*The images
in this specific piece are granted copyright privilege by: Public Domain,
CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States
Copyright Law, or given copyright privilege by the copyright holder which is
identified beneath the individual photo.
**Some of the
links will have to be copied and then posted in your search engine in order to
pull up properly
*** The CRC Blog
welcomes submissions from published and unpublished poets for BACKSTORY OF THE
POEM series. Contact CRC Blog via email
at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7
***This is #109 in a never-ending series called BACKSTORY
OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one
specific poem and how the poet wrote that specific poem. All BACKSTORY
OF THE POEM links are at the end of this piece.
“Bobby’s Story”
by Jimmy Pappas
Can you go through the step-by-step
process of writing this poem from the moment the idea was first conceived in
your brain until final form?
I joined the Vietnam Veterans of America
(https://
vva.org/) for the companionship of other veterans. I let it be known that, as a writer, I was interested in hearing and recording their stories.
Most veterans did not want to share. I am sorry to say that many of their stories have already died with them. I am a believer in telling these stories no matter where they lead. (Left:Bobby in his Mess Dress)
Bobby (Right) was willing to talk to me. I decided to focus on three things important to who we are: what we do, what we say, and what other people say about us. I continued to listen and learn about Bobby over a three-year period. But I never asked him any detailed questions. I always relied on what he wanted to tell me. When he was through speaking, I stopped writing and we talked about other things.
I joined the Vietnam Veterans of America
(https://
vva.org/) for the companionship of other veterans. I let it be known that, as a writer, I was interested in hearing and recording their stories.
Most veterans did not want to share. I am sorry to say that many of their stories have already died with them. I am a believer in telling these stories no matter where they lead. (Left:Bobby in his Mess Dress)
Bobby (Right) was willing to talk to me. I decided to focus on three things important to who we are: what we do, what we say, and what other people say about us. I continued to listen and learn about Bobby over a three-year period. But I never asked him any detailed questions. I always relied on what he wanted to tell me. When he was through speaking, I stopped writing and we talked about other things.
To give one example, Bobby told me
about how he went out with doctors sometimes to protect them because they did
not carry guns. There is a section in the poem about a doctor being killed by a
random shell from a Viet Cong mortar (Above Left).
I could tell Bobby felt like he failed in his responsibility, even though there was nothing he could do about it. He stopped and said, "That's it. I ain't got no more." I never asked him another question about the incident. (Right: Bobby at the beach)
I could tell Bobby felt like he failed in his responsibility, even though there was nothing he could do about it. He stopped and said, "That's it. I ain't got no more." I never asked him another question about the incident. (Right: Bobby at the beach)
Where were you when you started to actually write the poem? And please describe the place in great detail. Some of my first Bobby stories came from Bobby when we sat down together at a fall picnic for members of our veterans group. We sat at one of many tables eating from a buffet set up by the group. I did most of the talking about my desire to record some of the details of the Vietnam War from individual soldiers. I consider them the missing pieces that fill in the blanks of the big picture. He was one of the few veterans willing to speak about Vietnam. As you can see from the poem, Bobby loved to eat. In fact, he was an overeater. Food is a central motif in his story.
How many drafts of this poem did you write
before going to the final? (And can you share a photograph of your rough drafts
with pen markings on it?) I had pages of notes
and ideas. Most of it was on my computer. I would keep working on separate
sections of the poem at different times. Each time I had a new idea, I would
add it to the poem. I cannot count the total number of times I worked on the
poem over that time span. (Left: Bobby in fatigues)
Were there any lines in any of your rough
drafts of this poem that were not in the final version? And can you share
them with us? There are some lines that are not in
the final poem. I chose not to use them to protect Bobby. Right) So I cannot share
them.
What do you want readers of this poem to
take from this poem? I want them to see Vietnam veterans
as human beings. Not as heroes. Not as baby killers. Just regular human beings
trying to do an impossible job.
Which part of the poem was the most emotional for you to write and why? I think it was the part where I received the phone call from Melvin telling me that Bobby was going to be removed from life support. He said to me, "I know how much you loved him." I thought that was so powerful. I was raised in a Greek family where men never spoke of loving each other. So hearing someone tell me that they knew how much I loved Bobby as a friend was deeply emotional for me. I always had trouble reading that section out loud. In fact, I avoided reading it at open mics for a long time because it made me feel like crying.
Has this poem been published before?
And if so where? The poem has been published in Rattle. It was one of ten finalists
in the prestigious Rattle 2017 Poetry
Contest. It was then voted as the winner of the Readers Choice Award by the
subscribers of Rattle.
Anything you would like to add? I promised Bobby before he died that I would make him famous in a poem. So
if your readers want to help me do that, they can share the (above) link with
others and ask them to pass it on. Please only share the link, not the poem
itself. (Below: Jimmy speaking at Bobby's funeral)
Jimmy
Pappas served during the Vietnam War as an English language instructor training
South Vietnamese soldiers. Jimmy received his BA in English at Bridgewater
State University and an MA in English literature from Rivier University. He is
a retired teacher whose poems have been published in many journals, including Yellowchair
Review, Rattle, Shot Glass Journal, Soundings East, Off the Coast, and Boston Literary Magazine. He is the
Vice-President of the Poetry Society of NH. His poem "Bobby's Story"
was one of ten finalists in the prestigious 2017 Rattle Poetry Contest and was
the winner of the Readers Choice Award.
jpappas235@gmail.com
BACKSTORY OF THE POEM LINKS
jpappas235@gmail.com
BACKSTORY OF THE POEM LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s
Story”
by Jimmy Pappas
http://chrisricecooper.blogspot.com/2019/06/109-backstory-of-poem-bobbys-story-by.html
http://chrisricecooper.blogspot.com/2019/06/109-backstory-of-poem-bobbys-story-by.html
No comments:
Post a Comment