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***This is #143 in a
never-ending series called BACKSTORY OF THE POEM where the Chris Rice
Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that
specific poem. All BACKSTORY OF THE POEM links are at the end of
this piece.
#143 Backstory of the Poem
“The Way
Back”
by Robert Walicki
Can you go through
the step-by-step process of writing this poem from the moment the idea was
first conceived in your brain until final form? I tend to write very
organically. I usually don’t know where I’m going, or I’ll have a beginning, or
an ending and I’ll need to fill the gaps. This poem came from a prompt in a
class taught by Lynn Emanuel . I had the beginning. I knew I wanted to write
about my grandmother’s house. The prompt was to write about a place that we
remember from our youth that held great meaning for ourselves. I chose to write
it from the perspective of someone standing on the hill where it once stood,
after it was destroyed by a fire.
The
poem as you’ll see, is divided into sections, a form I hadn’t written in
before, but this was one of those poems that kind of wrote itself and the
section numbering felt right. I had a good part of the beginning already, and
each subsequent section was fed by the last. The memory of a simple house
became the vehicle to tell the story of a family.
Where were you when you started to actually write the poem? And please describe
the place in great detail. I was in The Cathedral of Learning in Oakland, which is part
of the campus at The University of Pittsburgh. (Right) It’s an incredibly awe-inspiring
building. It is more like a castle with great stone columns and grand doors and
rooms. I had never attended a formal college for writing, and stepping inside
those doors for the first time as a student was very emotional for me. Even if
I wasn’t really a student. I was just sitting in on this class and would
receive no credit. It still was a special moment for me. One of those cosmic
moments when you were exactly where you were supposed to be at that moment in
your life.
What month and year did you start
writing this poem? I’m terrible at keeping track of such things, but I want to say
it was early on in 2013 (Left), perhaps winter of 2012.
ZZZZ
ZZZZ
How many drafts of this poem did you
write before going to the final? I don’t keep drafts ( although I should). This
poem was rare though, in that the first draft changed very little from the
final version. There were some minor issues with tense, which were resolved in
the final version. Specifics escape me, but this was a persistent problem in
this poem, as it plays around with, and jumps around in time a lot, which can
confuse a reader.
What do you want readers of this poem to take from this poem? I would hope that a
line, detail or some of the imagery might resonate with someone and inspire
them to write a place centric poem like this. The place was just the
springboard for me. It was the rabbit hole that allowed me to go deeper.
Which part of the poem was the most
emotional of you to write and why? The image of my grandmother drying dishes with
her back turned in front of her kitchen windows was so moving to me. The
windows were large and old and the glass always looked permanently fogged over.
You could see the dark waters of the Allegheny River (Below) as the back of her house
overlooked a steep embankment. I remember those rust colored barges slowly
eking by, splitting the waves. The image captured so much of that working class
existence. The one I was growing into and just learning what that would mean
for me
Has this poem been published before? And if so where? Yes. in The Stone Highway Review
The Way Back
1
Somewhere, there is a way back in,
through a word like:
Recollect
or lattice.
Somewhere, the way through is
the path to the house,
where your feet disappear
in the mud sucked earth.
The place where ground turns to water—
call it a river.
You were young.
2
The way grass has grown high.
The way ash from the fire nurtures soil.
3
Today, I am on the hill where the house was.
I draw the floor plan in the air
with my finger,
and the white door swings open.
The room, opening to waves —
deep swirls of brown paneling,
rippled and pulled from the wall.
The ceiling’s cumulous plaster
cracking, the big house settling.
The built-ins still packed
with porcelain ducks and singing angels.
And I’m trying to remember that wall—
My grandmother’s house…..
on a
Saturday…..
My mother listening to
jazz—
Her friends had dates—
took her brushes—
never
painted before.
But suddenly,
the wall was filled with hemlocks,
and deer drank from streams,
walking out of the wall,
down the street past me
and somewhere past me
there was water,
a stream.
Somewhere there was a way back in.
The kitchen windows, steaming from heat.
a blurry view of the Allegheny.
The grey barges like grave markers pulling steel.
Her mother, at the stove,
back turned,
disappearing into the mist.
4
I am downstairs where the last of her things need boxed up.
In the photograph I ask to keep, nothing moves.
It is 1933 and she is standing in a bread line.
It could have been minutes or hours.
No one owns a watch.
Time is the length of space
between each of her footsteps.
The time it takes to get inside
before they run out.
And I am trying to remember the last time
I touched her.
I hold the photograph up to the light.
My thumb touches her face,
but she doesn’t notice.
The distance is clear,
but no one can see past it.
5
The way a door shuts on its own.
The way the wind lets go of my hand.
6
When I stepped back outside, and the house disappeared….
7
In a room she won’t remember,
I sit on the edge of her bed.
We are somewhere and the light is coming through the open
blinds,
the thin slats splintering the air.
And I am waiting until you open your eyes
to tell you it is morning.
Robert Walicki's
work has appeared in and is forthcoming in a number of publications including,
Chiron Review, The City Paper, Fourth River, Signal Mountain Review, Red
River Review, and others. A Pushcart and a Best of The Net nominee, Robert
currently has two chapbooks published: A Room Full of Trees (Red Bird
Chapbooks, 2014) and The Almost Sound of Snow Falling
(Night Ballet Press, 2015). His first full length collection of poems, Black
Angels is currently available from Six Gallery Press, and his next
collection Fountain is forthcoming from Main Street Rag Press.
https://www.facebook.com/robertwalickipoet/
BACKSTORY OF THE POEM
LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s
Story”
by Jimmy Pappas
#110 June 10, 2019
“When You
Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the
Poem’s
“Cemetery
Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the
Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the
Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the
Poem
“Because the Birds Will
Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the
Poem
“NEW
YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the
Poem
“Dear the
estranged,”
by Gina Tron
#119 Backstory of the Poem
“In
Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the
Poem
“Horse Fly
Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the
Poem
“My
Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the
Poem
“Cousins I
Never Met”
by Maureen Kadish
Sherbondy
#123 Backstory of the
Poem
“To Those
Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the
Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the
Poem
“Tracy”
by Tiff Holland
#126 Backstory of the
Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the
Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the
Poem
“How to
Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the
Poem
“The Art of Meditation
In Tennessee”
by Linda Parsons
#130 Backstory of the
Poem
“Schooling
High, In Beslan”
by Satabdi Saha
#131 Backstory of the
Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the
Poem
“Our Age
of Anxiety”
by Henry Israeli
#133 Backstory of the
Poem
“Earth
Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the
Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the
Poem
“Bushwick
Blue”
by Susana H. Case
#137 Backstory of the
Poem
“Then She
Was Forever”
by Paula Persoleo
#138 Backstory of the
Poem
“Enough”
by Kris Bigalk
#139 Backstory of the
Poem
“From Ghosts of the
Upper Floor”
by Tony Trigilio
#140 Backstory of the
Poem
“Cloud
Audience”
by Wanita Zumbrunnen
#141 Backstory of the
Poem
“Condition
Center”
by Matthew Freeman
#142 Backstory of the
Poem
“Adventuresome
Woman”
by Cheryl Suchors
#143 Backstory of the
Poem
“The Way Back”
by Robert Walicki
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