Julie E Bloemeke’s “Electric Mail” is #181 in the never-ending series called BACKSTORY OF THE POEM

Chris Rice Cooper 

caccoop@aol.com

https://www.facebook.com/car.cooper.7

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*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

***Julie E Bloemeke’s “Electric Mail” is #181 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? There are very few poems that I have not first composed in longhand, and “Electric Mail” is no exception.  In looking back through my journals, I discovered the first draft was written on October 30, 2009, and did not have a title.  
         

          On November 10, I entered the poem into a word document and began editing; the title then was “Jolt.”  That document contains 27 revisions of the initial poem.  In about the third revision, I started thinking about the term email and recalled that it was short for electronic mail.  
          And I thought, given that this poem explores the electricity of connection, wouldn’t that be evocative if the title was, instead, “Electric Mail.”  On October 3, 2010, almost a full year later, I had a version of it that I felt was getting close to being realized.  By July 1, 2011, I had added “Electric Mail” to a tentative compilation of Slide to Unlock.  By November 2013, I was submitting the manuscript with “Electric Mail” included.  The version is very similar to the final one that appears in the book.   

          [Incidentally, the Atlanta book launch for Slide to Unlock (originally slated for March 2020, now hopefully rescheduled for the fall) is a both a performance and benefit for Lost-n-Found Youth (https://lnfy.org/). 

            In order to honor the ekphrastic roots of Slide to Unlock, and explore the idea of mis/dis/re-connection, the event is focused on showcasing a series of galleries, each incorporating tangible items that informed the creation of the collection.  
         

          “Electric Mail” has a gallery, and part of what it will contain are the 17 spiral-bound journals—all handwritten—where almost every poem in the manuscript came to be over the course of a decade.  They will not be on view to flip through, but will merely be present.  

          There is something, I think, about seeing the tangible volume (quite literally) of ten years of work, all in one space.  And it is a reminder too, about how much of our communication these days is ephemeral—our texts, emails, messages are lost to pixels, unable to be reclaimed or return to as a point of reflection, unless we intentionally choose to save them. ]

Where were you when you started to actually write the poem? I cannot recall where I was exactly.  But maybe it is helpful to know that I have written poems everywhere, including in car pool and in waiting rooms, sitting in a tree house and next to the Maumee River in Toledo.  I have drafted in museums and on airplanes, in abandoned houses, in Paris restaurants, and, as kismet would have it, even in the cottage my family once owned.  Another family—once complete strangers and now dear friends—was generous enough to invite me to write there.  

        Certain poems from Slide to Unlock were composed and revised on my grandmother’s table—a piece of furniture my family behind when they sold the cottage when I was still a teenager.  So to return to that once-home—and that surface so rife with memory—was an incomparable gift.   I am absolutely convinced that some of the timbre of Slide to Unlock was informed by the sacred and rare experience of being able to return to a space—not just a room, but a table in that room—that I truly believed I might never see or experience again.  I walked out of the cottage door when I was a teenager, thinking it was the last time.  And by some miracle of generosity, twenty-some years later, I walked back in to find it in many ways much unchanged.  It is as close to time travel as we can come.

How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) In total, there were about 30 to 40 drafts, which is not unusual for the way that I write and edit.  I will share a portion of part of the poem, in part because there is something captivating, I think, about seeing one’s handwriting—a signature on multiple levels.  But I cannot share the whole poem, maybe because some of the lines I did not use might come into another poem.  And, in a way, it feels like a bit of odd exposure.  My notebooks are a compilation of poem drafts, journal entries, musings, ideas.  I have glued in ephemera I hope to remember—plane tickets, wine labels, love notes, travel brochures, and much more that I won’t share here.  So to even share this much of a poem in process is coming from a deep vault of privacy, a sacrosanct corridor.

Were there any lines in any of your rough drafts of this poem that were not in the final version?  And can you share them with us? Well, there was this line, which informed the interior of the poem, but that I ultimately felt was too overt:  “I can/heal, hear you again/remember why and why/not.”  

          What is so compelling to me now, answering these questions, is that those lines were offering the sensibility of Slide to Unlock, though I did not know it at the time.  In a way, they were also guiding force.  Part of what I always hoped Slide to Unlock might manifest was to be a book of healing and companioning, to ameliorate some of the loneliness and disconnection we feel in our supposedly highly connected world.   
         

          Keep in mind that I believe this firmly:  I talk about the poems as entities because that is how they feel to me.  I do not feel that I have written them so much as that they have come through me.  My calling as an artist is to help the poems come into words as they would want to come into words, not as I see them needing to be.  I am not sure if that makes sense to anyone but me but that is how I feel about it. I also thought I would share a line that morphed considerably by the final version, but that shows the initial architecture of the poem was there, even from the first draft:

“This way I cannot/ see the loops and dips of your/written, but your words/standard type.  I cannot smell the stationery or regret/ the stamps.”

As you will see, “the loops and dips of your written” is a phrase that came in and stayed, in every version.

What do you want readers of this poem to take from this poem? I don’t enjoy imposing any of kind of reading on a reader.  My hope is that the poems do their work subjectively, individually, to each person that experiences then.  I hope they are read in ways I could never anticipate.  In fact, to me that is part of the mystery and the magic—and the terror too.  We have no idea how they will resonate and travel, nor should we.  Poems have lives of their own; they should be free to live them.

Which part of the poem was the most emotional of you to write and why? Every word of it. The poem knew that, and it knew what I did not know I would know now, which is that it would arrive into the world in the midst of a pandemic, a chapter where we are even further expanding our understanding of how we connect.  
         

          Screens have become vital to our sense of community—calls, emails, texts, video, Facetime, live Zoom events have all now become the way we reach each other; they enable us to feel less alone in our social.  

      Note not in social media but in the new social phrases:  social distancing and social isolation, and in our imposed quarantines. In the days of landlines we could “reach out and touch someone,” and now, as this poem said eleven years ago, we are experiencing “touch without touch,” kissing screens to be close those we love, pressing our hands to the surface of devices in solidarity, as Kai Coggin (Above Right) (https://www.kaicoggin.com/

does on her Wednesday Night poetry series.   
         

          It is a line that now haunts me, “touch without touch,” that I go back to, missing the physicality and energy exchange of embrace, of holding hands, of a kiss, a pat on the back, a hand on the shoulder, another human to hold our faces in their hands, look us in the eyes and say, I see you, I love you, I am here.

And yet, as in any poem, to write it—indeed, for it to realize itself—we cannot be too emotional about it, or too caught up in it.  We have to let the words do their work.

Has this poem been published before?  And if so where? It remained unpublished until 2015, when Bridge Eight Literary Magazine chose it for issue 03.  “Electric Mail” was one of the first poems from Slide to Unlock to be published and I will never forget the feeling of that, or the intentionality of how I learned the news, which still leaves me reverent over the thoughtfulness of the gesture. The editor at the time, Jared Rypkema (Above Right)  (http://www.jaredrypkema.com/), was so moved by the poem that he called to tell me they wanted to publish it and to ask me questions about my work on Slide to Unlock. 

          That conversation later became the basis for an interview on the intersection of poetry and screen culture, which ran in a later issue of Bridge Eight, now Bridge Eight Press.  The link to the interview is here:  https://www.bridgeeight.com/words-with-julie-bloemeke/

Anything you would like to add? To order a personalized copy of Slide to Unlock with a vintage skeleton key bookmark, please visit  

https://www.jebloemeke.com/

ELECTRIC MAIL

You chime in, shock

me back from work,

and I am sudden: swift shot,

crown-to-toe electric in you,

ravenous to read.

Your name presses

from pixels, a promise

of no more silence.

I trace your bends and twists,

letters that stand up in your name,

remember the seventeen years

I searched, my fingers curving

over the imprint of your initials,

your spell. And now you rise

over my screen, come back to me.

It would have been too much

to visit with my body, call

with my voice, send my cursive

to your door. But now I can read

your words, arced at last for me,

savor the scatter of your type without

the loops and dips of your written.

I cannot press your stationery

to my face, see the smudges

you erased on the page, breathe

the scent of you lingering

in the lines. I cannot pocket

you, as before, make an altar

of the few things your hands

once made for me.

We have wires to protect

us now. You are an ocean

away. Still we type, touch

without touch, come closer,

arrive more, and I let you in: my car,

my coat, my sheets. I hold you

in my hand, shocking. I tell myself

these are only letters, pushed through

anonymous keys. We have not lifted

a pen, committed to paper. But already

we are in my deepest vacant room. I take

you to the bed I never left. We fall

together, insisting there is safety

in letters, as we write more, seal

ourselves furiously into what

we already know.

   Julie E. Bloemeke’s first full-length collection of poetry, Slide to Unlock, debuted with Sibling Rivalry Press in March 2020.  

Chosen by Stephen Dunn as finalist for the 2016 May Swenson Poetry Award through University Press of Colorado and Utah State University Press, Slide to Unlock has also been a semifinalist in numerous book prizes including the Crab Orchard Review

     First Book Award and the Crab Orchard Review Poetry Open Competition with Southern Illinois University Press; the Washington Prize through Word Works; and the Hudson Prize through Black Lawrence Press. 
         

     A  fellow at the Virginia Center for the Creative Arts, Bloemeke earned her MA in American Literature from the University of South Carolina–where she was a Ramsaur Fellow–and her MFA in poetry from the Bennington Writing Seminars. 

     Her poetry has appeared in numerous literary magazines including Prairie Schooner, Gulf Coast, Cortland Review, Pine Hills Review, Crab Orchard Review, Muse/A Journal, Chautauqua Literary Journal, Poet Lore, and others.  

   Her poems have been published or are forthcoming in a number of anthologies including Mother Mary Comes to Me, A Constellation of Kisses, Nasty Women Poets: An Unapologetic Anthology of Subversive Verse,  

     The Great Gatsby Anthology, The Sense of the Midlands, The Nancy Drew Anthology, The Southern Poetry Anthology Volume V: Georgia and the My Cruel Invention Anthology, among others.

      She was the first place prize recipient in poetry competitions for both the Atlanta Writer’s Club and the Emory Poetry Council at Emory University and has been a finalist for the Arts & Letters Poetry Prize.  

                    She was also a finalist for the Saluda River Poetry Prize for the State of South Carolina.  Her poem, “Electric Mail” was a finalist in the William Faulkner Wisdom Competition; she was also a winner in the Artists Embassy International Dancing Poetry contest where she read her poem, “Pinned,” as part of the annual performance in San Francisco.

     Her ekphrastic work on Philip C. Curtis was selected for a limited edition chapbook anthology collaboration between the Phoenix Museum of Art and Four Chambers Press; she also won the 2015 ekphrastic poetry competition at the Toledo Museum of Art where her work was on view with the Claude Monet collection.  Her poetry and photography series on abandoned buildings in the Atlanta suburbs was featured in Deep South Magazine. 

https://deepsouthmag.com/2012/04/05/abandoned/?fbclid=IwAR1F-vvp_nOJXaE4rOH4vlDb5s6yZWUwVZ-O52rg0glWvOv0Ed1Zz_v8wKY

     In addition to serving as a literary docent with the Toledo Museum of Art, she was the inaugural Poetry Director for the Milton Literary Festival in Georgia in 2016.  She also served as the 2020 judge for the Robert V. Morea III Poetry Prize through Georgia State University.

A freelance writer, editor, and guest lecturer, her interviews have recently appeared in The AWP Writer’s Chronicle and Poetry International.  She has also been a guest blogger at Best American Poetry where she wrote about technology poetry and her studies with James Dickey.

She is a proud native of Toledo, Ohio.

BACKSTORY OF THE POEM LINKS

001  December 29, 2017

Margo Berdeshevksy’s “12-24”

http://chrisricecooper.blogspot.com/2017/12/a-new-crc-blog-series-backstory-of-poem.html

002  January 08, 2018

Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

http://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem.html

003 January 12, 2018

Barbara Crooker’s “Orange”

https://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem_12.html

004 January 22, 2018

Sonia Saikaley’s “Modern Matsushima”

https://chrisricecooper.blogspot.com/2018/01/the-fourth-installment-of-new-crc-blog.html

005 January 29, 2018

Ellen Foos’s “Side Yard”

http://chrisricecooper.blogspot.com/2018/01/5-backstory-of-poem-sidewalk-by-ellen.html

006 February 03, 2018

Susan Sundwall’s “The Ringmaster”

https://chrisricecooper.blogspot.com/2018/02/6-backstory-of-poem-susan-sundwalls.html

007 February 09, 2018

Leslea Newman’s “That Night”

https://chrisricecooper.blogspot.com/2018/02/7-backstory-of-poem-that-night-by.html

008 February 17, 2018

Alexis Rhone Fancher “June Fairchild Isn’t Dead”

https://chrisricecooper.blogspot.com/2018/02/8-backstory-of-poem-june-fairchild-isnt.html

009 February 24, 2018

Charles Clifford Brooks III “The Gift of the Year With Granny”

https://chrisricecooper.blogspot.com/2018/02/9-backstory-of-poem-gift-of-year-with.html

010 March 03, 2018

Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

https://chrisricecooper.blogspot.com/2018/03/chris-ricecooper-caccoopaol.html

011 March 10, 2018

Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

https://chrisricecooper.blogspot.com/2018/03/11-backstory-of-poem-after-diane.html

012  March 17, 2018

Angela Narciso Torres’s “What I Learned This Week”

https://chrisricecooper.blogspot.com/2018/03/12-backstory-of-poem-series-angela.html

013 March 24, 2018

Jan Steckel’s “Holiday On ICE”

https://chrisricecooper.blogspot.com/2018/03/13-backstory-of-poem-jan-steckels.html

014 March 31, 2018

Ibrahim Honjo’s “Colors”

https://chrisricecooper.blogspot.com/2018/03/14-backstory-of-poem-ibrahim-honjos.html

015 April 14, 2018

Marilyn Kallett’s “Ode to Disappointment”

https://chrisricecooper.blogspot.com/2018/04/15-backstory-of-poem-ode-to_14.html

016  April 27, 2018

Beth Copeland’s “Reliquary”

https://chrisricecooper.blogspot.com/2018/04/16-backstory-of-poem-reliquary-by-beth.html

017  May 12, 2018

Marlon L Fick’s “The Swallows of Barcelona”

https://chrisricecooper.blogspot.com/2018/05/17-backstory-of-poem-swallows-of.html

018  May 25, 2018

Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

https://chrisricecooper.blogspot.com/2018/05/18-backstory-of-poem-arterial.html

019  June 09, 2018

Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

https://chrisricecooper.blogspot.com/2018/06/19-backstory-of-poem-stiletto-killer.html

020 June 16, 2018

Charles Rammelkamp’s “At Last I Can Start Suffering”

https://chrisricecooper.blogspot.com/2018/06/20-backstory-of-poem-at-least-i-can.html

021  July 05, 2018

Marla Shaw O’Neill’s “Wind Chimes”

https://chrisricecooper.blogspot.com/2018/07/21-backstory-of-poem-wind-chimes-by.html

022 July 13, 2018

Julia Gordon-Bramer’s “Studying Ariel”

https://chrisricecooper.blogspot.com/2018/07/22-backstory-of-poem-studying-ariel-by.html

023 July 20, 2018

Bill Yarrow’s “Jesus Zombie”

https://chrisricecooper.blogspot.com/2018/07/23-backstory-of-poem-jesus-zombie-by.html

024  July 27, 2018

Telaina Eriksen’s “Brag 2016”

https://chrisricecooper.blogspot.com/2018/07/24-backstory-of-poem-brag-2016-by.html

025  August 01, 2018

Seth Berg’s “It is only Yourself that Bends – so Wake up!”

https://chrisricecooper.blogspot.com/2018/08/25-backstory-of-poem-it-is-only.html

026  August 07, 2018

David Herrle’s “Devil In the Details”

https://chrisricecooper.blogspot.com/2018/08/26-backstory-of-poem-devil-in-details.html

027  August 13, 2018

Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

https://chrisricecooper.blogspot.com/2018/08/27-backstory-of-poem-carmen-polo-lady.html

028  August 21, 2018

Connie Post’s “Two Deaths”

https://chrisricecooper.blogspot.com/2018/08/28-backstory-of-poem-two-deaths-by.html

029  August 30, 2018

Mary Harwell Sayler’s “Faces in a Crowd”

https://chrisricecooper.blogspot.com/2018/08/29-backstory-of-poem-faces-in-crowd-by.html

030 September 16, 2018

Larry Jaffe’s “The Risking Point”

https://chrisricecooper.blogspot.com/2018/09/30-backstory-of-poem-risking-point-by.html

031  September 24, 2018

Mark Lee Webb’s “After We Drove”

https://chrisricecooper.blogspot.com/2018/09/31-backstory-of-poem-after-we-drove-by.html

032  October 04, 2018

Melissa Studdard’s “Astral”

https://chrisricecooper.blogspot.com/2018/10/32-backstory-of-poem-astral-by-melissa.html

033 October 13, 2018

Robert Craven’s “I Have A Bass Guitar Called Vanessa”

https://chrisricecooper.blogspot.com/2018/10/33-backstory-of-poem-i-have-bass-guitar.html

034  October 17, 2018

David Sullivan’s “Paper Mache Peaches of Heaven”

https://chrisricecooper.blogspot.com/2018/10/34-backstory-of-poem-paper-mache.html

035 October 23, 2018

Timothy Gager’s “Sobriety”

https://chrisricecooper.blogspot.com/2018/10/35-backstory-of-poem-sobriety-by.html

036  October 30, 2018

Gary Glauber’s “The Second Breakfast”

https://chrisricecooper.blogspot.com/2018/10/36-backstory-of-poem-second-breakfast.html

037  November 04, 2018

Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

https://chrisricecooper.blogspot.com/2018/11/37-backstory-of-poem-melanias-deaf-tone.html

038 November 11, 2018

Andrena Zawinski’s “Women of the Fields”

https://chrisricecooper.blogspot.com/2018/11/38-backstory-of-poem-women-of-fields-by.html

039  November 00, 2018

Gordon Hilger’s “Poe”

https://chrisricecooper.blogspot.com/2018/11/39-backstory-of-poem-poe-by-gordon.html

040 November 16, 2018

Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

https://chrisricecooper.blogspot.com/2018/11/40-backstory-of-poems-my-children.html

041 November 20, 2018

Jonathan Kevin Rice’s “Dog Sitting”

https://chrisricecooper.blogspot.com/2018/11/41-backstory-of-poem-dog-sitting-by.html

042 November 22, 2018

Haroldo Barbosa Filho’s “Mountain”

https://chrisricecooper.blogspot.com/2018/11/42-backstory-of-poem-mountain-by.html

043  November 27, 2018

Megan Merchant’s “Grief Flowers”

https://chrisricecooper.blogspot.com/2018/11/43-backstory-of-poem-grief-flowers-by.html

044 November 30, 2018

Jonathan P Taylor’s “This poem is too neat”

https://chrisricecooper.blogspot.com/2018/11/44-backstory-of-poem-poem-is-too-neat.html

045  December 03, 2018

Ian Haight’s “Sungmyo for our Dead Father-in-Law”

https://chrisricecooper.blogspot.com/2018/12/045-backstory-of-poem-sungmyo-for-our.html

046 December 06, 2018

Nancy Dafoe’s “Poem in the Throat”

https://chrisricecooper.blogspot.com/2018/12/046-backstory-of-poem-poem-registering.html

047 December 11, 2018

Jeffrey Pearson’s “Memorial Day”

https://chrisricecooper.blogspot.com/2018/12/47-backstory-of-poem-memorial-day-by.html

048  December 14, 2018

Frank Paino’s “Laika”

https://chrisricecooper.blogspot.com/2018/12/48-backstory-of-poem-laika-by-frank.html

049  December 15, 2018

Jennifer Martelli’s “Anniversary”

https://chrisricecooper.blogspot.com/2018/12/49-backstory-of-poem-anniversary-by.html

O50  December 19, 2018

Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

https://chrisricecooper.blogspot.com/2018/12/50-backstory-of-poem-for-gilberto-ramos.html

051 December 23, 2018

“The Persistence of Music”

by Anatoly Molotkov

https://chrisricecooper.blogspot.com/2018/12/51-backstory-of-poem-persistence-of.html

052  December 27, 2018

“Under Surveillance”

by Michael Farry

https://chrisricecooper.blogspot.com/2018/12/52-backstory-of-poem-under-surveillance.html

053  December 28, 2018

“Grand Finale”

by Renuka Raghavan

https://chrisricecooper.blogspot.com/2018/12/53-backstory-of-poem-grand-finale-by.html

054  December 29, 2018

“Aftermath”

by Gene Barry

https://chrisricecooper.blogspot.com/2018/12/54-backstory-of-poem-aftermath-by-gene.html

055 January 2, 2019

“&”

by Larissa Shmailo

http://chrisricecooper.blogspot.com/2019/01/55-backstory-of-poem-by-larissa-shmailo.html

056  January 7, 2019

“The Seamstress:

by Len Kuntz

http://chrisricecooper.blogspot.com/2019/01/56-backstory-of-poem-seamstress-by-len_6.html

057  January 10, 2019

"Natural History"

by Camille T Dungy

https://chrisricecooper.blogspot.com/2019/01/57-backstory-of-poem-natural-history-by.html

058  January 11, 2019

“BLOCKADE”

by Brian Burmeister

https://chrisricecooper.blogspot.com/2019/01/58-backstory-of-poem-blockade-by-brian.html

059  January 12, 2019

“Lost”

by Clint Margrave

https://chrisricecooper.blogspot.com/2019/01/59-backstory-of-poem-lost-by-clint.html

060 January 14, 2019

“Menopause”

by Pat Durmon

https://chrisricecooper.blogspot.com/2019/01/60-backstory-of-poem-menopause-by-pat.html

061 January 19, 2019

“Neptune’s Choir”

by Linda Imbler

https://chrisricecooper.blogspot.com/2019/01/61-backstory-of-poem-neptunes-choir-by.html

062  January 22, 2019

“Views From the Driveway”

by Amy Barone

https://chrisricecooper.blogspot.com/2019/01/62-backstory-of-poem-views-from.html

063  January 25, 2019

“The heron leaves her haunts in the marsh”

by Gail Wronsky

https://chrisricecooper.blogspot.com/2019/01/63-backstory-of-poem-heron-leaves-her.html

064  January 30, 2019

“Shiprock”

by Terry Lucas

https://chrisricecooper.blogspot.com/2019/01/64-backstory-of-poem-shiprock-by-terry_29.html

065 February 02, 2019

“Summer 1970, The University of Virginia Opens to Women in the Fall”

by Alarie Tennille

https://chrisricecooper.blogspot.com/2019/02/65-backstory-of-poem-summer-1970.html

066 February 05, 2019

“At School They Learn Nouns”

by Patrick Bizzaro

https://chrisricecooper.blogspot.com/2019/02/66-backstory-of-poem-at-school-they.html

067  February 06, 2019

“I Must Not Breathe”

by Angela Jackson-Brown

https://chrisricecooper.blogspot.com/2019/02/67-backstory-of-poem-i-must-not-breathe.html

068 February 11, 2019

“Lunch on City Island, Early June”

by Christine Potter

 https://chrisricecooper.blogspot.com/2019/02/068-backstory-of-poem-lunch-on-city.html

069 February 12, 2019

“Singing”

by Andrew McFadyen-Ketchum

https://chrisricecooper.blogspot.com/2019/02/69-backstory-of-poem-singing-by-andrew.html

070 February 14, 2019

“Daily Commute”

by Christopher P. Locke

http://chrisricecooper.blogspot.com/2019/02/70-backstory-of-poem-daily-commute-by.html

071 February 18, 2019

“How Silent The Trees”

by Wyn Cooper

http://chrisricecooper.blogspot.com/2019/02/71-backstory-of-poem-how-silent-trees.html

072 February 20, 2019

“A New Psalm of Montreal”

by Sheenagh Pugh

https://chrisricecooper.blogspot.com/2019/02/72-backstory-of-poem-new-psalm-of.html

073 February 23, 2019

“Make Me A Butterfly”

by Amy Barbera

https://chrisricecooper.blogspot.com/2019/02/73-backstory-of-poem-make-me-butterfly_23.html

074 February 26, 2019

“Anthem”

by Sandy Coomer

https://chrisricecooper.blogspot.com/2019/02/74-backstory-of-poem-anthem-by-sandy.html

075 March 4, 2019

“Shape of a Violin”

by Kelly Powell

https://chrisricecooper.blogspot.com/2019/03/75-backstory-of-poem-shape-of-violin-by.html

076 March 5, 2019

“Inward Oracle”

by J.P. Dancing Bear

http://chrisricecooper.blogspot.com/2019/03/76-backstory-of-poem-inward-oracle-by.html

077 March 7, 2019

“I Broke My Bust Of Jesus”

by Susan Sundwall

https://chrisricecooper.blogspot.com/2019/03/77-backstory-of-poem-i-broke-my-bust-of.html

078 March 9, 2019

“My Mother at 19”

by John Guzlowski

http://chrisricecooper.blogspot.com/2019/03/78-backstory-of-poem-my-mother-was-19.html

079 March 10, 2019

“Paddling”

by Chera Hammons Miller

https://chrisricecooper.blogspot.com/2019/03/79-backstory-of-poem-paddling-by-chera.html

080 March 12, 2019

“Of Water and Echo”

by Gillian Cummings

https://chrisricecooper.blogspot.com/2019/03/80-backstory-of-poem-of-water-and-echo.html

081   082   083    March 14, 2019

“Little Political Sense”   “Crossing Kansas with Jim

Morrison”  “The Land of Sky and Blue Waters”

by Dr. Lindsey Martin-Bowen

https://chrisricecooper.blogspot.com/2019/03/81-82-and-83-backstory-of-poems-by-dr.html

084 March 15, 2019

“A Tune To Remember”

by Anna Evans

https://chrisricecooper.blogspot.com/2019/03/84-backstory-of-poem-tune-to-remember.html

085 March 19, 2019

“At the End of Time (Wish You Were Here)

by Jeannine Hall Gailey

https://chrisricecooper.blogspot.com/2019/03/85-backstory-of-poem-at-end-of-time.html

086 March 20, 2019

“Garden of Gethsemane”

by Marletta Hemphill

http://chrisricecooper.blogspot.com/2019/03/86-backstory-of-poem-view-from.html

087 March 21, 2019

“Letters From a War”

by Chelsea Dingman

https://chrisricecooper.blogspot.com/2019/03/87-backstory-of-poem-letters-from-war.html

088 March 26, 2019

“HAT”

by Bob Heman

http://chrisricecooper.blogspot.com/2019/03/88-backstory-of-poem-hat-by-bob-heman.html

089 March 27, 2019

“Clay for the Potter”

by Belinda Bourgeois

https://chrisricecooper.blogspot.com/2019/03/89-backstory-of-poem-clay-for-potter-by.html

#090 March 30, 2019

“The Pose”

by John Hicks

https://chrisricecooper.blogspot.com/2019/03/90-backstory-of-poem-pose-by-john-hicks.html

#091 April 2, 2019

“Last Night at the Wursthaus”

by Doug Holder

https://chrisricecooper.blogspot.com/2019/04/91-backstory-of-poem-last-night-at.html

#092 April 4, 2019

“Original Sin”

by Diane Lockward

https://chrisricecooper.blogspot.com/2019/04/92-backstory-of-poem-original-sin-by.html

#093 April 5, 2019

“A Father Calls to his child on liveleak”

by Stephen Byrne

https://chrisricecooper.blogspot.com/2019/04/93-backstory-of-poem-father-calls-to.html

#094 April 8, 2019

“XX”

by Marc Zegans

http://chrisricecooper.blogspot.com/2019/04/94-backstory-of-poem-xx-by-marc-zegans.html

#095 April 12, 2019

“Landscape and Still Life”

by Marjorie Maddox

https://chrisricecooper.blogspot.com/2019/04/95-backstory-of-poem-landscape-and.html

#096 April 16, 2019

“Strawberries Have Been Growing Here for Hundreds of

Years”

by Mary Ellen Lough

http://chrisricecooper.blogspot.com/2019/04/096-backstory-of-poem-strawberries-have.html

#097 April 17, 2019

“The New Science of Slippery Surfaces”

by Donna Spruijt-Metz

https://chrisricecooper.blogspot.com/2019/04/97-backstory-of-poem-new-science-of.html

#098 April 19, 2019

“Tennessee Epithalamium”

by Alyse Knorr

https://chrisricecooper.blogspot.com/2019/04/098-backstory-of-poem-tennessee.html

#099 April 20, 2019

“Mermaid, 1969”

by Tameca L. Coleman

https://chrisricecooper.blogspot.com/2019/04/99-backstory-of-poem-mermaids-1969-by.html

#100 April 21, 2019

“How Do You Know?”

by Stephanie

https://chrisricecooper.blogspot.com/2019/04/100-backstory-of-poem-how-do-you-know.html

#101 April 23, 2019

“Rare Book and Reader”

by Ned Balbo

https://chrisricecooper.blogspot.com/2019/04/101-backstory-of-poem-rare-book-and.html

#102 April 26, 2019

“THUNDER”

by Jefferson Carter

https://chrisricecooper.blogspot.com/2019/04/102-backstory-of-poem-thunder-by.html

#103 May 01, 2019

“The sight of a million angels”

by Jenneth Graser

https://chrisricecooper.blogspot.com/2019/05/103-backstory-of-poem-sight-of-million.html

#104 May 09, 2019

“How to tell my dog I’m dying”

by Richard Fox

http://chrisricecooper.blogspot.com/2019/05/104-backstory-of-poem-how-to-tell-my.html

#105 May 17, 2019

“Promises Had Been Made”

by Sarah Sarai

http://chrisricecooper.blogspot.com/2019/05/105-backstory-of-poem-promises-had-been.html

#106 June 01, 2019

“i sold your car today”

by Pamela Twining

https://chrisricecooper.blogspot.com/2019/06/106-backstory-of-poem-i-sold-your-car.html

#107 June 02, 2019

“Abandoned Stable”

by Nancy Susanna Breen

http://chrisricecooper.blogspot.com/2019/06/107-backstory-of-poem-abandoned-stable.html

#108 June 05, 2019

“Cupcake”

by Julene Tripp Weaver

http://chrisricecooper.blogspot.com/2019/06/108-backstory-of-poem-cupcake-by-julene.html

#109 June 6, 2019

“Bobby’s Story”

by Jimmy Pappas

http://chrisricecooper.blogspot.com/2019/06/109-backstory-of-poem-bobbys-story-by.html

#110 June 10, 2019

“When You Ask Me to Tell You About My Father”

by Pauletta Hansel

http://chrisricecooper.blogspot.com/2019/06/110-backstory-of-poem-when-you-ask-me.html

#111 Backstory of the Poem’s

“Cemetery Mailbox”

by Jennifer Horne

https://chrisricecooper.blogspot.com/2019/06/111-backstory-of-poem-cemetery-mailbox.html

#112 Backstory of the Poem’s

“Relics”

by Kate Peper

http://chrisricecooper.blogspot.com/2019/06/112-backstory-of-poem-relics-by-kate.html

#113 Backstory of the Poem’s

“Q”

by Jennifer Johnson

http://chrisricecooper.blogspot.com/2019/06/113-backstory-of-poem-q-by-jennifer.html

#114 Backstory of the Poem’s

“Brushing My Hair”

by Tammika Dorsey Jones

http://chrisricecooper.blogspot.com/2019/06/114-backstory-of-poem-brushing-my-hair.html

#115 Backstory of the Poem

“Because the Birds Will Survive, Too”

by Katherine Riegel

http://chrisricecooper.blogspot.com/2019/06/115-backstory-of-poem-because-birds.html

#116 Backstory of the Poem
“DIVORCE”

by Joan Barasovska

http://chrisricecooper.blogspot.com/2019/07/116-backstory-of-poem-divorce-by-joan.html

#117 Backstory of the Poem

“NEW YEAR”S EVE 2016”

by Michael Meyerhofer

https://chrisricecooper.blogspot.com/2019/07/117-backstory-of-poem-new-years-eve.html

#118 Backstory of the Poem

“Dear the estranged,”

by Gina Tron

https://chrisricecooper.blogspot.com/2019/07/118-backstory-of-poem-dear-estranged-by.html

#119 Backstory of the Poem

“In Remembrance of Them”

by Janet Renee Cryer

http://chrisricecooper.blogspot.com/2019/07/119-backstory-of-poem-in-remembrance-of.html

#120 Backstory of the Poem

“Horse Fly Grade Card, Doesn’t Play Well With Others”

by David L. Harrison

https://chrisricecooper.blogspot.com/2019/08/120-backstory-of-poem-horse-fly-grade.html

#121 Backstory of the Poem

“My Mother’s Cookbook”

by Rachael Ikins

https://chrisricecooper.blogspot.com/2019/08/121-backstory-of-poem-my-mothers.html

#122 Backstory of the Poem

“Cousins I Never Met”

by Maureen Kadish Sherbondy

https://chrisricecooper.blogspot.com/2019/08/122-backstory-of-poem-cousins-i-never.html

#123 Backstory of the Poem

“To Those Who Were Our First Gods”

by Nickole Brown

http://chrisricecooper.blogspot.com/2019/09/123-backstory-of-poem-to-those-who-were.html

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”

by Paul Levinson

https://chrisricecooper.blogspot.com/2019/09/124-backstory-of-poem-looking-for.html

#125 Backstory of the Poem

“Tracy”

by Tiff Holland

https://chrisricecooper.blogspot.com/2019/09/125-backstory-of-poem-tracy-by-tiff.html

#126 Backstory of the Poem
“Legs”
by Cindy Hochman

https://chrisricecooper.blogspot.com/2019/09/126-backstory-of-poem-legs-by-cindy.html

#127 Backstory of the Poem
“Anathema”

by Natasha Saje

https://chrisricecooper.blogspot.com/2019/09/127-backstory-of-poem-anathema-by.html

#128 Backstory of the Poem

“How to Explain Fertility When an Acquaintance Asks Casually”

by Allison Blevins

http://chrisricecooper.blogspot.com/2019/10/128-backstory-of-poem-how-to-explain.html

#129 Backstory of the Poem

“The Art of Meditation In Tennessee”

by Linda Parsons

https://chrisricecooper.blogspot.com/2019/10/129-backstory-of-poem-art-of-meditation.html

#130 Backstory of the Poem

“Schooling High, In Beslan”

by Satabdi Saha

https://chrisricecooper.blogspot.com/2019/10/130-backstory-of-poem-schooling-high-in.html

#131 Backstory of the Poem

““Baby Jacob survives the Oso Landslide, 2014”

by Amie Zimmerman

https://chrisricecooper.blogspot.com/2019/10/131-backstory-of-poem-baby-jacob.html

#132 Backstory of the Poem

“Our Age of Anxiety”

by Henry Israeli

https://chrisricecooper.blogspot.com/2019/10/132-backstory-of-poem-our-age-of.html

#133 Backstory of the Poem

“Earth Cries; Heaven Smiles”

by Ken Allan Dronsfield

http://chrisricecooper.blogspot.com/2019/10/133-backstory-of-poem-earth-cries.html

#134  Backstory of the Poem

“Eons”

by Janine Canan

https://chrisricecooper.blogspot.com/2019/11/134-backstory-of-poem-eons-by-janine.html

#135 Backstory of the Poem

“Sworn”

by Catherine Zickgraf

https://chrisricecooper.blogspot.com/2019/11/135-backstory-of-poem-sworn-by.html

#136 Backstory of the Poem

“Bushwick Blue”

by Susana H. Case

https://chrisricecooper.blogspot.com/2019/11/136-backstory-of-poem-bushwick-blue-by.html

#137 Backstory of the Poem

“Then She Was Forever”

by Paula Persoleo

http://chrisricecooper.blogspot.com/2019/11/137-backstory-of-poem-then-she-was.html

#138 Backstory of the Poem

“Enough”

by Kris Bigalk

https://chrisricecooper.blogspot.com/2019/11/138-backstory-of-poem-enough-by-kris.html

#139 Backstory of the Poem

“From Ghosts of the Upper Floor”

by Tony Trigilio

https://chrisricecooper.blogspot.com/2019/11/139-backstory-of-poem-from-ghosts-of.html

#140 Backstory of the Poem

“Cloud Audience”

by Wanita Zumbrunnen

https://chrisricecooper.blogspot.com/2019/11/140-backstory-of-poem-cloud-audience-by.html

#141 Backstory of the Poem

“Condition Center”

by Matthew Freeman

https://chrisricecooper.blogspot.com/2019/11/141-backstory-of-poem-condition-center.html

#142 Backstory of the Poem

“Adventuresome Woman”

by Cheryl Suchors

https://chrisricecooper.blogspot.com/2019/12/142-backstory-of-poem-adventuresome.html

#143 Backstory of the Poem
“The Way Back”

by Robert Walicki

https://chrisricecooper.blogspot.com/2019/12/143-backstory-of-poem-way-back-by.html

#144 Backstory of the Poem

“If I Had Three Lives”

by Sarah Russell

http://chrisricecooper.blogspot.com/2019/12/144-backstory-of-poem-if-i-had-three.html

#145 Backstory of the Poem

“Reservoir”

by Andrea Rexilius

https://chrisricecooper.blogspot.com/2019/12/145-backstory-of-poem-reservoir-by.html

#146 Backstory of the Poem

“The Night Before Our Dog Died”

by Melissa Fite Johnson

https://chrisricecooper.blogspot.com/2020/01/146-backstory-of-poem-night-before-our.html

#147 Backstory of the Poem

“Pileated”

by David Anthony Sam

https://chrisricecooper.blogspot.com/2020/01/147-backstory-of-poem-pileated-by-david_14.html

#148 Backstory of the Poem

“A Kitchen Argument”

by Matthew Gwathmey

https://chrisricecooper.blogspot.com/2020/01/148-backstory-of-poem-kitchen-argument.html

#149 Backstory of the Poem

“Insulation”

by Bruce Kauffman

http://chrisricecooper.blogspot.com/2020/01/149-backstory-of-poem-insulation-by.html

#150 Backstory of the Poem

“I Will Tell You Where I’ve Been”

by Justin Hamm

https://chrisricecooper.blogspot.com/2020/02/150-backstory-of-poem-i-will-tell-you.html

#151 Backstory of the Poem

“Comfort”

by Michael A Griffith

https://chrisricecooper.blogspot.com/2020/02/151-backstory-of-poem-comfort-by.html

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever

http://chrisricecooper.blogspot.com/2020/02/152-backstory-of-poem-van-gogh-to-his.html

#153 Backstory of the Poem

“1. Girl”

by Margaret Manuel

https://chrisricecooper.blogspot.com/2020/02/153-backstory-of-poem-1-girl-by_12.html

#154 Backstory of the Poem

“Trading Places”

by Maria Chisolm

https://chrisricecooper.blogspot.com/2020/02/154-backstory-of-poem-trading-places.html

#155 Backstory of the Poem

“The Reoccurring Woman”

by Debra May

https://chrisricecooper.blogspot.com/2020/02/155-backstory-of-poem-reoccuring-woman.html

#156 Backstory of the Poem

“Word Falling”

by Sheryl St. Germain

https://chrisricecooper.blogspot.com/2020/02/156-backstory-of-poem-word-falling-by.html

#157 Backstory of the Poem

“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an

Arena”

by Liz Marlow

https://chrisricecooper.blogspot.com/2020/02/157-backstory-of-poem-vel-dhiv-roundup.html

#158 Backstory of the Poem

“Why Otters Hold Hands”

by William Walsh

https://chrisricecooper.blogspot.com/2020/03/158-backstory-of-poem-why-otters-hold.html

#159 Backstory of the Poem

“The Invisible World”

by Rocco de Giacoma

https://chrisricecooper.blogspot.com/2020/03/159-backstory-of-poem-visible-world-by.html

#160 Backstory of the Poem
“Last Call”

by Ralph Culver

https://chrisricecooper.blogspot.com/2020/03/160-backstory-of-poem-last-call-by.html

#161 Backstory of the Poem

“ALIVE”

by David Dephy

http://chrisricecooper.blogspot.com/2020/03/161-backstory-of-poem-alive-by-david.html

#162 Backstory of the Poem
“Mare Nostrum”

by Janice D Soderling

https://chrisricecooper.blogspot.com/2020/03/162-backstory-of-poem-mare-nostrum-by.html

#163 Backstory of the Poem

“Winnipeg Noir”

by Carmelo Militano

http://chrisricecooper.blogspot.com/2020/03/163-backstory-of-poem-winnipeg-noir-by.html

#164 Backstory of the Poem
“Needlepoint Roses”

by Jason O’Toole

http://chrisricecooper.blogspot.com/2020/04/164-backstory-of-poem-needlepoint-roses.html

#165 Backstory of the Poem

“Singing, Studying on Whiteness, This Penelope Strings”

by Jeanne Larsen

http://chrisricecooper.blogspot.com/2020/04/165-backstory-of-poem-singing-studying.html

#166 Backstory of the Poem
“How To Befriend Uncertainty”

by Prartho Sereno

http://chrisricecooper.blogspot.com/2020/04/prartho-serenos-how-to-befriend.html

#167 Backstory of the Poem
“Shostakovich: Five Pieces”

by Pamela Uschuk

https://chrisricecooper.blogspot.com/2020/04/pamela-uschuks-shostakovich-five-pieces.html

#168 Backstory of the Poem
“Bouquet for Amy Clampitt”

by Peter Kline

https://chrisricecooper.blogspot.com/2020/04/peter-klines-bouquet-for-amy-clampitt.html

#169 Backstory of the Poem
“Heartbroken”

by Catherine Arra

http://chrisricecooper.blogspot.com/2020/05/catherine-arras-heartbroken-is-169-in.html

#170 Backstory of the Poem

“Silence – a lost art”

by Megha Sood

https://chrisricecooper.blogspot.com/2020/05/megha-soods-silence-lost-art-is-170-in.html

#171 Backstory of the Poem/ May 09, 2020

“Horribly Dull”

by Mark DeCharmes

https://chrisricecooper.blogspot.com/2020/05/mark-ducharmes-horribly-dull-is-171-in.html

#172 Backstory of the Poem/ May 12, 2020

“Celebrating His Ninety-Second Birthday the Year his Wife Died”

by Michael Mark

http://chrisricecooper.blogspot.com/2020/05/michael-marks-celebrating-his-ninety.html

#173 Backstory of the Poem/ May 14, 2020

“Night Clouds in the Black Hills”

by Cameron Morse

https://chrisricecooper.blogspot.com/2020/05/cameron-morses-night-clouds-in-black.html

#174 Backstory of the Poem/ May 18, 2020

“I’ve Been In Heaven For Long”

by Evanesced Dethroned Angel

https://chrisricecooper.blogspot.com/2020/05/evanesced-dethroned-angels-ive-been.html

#175 Backstory of the Poem/ May 20, 2020

“Tutti-Frutti”

by Barbara Crooker

https://chrisricecooper.blogspot.com/2020/05/barbara-crookers-tutti-frutti-175-in.html

#176 and #177 Backstory of the Poem/ May 25, 2020

“My Small World” and

“My Mistake”

by Tina Barry

http://chrisricecooper.blogspot.com/2020/05/tina-barrys-two-prose-poems-my-small.html

#178 Backstory of the Poem/ June 05, 2020

“Against Numbers”

by Andrea Potos

https://chrisricecooper.blogspot.com/2020/06/andrea-potoss-against-numbers-is-178-in.html

#179 Backstory of the Poem/ June 15, 2020

“Wish”

by Julie Weiss

https://chrisricecooper.blogspot.com/2020/06/julie-weisss-wish-is-179-in-never.html

#180 Backstory of the Poem/ June 20, 2020

“The Tree That Stood Beside Me”

by Carly My Loper

https://chrisricecooper.blogspot.com/2020/06/carly-m-lopers-tree-that-stood-beside.html

#181 Backstory of the Poem/ June 24, 2020

“Electric Mail”

by Julie E. Bloemeke

https://chrisricecooper.blogspot.com/2020/06/julie-e-bloemekes-electric-mail-is-181.html