Tuesday, December 22, 2020

John Anthony Miller’s "For Those Who Dare" is #217 in the never-ending series called INSIDE THE EMOTION OF FICTION

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***The CRC Blog welcomes submissions from published and unpublished fiction genre (including screenwriters and playwrights) for INSIDE THE EMOTION OF FICTION.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7 

 ****John Anthony Miller’s For Those Who Dare is #217 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  


Name of fiction work? And were there other names you would like to share with us? For Those Who Dare.  The original, or working title, was Nowhere to Run. (Right:  John Anthony Miller in September 2020)

What is the date you began writing this piece of fiction and the date you completely finished the piece of fiction?  This is my seventh novel, and it takes me about nine months to write the finished draft. I then send the manuscript to my agent, Donna Eastman. (Below Left) She’s a former editor at a NY publishing house, and she’ll go through the first draft, sometimes with assistants, and often suggest plot or character changes. 

(https://www.facebook.com/donna.eastman.80)   

I then start revisions based on comments received, which takes about three more months. So, from the time I start a book, until the time my agent sends it to publishers, is about one year.

Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo? I have a home office, the walls covered with bookshelves with a large desk in the center of the room. (Below Right) This is where I do my writing. I also often visit the locations of my novels which, in this case, was Germany.

What were your writing habits while writing this work – did you
drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day?
I write throughout the day, usually get started about 6 am, and write directly on my laptop – usually through six or seven revisions before the book is ready for my agent to send to publishers. I drink coffee or tea, and prefer quiet, so I don’t listen to music or have any other distractions.

Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer.

EXCERPT – submitted Chapter 1

Chapter 1

East Berlin

August 13, 1961 at 5:08 a.m.

    Kirstin Beck lay awake, tossing and turning, her blond hair spilling across the pillow. It was a difficult decision, months in the making, a path that once taken, would alter more lives than her own. Some would thrive, reaching uncharted destinations, while others faced destruction, caught in a spinning spiral that could never again be straightened. As the clock ticked, marring the eerie serenity that lives in the hours before dawn, the time to act arrived.

    She eased her slender frame from the mattress, ensuring the springs didn’t squeak. She paused, sitting on the edge of the bed, and listened to the rhythmic breathing of her husband lying beside her. When satisfied she hadn’t disturbed him, she stood, remained still for a moment, and then tiptoed from the bedroom into the hall. 

    She glanced at him again, ensuring he still slept, before going into the bathroom, removing her nightgown, and quickly dressing in black slacks and a grey top. She opened the door to the linen closet and reached to the back of the bottom shelf, behind a stack of towels, to retrieve a small satchel. It contained her personal papers: birth certificate, identity cards, important phone numbers, addresses, and money – West German Marks and American dollars – that she had painstakingly saved and hid from her husband. Careful not to make any noise, she quietly closed the door, cringing as the hinges faintly creaked. She stepped back into the hall, moving carefully in the darkness, and stopped at the bedroom door.

    Her husband still slept, facing away from her. He snored faintly, his breathing rhythmic, before muttering something in his sleep. She watched as he moved his arm, his hand feeling the empty space she created when she climbed from bed. He stirred, lifted his head from the pillow, and sat up. 

    She stepped away from the door, barely breathing, as seconds quietly passed. The bed springs squeaked as his weight shifted and then it was quiet, the silence punctuated by the moving hands of the clock. She waited a moment more and peeked around the jamb.

    He lay on his side, facing the doorway, but she couldn’t see if his eyes were open or closed. She glanced at her watch, knowing she shouldn’t wait much longer, and walked quickly past the door, hoping the aged floor boards made no noise.

    It was quiet. He didn’t speak, so she assumed he was sleeping. She hesitated, just to be sure, and then crept down the hall to the stairs. As she descended the steps, she stayed near the wall where the treads had more support, carefully descending one step after another. When she was halfway down she paused and listened but heard no noise from the bedroom. She went down the remaining stairs to the first floor, crossed the foyer and looked into the parlor. She could see the radio in the darkness, the record player beside it. A stack of records sat in a holder, all American – Patsy Cline, the Shirelles, Roy Orbison, the Platters – her most prized possessions. For a brief moment she thought of taking them, but realized they were only belongings, easily replaced, and there was so much more at stake. She entered the dining room and then the kitchen, where she grabbed her pocketbook from the table.     

    She took a note from the satchel and laid it on the table. Written days before, it explained why she was leaving, why she had no other choice, and how each would be better for it. She knew it was a cowardly way to end their relationship, but she couldn’t risk telling him – he was too strong, too determined, and he would argue and plead and gradually whittle away at her resistance until it no longer existed. It had to be done this way, in the darkness of night. She eased the door open and paused, taking one last, lingering look at the house that had been her home before stepping outside.

    It was chilly for an August evening, barely fifty degrees, and she crossed the small yard behind her end-unit rowhouse. It was more garden than grass; she had crammed every flower she could into the limited space, creating a kaleidoscope of color in an otherwise drab landscape. Now she would miss it. But she knew she could plant more flowers, just as she could start a new life. 

    Her narrow yard ended at a wrought iron fence, old and rusty, that marked the edge of a cemetery. The fence was bordered by overgrown shrubs and a lane that led to tombstones, graves and mausoleums. She walked along the fence and crossed a strip of grass between her residence and the neighboring Church of Reconciliation. Staying in the shadows, close to the overwhelming brick building that was dominated by spires and arched windows, she edged toward the rear. There was little light, only a quarter moon, and she realized the nearby street was dark. She hesitated, wondering why the streetlights weren’t lit, especially when her clocks ticked and her refrigerator hummed as she exited the kitchen door.     

    She sensed something wasn’t right but didn’t know what it was. She left the shadows cast by the church and crept quietly into the cemetery that stretched behind it. The graves were surrounded by neglected shrubs and trees, reminders of a once beautiful location that had since fallen into disrepair, just like the rest of East Berlin. Many of the graves were old, the tombstones worn, separated by dirt walking paths spaced evenly between them. Kirstin stepped cautiously, moving from one tombstone to the next, and was halfway across the cemetery before she saw them, silhouettes at first, and then more distinct as she got closer.

    Several East German soldiers, spaced four or five yards apart, stood at the edge of the cemetery. Others were huddled in pairs, whispering, and she saw the faint flicker of a cigarette held in a soldier’s hand before he moved it to his mouth. Their grey uniforms were barely visible, blending with the darkness. She studied the string of soldiers, stretching like a ribbon in both directions, and knew something was drastically wrong.    

    In the distance, thirty feet from where the soldiers stood, was a simple stone wall, barely three feet high, that marked the edge of the graveyard. The old wall, and twenty or thirty feet of graves adjacent to it, was located in West Berlin. She only had to get to it, scale it and she was free, fading into the West like thousands of others had done before her. But tonight, it was different. Tonight, a line of soldiers stood on the border, waiting in the darkness. But waiting for what?

    Germany had been divided since the end of the Second World War – communist East Germany and free West Germany. The city of Berlin was also divided, the communist East, administered by the Russians, and the free West, governed by the French, British and Americans. To complicate the issue, the city of Berlin was a hundred miles inside East Germany, making West Berlin an oasis of freedom in a socialist desert. Kirstin lived in East Berlin, in the Russian half, but her grandmother lived in West Berlin, in the French section. Residents had always moved freely between the sectors, even though many went to the West and never returned. It never seemed to matter before, but she realized with a sinking feeling, that maybe it mattered now.

    She heard the hum of machinery, distant at first but growing louder. She peeked from behind a mausoleum, wondering what was happening. The noise came closer, an engine, a truck or some sort of vehicle. She paused, eyeing the short stone wall only sixty feet away, but guarded by soldiers standing before it. Should she risk escaping, running through the cemetery, past the soldiers, and leaping over the wall, hoping they couldn’t catch her? 

    Before she could act, the noise came closer and the border was bathed in light.  A searchlight sat in the rear of a truck parked along the edge of the graveyard. It cast a bright light along the wall, directly in Kirstin’s path. She crouched, hidden, as men in worker’s clothes and more soldiers exited the vehicle. Disillusioned and frightened, she retreated, hiding behind shrubs and tombstones, slipping through the shadows on her way back home.


Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt? I included the opening chapter of the book as the excerpt. It’s set in East Berlin in 1961, just as the Berlin Wall is being constructed. I found the time period so intriguing because people risked their lives to escape from East Berlin just to taste the freedom that we take for granted. In the book, the lead character is trying to flee many monsters – an oppressive society, a husband who spies for the State – and she’s desperate to reach relatives that live in West Berlin.

    

I found it very emotional that people risked their lives to obtain the freedom that we enjoy – and so often take for granted. Over 150 people died trying to escape from East Berlin during the 27 years that the wall was constructed.


Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked-up rough drafts of this excerpt? I usually write revisions in color-coded font. The revision I submitted is a note from the author that my agent wanted as a prologue so people would understand the historical references. I included the first paragraph of the first chapter to show where it was added to the book.

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“IT ALL STARTED AT THE MASQUERADE”
https://chrisricecooper.blogspot.com/2019/10/92-inside-emotion-of-fiction-it-all.html

#93 10 29 2019 Kristi Petersen Schoonover’s
Short Story Collection
“THE SHADOWS BEHIND”
https://chrisricecooper.blogspot.com/2019/10/93-inside-emotion-of-fiction-shadows.html

#94 11 01 2019 David Henry Sterry’s
Fiction: Sexual Violence
“THE TENDERLOIN WARS”
https://chrisricecooper.blogspot.com/2019/11/94-inside-emotion-of-fiction-tenderloin.html

#95 11 03 2019 Jay Requard’s
Dark Fantasy/Horror
“DEATH & DUST: THE PALE SAND ADVENTURES”
https://chrisricecooper.blogspot.com/2019/11/95-inside-emotion-of-fiction-death-dust.html

#96 11 04 2019 Caroline Leavitt’s
Fiction
“WITH OR WITHOUT YOU”
http://chrisricecooper.blogspot.com/2019/11/96-inside-emotion-of-fiction-with-or.html

#97 11 06 2019 Kelsey Clifton’s
Science Fiction
“A DAY OUT OF TIME”
https://chrisricecooper.blogspot.com/2019/11/97-inside-emotion-of-fiction-day-out-of.html

#098 11 13 2019 John F Allen’s
Urban Fantasy Tale
“The God Killers’
https://chrisricecooper.blogspot.com/2019/11/98-inside-emotion-of-fiction-god.html

#99 11 16 2019 Damian McNicholl’s
Historical Novel
“The Moment of Truth”
http://chrisricecooper.blogspot.com/2019/11/99-inside-emotion-of-fiction-moment-of.html

#100 11 19 2019 Stacia Levy’s
Mystery/Suspense Novel
“Girl Crush”

#101 11 24 2019 Charlotte Morgan’s
Fiction Novel
“Protecting Elvis”
http://chrisricecooper.blogspot.com/2019/11/101-inside-emotion-of-fiction.html

#102 11 26 2019 T. L. Moore’s
Children’s Christian Fiction
“Ed On My Shoulder:  Maria & The Candy Trail”
https://chrisricecooper.blogspot.com/2019/11/102-inside-emotion-of-fiction-ed-on-my.html

#103 11 27 2019 Jeanne McWilliams Blasberg’s
Coming of Age Literary Novel
The Nine
https://chrisricecooper.blogspot.com/2019/11/103-inside-emotion-of-fiction-nine-by.html

#104 11 29 2019 Charlotte Blackwell’s
Adult Paranormal
“MYSTIC EMBRACE”
https://chrisricecooper.blogspot.com/2019/11/104-inside-emotion-of-fiction-mystic.html

#105 12 07 2019 Mike Burrell’s
Satire Novel
“THE LAND OF GRACE”
https://chrisricecooper.blogspot.com/2019/12/105-inside-emotion-of-fiction-land-of.html

#106 12 09 2019 Phil McCarron’s
Screenplay
“Escapement”
http://chrisricecooper.blogspot.com/2019/12/106-inside-emotion-of-fiction.html

#107 12 11 2019 Wendy H. Jones’s
Crime Fiction/Police Procedural Novel
“KILLER’S COUNTDOWN”
https://chrisricecooper.blogspot.com/2019/12/107-inside-emotion-of-fiction-killers.html

#108 12 13 2019 Sandra Arnold’s
Historical Literary Fiction
“The Ash, the Well and the Blue Bell”
http://chrisricecooper.blogspot.com/2019/12/108-inside-emotion-of-fiction-ash-well.html 

#109 12 16 2019 Amalia Carosella’s
Historical/Contemporary/Duel Timeline/ Women’s
Fiction
“DAUGHTER OF A THOUSAND YEARS”
https://chrisricecooper.blogspot.com/2019/12/109-inside-emotion-of-fiction-daughter_17.html

#110 12 19 2019 Laura Bickle’s
Weird Western/Contemporary Fantasy
“DARK ALCHEMY”

#111 12 27 2019 Brian Pinkerton’s
Science Fiction Thriller
“THE GEMINI EXPERIMENT”
https://chrisricecooper.blogspot.com/2019/12/111-inside-emotion-of-fiction-gemini.html

#112  12 28 2019 Sandra de Helen’s
Lesbian Thriller
“TILL DARKNESS COMES”
https://chrisricecooper.blogspot.com/2019/12/112-inside-emotion-of-fiction-till.html

#113 12 29 2019 Jo Wilde’s
Vampire Thriller
“THE CROSSING”
http://chrisricecooper.blogspot.com/2019/12/113-inside-emotion-of-fiction-crossing.html 

#114 12 30 2019 Sam Richard’s
Short Story Collection of Weird and Transgressive
Horror
“To Wallow In Ash and Sorrows”
https://chrisricecooper.blogspot.com/2019/12/114-inside-emotion-of-fiction-to-wallow.html

#115 12 31 2019 Duncan B Barlow’s
Literary Fiction Novel
“A DOG BETWEEN US”
https://chrisricecooper.blogspot.com/2019/12/inside-emotion-of-fiction-dog-between.html

#116 01 02 2020 Allison Landa’s
Young Adult Novel
“BAD HAIR”
https://chrisricecooper.blogspot.com/2020/01/116-inside-emotion-of-fiction-bad-hair.html

#117 01 03 2020 Pablo Medina’s
Literary Satire Novel
“THE CUBAN COMEDY”
http://chrisricecooper.blogspot.com/2020/01/117-inside-emotion-of-fiction-cuban.html

#118 01 06 2020 William Trent Pancoast’s
Historical/Literary Novel
“THE ROAD TO MATEWAN”
https://chrisricecooper.blogspot.com/2020/01/118-inside-emotion-of-fiction-road-to.html

#119 01 07 2020 Jane Bernstein’s
Contemporary Novel
“The Face Tells the Secret”
https://chrisricecooper.blogspot.com/2020/01/119-inside-emotion-of-fiction-face.html

#120 01 09 2020 Terry Kroenung’s
Young Adult, Historical and Fantasy
“Brimstone And Lily”


#121 01 12 2020 Melissa Yi’s
Fiction Thriller
“GRAVEYARD SHIFT”
http://chrisricecooper.blogspot.com/2020/01/121-inside-emotion-of-fiction-melissa.html

#122 01 15 2020 Marcie R. Rendon’s
Crime Thriller
“GIRL GONE MISSING”
http://chrisricecooper.blogspot.com/2020/01/122-inside-emotion-of-fiction-girl-gone.html

#123 01 16 2020 Tori Eldridge’s
Multi Genre Novel
“THE NINJA DAUGHTER”
https://chrisricecooper.blogspot.com/2020/01/123-inside-emotion-of-fiction-ninja.html

#124 01 17 2020 Kristen Joy Wilks’s
Christian Romantic Comedy
“YELLOWSTONE YONDERING”
http://chrisricecooper.blogspot.com/2020/01/124-inside-emotion-of-fiction.html 

#125 01 20 2020 Susan C. Shea’s
Cozy Mystery
“DRESSED FOR DEATH IN BURGUNDY”
http://chrisricecooper.blogspot.com/2020/01/125-inside-emotion-of-fiction-dressed.html


#126  01 22 2020 Phong Nguyen’s
Improvisational Fiction
“ROUNDABOUT”
https://chrisricecooper.blogspot.com/2020/01/126-inside-emotion-of-fiction.html

#127 01 23 2020 Kate Thornton’s
Mystery Short Story In Its Entirety
“Ai Witness”
https://chrisricecooper.blogspot.com/2020/01/127-inside-emotion-of-fiction-ai.html

#128 01 24 2020 Phil McCarron’s
Semi Fictional Essays
“The Great Facepalm: The Farce of 21st Century
Normality”
https://chrisricecooper.blogspot.com/2020/01/128-inside-emotion-of-fiction-great.html

#129  01 27 2020 Kenneth Weene’s
Historicized Literary Fiction
“Red And White”
https://chrisricecooper.blogspot.com/2020/01/129-inside-emotion-of-fiction-red-and.html

#130 01 28 2020 Graham Storrs’s
Science Fiction Thriller
“TimeSplash”

#131 02 08 2020 Angela Slatter’s
Short Story “Terrible As An Army With Banners”
From her Short Story Collection THE BITTERWOOD BIBLE AND OTHER RECOUNTINGS
https://chrisricecooper.blogspot.com/2020/02/131-inside-emotion-of-fiction-terrible.html

#132 02 11 2020 Joan Joachim’s
Romance
Just One Kiss
https://chrisricecooper.blogspot.com/2020/02/132-inside-emotion-of-fiction-just-one.html

#133 02 16 2020 Kelsey Clifton’s
Science Fiction
A DAY OUT OF TIME
https://chrisricecooper.blogspot.com/2020/02/133-inside-emotion-of-fiction-day-out.html

#134 02 17 2020 Soraya M Lane’s
Women Historical Fiction
THE GIRLS OF PEARL HARBOR
https://chrisricecooper.blogspot.com/2020/02/134-inside-emotion-of-fiction-girls-of.html

#135 03 07 2020
Linked Fiction
BLEACHERS Fifty-Four Linked Fictions
By Joseph Mills
https://chrisricecooper.blogspot.com/2020/03/135-inside-emotion-of-fiction-bleachers.html

#136 03 15 2020
Science Fiction Romance
BLUE VISION
By Marie Lavender
https://chrisricecooper.blogspot.com/2020/03/136-inside-emotion-of-fiction-blue.html

#137 03 17 2020
Crime Fiction
12 Bullets
by O’Neil De Noux
https://chrisricecooper.blogspot.com/2020/03/137-inside-emotion-of-fiction-12.html

#138 03 18 2020
Flash Fiction Piece
Radical
by Kelle Grace Gaddis 
https://chrisricecooper.blogspot.com/2020/03/138-inside-emotion-of-fiction-radical.html

#139 03 20 2020
Mystery
HERE BE MONSTERS
By Jamie Sheffield
https://chrisricecooper.blogspot.com/2020/03/139-inside-emotion-of-fiction-here-be.html


#140 03 21 2020
Character Driven Novel
UNBROKEN
By Jamie Lisa Forbes

#141 03 23 2020 
Literary Murder Mystery
COLD COUNTRY
By Russell Rowland
http://chrisricecooper.blogspot.com/2020/03/141-inside-emotion-of-fiction-cold.html

#142 04 01 2020 
Sci-Fi/Paranormal
SWEET SLEEP
By Kim Cormack
https://chrisricecooper.blogspot.com/2020/04/142-inside-emotion-of-fiction-sweet.html

#143 04 02 2020 
Western Noir Short Story
“Night Rounds”
by James Reasoner
https://chrisricecooper.blogspot.com/2020/04/143-inside-emotion-of-fiction-night.html

#144 04 03 2020 
Southern Fiction
LITTLE TEA
By Claire Fullerton
http://chrisricecooper.blogspot.com/2020/04/144-inside-emotion-of-fiction-little.html

#145 04 04 2020
Mainstream novel with elements of crime, mystery, and magic
THE FORGETTING FLOWER
by Karen Hugg 
https://chrisricecooper.blogspot.com/2020/04/145-inside-emotion-of-fiction.html

#146 04 07 2020 
Historical Fiction
MEDICIS DAUGHTER
by Sophie Perinot
http://chrisricecooper.blogspot.com/2020/04/146-inside-emotion-of-fiction-medicis.html

#147 04 08 2020
Dark Urban Fantasy with elements of Paranormal Romance
COVEN BORN
by Stephanie Reisner aka AUDREY BRICE
https://chrisricecooper.blogspot.com/2020/04/147-inside-emotion-of-fiction-coven.html

#148 04 13 2020
Mystery With A Fantasy Twist
DEATH LIVES IN THE WATER
By Shoshana Edwards 
http://chrisricecooper.blogspot.com/2020/04/148-inside-emotion-of-fiction-death.html

#149 04 14 2020
Historical Fiction
ASHES
by Sharon Glogal Friedman 
https://chrisricecooper.blogspot.com/2020/04/149-inside-emotion-of-fiction-ashes-by.html

#150 04 19 2020
Vampire Horror Novelette 
Blood Thrasher:  The Devil’s in the Metal
by Adam Messer

#151 04 25 2020
Historical Fiction
Charis in the World of Wonders
by Marly Youmans
https://chrisricecooper.blogspot.com/2020/04/marly-youmans-charis-in-world-of.html

#152 04 29 2020
Historical Fiction
The Master of Verona
by David Blixt
https://chrisricecooper.blogspot.com/2020/04/david-blixts-master-of-verona-is-152-in.html

#153 04 30 2020
General Fiction (Family)
Bread Bags & Bullies:  Surviving the 80s
by Steven Manchester 
https://chrisricecooper.blogspot.com/2020/04/steven-manchesters-bread-bags-bullies.html

#154 05 01 2020
Adventure-Thriller/Horror
Into The Ashes
by Lee Murray
http://chrisricecooper.blogspot.com/2020/05/lee-murrays-into-ashes-is-154-in-never.html

#155 05 06 2020
Coming of Age/Crime Novel
All Things Left In The Wild
by James Wade
https://chrisricecooper.blogspot.com/2020/05/james-wades-all-things-left-in-wild-is.html

#156 05 10 2020
Paranormal Mystery
Southern Bound
by Stuart Jaffe
https://chrisricecooper.blogspot.com/2020/05/stuart-jaffes-southern-bound-is-156-in.html

#157 05 13 2020
Mystery/Crime Novel
Yardbird
By Mark Slade
http://chrisricecooper.blogspot.com/2020/05/mark-slades-yardbird-is-157-in-never.html

#158 05 15 2020 
Horror/Crime Novel
Hotel Nowhere
By David E Adkins 
https://chrisricecooper.blogspot.com/2020/05/david-e-adkinss-hotel-nowhere-is-158-in.html

#159 05 16 2020
Satire/Crime Novel
THE LYING BASTARD
by Clint Margrave
https://chrisricecooper.blogspot.com/2020/05/clint-margraves-lying-bastard-is-159-in.html

#160 05 19 2020
Southern Gothic Fiction
REVIVING THE HAWTHORN SISTERS
by Emily Carpenter

#161 05 21 2020
Women’s Domestic Life Fiction
MERCY HOUSE
by Alena Dillon 
http://chrisricecooper.blogspot.com/2020/05/alena-dillons-mercy-house-is-161-in.html

#162 05 26 2020
Screenplay/Film
BEAST MODE
by Drew Fortune and Spain Willingham
https://chrisricecooper.blogspot.com/2020/05/drew-fortunes-and-spain-willinghams_26.html

#163 05 31 2020
Coming of Age/ Psychological Thriller
MY SISTER & OTHER LIARS
by Ruth Dugdall
http://chrisricecooper.blogspot.com/2020/05/ruth-dugdalls-my-sister-and-other-liars.html

#164 06 01 2020 
Psychological Thriller
IN HARM’S WAY
by Owen Mullen
https://chrisricecooper.blogspot.com/2020/06/owen-mullens-in-harms-way-is-164-in.html

#165 06 02 2020 
Small Town Short Story Collection
SNAPSHOT “Old Lady”
by Eliot Parker
https://chrisricecooper.blogspot.com/2020/06/eliot-parkers-old-lady-from-snapshots.html

#166 06 04 2020
Noir Crime Novel
SKIN OF TATTOOS
by Christina Hoag
https://chrisricecooper.blogspot.com/2020/06/christina-hoags-skin-of-tattoos-is-166.html

#167 06 06 2020
Coming of Age/Historical
THE ORPHAN COLLECTOR
by Ellen Marie Wiseman
https://chrisricecooper.blogspot.com/2020/06/ellen-marie-wisemans-orphan-collector.html

#168 06 08 2020
World War Two Historical Fiction
THE PRISONER’S WIFE
by Maggie Brookes
http://chrisricecooper.blogspot.com/2020/06/maggie-brookess-prisoners-wife-is-168.html

#169 06 09 2020
Novella 
(about the 1960s, 
Rolling Stones in their exile,
genocide, it’s survivors, and
people from places that no longer exist.)
BLUE COAST MYSTERY:  ALMOST SOLVED
by Nick Sweeney
http://chrisricecooper.blogspot.com/2020/06/nick-sweeneys-blue-coast-mystery-almost.html

#170 06 11 2020
Family Life/Coming of Age Novel
THE EXTRAORDINARY LIFE OF SAM HELL
by Robert Dugoni

#171 06 26 2020
Women’s Divorce Fiction
QUEEN OF THE OWLS
by Barbara Linn Probst
https://chrisricecooper.blogspot.com/2020/06/barbara-linn-probsts-queen-of-owls-is.html

#172 07 01 2020
Short Story “The Belindas” from the Short Story Collection LOVE WAR STORIES 
By Ivelisse Rodriguez
https://chrisricecooper.blogspot.com/2020/07/ivelisse-rodriguezs-short-story.html

#173 Inside the Emotion of Fiction
07 04 2020
Organized Crime Thriller
BLUES IN THE DARK
by Raymond Benson
https://chrisricecooper.blogspot.com/2020/07/raymond-bensons-blues-in-dark-is-173-in.html

#174 Inside the Emotion of Fiction
07 08 2020
Contemporary Literature & Fiction
THE ESCAPE OF MALCOLM POE
by Allison Burnett
https://chrisricecooper.blogspot.com/2020/07/allison-burnetts-escape-of-malcolm-poe.html

#175 Inside the Emotion of Fiction
07 09 2020
Horror Novella
TERMINUS STATION
by Jeff Lyons
https://chrisricecooper.blogspot.com/2020/07/jeff-lyonss-terminus-station-is-175-in.html

#176 Inside the Emotion of Fiction
07 12 2020
20th Century Historical Romance
“The Bootlegger’s Wife”
by Denise Devine
https://chrisricecooper.blogspot.com/2020/07/chris-rice-cooper-blog-176-inside.html

#177 Inside the Emotion of Fiction
07 24 2020
Literary Fiction Novel
“What Drives Men”
by Susan Tepper 
https://chrisricecooper.blogspot.com/2020/07/susan-teppers-what-drives-men-is-177-in.html

#178 Inside the Emotion of Fiction
07 27 2020
Short story
“Tidings of Comfort and Joyce”
by Kimberly Kurth Gray
https://chrisricecooper.blogspot.com/2020/07/kimberly-kurth-grays-short-story.html
 
#179 Inside the Emotion of Fiction 
07 28 2020
Historical Fiction
“Cher Ami and Major Whittlesey”
by Kathleen Rooney
https://chrisricecooper.blogspot.com/2020/07/kathleen-rooneys-cher-ami-and-major.html

#180 Inside the Emotion of Fiction 
08 04 2020
Screenplay
“BUNNY”
by Shaun Hughes 

#181 Inside the Emotion of Fiction
08 09 2020
Short Story 
“Wrong Road” from the Short Story Collection George’s Mother and Other Weird Stories
by Susan Berliner 
https://chrisricecooper.blogspot.com/2020/08/susan-berliners-short-story-wrong-road.html

#182 Inside the Emotion of Fiction 
08 11 2020
Thriller Mystery
“Death in the Time of Ice”
by Kaye George
http://chrisricecooper.blogspot.com/2020/08/kaye-georges-death-in-time-of-ice-is.html

#183 Inside the Emotion of Fiction 
08 13 2020
Screenplay
“Igor and Frankie”
by Jim Picariello
https://chrisricecooper.blogspot.com/2020/08/jim-picariellos-screenplay-igor-and.html

#184 Inside the Emotion of Fiction
08 14 2020
Short Story 
Short Story “Breaking on the Wheel” from the Short Story Collection No Call Too Small. 
by Oscar Martens 
https://chrisricecooper.blogspot.com/2020/08/oscar-martenss-short-story-breaking-on.html

#185 Inside the Emotion of Fiction
08 20 2020
Romance
A Secret, a Safari, a Second Chance
by Liz Fielding
https://chrisricecooper.blogspot.com/2020/08/liz-feldings-secret-safari-second.html

#186 Inside the Emotion of Fiction
08 26 2020
Mystery and Psychological Fiction 
Falling Woman
by Richard Farrell
https://chrisricecooper.blogspot.com/2020/08/richard-farrells-falling-woman-is-186.html

#187 Inside the Emotion of Fiction
09 03 2020
Children’s Picture Book
MAC AND CHEESE AND THE PERSONAL SPACE INVADER 
By Jolene Gutierrez
https://chrisricecooper.blogspot.com/2020/09/jolene-gutierrezs-mac-and-cheese-and.html

#188 Inside the Emotion of Fiction 
09 07 2020
Screenplay
JUDE COLE
By Janelle Marie Evans
https://chrisricecooper.blogspot.com/2020/09/janelle-evanss-screenplay-jude-cole-is.html

#189 Inside the Emotion of Fiction
09 09 2020
Historical Christian Romance
UNTIL JUNE
by Barbara M Britton
http://chrisricecooper.blogspot.com/2020/09/barbara-m-brittons-until-june-is-189-in.html

#190 Inside the Emotion of Fiction
09 10 2020
Screenplay
THROUGH THE SILENCE
by Elaine Roberts-Kercheff

#191 Inside the Emotion of Fiction
09 16 2020
1960s Historical Fiction
California Dreamin’ Teens Interrupted 2
by KC Sprayberry 
https://chrisricecooper.blogspot.com/2020/09/kc-sprayberrys-california-dreamin-teens.html 

#192 Inside the Emotion of Fiction
09 17 2020
Screenplay
DAUGHTERS LOST TO THE DESERT
by April Snachez
https://chrisricecooper.blogspot.com/2020/09/kc-sprayberrys-california-dreamin-teens.html 

#193 Inside the Emotion of Fiction
09 18 2020
Contemporary Literature and Fiction
THE SHAMAN OF TURTLE VALLEY
by Clifford Garstang
https://chrisricecooper.blogspot.com/2020/09/clifford-garstangs-shaman-of-turtle.html 

#194 Inside the Emotion of Fiction
09 19 2020
Crime Fiction
THE ACE OF DIAMONDS
by ES Gibson
https://chrisricecooper.blogspot.com/2020/09/es-gibsons-ace-of-diamonds-is-194-in.html 

#195 Inside the Emotion of Fiction
09 20 2020
Historical Fiction
Katherine-Tudor Duchess
by Tony Riches
https://chrisricecooper.blogspot.com/2020/09/tony-richess-katherine-tudor-duchess-is.html 

#196 Inside the Emotion of Fiction
09 21 2020
Short Fiction
“Dinner Prep”
by Thaddeus Rutkowski 
https://chrisricecooper.blogspot.com/2020/09/thaddeus-rutkowskis-dinner-prep-is-196.html 

#197 Inside the Emotion of Fiction
09 22 2020
Screenplay
SWEET DREAMS
by Ben Johnson
https://chrisricecooper.blogspot.com/2020/09/bill-johnsons-screenplay-sweet-dreams.html 

#198 Inside the Emotion of Fiction
09 26 2020
Crime Thriller
Dirty Deeds
by Armand Rosamilia
http://chrisricecooper.blogspot.com/2020/09/armand-rosamilias-dirty-deeds-is-198-in.html 

#199 Inside the Emotion of Fiction
09 29 2020
Crime Thriller
Hunting Mariah 
by Janice Spina 
https://chrisricecooper.blogspot.com/2020/09/janice-spinas-hunting-mariah-is-199-in.html 

#200 Inside the Emotion of Fiction
10   2020
Crime Novel
Indelible:  A Sean McPhereson Novel, Book One
by Laurie Buchanan

#201 Inside the Emotion of Fiction
10 04 2020  
Cross-genre novel
January River
by Bernard Jan
https://chrisricecooper.blogspot.com/2020/10/bernard-jans-january-river-is-201-in.html 

#202 Inside the Emotion of Fiction
10 10 2020
Historical Novel
Robin Hood’s Dawn: The Earl of Huntingdon”
by Olivia Longueville
http://chrisricecooper.blogspot.com/2020/10/olivia-longuevilles-robin-hoods-dawn.html


#203  Inside the Emotion
10 14 2020
Historical Novel
The Alexanders Volume 1 1911-1920
by Allan Hudson
https://chrisricecooper.blogspot.com/2020/10/allan-hudsons-alexanders-volume-1-1911.html
 
#204 Inside the Emotion of Fiction
10 15 2020
Short story
Forget Me Not
by Angele Ellis
http://chrisricecooper.blogspot.com/2020/10/angele-elliss-short-story-forget-me-not.html 

#205 Inside the Emotion of Fiction
10 16 2020
Coming of Age Fiction
My Gypsy War Diary
by Shawn Brink
http://chrisricecooper.blogspot.com/2020/10/shawn-brinks-my-gypsy-war-diary-is-205.html 

#206 Inside the Emotion of Fiction
10 19 2020
Western Screenplay 
The Search for Sundown, Texas
by Patrick Emralino
http://chrisricecooper.blogspot.com/2020/10/director-patrick-emralino-s-screenplay.html 


#207 Inside the Emotion of Fiction 
10 20 2020
Romance
A Promise for Faith-Briar Creek Love Book 1
by Stacy K Simmons
http://chrisricecooper.blogspot.com/2020/10/stacy-k-simmonss-promise-for-faith.html 

#208 Inside the Emotion of Fiction
10 22 2020
Terrorism Thriller
Death In The Cloud
by E.J. Simon
https://chrisricecooper.blogspot.com/2020/10/ej-simons-death-in-cloud-is-208-in.html 

#209 Inside the Emotion of Fiction
10 25 2020
Mystery
“The Nazi Spy Mystery Series Book 1”
by Alan Hardy
https://chrisricecooper.blogspot.com/2020/10/alan-hardys-nazi-spy-nazi-spy-mystery.html  

#210 Inside the Emotion of Fiction
10 29 2020
Historical
“The Unbridled Tongue”
by Catherine Meyrick

#211 Inside the Emotion of Fiction
11 03 2020
Short Story Collection
“Tales From Los Cabos”
by Lila C Duville

#212 Inside the Emotion of Fiction
11 09 2020
Historical Fiction
“THE LAST OF THE ROMANS: FIGHT OR DIE”
by Derek Birks

#213 Inside the Emotion of Fiction
11 12 2020
Historical Fiction
RISING FROM THE RUINS
by Anna Chant 

#214 Inside the Emotion of Fiction
11 14 2020
Short Story
NEW SPEEDWAY BOOGIE 

#215 Inside the Emotion of Fiction
11 29 2020
Science Fiction
A HOLE IN THE UNIVERSE 

#216 Inside the Emotion of Fiction
12 11 2020
Historical War Fiction
The Wishing Well 

#217 Inside the Emotion of Fiction
12 22 2020
Historical Fiction
For Those Who Dare


Thursday, December 17, 2020

Nan Lundeen’s “Amaterasu” is #221 in the never-ending series called BACKSTORY OF THE POEM

 *The images in this specific piece are copyright privileged:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law.

The other images are granted copyright permission by the copyright holder, which is identified beneath each photo. 


**Some of the links will have to be copied and then posted in your search engine in order to pull up properly


*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7


***Nan Lundeen’s “Amaterasu” is #221 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? I conceived “Amaterasu” as part of a series of poems about the climate crisis. I wanted to write about the dire status of coral reefs and began research that yielded 64 pages of notes.

        Coral bleaching in our oceans shouts out as one of the most worrisome consequences of global warming. Several factors contribute to the cause, one of which is warming waters. When warmed beyond their comfort zone, corals spit out nourishing algae called zooxanthellae that feed and color them. Without them, the corals turn white. They now are highly susceptible to death.


        The subject challenged me. I had never tried to write about a complicated scientific process in a poem. How to explain what zooxanthellae are? And how is it pronounced? (zow-uh-zan-theh-lia). Should I just call them “algae?” I decided respect called for using their scientific name. How to explain why coral reefs are vital and how much of the Amaterasu myth should I include?

       I remembered from a class I took that in Japan, the sun goddess is called Amaterasu. According to one myth, Amaterasu hides her face inside a cave because she is in a pique after an argument with her brother but is tricked into coming out again.


Where were you when you started to actually write the poem? And please describe the place in great detail. In my writing room which was built as a sunroom with full windows to the south and west. Here, books and photos of my family keep me company. My piano sits along one wall and my late mother’s maple dining room table and chairs sits on the west wall. It’s there that I sit to draw during a weekly mindfulness workshop. In spring, a house wren comes and goes, carrying plant wisps and husks as she builds a nest under the overhang. A white dogwood bursts into bloom each May. I like to think it pleases Guan Yin, Goddess of Compassion. A statue of her stands just outside my west window near our bird bath.


What month and year did you start writing this poem? April 2016 as part of a NaPoWriMo contest. I wrote a poem daily for the month. (Right: Nan Lundeen at a book signing for her poetry collection Gaia's Cry)


How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) At least a half dozen.


Were there any lines in any of your rough drafts of this poem that were not in the final version? And can you share them with us? The original poem began with these lines which did not make it into the final version:


There was a time

you hid your face,

lived in a cave

consorted with the dark.


But one day your brother

presented a mirror—

sun-struck by beauty,

you shone again.


Nor did these lines appear in the final version:


Has anyone told you

you’re now too much of a good thing?


What do you want readers of this poem to take from this poem? I hope to inspire an appreciation for the delicate balance required to create corals, to note their significance to life on Earth, and to motivate the reader to act.


Which part of the poem was the most emotional of you to write and why?


corals patiently craft

staghorns, spiral wires, pillars

it takes

millions

of years


peach and a blue bluer than dreams


building sea bones

ocean species

in the

millions

depend on

        

    I find it incredibly sad that pollution and greenhouse gases are destroying these perfect, exquisite creatures that require millions of years to build themselves and are vital to a sustainable future.


Has this poem been published before? And if so where? Yes, in my book of ecofeminist poems, Gaia’s Cry.

    And on the website (https://www.patheos.com/)         


        For the Patheos post, I included an interview with the project manager Pol Bosch of Coral Restoration Foundation Curaçao in the Caribbean. 

https://coralrestorationcuracao.org/ 

    In 2005, the U.S. lost half of its coral reefs in the Caribbean in one year due to a massive bleaching event.

    Click on the below link to read Nan Lundeen's poem "Amaterasu"

https://www.patheos.com/blogs/naturessacredjourney/2018/04/delicate-balance-disturbed/


        Nan Lundeen has published three poetry collections: Gaia’s Cry, The Pantyhose Declarations, and Black Dirt Days: Poems as Memoir. Her handbook Moo of Writing is now available in audio at audible.com. Her work is published in literary journals and online. Visit her at http://www.nanlundeen.com , follow her at www.facebook.com/nanlundeenauthor, and on Twitter https://twitter.com/NanLundeen 

BACKSTORY OF THE POEM LINKS 

001  December 29, 2017
Margo Berdeshevksy’s “12-24”

002  January 08, 2018 
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

003 January 12, 2018 
Barbara Crooker’s “Orange”

004 January 22, 2018 
Sonia Saikaley’s “Modern Matsushima”

005 January 29, 2018
Ellen Foos’s “Side Yard”

006 February 03, 2018
Susan Sundwall’s “The Ringmaster” 

007 February 09, 2018
Leslea Newman’s “That Night”

008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”

009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”

010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

012  March 17, 2018
Angela Narciso Torres’s “What I Learned This Week” 

013 March 24, 2018
Jan Steckel’s “Holiday On ICE”

014 March 31, 2018
Ibrahim Honjo’s “Colors”

015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”

016  April 27, 2018 
Beth Copeland’s “Reliquary”

017  May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”

018  May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

019  June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

020 June 16, 2018 
Charles Rammelkamp’s “At Last I Can Start Suffering”

021  July 05, 2018 
Marla Shaw O’Neill’s “Wind Chimes”

022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel” 

023 July 20, 2018 
Bill Yarrow’s “Jesus Zombie”

024  July 27, 2018 
Telaina Eriksen’s “Brag 2016”

025  August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”

026  August 07, 2018
David Herrle’s “Devil In the Details”

027  August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

028  August 21, 2018
Connie Post’s “Two Deaths”

029  August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”

030 September 16, 2018
Larry Jaffe’s “The Risking Point”
 
031  September 24, 2018
Mark Lee Webb’s “After We Drove”

032  October 04, 2018
Melissa Studdard’s “Astral”

033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”

034  October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”

035 October 23, 2018
Timothy Gager’s “Sobriety” 

036  October 30, 2018
Gary Glauber’s “The Second Breakfast”

037  November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”

039  November 00, 2018
Gordon Hilger’s “Poe”

040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”

042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”

043  November 27, 2018
Megan Merchant’s “Grief Flowers”

044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”

045  December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”

046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”

047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”

048  December 14, 2018
Frank Paino’s “Laika”

049  December 15, 2018
Jennifer Martelli’s “Anniversary”

O50  December 19, 2018 
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov

052  December 27, 2018
“Under Surveillance”
by Michael Farry

053  December 28, 2018
“Grand Finale”
by Renuka Raghavan

054  December 29, 2018
“Aftermath”
by Gene Barry

055 January 2, 2019
“&”
by Larissa Shmailo

056  January 7, 2019
“The Seamstress:
by Len Kuntz

057  January 10, 2019
"Natural History"
by Camille T Dungy

058  January 11, 2019
“BLOCKADE”
by Brian Burmeister

059  January 12, 2019
“Lost”
by Clint Margrave

060 January 14, 2019
“Menopause”
by Pat Durmon

061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler

062  January 22, 2019
“Views From the Driveway”
by Amy Barone

063  January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky

064  January 30, 2019
“Shiprock”
by Terry Lucas

065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille

066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro

067  February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown

068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter

069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum

070 February 14, 2019
“Daily Commute”
by Christopher P. Locke 

071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper 

072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh

073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera

074 February 26, 2019
“Anthem”
by Sandy Coomer

075 March 4, 2019
“Shape of a Violin”
by Kelly Powell

076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear

077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall

078 March 9, 2019
“My Mother at 19”
by John Guzlowski

079 March 10, 2019 
“Paddling”
by Chera Hammons Miller 

080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings

081   082   083    March 14, 2019
“Little Political Sense”   “Crossing Kansas with Jim
Morrison”  “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen

084 March 15, 2019
“A Tune To Remember”
by Anna Evans

085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey

086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill

087 March 21, 2019
“Letters From a War”
by Chelsea Dingman

088 March 26, 2019
“HAT”
by Bob Heman
 
089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois

#090 March 30, 2019
“The Pose”
by John Hicks 

#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder

#092 April 4, 2019
“Original Sin”
by Diane Lockward

#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne
 
#094 April 8, 2019
“XX”
by Marc Zegans
 
#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox

#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough

#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz

#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr

#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman

#100 April 21, 2019
“How Do You Know?”
by Stephanie

#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo
 
#102 April 26, 2019
“THUNDER”
by Jefferson Carter

#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser

#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox

#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai 

#106 June 01, 2019
“i sold your car today”
by Pamela Twining

#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen

#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver

#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas

#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel 

#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne

#112 Backstory of the Poem’s
“Relics”
by Kate Peper

#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson

#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones

#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel 

#116 Backstory of the Poem
“DIVORCE”
by Joan Barasovska

#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer

#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron

#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer

#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison

#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins

#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy 

#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson

#125 Backstory of the Poem
“Tracy”
by Tiff Holland

#126 Backstory of the Poem
“Legs”
by Cindy Hochman

#127 Backstory of the Poem
“Anathema”
by Natasha Saje

#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins

#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons

#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha

#131 Backstory of the Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman

#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli

#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield

#134  Backstory of the Poem
“Eons”
by Janine Canan

#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf

#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case

#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo

#138 Backstory of the Poem
“Enough”
by Kris Bigalk

#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio

#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen

#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman

#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors

#143 Backstory of the Poem
“The Way Back” 
by Robert Walicki

#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell

#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius

#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson

#147 Backstory of the Poem
“Pileated”
by David Anthony Sam

#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey

#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman

#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm

#151 Backstory of the Poem
“Comfort”
by Michael A Griffith

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever


#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel

#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm

#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May

#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain

#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow

#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh

#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma

#160 Backstory of the Poem
“Last Call”
by Ralph Culver

#161 Backstory of the Poem
“ALIVE”
by David Dephy 

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling

#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano

#164 Backstory of the Poem
“Needlepoint Roses”
by Jason O’Toole 

#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen

#166 Backstory of the Poem
“How To Befriend Uncertainty”
by Prartho Sereno

#167 Backstory of the Poem
“Shostakovich: Five Pieces”
by Pamela Uschuk

#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
by Peter Kline

#169 Backstory of the Poem
“Heartbroken”
by Catherine Arra

#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood

#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes

#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark

#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills” 
by Cameron Morse

#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel

#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker

#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry

#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos

#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss

#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper

#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke 

#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus

#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy

#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns

#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost

#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna

#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter

#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost

#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney 

#190 Backstory of the Poem
July 14, 2020
““ΜΕΡΕΣ  ΥΠΟΜΟΝΗΣ/ Days
of patience” 
by Eftichia Kapardell’

#191 Backstory of the Poem
July 15, 2020
“Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver

#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley

#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch

#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah

#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank

#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising

#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley 

#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey

#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly

#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson

#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀” 
by Kimberly Burnham

#202 Backstory of the Poem
July 31, 2020
“192”
by Don Yorty

#203  Backstory of the Poem
August 01, 2020
“I want to unfold the disease”
by Vanessa Shields

#204 Backstory of the Poem
August 06, 2020
“A Bone of Contention with the Ghost of John Lennon Over Strawberry Fields Forever”
by Ruth Weinstein

#205 Backstory of the Poem
August 07 2020
“Statement by the Pedestrian Liberation Organisation”
by Thomas McColl 

#206 Backstory of the Poem
August 08 2020
“Un Poco Pequeño”
by Damon Chua

#207 Backstory of the Poem
August 10, 2020
“mary lou williams’s piano workshop (after Fred Moten)”
by Makalani Bandele

#208 Backstory of the Poem
August 18, 2020
“Roll Credits by KCK”
by Casey Kirkpatrick aka KCK

#209 Backstory of the Poem
August 21, 2020
“Ancient Pyramid”
by Mark Tulin

#210 Backstory of the Poem
August 23, 2020
“How Far the Storm?”
by Charles Malone

#211 Backstory of the Poem
August 27, 2020
“89 Tears”
by Robert Carr
  
#212 Backstory of the Poem
August 28, 2020 
“Food and Water”
by Brooke McNamara

#213 Backstory of the Poem
August 30, 2020
“To hold, to hollow”
by Meghan Lamb

#214 Backstory of the Poem
September 01, 2020
“Would It Be Too Much”
by Justine Quammie

#215 Backstory of the Poem
September 15, 2020
“Darkest days. . .Loneliest nights”
by Aaron R

#216 Backstory of the Poem
September 23, 2020
“About My Death”
by Jennifer Barber
 
#217 Backstory of the Pome
October 09, 2020
“Leash of Deer”
by Catherine Graham

#218 Backstory of the Poem
October 11, 2020
“Sticky”
by Susan Tepper

#219 Backstory of the Poem
November 22, 2020
“Penguins”
by Volodymyr Bilyk 

#220 Backstory of the Poem
December 05, 2020
“the creature of bad habits”
by Erik Fuhrer

#221 Backstory of the Poem
December 17, 2020
“Amaterasu”
by Nan Lundeen