung computer monitor, which I love, and I use a Microsoft keyboard. The room has a bookshelf, a cherrywood sleigh, daybed, framed images of the four covers of my traditionally published books on the wall, and a series of framed drawings I bought when I lived on the west coast of Ireland.

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? When I am writing a novel, I write every day. Writing is my full-time job, and I am at my desk first thing in the morning and typically stay at it until 5:00. But I allow interruptions. My husband and I have 3 German shepherds and live on a lot of land, so walking outside with the dogs breaks up my day and gives me a good sense of balance.


Can you give the reader just enough information for them to understand what is going on in the excerpt? This is the reader’s introduction to the character Little Tea, as told by narrator, Celia Wakefield, when she describes a memory of being at her home in Como, Mississippi with Little Tea, who is her best friend, and her brother, Hayward.

Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer. 
From Page 37 of Little Tea:
“Hey, Little Tea,” Hayward called as she and I sat crossed-legged on the north side of the verandah. “I bet I can beat you to the mailbox and back.” It was a Saturday afternoon in early June, and we’d spread the church section of the Como Panolian beneath us and positioned ourselves beneath one of the pair of box windows gracing either side of the front door. The front door was fully open, but its screen was latched to keep the bugs from funneling into the entrance hall. They’d be borne from the current of the verandah ceiling fans that stirred a humidity so pervasive and wilting, there was no escaping until the weather cooled in early November. The glass pitcher of sweet tea Elvita gave us sat opaque and sweating, reducing crescents of ice to weak bobbing smiles around a flaccid slice of lemon.  
Little Tea stood to her full height at Hayward’s challenge, her hand on her hip, her oval eyes narrowed. “Go on with yourself,” she said to Hayward, which was Little Tea’s standard way of dismissal.  
“I bet I can,” Hayward pressed, standing alongside Rufus, his two-year-old Redbone coonhound who shadowed him everywhere.  
Little Tea took a mighty step forward. “And you best get that dog outta here ’fore he upends this here paint. Miss Shirley gone be pitching a fit you get paint on her verandah.”  
“Then come race me,” Hayward persisted. “Rufus will follow me down the driveway. You just don’t want to race because I beat you the last time.”  
“You beat me because you a cheat,” Little Tea snapped.
“She’s right, Hayward,” I said. “You took off first, I saw you.”  
“It’s not my fault she’s slow on the trigger,” Hayward responded. “Little Tea hesitated, I just took the advantage.”
“I’ll be taking advantage now,” she stated, walking down the four brick steps to where Hayward and Rufus stood.
At ten years old, Little Tea was taller than me and almost as tall as Hayward. She had long, wire-thin limbs whose elegance belied their dependable strength, and a way of walking from an exaggerated lift of her knees that never disturbed her steady carriage. She was regal at every well-defined angle, with shoulders spanning twice the width of her tapered waist and a swan neck that pronounced her determined jaw.  
Smiling, Hayward bounced on the balls of his feet, every inch of his lithe body coiled and ready to spring. There was no refusing Hayward’s smile, and he knew it. It was a thousand-watt pirate smile whose influence could create a domino effect through a crowd. I’d seen Hayward’s smile buckle the most resistant of moods; there was no turning away from its white-toothed, winsome source. When my brother smiled, he issued an invitation to the world to get the joke.
Typically, the whole world would.  
“Celia, run fetch us a stick,” Little Tea directed, her feet scratching on the gravel driveway as she marched to the dusty quarter-mile stretch from our house to the mailbox on Old Panola road. I sprang from the verandah to the grass on the other side of the driveway and broke a long, sturdy twig from an oak branch. “Set it right here,” Little Tea pointed, and I placed it horizontally before her. But Rufus rushed upon the stick and brought it straight to Hayward, who rubbed his russet head and praised, “Good boy.”  
“Even that dog of yours a cheat,” Little Tea said, but she, too, rubbed his head then replaced the stick on the ground. “Now come stand behind here. Celia’s going to give us a fair shake. We’ll run when she says run.” Her hands went to her hips. “Now what you gonna give me when I win?”
“The reward of pride and satisfaction,” Hayward said, and just then the screen door on the verandah flew wide and my brother John came sauntering out.  
“On go,” I called from my position on the side of the driveway, where I hawkishly monitored the stick to catch a foot creeping forward. Looking from Hayward to Little Tea to make sure I had their attention, I used a steady cadence announcing, “Ready … set … go.”  
Off the pair flew, dust scattering, arms flailing; off in airborne flight, side by side, until Little Tea broke loose and left Hayward paces behind. I could see their progression until the bend in the driveway obstructed my vision but had little doubt about what was happening. Little Tea was an anomaly in Como, Mississippi. She was the undisputed champion in our age group of the region’s track and field competition and was considered by everyone an athlete to watch, which is why Hayward continuously challenged her to practice. Presently, I saw the two walking toward me. Hayward had his arm around Little Tea’s shoulder, and I could see her head poised, listening as he chattered with vivid animation.
“You should have seen it,” Hayward breathlessly said when they reached me. “She beat me easily by three seconds—I looked at my watch.”
“Three seconds? That doesn’t seem like much,” I said.
“Listen Celia, a second is as good as a mile when you’re talking time. I’m two years older and a boy, so believe me, Little Tea’s already got the makings of a star athlete.” He grinned. “But we already knew this.”

Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt? I typically tell the story for the reader. It is up to the reader whether it’s an emotional experience.
Little Tea is more poignant than emotional, and I say this because the story involves a frowned upon, bi-racial relationship that took place in the 1980's in the Deep South; Como, Mississippi, to be precise. The narrator, Celia Wakefield, is white, and she grew up on her family's 3rd generation plantation, which, by the 1980's is called  a "working farm." 
         
Because Celia and Little Tea grew up together on the Wakefield's vast acreage, it was a world within a world, so to speak. The two were best friends, and outside, social attitudes did not affect their friendship. 

          And yet, as the two grew up, and as Celia's 18 months older brother, Hayward, was also a friend of Little Tea, as in part of her immediate environment, what developed between Hayward and Little Tea is significant to the story. This invites the reader to examine their own attitude about a bi-racial relationship, irrespective of what others think. 
         
          So, as a writer, my job was to remain impartial, emotionally, as I wrote the story. This is why I answered your question by saying the emotional aspect is in the hands of the reader. 

Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. I have no marked-up, rough drafts of my books. I write the manuscript, send it to my editor, and very little changes are made beyond formatting. I am lucky to have an editor who keeps my words as I wrote them.

Other works you have published? A Portal in Time, Dancing to an Irish Reel, Mourning Dove, and a novella published in the book, A Southern Season, Through an Autumn Window. I have been published in numerous magazines including Celtic Life International, Southern Writers Magazine, and The Dead Mule School of Southern Literature.

Anything you would like to add? Yes. I write about the nuances of relationships. My last two novels, Little Tea and Mourning Dove, are set in the Deep South and depict family dynamics. The setting of the South is what lends the stories depth and dimension because of Southern culture. 

          Claire Fullerton hails from Memphis, TN. and now lives in Malibu, CA. with her husband and 3 German shepherds. She is the author of Mourning Dove, a coming of age, Southern family saga set in 1970's Memphis. Mourning Dove is a five-time award winner, including the Literary Classics Words on Wings for Book of the Year, and the Ippy Award silver medal in regional fiction ( Southeast.) Claire is also the author of Dancing to an Irish Reel, a Kindle Book Review and Readers' Favorite award winner that is set on the west coast of Ireland, where she once lived. Claire's first novel is a paranormal mystery set in two time periods titled, A Portal in Time, set in Carmel-by-the-Sea, California.


          She is a contributor to the book, A Southern Season with her novella, Through an Autumn Window, set at a Memphis funeral ( because something always goes wrong at a Southern funeral.) Little Tea is Claire's 4th novel and is set in the Deep South. It is the story of the bonds of female friendship, healing the past, and outdated racial relations. Little Tea is the August selection of the Pulpwood Queens, a Faulkner Society finalist in the William Wisdom international competition, and a finalist in the Chanticleer Review's Somerset award. She is represented by Julie Gwinn of the Seymour Literary

https://www.clairefullerton.com

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