*The images in this specific piece are granted copyright
privilege by: Public Domain, CCSAL, GNU Free Documentation Licenses, Fair
Use Under The United States Copyright Law, or given copyright privilege by the
copyright holder which is identified beneath the individual photo.
**Some of the links will have to be copied and then posted in
your search engine in order to pull up properly
*** The CRC Blog
welcomes submissions from published and unpublished poets for BACKSTORY OF THE
POEM series. Contact CRC Blog via email
at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7
***This is #124 in a
never-ending series called BACKSTORY OF THE POEM where the Chris Rice
Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that
specific poem. All BACKSTORY OF THE POEM links are at the end of
this piece.
#124
Backstory of the Poem
Looking
For Sunsets
(In The
Early Morning)
by
Paul Levinson
Can you go through the
step-by-step process of writing this poem from the moment the idea was first
conceived in your brain until final form? Beginning in November 1968,
Ed Fox and I began writing a whole bunch of songs. Usually, I would come up with a title and a
few lines, Ed would start writing the music, I would continue with the lyric,
Ed would complete music, and the song was done. Many of these songs ended up on our 1972 LP,
Twice Upon A Rhyme.
One night in
March 1969, I came over to Ed’s apartment with an idea for a song, “Looking for
Sunsets (In the Early Morning)”. Ed
immediately loved it, sat down by the piano, and began playing what would be
the melody and chords for the first verse.
I wrote the lyrics for the first two verses, and the chorus, that
evening. Ed wrote the music for the
chorus. I came by the next night, and
wrote the lyrics for the third and final verse.
Where were you when you
started to actually write the poem? And please describe the place in great
detail. In those
days, I lived up in the Bronx, and Ed lived on East 85th Street in
Manhattan. The title for “Looking for
Sunsets (In the Early Morning)” came to me as I walked up the stairs from the
subway on East 86th Street. I
wrote the rest of the lyric standing by piano, as Ed played, walking back and
forth, in Ed’s little apartment, in a brownstone on the second floor. We both loved the song, and always thought it
was the best song we’d ever written.
How many drafts of this
poem did you write before going to the final? Just two drafts:
the first consisted on the first two verses and the chorus, written on
the first night, and the second consisted of the third verse, written on the
second night. With that, the lyric was
concluded. (We scribbled the words and
chords down on paper, but that didn’t survive.
Sheet music was made for the song when it was released by Protozoa in
1973.)
Were there any lines in
any of your rough drafts of this poem that were not in the final version? And
can you share them with us? No, this was a lyric that just
spilled out of me. Everything fit just
right, the first time.
What do you want readers
of this poem to take from this poem? Since this is a lyric, we’re
talking about listeners, not readers.
(We’re also talking about singers – “Looking for Sunsets (In the Early
Morning)” has been covered by five other recording artists.)
Also, in October-November 2018, I
recorded a new album of new songs for Old Bear Records, with lyrics all written
by me, that go back to and develop the themes of “Looking for Sunsets”. The title of the new album comes from one of
its songs, “Welcome Up,” and should be released by Old Bear Records by the end
of 2019.
LOOKING
FOR SUNSETS
(IN
THE EARLY MORNING)
Words
by Paul Levinson, Music by Ed Fox
March
1969
We
wander a wet and windy shore
Washed
by the morning hour
Looking
for last night’s flower
On
the floor
We
drank of the dark red wine before
Now
that it’s turned to water
We
hope that the day is short
And
knock on evening’s door
(chorus)
Looking
for sunsets in the early morning
Always
longing for more
Looking
for sunsets when world is dawning
And
love is hiding from the roar
The
morning rolls out its awning like a store
Baby,
we won’t go shopping
We’ll
search ‘till the sundials stop
And
love begins to pour
(chorus)
Twitter: @PaulLev
BACKSTORY OF THE POEM
LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s
Story”
by Jimmy Pappas
#110 June 10, 2019
“When You
Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the
Poem’s
“Cemetery
Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the
Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the
Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the
Poem
“Because the Birds Will
Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the
Poem
“NEW
YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the
Poem
“Dear the
estranged,”
by Gina Tron
#119 Backstory of the Poem
“In
Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the
Poem
“Horse Fly
Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the
Poem
“My
Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the
Poem
“Cousins I
Never Met”
by Maureen Kadish
Sherbondy
#123 Backstory of the
Poem
“To Those
Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the
Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
