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***This is the #108
in the never-ending series called BACKSTORY OF THE POEM where the Chris
Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote
that specific poem. All BACKSTORY OF THE POEM links are at the end
of this piece.
#108 Backstory of the
Poem
“Cupcake”
by Julene Tripp Weaver
Can you go through the
step-by-step process of writing this poem from the moment the idea was first
conceived in your brain until final form?
This poem was
conceived in a writing workshop in Dufur, Oregon lead by poet Penelope Scambly
Schott. It was my first workshop with her and the theme was Riding Our Obsessions.
The first assignment
was to write about our personal obsessions; make a list of three things you
don’t care about, and three things you care about very deeply, and two that you
ever thought you’d be willing to die for. She phrased obsession as something
that free floats in your mind when you are not occupied with something else. She
asked, what is it you think about and what do you hate thinking about. Is there
a surprise? If so, add them together and write.
I love a particular cupcake company in Seattle, I love my partner, and I love food. I’m not a huge fan of math and so I wrote a love poem to my partner equating him with a particular seasonal cupcake offered on Father’s Day. The poem had references to math and originally more on love not being an equation one could calculate. I also brought in Adam & Eve, the quintessential couple.
Where were you when you started to actually write the poem? And please describe the place in great detail. At the Balch Hotel, a renovated hotel that faces the east side of Mt. Hood, about 85 miles from Portland, Oregon. (https://www.balchhotel.com) The hotel has been renovated to its original décor of the era, it was built in 1907.
I don’t remember if I wrote this poem in my room or downstairs in one of the antique lobby couches, since I wrote in both places throughout the workshop. It is a lovely space to write and think. I wrote with a pen in a notebook, which is how my poems usually start, I keep a journal in process, and then I go to the computer to move writing out of my journal onto the page.
What month and year did you start writing this poem? October 2008
How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) I don’t keep draft revisions, but this poem went through at least three, maybe four, drafts, some poems have many more drafts, this one felt fast.
Were there any lines in any of your rough drafts of this poem that were not in the final version? And can you share them with us? I still have the original draft, so from that some lines removed:
He looks good. Like a
cupcake— (changed to: He’s a cupcake)
in math there is always
the addition
and multiples compiled
with hormones it becomes
a complex formula
accelerated beyond algebra (removed)
Originally at the end I had: He looks delicious. (changed to He’s delicious.)
What do you want readers of this poem to
take from this poem? It’s a light love poem, so I hope people take a warm loving
feeling and a smile. Also hope that it helps foster the belief that love can be
found.
Which part of the poem was the most emotional of you to write and why? It was a delicious and fun poem to write. The most emotional part was the warming towards my long term partner while away at a writing retreat.
Has this poem been published before? And if so where? Cupcake is published in my first full size poetry book, No Father Can Save Her, Plain View Press, 2011.
In 2015 Couth Buzzard Books Espresso Buono Cafe, a local bookstore, was posting a daily poem on their Facebook page for National Poetry Month and invited me to submit. Because they were okay with a published poem, and because I had read from this book at this bookstore, I sent Cupcake, on April 16, 2015 it was on their feed.
Which part of the poem was the most emotional of you to write and why? It was a delicious and fun poem to write. The most emotional part was the warming towards my long term partner while away at a writing retreat.
Has this poem been published before? And if so where? Cupcake is published in my first full size poetry book, No Father Can Save Her, Plain View Press, 2011.
In 2015 Couth Buzzard Books Espresso Buono Cafe, a local bookstore, was posting a daily poem on their Facebook page for National Poetry Month and invited me to submit. Because they were okay with a published poem, and because I had read from this book at this bookstore, I sent Cupcake, on April 16, 2015 it was on their feed.
Cupcake
He’s a
cupcake, one of those
Father’s
Day specials—chocolate
with
caramel drizzle across the top.
Yum. Can’t
help but equate men with food,
what new
restaurant to try next,
but dream
cupcakes are only figments—
small bites
that walk away into sunsets
settling
their baseball caps.
Romantic,
eating in candlelight
across from
the one who always shows.
It’s not
true there’s one man for every woman—
Adam and
Eve only a metaphor—double
equations
don’t work outside of math.
But somehow
I found that one man
in a
complex formula where chemistry
and heat
equal alchemy.
He’s
delicious.
Julene Tripp Weaver, a native New Yorker, is a psychotherapist and writer in Seattle, WA. She has a chapbook, Case Walking: An AIDS Case Manager Wails Her Blues, and two full size collections, No Father Can Save Her, and her latest, truth be bold—Serenading Life & Death in the Age of AIDS, published by Finishing Line Press, 2016.
Truth be bold was a finalist for the Lambda Literary Awards, won the Bisexual Book Award, and four Human Relations Indie Book Awards in 2017; this book is being taught at LIU-Brooklyn, first in a class on Art Inspired by the AIDS Epidemic, and ongoing in a Western Literature class where it is compared to Walt Whitman’s work in the field during war time. Julene worked 21 years in AIDS services. You can find more of her work online, a few include: The Seattle Review of Books, HIV Here & Now, Voices in the Wind, Antinarrative Journal, MadSwirl, and Writing in a Woman's Voice.
BACKSTORY OF THE POEM
LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
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