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*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series. Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7
***Kimberly Burnham’s “Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀” is #201 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem. All BACKSTORY OF
THE POEM links are at the end of this piece.
Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? Every month I write three poems for Inner Child Press’ The Year of The Poet book.
Our collective, about 15 poets call ourselves, The Poetry Posse. We are tasked with writing one poem on a particular theme and two poems of our choosing. In 2019, our themed poems were on a particular region of the world. So, for a year my focus was on a different region of the world each month. I have also been thinking about different countries, languages, and the word for “peace” in different languages for the last two or three years.
I saw a call for poems in response to news items and came upon this article about women arrested in Indonesia. That prompted me to looking at an Indonesian dictionary for the word for “peace” and “woman” in Indonesian.
My passion for peace and language came together with my feminism and desire for understanding people different from myself.
I am constantly looking at multilingual dictionaries, searching for the word for “peace” in my spare time. I have collected the word for peace in about 3000 different languages and written another collection of poetry entitled, Awakenings, Peace Dictionary, Language, and the Mind, A Daily Brain Health Program. I believe when we expand our definition of peace we increase our inner peace and our understanding of the people around us. The same is true when we get a glimpse into the lives of people different from ourselves.
When I saw the call for poems in response to the news and this news about the Indonesian women, I set aside my passion project on “peace” and started looking for the word for “woman” in some of the dictionaries. 
Over a period of several weeks I wrote 30 or so dictionary poems, which make use of the words in the dictionary definition, example sentences, and a look at what else is on the page, before and after the chosen word.
In the Oxford English Dictionary, the word “woman” appears after “woma”, a brownish-grey Australian python and the entry after it is “womb” so as I say in my first poem in the collection, ”in English a woman finds herself nestled between a snake and procreative part of her own body.”
Because the word for woman is unique in other languages the word before and after the word for “woman” is different. The example sentences are also unique to that particular dictionary, language, and culture.
Where were you when you started to actually write the poem? And please describe the place in great detail. I feel incredibly lucky. I mostly write at home on my computer. I live in a relatively rural setting in Spokane, Washington. My home office door leads to the backyard where we have three dogs, two goats, and often a trampoline full of kids. Beyond the backyard is our large fenced garden where I can meditate and exercises as I grow fruits, vegetables, and flowers. I find I rarely have writer’s block because I can always take a quick break and go outside into a beautiful natural environment.
What month and year did you start writing this poem? I typically write fast. I wrote it over a few of days in March 2019. I have had a monthly deadline for three poems for Inner Child Press’ The Year of the Poet, every month for the last six years so I have developed a discipline for writing on deadline. I usually have an idea that I mull over for several days, sometimes even a few weeks but when I start writing, I find the words flow.
How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) With this poem as it often happens, I write the draft of the poem on the computer and then I let it sit for a couple of days as it simmers in the back of my mind. Then I go back and rework it. I find the rough places where it doesn’t flow. I read it out loud at least three times. Sometimes, I read it backwards, one word at a time, as I think about each word. Is it the word I mean? Then I let it sit for another day or so, at least overnight, before reading aloud again and sending it off wherever it is meant to go.
In a way it is a kind of Found Poem, I just have to pick out the words for the poem.
Were there any lines in any of your rough drafts of this poem that were not in the final version? And can you share them with us? Because I work on a computer, I don’t typically keep earlier drafts, but I usually make changes, sometimes changing a whole stanza or rearranging words or stanzas.
What do you want readers of this poem to take from this poem? Women live all over the world, but no two of us have the same life experience. Our experience of life is significantly influenced by the culture we live in, how the people around us value women, and how we respond to the challenges and barriers in our life. I think when we see, really see the world through other people’s eyes we can be both grateful for all the good in our own life and think about ways to reach out and help people who are different from us whether they live half a world away or right around the corner.
Which part of the poem was the most emotional of you to write and why? When I read the dictionary line, "A woman fell from a ship into the sea" given as an example of use of the word “woman” in a sentence, I thought, what kind of life must women in Indonesia have that this is the example sentence in an Indonesian-English dictionary. Is falling from a ship into the sea, so common that everyone would immediately understand the sentence and context of the word “woman” in that sentence. I realized, of course, that Indonesia is a country made up of many islands and therefore probably lots of ocean travel. I started to think about how different my life is in landlocked Spokane, Washington. I often have the experience of hearing about some event or experience and once again, realize that it is hard to know another’s experience of life. It propels me to seek to be more compassionate.
Has this poem been published before? And if so where? It is part of a collection called, A Woman’s Place in the Dictionary, a Collection of Before and After Dictionary Poems, which I published in 2019. The book has poems related to the dictionary entry for the word, “woman” in about 30 different languages. Each of the word of this particular poem in quotation marks are example sentences from an Indonesian-English dictionary. https://www.amazon.com/Womans-Place-Dictionary-Collection-Before/dp/1098608410
It was originally published online March 2019 at Poetry 24 with the tagline News is the Muse. They published poems inspired by the news. This was written in response to Three Indonesian Women Jailed For Advocating for Gay Rights.
Indonesian housewives arrested over election video: Police http://www.poetry24.co.uk/2019/03/gentle-women-adult-female-persons-and.html
Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀
In Indonesian "wanita" is defined as an adult female person
so is "perempuan" and "inong"
"céwék" and "ibu" mean woman
"bu" is translated dame, gentle woman, lady,
ma'am, madam, mother, as well as woman
and I wonder how women are treated in Indonesia
by the author of the dictionary including
these example sentences:
"Just bite the bullet
and have a Cobb salad with the woman"
"Nikmatilah saat yang buruk
dan juga salad Cobb dengan ibu"
I imagine shouting and wonder
what a Cobb salad and a bullet taste like in Indonesia
"A woman fell from a ship into the sea"
"Seorang perempuan jatuh ke laut dari sebuah kapal"
a story comes about why she was on the ship
and how she fell
loss of life followed by a string of words and losses
"A woman whose husband is dead is called a widow"
"Seorang wanita, yang suaminya meninggal, disebut janda"
and "The woman had just lost her only daughter"
"Satu-satunya anak perempuan wanita itu baru saja meninggal"
Then I imagine a man saying this sentence using "woman"
but she doesn't really seem to be there in Indonesian
"How dare you touch my woman!"
"Beraninya kau menyentuh istriku!"
he is trying to possess this woman
who has lost so much and control
three Indonesian housewives arrested for posting a video
advocating for lesbian rights
And a mother of sons responds
"When a woman gives it to you straight
don't give her a line like you don't remember"
"Saat wanita berterus terang,
jangan ucapkan kalimat misalnya kau tak ingat apa-apa"
I relax when these words are spoken
maybe women are taking back the power
that was always ours here and there
around the world
Kimberly Burnham, PhD (Integrative Medicine) worked for 10 years as a freelance journalist and photographer. She has over 60 publication credits on Amazon including her own clinical self-care books, inspirational essays in non-fiction anthologies, and over 100 published poems, as well as photographs in children's books. An award-winning poet, Kimberly blogs regularly for SpokaneFavs with a column on the intersection of faith traditions and healing modalities. Part of the Inner Child Press Poetry Posse, she write three poems each month for the monthly Year of the Poet, which is in its second year. She also has a column in the Inner Child Magazine, entitled Community of Humanity. Co-owner of a small publishing house, Kimberly works with writers, authors, bloggers, and students to craft their writing project, paper, thesis, or dissertation into something that they are proud to share with the world. You can see more information about her at http://www.amazon.com/Kimberly-Burnha... and http://www.nervewhisperer.solutions
#192 Backstory of the Poem
BACKSTORY OF THE POEM LINKS
001 December 29, 2017
Margo Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”
003 January 12, 2018
Barbara Crooker’s “Orange”
004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen Foos’s “Side Yard”
006 February 03, 2018
Susan Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea Newman’s “That Night”
008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim Honjo’s “Colors”
015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth Copeland’s “Reliquary”
017 May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag 2016”
025 August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two Deaths”
029 August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The Risking Point”
031 September 24, 2018
Mark Lee Webb’s “After We Drove”
032 October 04, 2018
Melissa Studdard’s “Astral”
033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s “Sobriety”
036 October 30, 2018
Gary Glauber’s “The Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s “Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings
081 082 083 March 14, 2019
“Little Political Sense” “Crossing Kansas with Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen
084 March 15, 2019
“A Tune To Remember”
by Anna Evans
085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original Sin”
by Diane Lockward
#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas
#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron
#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy
#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the Poem
“Tracy”
by Tiff Holland
#126 Backstory of the Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons
#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha
#131 Backstory of the Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli
#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case
#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo
#138 Backstory of the Poem
“Enough”
by Kris Bigalk
#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio
#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen
#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman
#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors
#143 Backstory of the Poem
“The Way Back”
“The Way Back”
by Robert Walicki
#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell
#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius
#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson
#147 Backstory of the Poem
“Pileated”
by David Anthony Sam
#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey
#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman
#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm
#151 Backstory of the Poem
“Comfort”
by Michael A Griffith
#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel
#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm
#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May
#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain
#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow
#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh
#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma
#160 Backstory of the Poem
“Last Call”
“Last Call”
by Ralph Culver
#161 Backstory of the Poem
“ALIVE”
by David Dephy
#162 Backstory of the Poem
“Mare Nostrum”
“Mare Nostrum”
by Janice D Soderling
#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano
#164 Backstory of the Poem
“Needlepoint Roses”
“Needlepoint Roses”
by Jason O’Toole
#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen
#166 Backstory of the Poem
“How To Befriend Uncertainty”
“How To Befriend Uncertainty”
by Prartho Sereno
#167 Backstory of the Poem
“Shostakovich: Five Pieces”
“Shostakovich: Five Pieces”
by Pamela Uschuk
#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
“Bouquet for Amy Clampitt”
by Peter Kline
#169 Backstory of the Poem
“Heartbroken”
“Heartbroken”
by Catherine Arra
#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood
#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes
#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark
#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills”
by Cameron Morse
#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel
#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker
#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry
#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos
#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss
#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper
#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke
#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus
#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy
#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns
#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost
#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter
#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost
#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney
#190 Backstory of the Poem
July 14, 2020
““ΜΕΡΕΣ ΥΠΟΜΟΝΗΣ/ Days
of patience”
by Eftichia Kapardell’
#191 Backstory of the Poem
July 15, 2020
“Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver
#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley
#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch
#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah
#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank
by Matthew Gavin Frank
#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising
#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley
#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey
#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly
#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson
#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀”
by Kimberly Burnham
