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***This is #149 in a never-ending series called BACKSTORY OF THE POEM
where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and
how the poet wrote that specific poem. All BACKSTORY OF THE POEM links
are at the end of this piece.
#149 Backstory of the
Poem
“Insulation”
by Bruce Kaufman
Can you go through the step-by-step process of writing this
poem from the moment the idea was first conceived in your brain until final
form? How poetry ‘arrives’ at me has been different in the last 25
years than it was in the first.
Most of my writing is done
outside my apartment. Usually cafés, but often as well in parks or near a lake
or a river. The walks there allow me time to simply passively observe – and to
open up and allow. This particular poem came to me as I was sitting in a café
after one of those walks.
Where were you when you started to actually write the poem?
And please describe the place in great detail. It was
Spring, mid-morning, at then one of my favourite cafés I’d go to write, The
Common Market. It sat (and still sits) near the lake, and the energy in the
space at that time was always allowed me to ‘shut off my mind’ (as Bradbury
suggested) and simply write. And the café itself was a small indie café,
usually fairly quiet.
I was seated at the first of three small round tables sitting in
a row – about 3 feet from each other in the middle of the café. I was purposely
sitting to watch the lake out the window, and sitting closest to it. The café
was busy that morning, but not noisy when I came in. Then two men sat down at
the table beside mine, each with their newspapers. After a few minutes, they
began talking about what they were reading, each talking over the other, and
both quite loudly.
I was simply looking for a
quiet place to write that morning, but still determined I pulled out my cd-Walkman
and began to listen as it drowned out their chatter. As I always do, I simply
waited for the words to arrive, and didn’t know when I put the pen to the page
what it would be. But within seconds this poem began to emerge, and possibly
ten minutes later it was complete, as if it wrote itself.
What month and year did you start writing this poem? It
was written in May, 2015, included in the manuscript I’d sent out initially in
early 2017, and then finally published in the collection in the Spring of 2019.
How many drafts of this poem did you write before going to
the final? (And can you share a photograph of your rough drafts with pen
markings on it?) Much of my poetry that means
something deeply to me arrives almost fully intact, complete. This was one. I
believe the only revision I made to this was in the second full stanza. I’d
originally used the word ‘seemingly’ between the words ‘never’ and ‘becoming’.
I pulled the word a couple of days after the poem was written because I felt
the stanza needed to be bolder and more definitive
What do you want readers of this poem to take from this
poem? I think this poem is essentially self-explanatory. I feel readers
will ‘get it’, but each in their own language.
Rightly or wrongly, I’m not a poet who believes there is only one
interpretation of a poem. In fact, I encourage that concept with my own poetry.
And is also why I almost never preface a poem at a reading.
Which part of the poem was the most emotional of you to
write and why? I’m not sure how to answer this. The full of
the poem was ‘in the moment’ and coming to me from the exact experience I was
placed in. The emotional part is how the words arrived, I guess. And how the
poem seemed to tie itself together and make a statement in that final stanza.
Has this poem been published before? And if so where?
The poem has been shared at readings in the past, and now during
the launch tour of the book, and recorded, but never published before. Again,
the poem is currently published in an
evening absence still waiting for moon (The John B. Lee
Signature Series, Hidden Brook Press, 2019).
Anything you would like to add? Simply the
process I use as I write. Always at least a short walk before. Find a conducive
space with what feels like clean energy. Clear my mind of all thought and
simply passively observe both as I walk there and as I sit to write. My poems
are never computer or typewriter generated – instead, always, that first draft
and even the first edits must be pen to the page in my journal. The poem then
is edited again as it is typed into the computer as a Word doc. All further edits
are then mostly done on screen. Perhaps the greatest epiphany I’ve had since I
adopted this more intuitive writing process, is that I no longer feel like I
create my poems, but instead I’m simply the transcriber, the vessel, the
conduit, the pen.
insulation
how
to insulate myself
from the noise
of the day
from the echoing shouts
of history
how
to distance myself
from
the pompousness of logic
the world never becoming
deaf to that noise
two
men sit beside me
in
their too loud
too
long too proud
conversations
between
the pages
of
their newspapers
newspapers
only
telling them
what
happened
yesterday
while
a new morning
away from this
is
spinning outside
already
weaving itself
in
the still colour and fullness
of
what it is
becoming
it
has lost them
they
are lost to it
tomorrow
morning
with
their papers in hand
they
will read about
a short remnant of a single
small thread of the full
blanket of this day
and
they will look up
from
their papers
they
will talk about it
loudly
and long
and
tell themselves
that
they know
while
a
new day outside
is
weaving its new threads
into a curtain
to
protect itself
from them
Bruce Kauffman
lives in Kingston, Ontario, Canada, and is a local poet, freelance editor, and
organizer of literary events. His written work has appeared in several
anthologies and journals, broadsides, two chapbooks, and four collections of
poetry, his latest - an evening absence still waiting for moon,
2019. He has edited 7 anthologies.
Beyond writing and editing, he organizes occasional book launch or reading
events, facilitates intuitive writing workshops, founded, organizes and hosts:
the monthly and the journey continues open mic reading series, the
annual multiday Poets @ Artfest poetry festival, and an annual Kingston
event tied to other 100 Thousand Poets for Change global events. He also
produces and hosts his weekly spoken word radio show, finding a voice,
on CFRC 101.9fm, Kingston, ON.
BACKSTORY OF THE POEM
LINKS
001 December 29, 2017
Margo
Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis
Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake
Café”
003 January 12, 2018
Barbara
Crooker’s “Orange”
004 January 22, 2018
Sonia
Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen
Foos’s “Side Yard”
006 February 03, 2018
Susan
Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea
Newman’s “That Night”
008 February 17, 2018
Alexis
Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles
Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott
Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya
Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela
Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan
Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim
Honjo’s “Colors”
015 April 14, 2018
Marilyn
Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth
Copeland’s “Reliquary”
017 May 12, 2018
Marlon
L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet
Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis
Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles
Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla
Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s
“Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus
Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag
2016”
025 August 01, 2018
Seth Berg’s “It is only
Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In
the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen
Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two
Deaths”
029 August 30, 2018
Mary Harwell Sayler’s
“Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The
Risking Point”
031 September 24,
2018
Mark Lee Webb’s “After
We Drove”
032 October 04, 2018
Melissa Studdard’s
“Astral”
033 October 13, 2018
Robert Craven’s “I Have
A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache
Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s
“Sobriety”
036 October 30, 2018
Gary Glauber’s “The
Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s
“Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s
“Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My
Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s
“Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s
“Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s
“This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo
for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in
the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial
Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s
“Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in
the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of
Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the
Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her
haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The
University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn
Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island,
Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm
of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A
Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke
My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother
at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water
and Echo”
by Gillian Cummings
081 082
083 March 14, 2019
“Little
Political Sense” “Crossing Kansas with
Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey
Martin-Bowen
084 March 15, 2019
“A Tune To
Remember”
by Anna Evans
085 March 19, 2019
“At the
End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of
Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters
From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for
the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last
Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original
Sin”
by Diane Lockward
#093 April 5, 2019
“A Father
Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape
and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries
Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New
Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee
Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid,
1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do
You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book
and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight
of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to
tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises
Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold
your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned
Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s
Story”
by Jimmy Pappas
#110 June 10, 2019
“When You
Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the
Poem’s
“Cemetery
Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the
Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the
Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the
Poem
“Because the Birds Will
Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the
Poem
“NEW
YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the
Poem
“Dear the
estranged,”
by Gina Tron
#119 Backstory of the Poem
“In
Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the
Poem
“Horse Fly
Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the
Poem
“My
Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the
Poem
“Cousins I
Never Met”
by Maureen Kadish
Sherbondy
#123 Backstory of the
Poem
“To Those
Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the
Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the
Poem
“Tracy”
by Tiff Holland
#126 Backstory of the
Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the
Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the
Poem
“How to
Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the
Poem
“The Art of Meditation
In Tennessee”
by Linda Parsons
#130 Backstory of the
Poem
“Schooling
High, In Beslan”
by Satabdi Saha
#131 Backstory of the
Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the
Poem
“Our Age
of Anxiety”
by Henry Israeli
#133 Backstory of the
Poem
“Earth
Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the
Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the
Poem
“Bushwick
Blue”
by Susana H. Case
#137 Backstory of the
Poem
“Then She
Was Forever”
by Paula Persoleo
#138 Backstory of the
Poem
“Enough”
by Kris Bigalk
#139 Backstory of the
Poem
“From Ghosts of the
Upper Floor”
by Tony Trigilio
#140 Backstory of the
Poem
“Cloud
Audience”
by Wanita Zumbrunnen
#141 Backstory of the
Poem
“Condition
Center”
by Matthew Freeman
#142 Backstory of the
Poem
“Adventuresome
Woman”
by Cheryl Suchors
#143 Backstory of the
Poem
“The Way Back”
“The Way Back”
by Robert Walicki
#144 Backstory of the
Poem
“If I Had Three Lives”
by Sarah Russell
#145 Backstory of the
Poem
“Reservoir”
by Andrea Rexilius
#146 Backstory of the
Poem
“The Night
Before Our Dog Died”
by Melissa Fite Johnson
#147 Backstory of the
Poem
“Pileated”
by David Anthony Sam
#148 Backstory of the
Poem
“A Kitchen
Argument”
by Matthew Gwathmey
#149 Backstory of the
Poem
“Insulation”
by Bruce Kauffman
