Tuesday, September 15, 2020

Aaron R’s “Darkest days. . .Loneliest nights” is #215 in the never-ending series called BACKSTORY OF THE POEM


*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

**Some of the links will have to be copied and then posted in your search engine in order to pull up properly

*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

***Aaron R’s “Darkest days. . .Loneliest nights” is #215 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? In February 2015, I had some severe stomach pain where I had to go to the emergency room. After I was released from the emergency room, I decided to write about what I felt like through that experience. So it was a thought of “I wonder if anyone else has ever been sick and couldn’t express how they felt to others?” That’s what led me to writing this poem, it was about expressing what it was like to go through what I went through where essentially you’re just relying on faith and prayer to get through this awful feeling. (Above Right: Aaron R in May of 2018)

Where were you when you started to actually write the poem?  And please describe the place in great detail. Luckily, I was at home. I had already been out of the hospital for about 1-2 weeks. So I was comfortable, but the experience was originated from being at home, and then traveling to the hospital and then being on the hospital bed in the emergency room. (Above Left:  Aaron R's bedroom where he wrote the poem)

What do you want readers of this poem to take from this poem? That unfortunately sickness is part of life and something that we can’t control. It’s important to have some belief, whether it be in God or a higher power that you can get through difficult moments. It’s important to know that it’s okay to be down, but to not give up. (Right Right:  Aaron R in October of 2018)

Which part of the poem was the most emotional of you to write and why?  The chorus part : “In my darkest day, in my loneliest night, on my knees I pray, pray that I’ll be alright, is this the end of day? Will I ever get to see light? Then I heard God say, ‘my son, things will be alright.’” Because when I was sick, I literally had those thoughts. Like am I going to ever feel better? Will I ever see light again? I just need a sign or God to tell me that it’s going to be okay. There was a point in time where I just felt this overwhelming calm over me saying that things were going to be alright and I started feeling better. 

Has this poem been published before?  And if so where? Yes, this is in Poetically Correct Volume 1, which is available on iTunes as well as amazon. You can also see the video of this poem that will show you the behind the scenes of what it was like at https://www.youtube.com/aaronRthepoet For more information, you can visit http://aaronrpoems.com

Darkest days…Loneliest nights

In my darkest day, in my loneliest night
On my knees I pray, pray that I’ll be alright
Is this the end of day? Will I ever see light?
Waiting for God to say “My son things will be alright.”
Not worried about girls not worried about fun
Just want a healthy day - so far I’ve had none 
The things I thought that mattered
Like a mirror they all have shattered
Feel like I’m stuck with bad luck
Thoughts about giving it up
Thoughts about giving in
Feels like I’ve had enough 
But I know I can win if I just stay strong
The light is ahead in the tunnel if I can just hold on 
In my darkest day, in my loneliest night
On my knees I pray, pray that I’ll be alright
Is this the end of day? Will I ever see light?
Waiting for God to say: “My son, things will be alright.”
Not worried about wealth 
Just worried about health
Those material wishes can get stuck on a shelf
I’m worried about self
I’m not worried about everyone else
A pain that I’ve never felt 
Guess it’s the hand I’ve been dealt
It’s a reason to it- gotta find the silver lining 
It’s a season to it - God is doing some designing 
Maybe its refining; To a cleanser soul
Still in my youth; getting encouragement from the old 
That I’ll be strong again 
That I’ll be me again
Keep Him on my side and I’m destined to win 
My thoughts went dark and I can’t figure me out
Tears in my eyes as I replied this is what came out :
 “In my darkest day, in my loneliest night
On my knees I pray, pray that I’ll be alright
Is this the end of day? Will I ever see light?”
Then I felt God say: “My son- things will be alright.” 

          Aaron R is from Hampton Va, currently residing in Arlington, VA. Aaron R is a poetry contest winner and author of Poetically Correct Volume 1. Aaron R has been turning his poetry into poem videos. Aaron R loves to help others, work out, and watching sports.


BACKSTORY OF THE POEM LINKS

001  December 29, 2017
Margo Berdeshevksy’s “12-24”

002  January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”

003 January 12, 2018
Barbara Crooker’s “Orange”

004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”

005 January 29, 2018
Ellen Foos’s “Side Yard”

006 February 03, 2018
Susan Sundwall’s “The Ringmaster”

007 February 09, 2018
Leslea Newman’s “That Night”

008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”

009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”

010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”

011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”

012  March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”

013 March 24, 2018
Jan Steckel’s “Holiday On ICE”

014 March 31, 2018
Ibrahim Honjo’s “Colors”

015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”

016  April 27, 2018
Beth Copeland’s “Reliquary”

017  May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”

018  May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”

019  June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”

020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”

021  July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”

022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”

023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”

024  July 27, 2018
Telaina Eriksen’s “Brag 2016”

025  August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”

026  August 07, 2018
David Herrle’s “Devil In the Details”

027  August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”

028  August 21, 2018
Connie Post’s “Two Deaths”

029  August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”

030 September 16, 2018
Larry Jaffe’s “The Risking Point”

031  September 24, 2018
Mark Lee Webb’s “After We Drove”

032  October 04, 2018
Melissa Studdard’s “Astral”

033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”

034  October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”

035 October 23, 2018
Timothy Gager’s “Sobriety”

036  October 30, 2018
Gary Glauber’s “The Second Breakfast”

037  November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”

038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”

039  November 00, 2018
Gordon Hilger’s “Poe”

040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”

041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”

042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”

043  November 27, 2018
Megan Merchant’s “Grief Flowers”

044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”

045  December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”

046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”

047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”

048  December 14, 2018
Frank Paino’s “Laika”

049  December 15, 2018
Jennifer Martelli’s “Anniversary”

O50  December 19, 2018
Joseph Ross’s For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”

051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov

052  December 27, 2018
“Under Surveillance”
by Michael Farry

053  December 28, 2018
“Grand Finale”
by Renuka Raghavan

054  December 29, 2018
“Aftermath”
by Gene Barry

055 January 2, 2019
“&”
by Larissa Shmailo

056  January 7, 2019
“The Seamstress:
by Len Kuntz

057  January 10, 2019
"Natural History"
by Camille T Dungy

058  January 11, 2019
“BLOCKADE”
by Brian Burmeister

059  January 12, 2019
“Lost”
by Clint Margrave

060 January 14, 2019
“Menopause”
by Pat Durmon

061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler

062  January 22, 2019
“Views From the Driveway”
by Amy Barone

063  January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky

064  January 30, 2019
“Shiprock”
by Terry Lucas

065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille

066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro

067  February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown

068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter

069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum

070 February 14, 2019
“Daily Commute”
by Christopher P. Locke

071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper

072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh

073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera

074 February 26, 2019
“Anthem”
by Sandy Coomer

075 March 4, 2019
“Shape of a Violin”
by Kelly Powell

076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear

077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall

078 March 9, 2019
“My Mother at 19”
by John Guzlowski

079 March 10, 2019
“Paddling”
by Chera Hammons Miller

080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings

081   082   083    March 14, 2019
“Little Political Sense”   “Crossing Kansas with Jim
Morrison”  “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen

084 March 15, 2019
“A Tune To Remember”
by Anna Evans

085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey

086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill

087 March 21, 2019
“Letters From a War”
by Chelsea Dingman

088 March 26, 2019
“HAT”
by Bob Heman

089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois

#090 March 30, 2019
“The Pose”
by John Hicks

#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder

#092 April 4, 2019
“Original Sin”
by Diane Lockward

#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne

#094 April 8, 2019
“XX”
by Marc Zegans

#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox

#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough

#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz

#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr

#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman

#100 April 21, 2019
“How Do You Know?”
by Stephanie

#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo

#102 April 26, 2019
“THUNDER”
by Jefferson Carter

#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser

#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox

#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai

#106 June 01, 2019
“i sold your car today”
by Pamela Twining

#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen

#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver

#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas

#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel

#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne

#112 Backstory of the Poem’s
“Relics”
by Kate Peper

#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson

#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones

#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel

#116 Backstory of the Poem
“DIVORCE”
by Joan Barasovska

#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer

#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron

#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer

#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison

#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins

#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy

#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson

#125 Backstory of the Poem
“Tracy”
by Tiff Holland

#126 Backstory of the Poem
“Legs”
by Cindy Hochman

#127 Backstory of the Poem
“Anathema”
by Natasha Saje

#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins

#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons

#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha

#131 Backstory of the Poem
“Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman

#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli

#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield

#134  Backstory of the Poem
“Eons”
by Janine Canan

#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf

#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case

#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo

#138 Backstory of the Poem
“Enough”
by Kris Bigalk

#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio

#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen

#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman

#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors

#143 Backstory of the Poem
“The Way Back”
by Robert Walicki

#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell

#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius

#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson

#147 Backstory of the Poem
“Pileated”
by David Anthony Sam

#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey

#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman

#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm

#151 Backstory of the Poem
“Comfort”
by Michael A Griffith

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever


#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel

#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm

#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May

#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain

#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow

#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh

#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma

#160 Backstory of the Poem
“Last Call”
by Ralph Culver

#161 Backstory of the Poem
“ALIVE”
by David Dephy

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling

#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano

#164 Backstory of the Poem
“Needlepoint Roses”
by Jason O’Toole

#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen

#166 Backstory of the Poem
“How To Befriend Uncertainty”
by Prartho Sereno

#167 Backstory of the Poem
“Shostakovich: Five Pieces”
by Pamela Uschuk

#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
by Peter Kline

#169 Backstory of the Poem
“Heartbroken”
by Catherine Arra

#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood

#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes

#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark

#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills”
by Cameron Morse

#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel

#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker

#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry

#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos

#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss

#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper

#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke

#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus

#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy

#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns

#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost

#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna

#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter

#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost

#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney

#190 Backstory of the Poem
July 14, 2020
ΜΕΡΕΣ  ΥΠΟΜΟΝΗΣ/ Days
of patience” 
by Eftichia Kapardell’

#191 Backstory of the Poem
July 15, 2020
Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver

#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley

#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch

#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah

#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank

#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising

#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley

#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey

#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly

#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson

#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia
by Kimberly Burnham

#202 Backstory of the Poem
July 31, 2020
“192”
by Don Yorty

#203  Backstory of the Poem
August 01, 2020
“I want to unfold the disease”
by Vanessa Shields

#204 Backstory of the Poem
August 06, 2020
“A Bone of Contention with the Ghost of John Lennon Over Strawberry Fields Forever”
by Ruth Weinstein

#205 Backstory of the Poem
August 07 2020
“Statement by the Pedestrian Liberation Organisation”
by Thomas McColl

#206 Backstory of the Poem
August 08 2020

Un Poco Pequeño”

by Damon Chua

#207 Backstory of the Poem
August 10, 2020
“mary lou williams’s piano workshop (after Fred Moten)”
by Makalani Bandele

#208 Backstory of the Poem
August 18, 2020
“Roll Credits by KCK”
by Casey Kirkpatrick aka KCK

#209 Backstory of the Poem
August 21, 2020
“Ancient Pyramid”
by Mark Tulin

#210 Backstory of the Poem
August 23, 2020
“How Far the Storm?”
by Charles Malone

#211 Backstory of the Poem
August 27, 2020
“89 Tears”
by Robert Carr

#212 Backstory of the Poem
August 28, 2020
“Food and Water”
by Brooke McNamara

#213 Backstory of the Poem
August 30, 2020
“To hold, to hollow”
by Meghan Lamb

#214 Backstory of the Poem
September 01, 2020
“Would It Be Too Much”
by Justine Quammie

#215 Backstory of the Poem
September 15, 2020
“Darkest days. . .Loneliest nights”
by Aaron R

Saturday, September 12, 2020

Heather Weidner’s Glitter, Glam, and Contraband is #191 in the never-ending series called INSIDE THE EMOTION OF FICTION


 

*The images in this specific piece are granted copyright privilege by:  Public Domain, CCSAL, GNU Free Documentation Licenses, Fair Use Under The United States Copyright Law, or given copyright privilege by the copyright holder which is identified beneath the individual photo.

 

**Some of the links will have to be copied and then posted in your search engine in order to pull up properly


***The CRC Blog welcomes submissions from published and unpublished fiction genre (including screenwriters and playwrights) for INSIDE THE EMOTION OF FICTION.  Contact CRC Blog via email at
caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

 

****Heather Weidner’s Glitter, Glam, and Contraband is #191 in the never-ending series called INSIDE THE EMOTION OF FICTION where the Chris Rice Cooper Blog (CRC) focuses on one specific excerpt from a fiction genre and how that fiction writer wrote that specific excerpt.  All INSIDE THE EMOTION OF FICTION links are at the end of this piece.


What is the date you began writing this piece of fiction and the date when you completely finished the piece of fiction? It took about four months to write the book and another six to seven for editing and revising. The book launched November of 2019.

 


Where did you do most of your writing for this fiction work?  And please describe in detail.  And can you please include a photo? I work out of my home office. We live outside of Richmond, Virginia. My office is on the second floor, and the house is on a hill on a wooded lot. So my view is almost at the treetop level. I love the view, the four seasons, and all the squirrels and birds that hang out in the trees.

 

What were your writing habits while writing this work- did you drink something as you wrote, listen to music, write in pen and paper, directly on laptop; specific time of day? Pre-COVID19, I worked 9-hour days, and I probably commuted another 2 hours. I get up really early and do my social media/book marketing, blogging, writing, and revising tasks. Then I try to write or revise some at lunch. And I work on my writing projects or my social media sites in the evenings. Now that I’m working at home most days, I try to stick to the same schedule. My commute time is now writing time. (Above Right:  Heather's writing space)


     I have to have music when I write. I tend to listen to louder things while I’m writing, and softer genres when I’m editing. I am an 80s girl, so that’s always my go-to music, but I like a lot of different types of music. (Left and Below Right: View from Heather's writing space)

I try to write on my computer, but there are times when I’m out somewhere, and I do handwrite parts. Caffeine is also a must for writing and revising sessions. (So is chocolate). I like iced tea, iced coffee, and soft drinks (Coke or Dr. Pepper).


What is the summary of Glitter, Glam and Contraband? I write the Delanie Fitzgerald mysteries (Secret Lives and Private Eyes, The Tulip Shirt Murders, and Glitter Glam and Contraband.) Delanie is a sassy private investigator who gets into way more trouble than I do

 


Please include just one excerpt and include page numbers as reference.  This one excerpt can be as short or as long as you prefer.
This is from the opening scenes of Glitter, Glam, and Contraband. Delanie is a private investigator who often has to do some undercover work to find out information.

 

Delanie Fitzgerald hopped onto an empty bar stool at Federico’s in Richmond’s East End. The smallish room looked like it had been last decorated when disco balls and pet rocks were all the rage. The bodies, two and three deep, around the bar and two pool tables did not seem to mind the dated décor. They laughed and drank like this was a second home.

 

“What’ll ya have?” asked the tall bartender. His tight black T-shirt stretched to accentuate his muscles.

 

“Ginger ale.” She scanned the standing-room-only crowd.

 

She put a five on the bar, which he picked up when he set the drink down beside it. “A ginger ale for a ginger.” The bartender smiled and left her change by the glass.

 

She smiled back with a little too many teeth and hoped he did not notice her scowl. Redheaded wisecracks were nothing new.

 

By the time he moved on to another patron, she had spotted her mark in a booth across the room. The bank executive looked younger in jeans and a teal polo shirt. The photo supplied by her client showed him in a tailored dark suit and the obligatory corporate red tie.

 

He sat across from a woman with long blond curls and even longer legs that jutted out from her red party dress. They leaned in toward each other. The man smiled at whatever the woman was saying, and they continued their intimate chat. Delanie watched until the woman slid out of her side of the booth and made a beeline for the back of the bar.

Delanie waited to see if his companion would return. When it looked like the other woman was preoccupied, Delanie clicked the button for her video camera in her black clutch and picked up her drink. She eased over to the man’s table. “Excuse me. Do you mind if I join you?”

 

“That seat’s been waiting for you,” he said with a smile that lingered too long.

 

She smiled and sat down, setting her purse on the table.

 

“I’m Fisher. Fisher Benson. And if you’re lucky, I could be your next big mistake.” He took her hand and kissed it.

 

Delanie batted her eyelashes and smiled again. She stifled a laugh and coughed to try to cover it. “It’s nice to meet you. I’m Danielle.” He didn’t waste any time.

 

Why is this excerpt so emotional for you as a writer to write?  And can you describe your own emotional experience of writing this specific excerpt? Delanie is a private investigator. She often creates personas or characters when she’s doing undercover work. In this scene, she is pretending to pick up a guy in a bar to find out information about him for her client (his wife). 

         


          The Delanie series is fun to write. She is fearless and adventurous. She’s always willing to try new things. Sometimes, she gets herself in trouble by running headlong into situations without much thought for an escape plan. Delanie spends a good chunk of her time in the books trying to get herself out of some humorous situations. It this book, she encounters a strange noise in the ceiling of her attic that turns out to be something unexpected. She is also hired to find out who is stealing from the talent at a local drag show. She has to use her quick wits to function in all kinds of environments.


Were there any deletions from this excerpt that you can share with us? And can you please include a photo of your marked up rough drafts of this excerpt. I don’t save edits. I try to keep one master copy (and a backup). But, if I do cut a large chunk of text from a chapter, I tend to save it. Sometimes, it becomes an idea for later or for a short story. In Glitter, Glam, and Contraband, I had Delanie take on a new client with a missing dog. The storyline didn’t quite fit with her other investigations in the novel, so it was cut after my critique group read it. I saved it, and it eventually became the basis for “Strut Your Mutt” in To Fetch a Villain (Mutt Mysteries October 2020).


          In Secret Lives and Private Eyes, chapter one was originally chapter four. My editor and publisher felt the story was stronger by starting closer to the action.

I write my first draft, and it’s pretty sloppy. I do outline initially, but the story tends to go where it wants to when I start writing. After I am close to my word count (70-75k words for novels, 25-30k words for novellas, and 4-5k words for short stories), I begin to edit and revise. This takes me longer than the writing process. Then I submit it to my two critique groups for their review/feedback. Then I make edits, and it’s ready for my beta readers. After the last round of revisions, it goes to my agent (Dawn Dowdle Below Right) for her review. Then it goes to my editor for several rounds of line and copy editing before publication. There’s one last read through when the ARCs (advance review copy) are done.

 


Anything you would like to add? I also write dog-themed mysteries for the Mutt Mysteries series. My new cozy mystery series, set in Charlottesville, Virginia (USA), launches October 2021. (I also write short stories set in Virginia.)

 

Glitter, Glam, and Contraband is Heather Weidner’s third novel in the Delanie Fitzgerald series. Her short stories appear in the Virginia is for Mysteries series, 50 Shades of Cabernet, and Deadly Southern Charm. Her novellas appear in The Mutt Mysteries series. Her Jules Keene Glamping Mysteries launch October 2021.


She is a member of Sisters in Crime – Central Virginia, Sisters in Crime Chessie, Guppies, International Thriller Writers, and James River Writers.

Originally from Virginia Beach, Heather has been a mystery fan since Scooby-Doo and Nancy Drew. She lives in Central Virginia with her husband and a pair of Jack Russell terriers.


Heather earned her BA in English from Virginia Wesleyan University and her MA in American literature from the University of Richmond. Through the years, she has been a cop’s kid, technical writer, editor, college professor, software tester, and IT manager.

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Book Links

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