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*** The CRC Blog welcomes submissions from published and unpublished poets for BACKSTORY OF THE POEM series. Contact CRC Blog via email at caccoop@aol.com or personal Facebook messaging at https://www.facebook.com/car.cooper.7
***Robert Carr’s “89 Tears” is #211 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem. All BACKSTORY OF THE POEM links are at the end of this piece.
Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? I’ve selected “’89 Tears”, from my 2019 collection The Unbuttoned Eye, published by 3: A Taos Press. (https://3taospress.com/) This collection helped me to process 35 years of living through the HIV/AIDS pandemic.
I’ve come to poetry relatively late in life, after a long career in infectious disease public health response. Originally published in Sugar House Review, “’89 Tears” combines several memories from the early epidemic. The overarching context of the poem draws from my experience as a volunteer with the AIDS Action Committee (AAC) in Boston (https://aac.org/). As a young man, I was a member of the AAC Buddy Program - volunteers assigned to support and assist men and women in the late stages of HIV disease.
In addition, the poem draws on a specific memory from my friendship with Kurt Reynolds, an artist from Boston who created several assemblage pieces addressing AIDS. I met Kurt during training for the buddy program in 1986 and we have been family since that time. The Unbuttoned Eye is dedicated to Kurt.
“’89 Tears” includes images from a specific moment. Kurt asked me to accompany him to Mass General Hospital (MGH) when he went to say goodbye to his ex-lover, Andy. Andy was on the AIDS ward, and very close to death. My memory of that day and the scene at MGH is very vivid. I was young, maybe 26. As we walked down the hall at MGH, where so many young men were dying… I felt myself changing… dissociating… setting the stage for my own survival.
So, in that context, let me answer your question! The images for this poem were all there – from my experience with friends and my work as an HIV counselor at Boston Medical Center (BMC). The cinder block walls and the corpses in hallway zipper bags are from BMC. The details of the hospital room come from my experience with Kurt and saying goodbye to Andy. As I revised drafts of the poem, these collective experiences asserted their presence.
Where were you when you started to actually write the poem? And please describe the place in great detail. I was in Kurt’s backyard in Provincetown, 30 years after the visit to MGH! Until the 2020 shutdown in response to COVID-19, I’ve stay with Kurt and studied with poets at the Fine Arts Work Center. This has been a tradition for the past five years.
That summer I focused on the manuscript that became The Unbuttoned Eye. I was thinking about my history with Kurt. That’s when the first draft of the poem arrived.
The backyard was very hot, I was wearing a sarong, sitting beside a small fountain where Kurt had set a large sculpture of Buddha. I remember dragonflies, English Ivy, and mosquitoes.
What month and year did you start writing this poem? This was the summer of 2017 and I was working with Alan Shapiro at the Fine Arts Work Center in July. The poem appeared in the Winter 2018 issue of Sugar House.
How many drafts of this poem did you write before going to the final? (And can you share a photograph of your rough drafts with pen markings on it?) I’ve come to understand that poems are never finished. I find myself making edits and changes even after a poem is published!
It’s interesting to think about pen markings on a draft in this electronic era! Though I mark-up poems when participating in a workshop, I rarely do handwritten edits. For me, poems tend to arrive in unexpected moments and so I’ve developed a habit of jotting first draft on the Notes feature of my iPhone. (Funny thing I’ve noticed – the line length limits of my Notes app actually influence my initial line-breaks! I tend toward shorter lines.)
It’s been essential to engage with other writers as I’ve developed my voice as a poet. Friendships like this are rare – but having another writer that is invested in your work and understands what you are trying to accomplish is fundamental to my writing process. I’ve included Henry’s first set of track changes for the poem “Uninfected Tears.” This became “’89 Tears” in the final poem.
Were there any lines in any of your rough drafts of this poem that were not in the final version? And can you share them with us? As you can see in the draft with Henry’s comments, the first image that came to me was of body bags in a hospital. This memory came from my early work at Boston Medical Center and had a profound impact. As the poem evolved, this image moved further down into the poem and the poem opened with a line from the second stanza.
Several lines in the poem changed significantly:
I was support, / the young man slightly younger, too tender / to actually be touched
Revised:
I was a bony shoulder, the damp man too tender /
to be touched.
The biggest changes happened in the final sentences of the poem.
This has never left / me. I still imagine their zippers in my skin, / walk in an invisible bag, hope / that someday there will be a little rip.
Revised:
In my / sleep, I heard the sound of zippers, tripped / and stumbled over cast-off leather, hoped that someday / there would be a little rip to let me through.
For readers coping with the realities of the COVID-19 pandemic, I hope that there is a recognition that the devastation of pandemics is not new and that with courage and commitment we can change the course of the disease.
In my lifetime there have been two great pandemics – times of masks, times of terror, times of death. There are survivors and warriors among us. The challenge is to stay focused. Understand that we are literally fighting to save lives.
Which part of the poem was the most emotional of you to write and why? The image of young men in body bags at Boston Medical Center is powerful for me. One of those moments in a life that reappears in a dream. I’m not sure ‘emotional’ is the right word.
Has this poem been published before? And if so where? I am thrilled that, before it was included in my first full-length collection, this poem was published with Sugar House Review. The poem appears in Volume #18, Fall/Winter 2018.
Sugar House has been wonderful, and published a startling review of The Unbuttoned Eye, by Devon Balwit, in their 2019 10-Year Anniversary issue.
https://www.sugarhousereview.com/copy-of-current-issue-sneak-peek-5
https://www.sugarhousereview.com/copy-of-current-issue-sneak-peek-5
‘89 Tears
I volunteered in corner rooms, stainless IV stands,
sipped tall drinks of water through a straw,
pretending swallows were uninfected tears.
What entered the eye was upside down,
the cryptococcal droppings of birds.
When it got too ugly, spackle of cinder-block
mint green, yellowed casings over fluorescent tubes,
any sign to stare at. I left the exhales of great teachers
in hallways of overcrowded zipper bags. I learned
decline in fast-forward, knew too much and no one.
Never carried flowers, though I noticed Robert’s pale lilies,
stems in cloudy water rolling on tray tables.
I lost the names of mentors without trying –
Scholarly, silent, ageless, regardless of their age.
Folded pillow cases, monogrammed. While lovers
said good-byes, I stood alone in hallways.
I was boney shoulder, the damp man too tender
to be touched. I read messages on caked teeth,
scraped candida letters from blank tongues. In my sleep
I heard the sound of zippers, tripped and stumbled
over leather jackets, hoped that someday
there would be a little rip to let me through.
Pending publications include the Massachusetts Review and Shenandoah. Robert is a poetry editor with Indolent Books and an editor for the anthology Bodies and Scars, available through Ghana Writes Literary Group in West Africa.
BACKSTORY OF THE POEM LINKS
001 December 29, 2017
Margo Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”
003 January 12, 2018
Barbara Crooker’s “Orange”
004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen Foos’s “Side Yard”
006 February 03, 2018
Susan Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea Newman’s “That Night”
008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim Honjo’s “Colors”
015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth Copeland’s “Reliquary”
017 May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag 2016”
025 August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two Deaths”
029 August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The Risking Point”
031 September 24, 2018
Mark Lee Webb’s “After We Drove”
032 October 04, 2018
Melissa Studdard’s “Astral”
033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s “Sobriety”
036 October 30, 2018
Gary Glauber’s “The Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s “Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings
081 082 083 March 14, 2019
“Little Political Sense” “Crossing Kansas with Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen
084 March 15, 2019
“A Tune To Remember”
by Anna Evans
085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original Sin”
by Diane Lockward
#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas
#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron
#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy
#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the Poem
“Tracy”
by Tiff Holland
#126 Backstory of the Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons
#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha
#131 Backstory of the Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli
#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case
#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo
#138 Backstory of the Poem
“Enough”
by Kris Bigalk
#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio
#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen
#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman
#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors
#143 Backstory of the Poem
“The Way Back”
“The Way Back”
by Robert Walicki
#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell
#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius
#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson
#147 Backstory of the Poem
“Pileated”
by David Anthony Sam
#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey
#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman
#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm
#151 Backstory of the Poem
“Comfort”
by Michael A Griffith
#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel
#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm
#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May
#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain
#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow
#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh
#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma
#160 Backstory of the Poem
“Last Call”
“Last Call”
by Ralph Culver
#161 Backstory of the Poem
“ALIVE”
by David Dephy
#162 Backstory of the Poem
“Mare Nostrum”
“Mare Nostrum”
by Janice D Soderling
#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano
#164 Backstory of the Poem
“Needlepoint Roses”
“Needlepoint Roses”
by Jason O’Toole
#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen
#166 Backstory of the Poem
“How To Befriend Uncertainty”
“How To Befriend Uncertainty”
by Prartho Sereno
#167 Backstory of the Poem
“Shostakovich: Five Pieces”
“Shostakovich: Five Pieces”
by Pamela Uschuk
#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
“Bouquet for Amy Clampitt”
by Peter Kline
#169 Backstory of the Poem
“Heartbroken”
“Heartbroken”
by Catherine Arra
#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood
#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes
#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark
#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills”
by Cameron Morse
#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel
#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker
#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry
#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos
#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss
#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper
#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke
#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus
#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy
#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns
#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost
#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter
#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost
#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney
#190 Backstory of the Poem
July 14, 2020
““ΜΕΡΕΣ ΥΠΟΜΟΝΗΣ/ Days
of patience”
by Eftichia Kapardell’
#191 Backstory of the Poem
July 15, 2020
“Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver
#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley
#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch
#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah
#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank
by Matthew Gavin Frank
#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising
#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley
#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey
#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly
#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson
#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀”
by Kimberly Burnham
#202 Backstory of the Poem
July 31, 2020
July 31, 2020
“192”
by Don Yorty
#203 Backstory of the Poem
August 01, 2020
“I want to unfold the disease”
by Vanessa Shields
#204 Backstory of the Poem
August 06, 2020
“A Bone of Contention with the Ghost of John Lennon Over Strawberry Fields Forever”
by Ruth Weinstein
#205 Backstory of the Poem
August 07 2020
“Statement by the Pedestrian Liberation Organisation”
by Thomas McColl
#206 Backstory of the Poem
August 08 2020
“Un Poco Pequeño”
by Damon Chua
#207 Backstory of the Poem
August 10, 2020
“mary lou williams’s piano workshop (after Fred Moten)”
by Makalani Bandele
#208 Backstory of the Poem
August 18, 2020
“Roll Credits by KCK”
by Casey Kirkpatrick aka KCK
#209 Backstory of the Poem
August 21, 2020
August 21, 2020
“Ancient Pyramid”
by Mark Tulin
#210 Backstory of the Poem
August 23, 2020
“How Far the Strom?”
by Charles Malone
#211 Backstory of the Poem
August 27, 2020
“89 Tears”
by Robert Carr
