Tuesday, May 5, 2020

Megha Sood’s “Silence – A Lost Art” is #170 in the never-ending series called BACKSTORY OF THE POEM


*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

**Some of the links will have to be copied and then posted in your search engine in order to pull up properly

*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

***Megha Sood’s “Silence – A Lost Art” is #170 in the never-ending series called 
BACKSTORY 
OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until the final form? The poem was written around my understanding of silence and its aesthetics. To me, silence is common yet unique.
This poem came to me when I was sitting in my living room which overlooks the Hudson River and the Manhattan skyline. (Above and Below) Looking at the skyline in the late evening I realized that even living next to the busiest city in the world, silence has its own space. 

Everyone has their own perspective about it and their own interpretation. For some, it could be simple inclusiveness and isolation for others, it could be solitude. Silence to me has its own language which needs its own interpretation. This poem is special to me in many ways as it interests silence in various stages of emotions. I have always been intrigued by the effect of silence on us and which leads to seeping of this as underlying emotions in many of my poems. Trying to interpret the various ways of silence gave birth to this poem.

Where were you when you started to actually write the poem? And please describe the place in great detail. As I mentioned in the previous answer, I was sitting on my couch which faces the balcony overlooking the Hudson River. This is the usual place where I sit and compose my poems. My house overlooks the Hudson pier and is the usual spot for joggers and runners. Across the river, I have an uninterrupted view of the Manhattan skyline, which looks like a queen necklace in the evening. The beauty of flying seagulls and the crimson tinge of the rising sun have secretly seeped into a lot of my poems.

What month and year did you start writing this poem? I wrote this poem last year somewhere in January 2019. In the winters, the area which is normally teeming with laughter and giggles of kids playing in the nearby park is usually quietened down. Being a mom of a nine-year-old I usually wake up the first in the household. That day, something woke me earlier than my usual waking time and I looked outside my balcony and saw the most startling crimson laced view of Manhattan. It was one of the spectacular views of the skyline I have seen since the last two years I have moved into this place. Normally, my local street is filled with people chatting, kids laughing and the incessant sirens of the emergency vehicles but on that day at that very moment, everything was draped in that moment of silence. The moment became the inspiration for my poem.

How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) Since I directly write in the Wordpress editor, hence I don’t have access to my previous drafts. To the best of my knowledge, the poem went through one major revision for the first draft with replacements of a few words and additions of few lines breaks till it reached its final form. Most of my poems have been the result of the streams of consciousness writing hence they have very fewer edits or the drafts.

Were there any lines in any of your rough drafts of this poem that were not in the final version?  And can you share them with us? These were lines which I later edited out of the poem as it was not sitting well with the form and structure of the poem.

“Silence is secretive
as precious as the scrolls
hidden in the deepest treasures
as ambrosial as the Gods,
sitting boisterously in the heaven”

What do you want readers of this poem to take from this poem?Silence has its own language and aestithectis. In this world of hustle-bustle and immediacy, we all should spend some time to understand the intimacy and the closeness silence brings. Silence seems to be a lost art in today’s world and it can only be revived if we give our undivided attention to it. Being alone and with our thoughts gives us a deep introspection about ourselves about the world we are living in.
Spending some moments of quietude in this busy world opens portals of our understanding and apathy towards things that don’t catch our attention.
We should not devoid ourselves of such a riveting experience.

Which part of the poem was the most emotional of you to write and why?

Silence is neatly tucked
in the palm of a stillborn
dissolved in its muted stench”

Having experienced miscarriage in my life and going through the longest period of recovery of almost eight months as my body reacted very badly to the whole process.

Has this poem been published before?  And if so where? This poem has been published in the “Flight” Issue of the Nightingale and Sparrow Press. The following link also has the audio recording of the poem.
The poem also received an honorable mention in the Pangolin Poetry Prize 2019 Judged by Melissa Studdard
Anything you would like to add? I think I have pretty much covered the underlying emotion of the poem in my previous answers and furthermore the poems speak for itself.
As they say, although the poem takes birth in the mind of the writer but flourishes in the eyes of the readers.

Silence - a lost art


Silence is neatly tucked
between the layered wings of the soaring eagle
the shifting angle of his wings
holds the distance between
the spoken and the untold

Silence has its own semantics
the lexicon of the unspoken
I can carry the debilitating
pain in my marred soul for eons
before you see the
tears trickling from my eyes

Silence, a deep soliloquy with time
you press ears to the
throbbing heart
else would miss the pain

Silence is neatly tucked
in the palm of a stillborn
dissolved in its muted stench

Silence is the only conversation
for the reticent mind
as the moon brushes across my face
dripping the verses
picked neatly by the time

Silence is a lost art
so sublime.


Megha Sood is an Editor, Writer, Poet, and Blogger. A Graduate of Bachelor in Science (B.SC), Delhi University.  Post Graduate in Master of Computer Applications (MCA), Punjab University. She has worked in the IT field for more than a decade as a Project Manager in Business Intelligence and Data Warehousing. She has successfully implemented Supply Chain management solutions for the Wiring harness Auto companies spread across Europe, the US, UK, and India. She was placed Third in the University for her Post-Graduate program. She is also the founder and creator of the successful poetry blog  Megha's World (https://meghasworldsite.wordpress.com/)which has been selected as the Top 100 Poetry blogs to be followed in 2020 by Feedspot.
She is a contributing member at Free Verse Revolution, Heretics, Lovers and Madmen, Sudden Denouement, Whisper and the Roar, GoDogGoCafe, and Assistant Poetry Editor at Feminist Literary Journal MookyChick (UK) and Ariel Chart (US). Over 380+ works in journals including Better than Starbucks, WNYC Studio, Pandemic Project of Poetry Society of New York,FIVE:2: ONE, KOAN, Kissing Dynamite, Foliate Oak. Visitant Lit, Quail Bell, Dime show review, etc. Works featured/upcoming in 38 other print anthologies by the US, UK, Australian, and Canadian Press. Two-time State-level winner of the NJ Poetry Contest 2018/2019.National level poetry finalist in Poetry Matters Prize 2019. Finalist in the Pangolin Poetry Prize 2019 and Adelaide Literary Award 2019. Works selected numerous times by Jersey City Writers Group and Department of Cultural Affairs (DOCA) for the Arts House Festival. She blogs at https://meghasworldsite.wordpress.com and tweets at @meghasood16  
     She has also been accepted in the Poets and Writers Directory maintained by Poets and Writers (pw.org). Founded in 1970, Poets & Writers is the USA’s largest nonprofit organization serving creative writers. Here is the link to her profile: https://www.pw.org/directory/writers/megha_sood
Her poem was also selected in the New Jersey’s Best Emerging Poets,2019
Her work in the anthology  “RECLAIM:an anthology of women’s poetry “ has been showcased in the Poet’s House Summer Program in Manhattan, USA
The anthology “ We Will Not Be Silenced, Indie Blu Press” was named as the Top 100 Poetry anthology of 2019 by Huffington Post.
     Currently she is co-editing a feminist anthology “THE MEDUSA Project” for the UK based lit journal MookyChick celebrating the 100 years of the Woman’s Suffrage movement in USA.
     Recently, one of her poem was selected in the WNYC #Pause Poetry Challenge and she also collaborated with Kate Belew, Editor of Milke Press, Poetry Society of New York for her Pandemic Poems Project.

     
  Megha Sood (Left) was also featured in the Poetry Corner section of the Desh Videsh Magazine, an imprint of the Desh Videsh Media Group, in honor of the National Poetry Month, with a current readership of 70,000 readers spanned across seven states in USA
She was also the finalist in the Adelaide Literary Award, 2019 for the Best Poem category


twitter: @meghasood16
Instagram: @meghasworld16
PW.org:https://www.pw.org/directory/writers/megha_sood

BACKSTORY OF THE POEM LINKS

001  December 29, 2017
Margo Berdeshevksy’s “12-24”

002  January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

003 January 12, 2018
Barbara Crooker’s “Orange”

004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”

005 January 29, 2018
Ellen Foos’s “Side Yard”

006 February 03, 2018
Susan Sundwall’s “The Ringmaster”

007 February 09, 2018
Leslea Newman’s “That Night”


008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”

009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”

010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

012  March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”

013 March 24, 2018
Jan Steckel’s “Holiday On ICE”

014 March 31, 2018
Ibrahim Honjo’s “Colors”

015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”

016  April 27, 2018
Beth Copeland’s “Reliquary”

017  May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”

018  May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

019  June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”

021  July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”

022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”

023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”

024  July 27, 2018
Telaina Eriksen’s “Brag 2016”

025  August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”

026  August 07, 2018
David Herrle’s “Devil In the Details”

027  August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

028  August 21, 2018
Connie Post’s “Two Deaths”

029  August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”

030 September 16, 2018
Larry Jaffe’s “The Risking Point”

031  September 24, 2018
Mark Lee Webb’s “After We Drove”

032  October 04, 2018
Melissa Studdard’s “Astral”

033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”

034  October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”

035 October 23, 2018
Timothy Gager’s “Sobriety”

036  October 30, 2018
Gary Glauber’s “The Second Breakfast”

037  November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”

039  November 00, 2018
Gordon Hilger’s “Poe”

040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”

042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”

043  November 27, 2018
Megan Merchant’s “Grief Flowers”

044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”

045  December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”

046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”

047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”

048  December 14, 2018
Frank Paino’s “Laika”

049  December 15, 2018
Jennifer Martelli’s “Anniversary”

O50  December 19, 2018
Joseph Ross’s For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov

052  December 27, 2018
“Under Surveillance”
by Michael Farry

053  December 28, 2018
“Grand Finale”
by Renuka Raghavan

054  December 29, 2018
“Aftermath”
by Gene Barry

055 January 2, 2019
“&”
by Larissa Shmailo

056  January 7, 2019
“The Seamstress:
by Len Kuntz

057  January 10, 2019
"Natural History"
by Camille T Dungy

058  January 11, 2019
“BLOCKADE”
by Brian Burmeister

059  January 12, 2019
“Lost”
by Clint Margrave

060 January 14, 2019
“Menopause”
by Pat Durmon

061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062  January 22, 2019
“Views From the Driveway”
by Amy Barone

063  January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky

064  January 30, 2019
“Shiprock”
by Terry Lucas

065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille

066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro

067  February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown

068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter

069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum

070 February 14, 2019
“Daily Commute”
by Christopher P. Locke

071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper

072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh

073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera

074 February 26, 2019
“Anthem”
by Sandy Coomer

075 March 4, 2019
“Shape of a Violin”
by Kelly Powell

076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear

077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall

078 March 9, 2019
“My Mother at 19”
by John Guzlowski

079 March 10, 2019
“Paddling”
by Chera Hammons Miller

080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings

081   082   083    March 14, 2019
“Little Political Sense”   “Crossing Kansas with Jim
Morrison”  “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen

084 March 15, 2019
“A Tune To Remember”
by Anna Evans

085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey

086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill

087 March 21, 2019
“Letters From a War”
by Chelsea Dingman

088 March 26, 2019
“HAT”
by Bob Heman

089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois

#090 March 30, 2019
“The Pose”
by John Hicks

#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder

#092 April 4, 2019
“Original Sin”
by Diane Lockward

#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne

#094 April 8, 2019
“XX”
by Marc Zegans

#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox

#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough

#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz

#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr

#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman
  
#100 April 21, 2019
“How Do You Know?”
by Stephanie

#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo

#102 April 26, 2019
“THUNDER”
by Jefferson Carter

#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser

#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox

#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai

#106 June 01, 2019
“i sold your car today”
by Pamela Twining

#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen

#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver

#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas

#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel

#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne

#112 Backstory of the Poem’s
“Relics”
by Kate Peper

#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson

#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones

#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel

#116 Backstory of the Poem
“DIVORCE”
by Joan Barasovska

#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer

#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron

#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer

#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison

#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins

#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy

#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson

#125 Backstory of the Poem
“Tracy”
by Tiff Holland

#126 Backstory of the Poem
“Legs”
by Cindy Hochman

#127 Backstory of the Poem
“Anathema”
by Natasha Saje

#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins

#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons

#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha

#131 Backstory of the Poem
“Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman

#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli

#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield

#134  Backstory of the Poem
“Eons”
by Janine Canan

#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf

#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case

#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo

#138 Backstory of the Poem
“Enough”
by Kris Bigalk

#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio

#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen

#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman

#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors

#143 Backstory of the Poem
“The Way Back”
by Robert Walicki

#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell

#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius

#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson

#147 Backstory of the Poem
“Pileated”
by David Anthony Sam

#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey

#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman

#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm

#151 Backstory of the Poem
“Comfort”
by Michael A Griffith

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever

#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel

#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm

#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May

#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain

#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow

#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh

#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma

#160 Backstory of the Poem
“Last Call”
by Ralph Culver

#161 Backstory of the Poem
“ALIVE”
by David Dephy

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling

#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano

#164 Backstory of the Poem
“Needlepoint Roses”
by Jason O’Toole

#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen

#166 Backstory of the Poem
“How To Befriend Uncertainty”
by Prartho Sereno

#167 Backstory of the Poem
“Shostakovich: Five Pieces”
by Pamela Uschuk

#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
by Peter Kline

#169 Backstory of the Poem
“Heartbroken”
by Catherine Arra

#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood

No comments:

Post a Comment