Friday, October 9, 2020

Catherine Graham’s “A Leash of Deer” is #200 in the never-ending series called BACKSTORY OF THE POEM

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***Catherine Graham’s “A Leash of Deer” is #200 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

Can you go through step-by-step writing of this poem from the moment the idea was first conceived in your brain until the final form?
My poem “A Leash of Deer” was sparked by an encounter with a coaster. I was in Edinburgh at the time, the last stop on a UK reading tour, and after performing at the Scottish Arts Club I wandered into a gift shop. There it was, leaning on a top shelf, depicting three deer and a phrase I’d never heard before: a leash of deer. The collective noun spoke to me on a visceral level. I bought the coaster and took it home, back to Toronto, Canada.
      
I have a love/hate relationship with deer. My father swerved to miss a deer while driving home one September night. He died on impact after his Caddy flipped, landing upside-down in the ditch. He was one road from home. The closeness was devastating. Home for the weekend from university, I was asleep when it happened. A policeman’s 3 AM knock on my bedroom door changed my life forever. My mother had died from breast cancer a few years ago and upon hearing the policeman’s shocking news, I remember reaching for the closest thing—the dresser—and saying out loud: I’m all alone.
A leash of deer. What did that mean? I began exploring the image further by playing with words and rhythms. The poem was the result.

Where were you when you started to actually write the poem? And please describe in detail.
I was in Toronto when I wrote the poem, sitting in a reclining chair by our townhouse window, my spiral notebook on my lap. Pen in hand and the coaster (LEFT) on the side table, I wrote the poem in 2015, shortly after my return from Scotland. Once I felt the draft was strong enough, I headed down to my study to type it out on the computer and then work on it from there.


How many drafts of this poem did you write before going to the final?
I wrote many drafts but the spine of the poem was there from the start. I followed the line—Untamable creatures, spotted as trout lily, camouflaged umber—and let the words unravel until the last line—bedroom door, the waiting cop. My main task during the revision process was to hone the shape, the music, the word choices, silence and so on. (Right Catherine Graham in her writing space)

What do you want readers of this poem to take from the poem?
I want them to experience the poem and let what happens happen after they’ve read it. For me it was a way of exploring the ‘what if’ moment after the shock of sudden death. (Left:  Catherine Graham in 2016)
        
If there hadn’t been a deer on the road that fateful night my father would still be alive, hence: Kill and stop the leash of deer / from spreading out so when that fall night rears…
This is futile, of course, and not healthy to ruminate over ‘what if’. And yet, there is something powerful that happens when the imagination engages with possibility or alternative endings. This is where art often lives. 
Which part of the poem was the most emotional for you to write and why?
For me the deer is a vessel for ambiguities. I’ve always been drawn to deer. As a little girl I had a collection of deer toys. I’ve also been described as one: You look like a deer in headlights. They are graceful, mysterious creatures. And if that deer hadn’t stood on Stonemill Road that September night my father would be alive. Or would he? He’d been drinking that night and the autopsy results indicated he was under the influence. 
Would another fateful encounter between the deer and home have caused his death? Was it really the deer’s fault? I’ve explored these possibilities for years in my writing, including in my debut novel Quarry and my forthcoming book: Aether: an out-of-body lyric. The energy behind the deer is endless and despite the painful association with my father’s death, they inspire me to create. We are trapped, the deer and I, in an imaginative dance. 

A Leash of Deer

Untamable creatures, spotted as trout lily, camouflaged umber, 
tawny branched with satellite ears, air-cupped to the heartbeat of the ground. 

Extended line between sun-dawn moon-dusk—a leash of deer. 
Which site brought forth the first? Allowed leggy form to lift 

up and off the forest floor into white-tailed leaps or red or roe. 
No matter. Kill. Suffocation. Quick throat slit. Kill and stop the leash of deer 

from spreading out so when that fall night rears, a father driving home, one road
away from home, no cloven-hoofed ungulate on Stonemill Road, parting from a field

of parting corn, from stalk and husk and rustle beside a frog-thick croaking ditch to trigger
panic—the swerve—a father would have made it back to bed, exhaling O’s of alcohol through 

greying shades of stubble and a daughter would awaken to the muffle of his morning 
snores through cedar walls and not the 3 am knocking at her bedroom door, the waiting cop.

from The Celery Forest (Wolsak & Wynn / Buckrider Books)

Has the poem been published before? And if so where?
Gutter: The magazine of new Scottish and international writing published the poem in their Autumn 2016 issue. I was honoured and delighted that the poem appeared in the land where I’d first encountered the collective noun—a lovely circling moment like a leash looped around a line of deer. And I was thrilled to read it during the two Gutter launches that summer, one at Blackwell’s Bookstore in Edinburgh and the other in Glasgow. That version of the poem had shorter lines and a different title: “Leash of Deer.” A year later when it became part of my forthcoming collection, The Celery Forest, my longstanding editor Paul Vermeersch (http://www.paulvermeersch.ca/) suggested longer lines. 
I agreed. The title changed as well: “A Leash of Deer.” 
Anything you would like to add? As mentioned above, deer have featured prominently in my writing. Below are deer poems from various books along with this more recent one:

If Tiny Crystals Form Close to the Earth’s Surface They Form Diamond Dust

My antler heart grows hooves.
I follow the lead from the pack.
Find shelter in a drunken forest—

what species isn’t at risk.
Insulating properties of snow 
keep me warm—

trapped air between each flake.
With body heat and earth-transfer heat
my home becomes a snowbank.

It’s not the hare’s scream 
that haunts, 
it’s the antecedent silence. 

from Stag Hill Literary Journal and Watch Your Head ( link: https://www.watchyourhead.ca/watch-your-head/poetry-catherine-graham1672612



To the Animal He Met in the Dark

I’ve often thought about you.

How you came in the night, in the middle of the night,
to stand on the road for some goddamn reason.

How in the blinding light you stood as still as branches, 
like anything trapped.

Nothing to see in the darkened windshield—
just the last expression on my drunk father’s face,

and you, white-tailed beast, reflected, just like that,
on your way through your own nocturnal route.

I have so often thought about you. 

from Her Red Hair Rises with the Wings of Insects (Wolsak & Wynn)






Sighting

Fractures of light through the trees ripen her pelt to a time-lapsed apple.
She stares without twitch or blink until the sun
deers behind a cloud and she browns and she branches into the trees.

from The Red Element (Insomniac Press)




They See What They Want to See

Mostly they’re found asleep in a curl
of forest until sun’s grey light softens them 
and they rise from their flat green beds.

This is their time to forage,
to find a route to the next green place.
To move, hoof-easy, across tree-lined streets,

blind to the signs silhouetting their shape,
moons from headlights, useless in sunlight, so they see
what they want to see in the glass and they leap.

from Winterkill (Insomniac Press)



Catherine Graham
is an award-winning poet, novelist and creative-writing teacher. Her sixth poetry collection, The Celery Forest, was named a CBC Best Book of the Year and was a finalist for the Fred Cogswell Award for Excellence in Poetry. 
 Michael Longley (Below Right) praised it as “a work of great fortitude and invention, full of jewel-like moments and dark gnomic utterance.” 
Her work has been translated into Greek, Serbo-Croatian, Bangla, Chinese and Spanish and she has appeared on CBC Radio’s The Next Chapter. She teaches creative writing at the University of Toronto SCS where she won an Excellence in Teaching Award. Publications include Arc Poetry Magazine, Poetry Daily, IceFloe Press, Glasgow Review of Books, Joyland, Event Magazine, Poetry Ireland, The Malahat Review and she was recently shortlisted for the Montreal International Poetry Prize. 
        
Her debut novel Quarry won an Independent Publisher Book Awards gold medal, “The Very Best!” Book Awards for Best Fiction and was a finalist for the Sarton Women’s Book Award and Fred Kerner Book Award. A previous winner of the Toronto International Festival of Authors’ Poetry NOW, she leads their monthly Book Club and is also an interviewer for By-the-Lake Book Club. Aether: an out-of-body lyric and her second novel, The Most Cunning Heart, are forthcoming.
 

Forthcoming from Wolsak & Wynn, 2021: Aether: an Out of Body Lyric

Forthcoming from Palimpsest Press, 2022: The Most Cunning Heart (novel)
 
Praise for Graham’s award winning debut novel Quarry:
…this imaginative coming-of-age tale is by turns tense, funny, painful, wondrous and all too real: a crazy, fearless dive into life’s deepest mysteries.  Toronto Star

Graham’s sixth poetry collection, The Celery Forest, is a CBC Books Top 10 Canadian Poetry Collection of 2017. and on CBC Books Ultimate Canadian Poetry List.
“…The Celery Forest is spellbinding, unsettling but powerful.”  Toronto Star
Reading venues include: https://www.poetryireland.ie/whats-on/canadian-lines Edinburgh Festival Fringe Seamus Heaney HomePlace

BACKSTORY OF THE POEM LINKS 

001  December 29, 2017
Margo Berdeshevksy’s “12-24”

002  January 08, 2018 
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

003 January 12, 2018 
Barbara Crooker’s “Orange”

004 January 22, 2018 
Sonia Saikaley’s “Modern Matsushima”

005 January 29, 2018
Ellen Foos’s “Side Yard”

006 February 03, 2018
Susan Sundwall’s “The Ringmaster” 

007 February 09, 2018
Leslea Newman’s “That Night”

008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”

009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”

010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

012  March 17, 2018
Angela Narciso Torres’s “What I Learned This Week” 

013 March 24, 2018
Jan Steckel’s “Holiday On ICE”

014 March 31, 2018
Ibrahim Honjo’s “Colors”

015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”

016  April 27, 2018 
Beth Copeland’s “Reliquary”

017  May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”

018  May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

019  June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

020 June 16, 2018 
Charles Rammelkamp’s “At Last I Can Start Suffering”

021  July 05, 2018 
Marla Shaw O’Neill’s “Wind Chimes”

022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel” 

023 July 20, 2018 
Bill Yarrow’s “Jesus Zombie”

024  July 27, 2018 
Telaina Eriksen’s “Brag 2016”

025  August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”

026  August 07, 2018
David Herrle’s “Devil In the Details”

027  August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

028  August 21, 2018
Connie Post’s “Two Deaths”

029  August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”

030 September 16, 2018
Larry Jaffe’s “The Risking Point”
 
031  September 24, 2018
Mark Lee Webb’s “After We Drove”

032  October 04, 2018
Melissa Studdard’s “Astral”

033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”

034  October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”

035 October 23, 2018
Timothy Gager’s “Sobriety” 

036  October 30, 2018
Gary Glauber’s “The Second Breakfast”

037  November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”

039  November 00, 2018
Gordon Hilger’s “Poe”

040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”

042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”

043  November 27, 2018
Megan Merchant’s “Grief Flowers”

044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”

045  December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”

046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”

047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”

048  December 14, 2018
Frank Paino’s “Laika”

049  December 15, 2018
Jennifer Martelli’s “Anniversary”

O50  December 19, 2018 
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov

052  December 27, 2018
“Under Surveillance”
by Michael Farry

053  December 28, 2018
“Grand Finale”
by Renuka Raghavan

054  December 29, 2018
“Aftermath”
by Gene Barry

055 January 2, 2019
“&”
by Larissa Shmailo

056  January 7, 2019
“The Seamstress:
by Len Kuntz

057  January 10, 2019
"Natural History"
by Camille T Dungy

058  January 11, 2019
“BLOCKADE”
by Brian Burmeister

059  January 12, 2019
“Lost”
by Clint Margrave

060 January 14, 2019
“Menopause”
by Pat Durmon

061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler

062  January 22, 2019
“Views From the Driveway”
by Amy Barone

063  January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky

064  January 30, 2019
“Shiprock”
by Terry Lucas

065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille

066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro

067  February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown

068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter

069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum

070 February 14, 2019
“Daily Commute”
by Christopher P. Locke 

071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper 

072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh

073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera

074 February 26, 2019
“Anthem”
by Sandy Coomer

075 March 4, 2019
“Shape of a Violin”
by Kelly Powell

076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear

077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall

078 March 9, 2019
“My Mother at 19”
by John Guzlowski

079 March 10, 2019 
“Paddling”
by Chera Hammons Miller 

080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings

081   082   083    March 14, 2019
“Little Political Sense”   “Crossing Kansas with Jim
Morrison”  “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen

084 March 15, 2019
“A Tune To Remember”
by Anna Evans

085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey

086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill

087 March 21, 2019
“Letters From a War”
by Chelsea Dingman

088 March 26, 2019
“HAT”
by Bob Heman
 
089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois

#090 March 30, 2019
“The Pose”
by John Hicks 

#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder

#092 April 4, 2019
“Original Sin”
by Diane Lockward

#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne
 
#094 April 8, 2019
“XX”
by Marc Zegans
 
#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox

#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough

#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz

#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr

#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman

#100 April 21, 2019
“How Do You Know?”
by Stephanie

#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo
 
#102 April 26, 2019
“THUNDER”
by Jefferson Carter

#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser

#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox

#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai 

#106 June 01, 2019
“i sold your car today”
by Pamela Twining

#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen

#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver

#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas

#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel 

#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne

#112 Backstory of the Poem’s
“Relics”
by Kate Peper

#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson

#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones

#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel 

#116 Backstory of the Poem
“DIVORCE”
by Joan Barasovska

#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer

#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron

#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer

#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison

#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins

#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy 

#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson

#125 Backstory of the Poem
“Tracy”
by Tiff Holland

#126 Backstory of the Poem
“Legs”
by Cindy Hochman

#127 Backstory of the Poem
“Anathema”
by Natasha Saje

#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins

#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons

#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha

#131 Backstory of the Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman

#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli

#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield

#134  Backstory of the Poem
“Eons”
by Janine Canan

#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf

#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case

#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo

#138 Backstory of the Poem
“Enough”
by Kris Bigalk

#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio

#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen

#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman

#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors

#143 Backstory of the Poem
“The Way Back” 
by Robert Walicki

#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell

#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius

#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson

#147 Backstory of the Poem
“Pileated”
by David Anthony Sam

#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey

#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman

#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm

#151 Backstory of the Poem
“Comfort”
by Michael A Griffith

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever


#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel

#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm

#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May

#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain

#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow

#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh

#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma

#160 Backstory of the Poem
“Last Call”
by Ralph Culver

#161 Backstory of the Poem
“ALIVE”
by David Dephy 

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling

#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano

#164 Backstory of the Poem
“Needlepoint Roses”
by Jason O’Toole 

#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen

#166 Backstory of the Poem
“How To Befriend Uncertainty”
by Prartho Sereno

#167 Backstory of the Poem
“Shostakovich: Five Pieces”
by Pamela Uschuk

#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
by Peter Kline

#169 Backstory of the Poem
“Heartbroken”
by Catherine Arra

#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood

#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes

#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark

#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills” 
by Cameron Morse

#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel

#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker

#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry

#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos

#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss

#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper

#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke 

#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus

#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy

#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns

#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost

#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna

#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter

#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost

#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney 

#190 Backstory of the Poem
July 14, 2020
““ΜΕΡΕΣ  ΥΠΟΜΟΝΗΣ/ Days
of patience” 
by Eftichia Kapardell’

#191 Backstory of the Poem
July 15, 2020
“Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver

#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley

#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch

#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah

#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank

#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising

#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley 

#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey

#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly

#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson

#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀” 
by Kimberly Burnham

#202 Backstory of the Poem
July 31, 2020
“192”
by Don Yorty

#203  Backstory of the Poem
August 01, 2020
“I want to unfold the disease”
by Vanessa Shields

#204 Backstory of the Poem
August 06, 2020
“A Bone of Contention with the Ghost of John Lennon Over Strawberry Fields Forever”
by Ruth Weinstein

#205 Backstory of the Poem
August 07 2020
“Statement by the Pedestrian Liberation Organisation”
by Thomas McColl 

#206 Backstory of the Poem
August 08 2020
“Un Poco Pequeño”
by Damon Chua

#207 Backstory of the Poem
August 10, 2020
“mary lou williams’s piano workshop (after Fred Moten)”
by Makalani Bandele

#208 Backstory of the Poem
August 18, 2020
“Roll Credits by KCK”
by Casey Kirkpatrick aka KCK

#209 Backstory of the Poem
August 21, 2020
“Ancient Pyramid”
by Mark Tulin

#210 Backstory of the Poem
August 23, 2020
“How Far the Storm?”
by Charles Malone

#211 Backstory of the Poem
August 27, 2020
“89 Tears”
by Robert Carr
  
#212 Backstory of the Poem
August 28, 2020 
“Food and Water”
by Brooke McNamara

#213 Backstory of the Poem
August 30, 2020
“To hold, to hollow”
by Meghan Lamb

#214 Backstory of the Poem
September 01, 2020
“Would It Be Too Much”
by Justine Quammie

#215 Backstory of the Poem
September 15, 2020
“Darkest days. . .Loneliest nights”
by Aaron R

#216 Backstory of the Poem
September 23, 2020
“About My Death”
by Jennifer Barber
 
#217 Backstory of the Pome
October 09, 2020
“Leash of Deer”
by Catherine Graham