Monday, August 10, 2020

Makalani Bandele’s “mary lou williams’s piano workshop (after Fred Moten)” is #207 in the never-ending series called BACKSTORY OF THE POEM

Chris Rice Cooper 
caccoop@aol.com
https://www.facebook.com/car.cooper.7

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*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series.  Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7

***Makalani Bandele’s “mary lou williams’s piano workshop (after Fred Moten)” is #207 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem.  All BACKSTORY OF THE POEM links are at the end of this piece. 

Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? So, as you will see by the documentation, I have included I do not write from hand. Oddly, it has just donned on me, but many of my poems never touch wood pulp fiber unless published in a print journal, anthology, or book. This poem, like the majority of my poems, began with ideas and thoughts that I recorded first on my phone in the Google app Keep Notes. It starts here usually out of convenience, I am usually out and about or I am on my computer doing something else, and it is just easier to pick up my phone fire off  a few lines, or remind myself of something I want to research, or an idea I want to explore further. 

          I remain in Google Keep compiling notes and ideas for the poem until I feel like the poem is ready to go and only needs organizing/form-ation. I apologize for not having the initial Google Keep Notes that gave rise to the poem, but in a way we do have them, because the next step in my process is to transfer those notes from Google Keep to Microsoft OneNote. It is at this point on my laptop with the larger screen real estate and a macrocosmic view of my notes and ideas that I either impose a form on the poem, or the lines tell me what form they want to be in.     
          This poem is a late addition to my book under the aegis of a winged mind that won the 2019 Autumn House Press Poetry Prize and is slated for publication in September 2020 (shameless plug: pre-order) https://www.autumnhouse.org/books/under-the-aegis-of-a-winged-mind/). The book has a lot of poems with formal restrictions on them. Almost half of the fifty-eight poems in the collection are either in a traditional form or a recently invented form (one of which I invented for this collection called ‘the étude’). Among the unrestricted poems, there are typical freeverse, numerous prose poems, mixed verse poems (prose/verse hybrids), nodal poems (prose poems I compelled to fit into square and rectangular shaped text boxes), and finally free verse poems whose structure and lineation I modeled off of another free verse poem. 
         This poem is an example of the latter. It is modeled after Fred Moten’s  “I lay with francis in the margin” from his collection The Little Edges. I already had a lot of poems in restrictive (but it is good restriction, I often like/need to be restricted) forms, so I figured, and the ideas the lines I had formulated also figured that free verse should be the form of the poem.  And yet Jazz is dependent on form (another reason why so many poems in the collection are informed by form), so I felt some element of restriction was being called for. 

     Moten’s ideas and style are all over, throughout, running top to bottom and side-to-side in this collection so I always had his books at arm’s length and felt ‘I lay with francis…’ struck a similar tone to the one my ideas were striking in the nascent sentiments of this poem. Once I was set on the form, it was only a matter of organizing the lines in accordance with the form.
          According to MS Word version history the first draft was dated 9/30/2019 2:16 PM which is about 13 hrs after the MS OneNote timestamp for when I began ‘organizing’ my ideas and lines for the poem. I think you will notice that the difference between the first draft and the final draft that will appear in the book is minimal, a few edits and additions and subtractions here and there.
Where were you when you started to actually write the poem?  And please describe the place in great detail. I was undoubtedly in my bed at 1 AM in the morning. I was in my bed back then also because as a minimalist (and starving artist grad student) my bed is the only piece of furniture I had in my apartment (since then I have gotten rid of my bed frame and turned my futon mattress into a floor couch, I sleep on a pallet on the floor I make up every night out of sheets, covers, and a yoga mat). 

          My bed back then was pretty cool. It was a 10 in. thick queen futon mattress atop a wooden pallet frame and headboard a friend and I cobbled together. My bedroom in my tiny, one-bedroom apartment is small with one medium-sized window. The queen size bed took up about 75% of the room (a big reason I got rid of the frame, for more floor space). The only items in the room back then (and still) would have been a stainless-steel finish floor lamp from Target, a space heater, a portable clothes closet with a zippered front (needed in addition to the built in closet because I had yet to minimize my clothes), and a wicker clothes hamper in the corner behind the door.
         
     Again, it goes without saying I was almost always in my bed if I was at my apartment. I was reading Yona Harvey’s (https://www.yonaharvey.com/) Hemming the Water for a class presentation, and Mary Lou Williamson (https://en.wikipedia.org/wiki/Mary_Lou_Williams) is one of the central figures in Harvey’s book. 
          It was my intention at the outset of under the aegis to give voice to women in the book. The book centers around the life of virtuoso Jazz composer and pianist Bud Powell (https://en.wikipedia.org/wiki/Bud_Powell), and I wouldn’t call him a feminist by any stretch of the imagination, but by all accounts, women liked to be around him. He was bashful and not the kind of guy to be always in pursuit of women. He did not have the reputation of a womanizer or ‘player” like a lot of other Jazz musicians of his era. 
         
          In the biographies I read, women said they liked to be around Powell because he was sensitive, a good listener (in fact Powell didn’t talk much at all) and didn’t objectify them. I took creative license and tried to inject in the book a feminist sensibility, as much as my own very imperfect feminism could inject.
          In the final stages of getting the book ready to turn in for the final edits I knew I needed more women voices and perspectives in the poems and Harvey reminded me (I wrote a poem indirectly about Williams in my first book, hellfightin’) that Williams was a central figure in the formation of Bop and after further research I discovered how intimate (nonsexual) Williams’s and Powell’s relationship was.

How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) I would say I wrote essential one, maybe two drafts, and I just tweaked it here and there slightly to get it to its final draft.

Were there any lines in any of your rough drafts of this poem that were not in the final version?  And can you share them with us? As I said I think the first draft and final are fairly close to one another, but I would love to share some lines from my notes that I wish I could have fit into the poem:

- “the spaces in between the notes is where you find the most audition.”

- “they came to mary lou's to learn how to fly
their angels alongside their fugitive daemons.”

- “the former treatise have i made, o thelonious,
of all that mary lou began both to do and teach.”

- “but ye shall receive power, after that the bebop ghost is come upon you.”

What do you want readers of this poem to take from this poem? As I said back at the end of question 2, this piece came about out of the desire to include more women’s voices and perspectives in the collection. Even though from the outset I wanted to set as feminist of a tone as thought would be authentic in the book given the hypermasculinity of 1930s to 1960s Jazz community, still as I got closer to the final edits of the manuscript I felt like (and continue to feel like) women’s voices and perspectives were meager, and not at all representative of their impact on the innovation of Jazz and upholding of the Black community.
          In this poem, I hoped to showcase the centrality of Mary Lou Williams and her late-night salons and jam sessions at her 63 Hamilton Terrace, Harlem apartment to the birth and innovation of Bop.
https://www.npr.org/2019/09/12/758070439/a-womans-place-the-importance-of-mary-lou-williams-harlem-apartment

Williams’s ideas and technique were a huge influence on all the major Bop innovators and especially Powell. There are three other poems in the collections about Mary Lou Williams and I hope they all investigate the desires, struggles, and aspirations of the black female artist in a hostile, patriarchal society.

Which part of the poem was the most emotional of you to write and why? When you compare the drafts of the poem’s the middle section till a few lines before the end, there is little change at all. This is the real guts of the poem, this last part just before the end is the climatic moment for me:

“what freedom of movement,
what to be moving felt like chord to chord,

kinston to st. albans, eighth avenue express,
where she was going, wasn't there before

she left, she made it up as she went along.”

     Before this section there are a lot of biblical references, most notably to Acts of the Apostles chapters 1and 2 when the 12 apostles and some 70 disciples were in an ‘upper’ room praying and the holy spirit came upon them all and they were possessed by the spirit.
     I was a pastor (Left) in the Baptist church for over 11 years so this entire section draws on that experience and sensibility. When it moves into talking about freedom of movement and what moving must have felt like “kinston to st. albans”, that is a reference to Kinston, NC and St. Albans neighborhood of NYC. When I pastored a church in New Bern, NC, I had some very faithful elderly members (a husband and wife) who had made a modest fortune (not wealth, but a nice nest egg) shuttling black people mostly from eastern NC (Kinston, New Bern, James City) to New York in the late 1940’s to early 1970’s. 

     Theirs is a story of the Second Great Migration that seldom gets told, namely those individual car loads or two (the wife would drive a carload and the husband would follow behind with another carload) that braved the dangerous highways travelling the segregated South transporting Black migrates to a hope for a better life up North. This was a treacherous journey. Cars were not as safe as they are now, accidents were more prevalent and deadly especially for an African American in the South. The police or highway patrol might come to the accident scene and leave you to die. The black transporters had to be armed to protect themselves from passengers whose plans were to rob them, and from white people they might encounter when stopped by the road or in a town to get supplies. I have very fond memories of the times I spent with that couple listening to their stories and gaining so much from their wisdom and generosity. 
     Williams spent a lot of time on the road travelling from gig to gig across America. So, she was familiar with the perils of traveling while black in the early 20th century. And she loved riding trains and the NYC subway (eighth avenue express was her train), one of her biographers said she got a lot of her musical ideas from modern travel as well wrote many compositions while she was taking modern travel. I don’t know my heart and mind made that connection between the freedom black people seek and how connected it is to having to escape to places where white supremacy is less virulent, as well as how that freedom is expressed in our music as our musician not just speak to political freedom, but also to artistic and formal freedom in invention.

Has this poem been published before?  And if so where? This poem has never been published. It had never touched wood pulp fiber until my publisher printed the first galleys for the book a month or so ago. This is one of my favorite poems in the collection, but I never sent it out to journals because it came after the book was under contract and over thirty percent of the poems had already been published, so I wasn’t pressed to get more out there. I read this poem in public a lot, but I almost exclusively read from a tablet and do not print my poems out. Like I said I have poems that never touch wood pulp fiber. I write them and edit wholly on electronic interfaces, they get published in online journals, and I read them on an electronic device. So different from even five to seven years ago when I was not paperless in my drafting process. It was not so much a conscious effort to go paperless, technology for me has just made it obsolete and wasteful.  


Makalani Bandele is a resident of Lexington, KY. He is an Affrilachian Poet and Cave Canem fellow. He has also received fellowships from the Kentucky Arts Council, Millay Colony, and Vermont Studio Center. He is a graduate of the University of Notre Dame with a BA in the Program of Liberal Studies, as well as a graduate of Shaw University with a Master of Divinity in Biblical Studies. He currently attends the University of Kentucky in pursuit of an MFA in Creative Writing. His work has been published in several anthologies, and widely in print and online journals, African-American Review, Killens Review of Arts and Letters, and Sou’wester to name a few. Most recently work from his manuscript, under the aegis of a winged mind, which won the 2019 Autumn House Press Poetry Prize and is slated to be published in September 2020, appears or is forthcoming in Prairie Schooner, Foundry,  32poems, and North American Review. His collection of poems hellfightin’, his only other full-length work, was published by Aquarius Press in 2011.
https://www.autumnhouse.org/books/under-the-aegis-of-a-winged-mind/
BACKSTORY OF THE POEM LINKS

001  December 29, 2017
Margo Berdeshevksy’s “12-24”
http://chrisricecooper.blogspot.com/2017/12/a-new-crc-blog-series-backstory-of-poem.html

002  January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”
http://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem.html

003 January 12, 2018
Barbara Crooker’s “Orange”
https://chrisricecooper.blogspot.com/2018/01/a-new-crc-blog-series-backstory-of-poem_12.html

004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”
https://chrisricecooper.blogspot.com/2018/01/the-fourth-installment-of-new-crc-blog.html

005 January 29, 2018
Ellen Foos’s “Side Yard”
http://chrisricecooper.blogspot.com/2018/01/5-backstory-of-poem-sidewalk-by-ellen.html

006 February 03, 2018
Susan Sundwall’s “The Ringmaster”
https://chrisricecooper.blogspot.com/2018/02/6-backstory-of-poem-susan-sundwalls.html

007 February 09, 2018
Leslea Newman’s “That Night”
https://chrisricecooper.blogspot.com/2018/02/7-backstory-of-poem-that-night-by.html

008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”
https://chrisricecooper.blogspot.com/2018/02/8-backstory-of-poem-june-fairchild-isnt.html

009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”
https://chrisricecooper.blogspot.com/2018/02/9-backstory-of-poem-gift-of-year-with.html

010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”
https://chrisricecooper.blogspot.com/2018/03/chris-ricecooper-caccoopaol.html

011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
https://chrisricecooper.blogspot.com/2018/03/11-backstory-of-poem-after-diane.html

012  March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”
https://chrisricecooper.blogspot.com/2018/03/12-backstory-of-poem-series-angela.html

013 March 24, 2018
Jan Steckel’s “Holiday On ICE”
https://chrisricecooper.blogspot.com/2018/03/13-backstory-of-poem-jan-steckels.html

014 March 31, 2018
Ibrahim Honjo’s “Colors”
https://chrisricecooper.blogspot.com/2018/03/14-backstory-of-poem-ibrahim-honjos.html

015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”
https://chrisricecooper.blogspot.com/2018/04/15-backstory-of-poem-ode-to_14.html

016  April 27, 2018
Beth Copeland’s “Reliquary”
https://chrisricecooper.blogspot.com/2018/04/16-backstory-of-poem-reliquary-by-beth.html

017  May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”
https://chrisricecooper.blogspot.com/2018/05/17-backstory-of-poem-swallows-of.html

018  May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”
https://chrisricecooper.blogspot.com/2018/05/18-backstory-of-poem-arterial.html

019  June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”
https://chrisricecooper.blogspot.com/2018/06/19-backstory-of-poem-stiletto-killer.html

020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”
https://chrisricecooper.blogspot.com/2018/06/20-backstory-of-poem-at-least-i-can.html

021  July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”
https://chrisricecooper.blogspot.com/2018/07/21-backstory-of-poem-wind-chimes-by.html

022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”
https://chrisricecooper.blogspot.com/2018/07/22-backstory-of-poem-studying-ariel-by.html

023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”
https://chrisricecooper.blogspot.com/2018/07/23-backstory-of-poem-jesus-zombie-by.html

024  July 27, 2018
Telaina Eriksen’s “Brag 2016”
https://chrisricecooper.blogspot.com/2018/07/24-backstory-of-poem-brag-2016-by.html

025  August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”
https://chrisricecooper.blogspot.com/2018/08/25-backstory-of-poem-it-is-only.html

026  August 07, 2018
David Herrle’s “Devil In the Details”
https://chrisricecooper.blogspot.com/2018/08/26-backstory-of-poem-devil-in-details.html

027  August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”
https://chrisricecooper.blogspot.com/2018/08/27-backstory-of-poem-carmen-polo-lady.html

028  August 21, 2018
Connie Post’s “Two Deaths”
https://chrisricecooper.blogspot.com/2018/08/28-backstory-of-poem-two-deaths-by.html

029  August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”
https://chrisricecooper.blogspot.com/2018/08/29-backstory-of-poem-faces-in-crowd-by.html

030 September 16, 2018
Larry Jaffe’s “The Risking Point”
https://chrisricecooper.blogspot.com/2018/09/30-backstory-of-poem-risking-point-by.html

031  September 24, 2018
Mark Lee Webb’s “After We Drove”
https://chrisricecooper.blogspot.com/2018/09/31-backstory-of-poem-after-we-drove-by.html

032  October 04, 2018
Melissa Studdard’s “Astral”
https://chrisricecooper.blogspot.com/2018/10/32-backstory-of-poem-astral-by-melissa.html

033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”
https://chrisricecooper.blogspot.com/2018/10/33-backstory-of-poem-i-have-bass-guitar.html

034  October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”
https://chrisricecooper.blogspot.com/2018/10/34-backstory-of-poem-paper-mache.html

035 October 23, 2018
Timothy Gager’s “Sobriety”
https://chrisricecooper.blogspot.com/2018/10/35-backstory-of-poem-sobriety-by.html

036  October 30, 2018
Gary Glauber’s “The Second Breakfast”
https://chrisricecooper.blogspot.com/2018/10/36-backstory-of-poem-second-breakfast.html

037  November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”
https://chrisricecooper.blogspot.com/2018/11/37-backstory-of-poem-melanias-deaf-tone.html

038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”
https://chrisricecooper.blogspot.com/2018/11/38-backstory-of-poem-women-of-fields-by.html

039  November 00, 2018
Gordon Hilger’s “Poe”
https://chrisricecooper.blogspot.com/2018/11/39-backstory-of-poem-poe-by-gordon.html

040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”
https://chrisricecooper.blogspot.com/2018/11/40-backstory-of-poems-my-children.html

041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”
https://chrisricecooper.blogspot.com/2018/11/41-backstory-of-poem-dog-sitting-by.html

042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”
https://chrisricecooper.blogspot.com/2018/11/42-backstory-of-poem-mountain-by.html

043  November 27, 2018
Megan Merchant’s “Grief Flowers”
https://chrisricecooper.blogspot.com/2018/11/43-backstory-of-poem-grief-flowers-by.html

044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”
https://chrisricecooper.blogspot.com/2018/11/44-backstory-of-poem-poem-is-too-neat.html

045  December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”
https://chrisricecooper.blogspot.com/2018/12/045-backstory-of-poem-sungmyo-for-our.html

046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”
https://chrisricecooper.blogspot.com/2018/12/046-backstory-of-poem-poem-registering.html

047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”
https://chrisricecooper.blogspot.com/2018/12/47-backstory-of-poem-memorial-day-by.html

048  December 14, 2018
Frank Paino’s “Laika”
https://chrisricecooper.blogspot.com/2018/12/48-backstory-of-poem-laika-by-frank.html

049  December 15, 2018
Jennifer Martelli’s “Anniversary”
https://chrisricecooper.blogspot.com/2018/12/49-backstory-of-poem-anniversary-by.html

O50  December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”
https://chrisricecooper.blogspot.com/2018/12/50-backstory-of-poem-for-gilberto-ramos.html

051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov
https://chrisricecooper.blogspot.com/2018/12/51-backstory-of-poem-persistence-of.html

052  December 27, 2018
“Under Surveillance”
by Michael Farry
https://chrisricecooper.blogspot.com/2018/12/52-backstory-of-poem-under-surveillance.html

053  December 28, 2018
“Grand Finale”
by Renuka Raghavan
https://chrisricecooper.blogspot.com/2018/12/53-backstory-of-poem-grand-finale-by.html

054  December 29, 2018
“Aftermath”
by Gene Barry
https://chrisricecooper.blogspot.com/2018/12/54-backstory-of-poem-aftermath-by-gene.html

055 January 2, 2019
“&”
by Larissa Shmailo
http://chrisricecooper.blogspot.com/2019/01/55-backstory-of-poem-by-larissa-shmailo.html

056  January 7, 2019
“The Seamstress:
by Len Kuntz
http://chrisricecooper.blogspot.com/2019/01/56-backstory-of-poem-seamstress-by-len_6.html

057  January 10, 2019
"Natural History"
by Camille T Dungy
https://chrisricecooper.blogspot.com/2019/01/57-backstory-of-poem-natural-history-by.html

058  January 11, 2019
“BLOCKADE”
by Brian Burmeister
https://chrisricecooper.blogspot.com/2019/01/58-backstory-of-poem-blockade-by-brian.html

059  January 12, 2019
“Lost”
by Clint Margrave
https://chrisricecooper.blogspot.com/2019/01/59-backstory-of-poem-lost-by-clint.html

060 January 14, 2019
“Menopause”
by Pat Durmon
https://chrisricecooper.blogspot.com/2019/01/60-backstory-of-poem-menopause-by-pat.html

061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
https://chrisricecooper.blogspot.com/2019/01/61-backstory-of-poem-neptunes-choir-by.html

062  January 22, 2019
“Views From the Driveway”
by Amy Barone
https://chrisricecooper.blogspot.com/2019/01/62-backstory-of-poem-views-from.html

063  January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky
https://chrisricecooper.blogspot.com/2019/01/63-backstory-of-poem-heron-leaves-her.html

064  January 30, 2019
“Shiprock”
by Terry Lucas
https://chrisricecooper.blogspot.com/2019/01/64-backstory-of-poem-shiprock-by-terry_29.html

065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille
https://chrisricecooper.blogspot.com/2019/02/65-backstory-of-poem-summer-1970.html

066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro
https://chrisricecooper.blogspot.com/2019/02/66-backstory-of-poem-at-school-they.html

067  February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
https://chrisricecooper.blogspot.com/2019/02/67-backstory-of-poem-i-must-not-breathe.html

068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter
 https://chrisricecooper.blogspot.com/2019/02/068-backstory-of-poem-lunch-on-city.html

069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
https://chrisricecooper.blogspot.com/2019/02/69-backstory-of-poem-singing-by-andrew.html

070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
http://chrisricecooper.blogspot.com/2019/02/70-backstory-of-poem-daily-commute-by.html

071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
http://chrisricecooper.blogspot.com/2019/02/71-backstory-of-poem-how-silent-trees.html

072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh
https://chrisricecooper.blogspot.com/2019/02/72-backstory-of-poem-new-psalm-of.html

073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera
https://chrisricecooper.blogspot.com/2019/02/73-backstory-of-poem-make-me-butterfly_23.html

074 February 26, 2019
“Anthem”
by Sandy Coomer
https://chrisricecooper.blogspot.com/2019/02/74-backstory-of-poem-anthem-by-sandy.html

075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
https://chrisricecooper.blogspot.com/2019/03/75-backstory-of-poem-shape-of-violin-by.html

076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
http://chrisricecooper.blogspot.com/2019/03/76-backstory-of-poem-inward-oracle-by.html

077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall
https://chrisricecooper.blogspot.com/2019/03/77-backstory-of-poem-i-broke-my-bust-of.html

078 March 9, 2019
“My Mother at 19”
by John Guzlowski
http://chrisricecooper.blogspot.com/2019/03/78-backstory-of-poem-my-mother-was-19.html

079 March 10, 2019
“Paddling”
by Chera Hammons Miller
https://chrisricecooper.blogspot.com/2019/03/79-backstory-of-poem-paddling-by-chera.html

080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings
https://chrisricecooper.blogspot.com/2019/03/80-backstory-of-poem-of-water-and-echo.html

081   082   083    March 14, 2019
“Little Political Sense”   “Crossing Kansas with Jim
Morrison”  “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen
https://chrisricecooper.blogspot.com/2019/03/81-82-and-83-backstory-of-poems-by-dr.html

084 March 15, 2019
“A Tune To Remember”
by Anna Evans
https://chrisricecooper.blogspot.com/2019/03/84-backstory-of-poem-tune-to-remember.html

085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey
https://chrisricecooper.blogspot.com/2019/03/85-backstory-of-poem-at-end-of-time.html

086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill
http://chrisricecooper.blogspot.com/2019/03/86-backstory-of-poem-view-from.html

087 March 21, 2019
“Letters From a War”
by Chelsea Dingman
https://chrisricecooper.blogspot.com/2019/03/87-backstory-of-poem-letters-from-war.html

088 March 26, 2019
“HAT”
by Bob Heman
http://chrisricecooper.blogspot.com/2019/03/88-backstory-of-poem-hat-by-bob-heman.html

089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois
https://chrisricecooper.blogspot.com/2019/03/89-backstory-of-poem-clay-for-potter-by.html

#090 March 30, 2019
“The Pose”
by John Hicks
https://chrisricecooper.blogspot.com/2019/03/90-backstory-of-poem-pose-by-john-hicks.html

#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder
https://chrisricecooper.blogspot.com/2019/04/91-backstory-of-poem-last-night-at.html

#092 April 4, 2019
“Original Sin”
by Diane Lockward
https://chrisricecooper.blogspot.com/2019/04/92-backstory-of-poem-original-sin-by.html

#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne
https://chrisricecooper.blogspot.com/2019/04/93-backstory-of-poem-father-calls-to.html

#094 April 8, 2019
“XX”
by Marc Zegans
http://chrisricecooper.blogspot.com/2019/04/94-backstory-of-poem-xx-by-marc-zegans.html

#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox
https://chrisricecooper.blogspot.com/2019/04/95-backstory-of-poem-landscape-and.html

#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
http://chrisricecooper.blogspot.com/2019/04/096-backstory-of-poem-strawberries-have.html

#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz
https://chrisricecooper.blogspot.com/2019/04/97-backstory-of-poem-new-science-of.html

#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr
https://chrisricecooper.blogspot.com/2019/04/098-backstory-of-poem-tennessee.html

#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman
https://chrisricecooper.blogspot.com/2019/04/99-backstory-of-poem-mermaids-1969-by.html

#100 April 21, 2019
“How Do You Know?”
by Stephanie
https://chrisricecooper.blogspot.com/2019/04/100-backstory-of-poem-how-do-you-know.html

#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo
https://chrisricecooper.blogspot.com/2019/04/101-backstory-of-poem-rare-book-and.html

#102 April 26, 2019
“THUNDER”
by Jefferson Carter
https://chrisricecooper.blogspot.com/2019/04/102-backstory-of-poem-thunder-by.html

#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser
https://chrisricecooper.blogspot.com/2019/05/103-backstory-of-poem-sight-of-million.html

#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox
http://chrisricecooper.blogspot.com/2019/05/104-backstory-of-poem-how-to-tell-my.html

#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai
http://chrisricecooper.blogspot.com/2019/05/105-backstory-of-poem-promises-had-been.html

#106 June 01, 2019
“i sold your car today”
by Pamela Twining
https://chrisricecooper.blogspot.com/2019/06/106-backstory-of-poem-i-sold-your-car.html

#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen
http://chrisricecooper.blogspot.com/2019/06/107-backstory-of-poem-abandoned-stable.html

#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
http://chrisricecooper.blogspot.com/2019/06/108-backstory-of-poem-cupcake-by-julene.html

#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas
http://chrisricecooper.blogspot.com/2019/06/109-backstory-of-poem-bobbys-story-by.html

#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel
http://chrisricecooper.blogspot.com/2019/06/110-backstory-of-poem-when-you-ask-me.html

#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne
https://chrisricecooper.blogspot.com/2019/06/111-backstory-of-poem-cemetery-mailbox.html

#112 Backstory of the Poem’s
“Relics”
by Kate Peper
http://chrisricecooper.blogspot.com/2019/06/112-backstory-of-poem-relics-by-kate.html

#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson
http://chrisricecooper.blogspot.com/2019/06/113-backstory-of-poem-q-by-jennifer.html

#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
http://chrisricecooper.blogspot.com/2019/06/114-backstory-of-poem-brushing-my-hair.html

#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel
http://chrisricecooper.blogspot.com/2019/06/115-backstory-of-poem-because-birds.html

#116 Backstory of the Poem
“DIVORCE”
by Joan Barasovska
http://chrisricecooper.blogspot.com/2019/07/116-backstory-of-poem-divorce-by-joan.html

#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer
https://chrisricecooper.blogspot.com/2019/07/117-backstory-of-poem-new-years-eve.html

#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron
https://chrisricecooper.blogspot.com/2019/07/118-backstory-of-poem-dear-estranged-by.html

#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer
http://chrisricecooper.blogspot.com/2019/07/119-backstory-of-poem-in-remembrance-of.html

#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
https://chrisricecooper.blogspot.com/2019/08/120-backstory-of-poem-horse-fly-grade.html

#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins
https://chrisricecooper.blogspot.com/2019/08/121-backstory-of-poem-my-mothers.html

#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy
https://chrisricecooper.blogspot.com/2019/08/122-backstory-of-poem-cousins-i-never.html

#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown
http://chrisricecooper.blogspot.com/2019/09/123-backstory-of-poem-to-those-who-were.html

#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
https://chrisricecooper.blogspot.com/2019/09/124-backstory-of-poem-looking-for.html

#125 Backstory of the Poem
“Tracy”
by Tiff Holland
https://chrisricecooper.blogspot.com/2019/09/125-backstory-of-poem-tracy-by-tiff.html

#126 Backstory of the Poem
“Legs”
by Cindy Hochman
https://chrisricecooper.blogspot.com/2019/09/126-backstory-of-poem-legs-by-cindy.html

#127 Backstory of the Poem
“Anathema”
by Natasha Saje
https://chrisricecooper.blogspot.com/2019/09/127-backstory-of-poem-anathema-by.html

#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
http://chrisricecooper.blogspot.com/2019/10/128-backstory-of-poem-how-to-explain.html

#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons
https://chrisricecooper.blogspot.com/2019/10/129-backstory-of-poem-art-of-meditation.html

#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha
https://chrisricecooper.blogspot.com/2019/10/130-backstory-of-poem-schooling-high-in.html

#131 Backstory of the Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
https://chrisricecooper.blogspot.com/2019/10/131-backstory-of-poem-baby-jacob.html

#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli
https://chrisricecooper.blogspot.com/2019/10/132-backstory-of-poem-our-age-of.html

#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield
http://chrisricecooper.blogspot.com/2019/10/133-backstory-of-poem-earth-cries.html

#134  Backstory of the Poem
“Eons”
by Janine Canan
https://chrisricecooper.blogspot.com/2019/11/134-backstory-of-poem-eons-by-janine.html

#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf
https://chrisricecooper.blogspot.com/2019/11/135-backstory-of-poem-sworn-by.html

#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case
https://chrisricecooper.blogspot.com/2019/11/136-backstory-of-poem-bushwick-blue-by.html

#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo
http://chrisricecooper.blogspot.com/2019/11/137-backstory-of-poem-then-she-was.html

#138 Backstory of the Poem
“Enough”
by Kris Bigalk
https://chrisricecooper.blogspot.com/2019/11/138-backstory-of-poem-enough-by-kris.html

#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio
https://chrisricecooper.blogspot.com/2019/11/139-backstory-of-poem-from-ghosts-of.html

#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen
https://chrisricecooper.blogspot.com/2019/11/140-backstory-of-poem-cloud-audience-by.html

#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman
https://chrisricecooper.blogspot.com/2019/11/141-backstory-of-poem-condition-center.html

#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors
https://chrisricecooper.blogspot.com/2019/12/142-backstory-of-poem-adventuresome.html

#143 Backstory of the Poem
“The Way Back”
by Robert Walicki
https://chrisricecooper.blogspot.com/2019/12/143-backstory-of-poem-way-back-by.html

#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell
http://chrisricecooper.blogspot.com/2019/12/144-backstory-of-poem-if-i-had-three.html

#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius
https://chrisricecooper.blogspot.com/2019/12/145-backstory-of-poem-reservoir-by.html

#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson
https://chrisricecooper.blogspot.com/2020/01/146-backstory-of-poem-night-before-our.html

#147 Backstory of the Poem
“Pileated”
by David Anthony Sam
https://chrisricecooper.blogspot.com/2020/01/147-backstory-of-poem-pileated-by-david_14.html

#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey
https://chrisricecooper.blogspot.com/2020/01/148-backstory-of-poem-kitchen-argument.html

#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman
http://chrisricecooper.blogspot.com/2020/01/149-backstory-of-poem-insulation-by.html

#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm
https://chrisricecooper.blogspot.com/2020/02/150-backstory-of-poem-i-will-tell-you.html

#151 Backstory of the Poem
“Comfort”
by Michael A Griffith
https://chrisricecooper.blogspot.com/2020/02/151-backstory-of-poem-comfort-by.html

#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
http://chrisricecooper.blogspot.com/2020/02/152-backstory-of-poem-van-gogh-to-his.html


#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel
https://chrisricecooper.blogspot.com/2020/02/153-backstory-of-poem-1-girl-by_12.html

#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm
https://chrisricecooper.blogspot.com/2020/02/154-backstory-of-poem-trading-places.html

#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May
https://chrisricecooper.blogspot.com/2020/02/155-backstory-of-poem-reoccuring-woman.html

#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain
https://chrisricecooper.blogspot.com/2020/02/156-backstory-of-poem-word-falling-by.html

#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow
https://chrisricecooper.blogspot.com/2020/02/157-backstory-of-poem-vel-dhiv-roundup.html

#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh
https://chrisricecooper.blogspot.com/2020/03/158-backstory-of-poem-why-otters-hold.html

#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma
https://chrisricecooper.blogspot.com/2020/03/159-backstory-of-poem-visible-world-by.html

#160 Backstory of the Poem
“Last Call”
by Ralph Culver
https://chrisricecooper.blogspot.com/2020/03/160-backstory-of-poem-last-call-by.html

#161 Backstory of the Poem
“ALIVE”
by David Dephy
http://chrisricecooper.blogspot.com/2020/03/161-backstory-of-poem-alive-by-david.html

#162 Backstory of the Poem
“Mare Nostrum”
by Janice D Soderling
https://chrisricecooper.blogspot.com/2020/03/162-backstory-of-poem-mare-nostrum-by.html

#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano
http://chrisricecooper.blogspot.com/2020/03/163-backstory-of-poem-winnipeg-noir-by.html

#164 Backstory of the Poem
“Needlepoint Roses”
by Jason O’Toole
http://chrisricecooper.blogspot.com/2020/04/164-backstory-of-poem-needlepoint-roses.html

#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen
http://chrisricecooper.blogspot.com/2020/04/165-backstory-of-poem-singing-studying.html

#166 Backstory of the Poem
“How To Befriend Uncertainty”
by Prartho Sereno
http://chrisricecooper.blogspot.com/2020/04/prartho-serenos-how-to-befriend.html

#167 Backstory of the Poem
“Shostakovich: Five Pieces”
by Pamela Uschuk
https://chrisricecooper.blogspot.com/2020/04/pamela-uschuks-shostakovich-five-pieces.html

#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
by Peter Kline
https://chrisricecooper.blogspot.com/2020/04/peter-klines-bouquet-for-amy-clampitt.html

#169 Backstory of the Poem
“Heartbroken”
by Catherine Arra
http://chrisricecooper.blogspot.com/2020/05/catherine-arras-heartbroken-is-169-in.html

#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood
https://chrisricecooper.blogspot.com/2020/05/megha-soods-silence-lost-art-is-170-in.html

#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes
https://chrisricecooper.blogspot.com/2020/05/mark-ducharmes-horribly-dull-is-171-in.html

#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark
http://chrisricecooper.blogspot.com/2020/05/michael-marks-celebrating-his-ninety.html

#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills”
by Cameron Morse
https://chrisricecooper.blogspot.com/2020/05/cameron-morses-night-clouds-in-black.html

#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel
https://chrisricecooper.blogspot.com/2020/05/evanesced-dethroned-angels-ive-been.html

#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker
https://chrisricecooper.blogspot.com/2020/05/barbara-crookers-tutti-frutti-175-in.html

#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry
http://chrisricecooper.blogspot.com/2020/05/tina-barrys-two-prose-poems-my-small.html

#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos
https://chrisricecooper.blogspot.com/2020/06/andrea-potoss-against-numbers-is-178-in.html

#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss
https://chrisricecooper.blogspot.com/2020/06/julie-weisss-wish-is-179-in-never.html

#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper
https://chrisricecooper.blogspot.com/2020/06/carly-m-lopers-tree-that-stood-beside.html

#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke
https://chrisricecooper.blogspot.com/2020/06/julie-e-bloemekes-electric-mail-is-181.html

#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus
https://chrisricecooper.blogspot.com/2020/06/julieta-corpuss-her-first-ten-days-is.html

#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy
https://chrisricecooper.blogspot.com/2020/06/dr-ampat-varghese-koshys-outside-my.html

#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns
https://chrisricecooper.blogspot.com/2020/07/victor-ennss-torpor-is-184-in-never.html

#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost
https://chrisricecooper.blogspot.com/2020/07/dan-provosts-way-of-life-is-185-in.html

#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
https://chrisricecooper.blogspot.com/2020/07/charles-ghignas-alabama-wiregrassers-is.html

#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
http://chrisricecooper.blogspot.com/2020/07/charles-ghignas-alabama-wiregrassers-is.html

#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter
https://chrisricecooper.blogspot.com/2020/07/kathleen-winters-seer-is-187-in-never.html

#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost
https://chrisricecooper.blogspot.com/2020/07/valerie-frosts-stuck-at-home-is-188-in.html

#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney
https://chrisricecooper.blogspot.com/2020/07/eleanor-kedneys-between-earth-and-sky.html

#190 Backstory of the Poem
July 14, 2020
““ΜΕΡΕΣ  ΥΠΟΜΟΝΗΣ/ Days
of patience” 
by Eftichia Kapardell’
https://chrisricecooper.blogspot.com/2020/07/eftichia-kapardells-days-of-patience-is.html

#191 Backstory of the Poem
July 15, 2020
“Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver
http://chrisricecooper.blogspot.com/2020/07/ralph-culvers-threnody-by-president-for.html

#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley
https://chrisricecooper.blogspot.com/2020/07/mark-antony-rossis-vox-vigilante-is-192.html

#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch
https://chrisricecooper.blogspot.com/2020/07/hussein-habaschs-love-of-two-trees-is.html

#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah
https://chrisricecooper.blogspot.com/2020/07/lev-ri-ardiansyahs-june-almeida-is-194.html

#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank
https://chrisricecooper.blogspot.com/2020/07/matthew-gavin-franks-after-grano-maturo.html

#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising
https://chrisricecooper.blogspot.com/2020/07/linda-neal-reisings-practice-is-196-in.html

#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley
https://chrisricecooper.blogspot.com/2020/07/tom-hunleys-will-be-done-is-197-in.html

#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey
https://chrisricecooper.blogspot.com/2020/07/ted-morrisseys-shroud-is-198-in-never.html

#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly
https://chrisricecooper.blogspot.com/2020/07/anne-walsh-donnellys-being-in-love-at.html

#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson
https://chrisricecooper.blogspot.com/2020/07/andrea
watsons-star-pinwheel-poem-is.html

#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀”
by Kimberly Burnham
https://chrisricecooper.blogspot.com/2020/07/kimberly-burnhams-gentle-women-adult.html

#202 Backstory of the Poem
July 31, 2020
“192”
by Don Yorty
https://chrisricecooper.blogspot.com/2020/07/don-yortys-192-is-202-in-never-ending.html

#203  Backstory of the Poem
August 01, 2020
“I want to unfold the disease”
by Vanessa Shields
https://chrisricecooper.blogspot.com/2020/08/vanessa-shieldss-i-want-to-unfold.html

#204 Backstory of the Poem
August 06, 2020
“A Bone of Contention with the Ghost of John Lennon Over Strawberry Fields Forever”
by Ruth Weinstein
https://chrisricecooper.blogspot.com/2020/08/ruth-weinsteins-bone-of-contention-with.html

#205 Backstory of the Poem
August 07 2020
“Statement by the Pedestrian Liberation Organisation”
by Thomas McColl
https://chrisricecooper.blogspot.com/2020/08/thomas-mccolls-statement-by-pedestrian.html

#206 Backstory of the Poem
August 08 2020

“Un Poco Pequeño”

by Damon Chua
https://chrisricecooper.blogspot.com/2020/08/damon-chuas-un-poco-pequeno-is-206-in.html

#207 Backstory of the Poem
August 10, 2020
“mary lou williams’s piano workshop (after Fred Moten)”
by Makalani Bandele
https://chrisricecooper.blogspot.com/2020/08/makalani-bandeles-mary-lou-williamss.html
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