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***This is #136 in a
never-ending series called BACKSTORY OF THE POEM where the Chris Rice
Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that
specific poem. All BACKSTORY OF THE POEM links are at the end of
this piece.
#136
Backstory of the Poem
“Bushwick
Blue”
by Susana H. Case
Can you go through the step-by-step process of
writing this poem from the moment the idea was first conceived in your brain
until final form? I conceived of the poem
walking around in Bushwick. I frequently visit neighborhoods in different parts
of New York City, and walk around for miles, in between taking longer trips
farther away. I was struck by the history of the neighborhood and the changes
it is undergoing, as it becomes a hip place to live.
I had also recently purchased a pair of jeans online and the
color was described as Bushwick, which I found amusing. (Left)
The two came together in my head. I was working on Drugstore Blue, in which colors
are threaded through the collection, in particular a set of Blue poems. This
became one of them and is the final poem in the book.
I brought the second
draft to my weekly writing group, a very intense group of talented women who
are both mutually supportive and willing to tear a poem down to its essence in
service to the poem and what it is meant to be. Before I even did that, I also
have another poet friend I exchange work with and did. I think of him as my
poetry mentor and he, too, is incisive about strengths and weaknesses.
Where were you when you started to actually
write the poem? And please describe the place in great detail. I usually begin writing on the couch in my
living room, which is in an apartment in Manhattan. I have a desk (Below Left) in my
“office,” which is a corner of the living room, but I often start on the couch,
a Stickley designed couch with forest green leather cushions. (Below Right) It’s just more
comfortable for me than sitting at a desk.
What month and year did you start writing this
poem? That’s hard to
remember, but I think it was Fall, 2016.
How many drafts of this poem did you write
before going to the final? There were two major drafts because this poem
came out so easily. None of that one draft each year trying to fix it and then
it’s still not right and stays in the file. There was a revision after showing
it to my poetry-exchange friend mentioned above and then another revision after
bringing it to my weekly group. I don’t have the first revision, but here’s the
second. (Below Left) You’ll notice the title changed some after the second revision.
Were there any lines in any of your rough drafts
of this poem that were not in the final version? And can you share them
with us? Yes—a number of them.
Paris and Milan were cut, as was Vogue. The first stanza in particular was
tightened.
What do you want readers of this poem to take
from this poem? It’s a riff on blue in
Bushwick and should be read as an imagistic poem, in a way, but also hopefully
readers should get a sense of its deliberately discursive feel.
Which part of the poem was the most emotional of
you to write and why? I
don’t think of it as an emotional poem. But the last line is important in the
question it asks about emotions.
Has this poem been published before? And
if so where? Its first publication
was in my book, Drugstore Blue.
Later, it was reprinted in the Brownstone Poets yearly anthology.
Anything you would like to add? I like incorporating history into my poems when
appropriate, which I thought it was here. Thank you for this opportunity to
share my work and my process.
Bushwick
Blue
The
color of the jeans I want:
Bushwick,
a
more-or-less feathery fade of blue,
like
Bushwick, Brooklyn,
where
buildings are low, where
walking
around, I can see the sky,
where
breweries have gone to seed.
They’re
building apartments
on
the old Rheingold site. No more
Rheingold,
the dry beer.
No
more Miss Rheingold,
a
very white beauty contest.
They
brought back both,
cans
and contestants,
with
badass tattooed and pierced
bartenders
in the lineup.
Winners
could now be
Asians,
blacks, Hispanics, or Jews.
The
domestic beer crowd yawned.
Rheingold
still wasn’t cool,
though
Bushwick was named
the
coolest neighborhood in America.
Is
blue the color of Bushwick hip?
Are
my nails, your eyes,
the
color of Bushwick?
Is
the sea Bushwick?
Jazz,
glacier-ice Bushwick?
Am
I Bushwick, am I blue?
SUSANA
H. CASE is the author of seven
books of poetry. Dead Shark on the N
Train is due out in 2020 from Broadstone Books. Drugstore Blue (Five Oaks Press) won an IPPY Award in 2019.
She is also the author of five chapbooks, two of which won poetry prizes, and
most recently, Body Falling, Sunday
Morning, due out in Fall, 2019 from Milk and Cake Press.
Her first collection, The Scottish Café, from Slapering Hol Press, was re-released
in a dual-language English-Polish version, Kawiarnia
Szkocka by Opole University Press. Her work has appeared in Calyx,
The Cortland Review, Portland Review, Potomac Review, Rattle,
RHINO and many other journals. Case is a Professor and Program
Coordinator at the New York Institute of Technology in New York City.
facebook.com/susana.case
BACKSTORY OF THE POEM
LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s
Story”
by Jimmy Pappas
#110 June 10, 2019
“When You
Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the
Poem’s
“Cemetery
Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the
Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the
Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the
Poem
“Because the Birds Will
Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the
Poem
“NEW
YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the
Poem
“Dear the
estranged,”
by Gina Tron
#119 Backstory of the Poem
“In
Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the
Poem
“Horse Fly
Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the
Poem
“My
Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the
Poem
“Cousins I
Never Met”
by Maureen Kadish
Sherbondy
#123 Backstory of the
Poem
“To Those
Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the
Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the
Poem
“Tracy”
by Tiff Holland
#126 Backstory of the
Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the
Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the
Poem
“How to
Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the
Poem
“The Art of Meditation
In Tennessee”
by Linda Parsons
#130 Backstory of the
Poem
“Schooling
High, In Beslan”
by Satabdi Saha
#131 Backstory of the
Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the
Poem
“Our Age
of Anxiety”
by Henry Israeli
#133 Backstory of the
Poem
“Earth
Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the
Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the
Poem
“Bushwick
Blue”
by Susana H. Case
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