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***This is #150 in a never-ending series called BACKSTORY OF THE POEM
where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and
how the poet wrote that specific poem. All BACKSTORY OF THE POEM links
are at the end of this piece.
#150 Backstory of the Poem
#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
By Justin Hamm
Can you go through the step-by-step
process of writing this poem from the moment the idea was first conceived in
your brain until final form? I didn’t know when I jotted down the first seeds of what would
become this poem that I really had three different poems, and I needed to find
out which images and ideas would hold together. I’d been meditating on some
memories of a creek that ran near a trailer park when I was a kid. I had the
images of a particular photo excursion my dad and I took through Central
Illinois--that’s ultimately where the image of the corn crib comes from. And
finally, there are lines in the first notebook pages that seem to want to bring
a laborer into the mix.
My dad is a carpenter, and so I must have been thinking about
that as well. As the pages of ideas progress, you can see some of the elements
I mention combine and change, while others fall away, saved for different poems.
The creek no longer exists near the trailer park; now it is somewhere out in a
mythical version of Central Illinois. I try to be open to any language that
occurs during the composition process. That’s how the surprising phrase or
image is born. This means I often have strange or incongruent images penciled
in around the poems as they develop. You can also see me recasting the same
words with different lineation as I try to come to a sense of the pacing I
want.
You
can see them in the photographs of the poem evolving.
“The iron
wind/leveled lone things/over the prairie.”
“The drama
in the blue veins/of the old carpenter’s weathered wrists.”
“Hidden in
a grove/of cold pines/white headstones like bones/of a family plot.”
Things that might work their way into something else but just didn’t fit here.
What do you want readers of this poem to
take from this poem? I want them to grasp the essence of the Midwest as it exists in
my memory.
This is a poem about visiting a place that only exists in memory. I
hope the language communicates my subjective sense of this place.
Which part of the poem was the most
emotional of you to write and why? I actually labored over a single word in this poem
for a long time, and to be honest, my decision still isn’t settled because I’ve
changed that word in readings since the poem came out in my most recent book.
At the end of the poem, there is a line about the creek swallowing children,
and I vacillated between saying “my” mother, which is very personal, and “a” mother which is more in line with the
mythology the poem evokes. I couldn’t decide whether I wanted the poem to go in
that direction or not, and I still can’t.
I invite readers to tell me how they
read the poem differently, if at all, with that single word change. I certainly
think of the poem differently depending.
I invite readers to tell me how they
read the poem differently, if at all, with that single word change. I certainly
think of the poem differently depending.
Has this poem been published
before? And if so where?
It
appears in The Inheritance, my newest
collection of poems and photographs, from Blue Horse Press. I also read it on
WGLT 89.1, the NPR affiliate out of Normal, Illinois.
I Will Tell You Where I’ve Been
Look off in the direction
the weathervane points,
past the place where rain
raps sideways against the silo,
a stranger touching
the shoulder of a stranger
before asking permission to pass.
Look beyond the chrome plant.
It gleams like a future metropolis,
crying out corn steam
white as the teeth
of the pastor’s eldest son.
There, where warped-wood trestles
teeter over wildflower prairie
seasoned with primrose, goatsbeard,
sneezeweed and bristly buttercup—
that is the place I have been.
I went to walk along the banks
of the muddy creek, though I should
have known better. My heart is still
my heart, and I have not prayed
in earnest since I was a child.
Would you believe me if I swore
I only go there after a downpour?
That is when you can hear her rushing,
bubbling up. Sobbing, like my mother,
for all the children she’s swallowed
in the holy name of love.
Justin's photographs have hung in the Art House Gallery in
Fulton, Missouri and have earned a twelve-page, full-color feature in San Pedro River Review as well as the Inkslinger
Award from Buffalo Almanack. His work
has been or will soon be featured in solo exhibits in Columbia, Missouri; the
Normal Public Library in Normal, Illinois; Presser Arts Center in Mexico,
Missouri; The Mississippi River Gallery in Hannibal, Missouri; The HUB in
Rushville, Illinois; the Carbondale Public Library, in Carbondale, Illinois;
and elsewhere . Justin works at the District Librarian at North Callaway R-1
Schools and lives in Mexico with his wife and two daughters.
BACKSTORY OF THE POEM
LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s
Story”
by Jimmy Pappas
#110 June 10, 2019
“When You
Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the
Poem’s
“Cemetery
Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the
Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the
Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the
Poem
“Because the Birds Will
Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the
Poem
“NEW
YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the
Poem
“Dear the
estranged,”
by Gina Tron
#119 Backstory of the Poem
“In
Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the
Poem
“Horse Fly
Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the
Poem
“My
Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the
Poem
“Cousins I
Never Met”
by Maureen Kadish
Sherbondy
#123 Backstory of the
Poem
“To Those
Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the
Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the
Poem
“Tracy”
by Tiff Holland
#126 Backstory of the
Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the
Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the
Poem
“How to
Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the
Poem
“The Art of Meditation
In Tennessee”
by Linda Parsons
#130 Backstory of the
Poem
“Schooling
High, In Beslan”
by Satabdi Saha
#131 Backstory of the
Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the
Poem
“Our Age
of Anxiety”
by Henry Israeli
#133 Backstory of the
Poem
“Earth
Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the
Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the
Poem
“Bushwick
Blue”
by Susana H. Case
#137 Backstory of the
Poem
“Then She
Was Forever”
by Paula Persoleo
#138 Backstory of the
Poem
“Enough”
by Kris Bigalk
#139 Backstory of the
Poem
“From Ghosts of the
Upper Floor”
by Tony Trigilio
#140 Backstory of the
Poem
“Cloud
Audience”
by Wanita Zumbrunnen
#141 Backstory of the
Poem
“Condition
Center”
by Matthew Freeman
#142 Backstory of the
Poem
“Adventuresome
Woman”
by Cheryl Suchors
#143 Backstory of the
Poem
“The Way Back”
“The Way Back”
by Robert Walicki
#144 Backstory of the
Poem
“If I Had Three Lives”
by Sarah Russell
#145 Backstory of the
Poem
“Reservoir”
by Andrea Rexilius
#146 Backstory of the
Poem
“The Night
Before Our Dog Died”
by Melissa Fite Johnson
#147 Backstory of the
Poem
“Pileated”
by David Anthony Sam
#148 Backstory of the
Poem
“A Kitchen
Argument”
by Matthew Gwathmey
#149 Backstory of the
Poem
“Insulation”
by Bruce Kauffman
#150 Backstory of the
Poem
“I Will Tell You Where I’ve
Been”
by Justine Hamm
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