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***Charles Malone’s “How Far the Storm?” is #210 in the never-ending series called BACKSTORY OF THE POEM where the Chris Rice Cooper Blog (CRC) focuses on one specific poem and how the poet wrote that specific poem. All BACKSTORY OF THE POEM links are at the end of this piece. 
Can you go through the step-by-step process of writing this poem from the moment the idea was first conceived in your brain until final form? I had been working for weeks with this old book of science experiments and tricks that you can do at home. I was in love with the language, some of it technical, some of it full of metaphorical possibility. The author, Robert J. Brown, has a particularly authoritative diction and style. His book is full of optical illusions and basic chemistry demonstrations accompanied by charming diagrams.
Working through the metaphor of storm and shelter I felt an echo with a recent visit to our campus by the great Sonia Sanchez (https://soniasanchez.net/). The poem became a chance to think about the stories she’d shared about Tulsa and Philadelphia.
Once this clicked, the poem settled in place quickly.
Where were you when you started to actually write the poem? And please describe the place in great detail. I wrote these poems for months walking to and from my office. I live close to campus and am fortunate to walk or bike to work, home for lunch, and back. It gives me 5-10 minutes several times a day to settle my thoughts. It’s a privilege.
I pass under the trees lining our neighbor streets, past homes, past student rentals, past the 55+ housing, I talk to people. In November and December, the trees are bare and the air cold and still.
When I get home, sometimes I have to hurry to my computer and set up at the dining room table to get the poems down. I remember last December, coming home each day and working through the manuscript revising, revising, revising, and this poem just fell into place.
I remember sitting down to this word pool I’d created from the source text and I saw something I had never seen before in it. I went to work, and in nearly one draft the poem came together. In this case, it was mostly letting go of my preconceived ideas about what I wanted to do with this idea.
What month and year did you start writing this poem? Working through the metaphor of storm and shelter I felt an echo with a recent visit to our campus in November 2019 by the great Sonia Sanchez. It was such an incredible experience to listen to her.
Sanchez told us with such deep curiosity and empathy about the Tusla Race Massacre in 1921 and the Philadelphia Police Department's use of bombs dropped by helicopter on a neighborhood in 1985. (http://brillyance.blogspot.com/2016/02/the-philadelphia-pa-1985-move.html)
She made us want to understand and to wonder why these stories were not told to us. The poem became a chance to think about the stories she’d shared about Tulsa and Philadelphia. The poem was written the following month in December of 2019.
November 2019 was the first part of the academic year when we were working to honor the 50th anniversary of the May 4th shootings at Kent State. (https://www.history.com/topics/vietnam-war/kent-state-shooting) And, while my collection often celebrates scientific curiosity, I worked hard to find connections to our most personal experiences and, in my best moments, connections to the kind of society we are creating.
How many drafts of this poem did you write before going to the final? I worked on these poems by building pools or words and phrases. Once the metaphor was asking of me these other questions, I let go of lines that were playful or childish. In this particular case, ideas from the experiment are present, but the language took a back seat. In other poems responding to this book, it is the opposite. The vocabulary is often rich and surprising.
Were there any lines in any of your rough drafts of this poem that were not in the final version? And can you share them with us? I don’t have any early drafts of this particular poem, but I do have the original experiment in Brown’s book.
What do you want readers of this poem to take from this poem? I hope readers feel a bit of nostalgia, a bit of wonder, and a healthy portion of doubt. These stories that violently shape so many communities leave deep wounds. There are too many of them. They are complicated and messy and the narratives that surround them about cause and guilt are irreconcilable.
I hope people spend some time thinking about these events here in Kent, in Tulsa, in Philadelphia, in Orangeburg, in Jackson. In two events that parallel May 4th, 1970, State Highway Patrol officers opened fire on student protestors in South Carolina State in Orangeburg in February, 1968, https://www.history.com/topics/1960s/orangeburg-massacre
and at Jackson State in Mississippi just 11 days after the shooting here.
I often think about people's first response to the words "Kent State" and why these other events do not own as much of the national imagination. In all, the relationship between the repression of peaceful protest and more violent expressions of resistance seems relevant now. This feeling of electricity and spark is in air again.
Which part of the poem was the most emotional of you to write and why?
“When I was young I thought the rain fell
in such a generously democratic manner,
eyes closed and counting Mississippis.”
The final three lines of this poem feel vulnerable to me. With all the turmoil in our communities right now we are being asked to reconcile two different worlds. I grew up in a rural community and what I learned about the world, about America in particular, is not a complete truth. I am trying to resist defensiveness and embrace my curiosity in order to correct my ignorances. I first have to admit that there is much I don’t know and don’t understand. There are stories we are not told. Sometimes the story is the medicine we need, sometimes the reason for secrecy is what needs to be uncovered.
Has this poem been published before? And if so where? I’m excited this poem will be included in my full-length collection From Working Hypothesis in Fall 2020 with Finishing Line Press.
How Far the Storm?
December 2019
The news is about storms on the horizon
except for the segment about weather
and a story about mass graves
in Tulsa being probed with radar.
That story is about an eternal storm
like Jupiter’s red eye.
It is about shooting vibrations
into vibrating earth to find the hollows—
It’s the kind of rain
that a white kid like me was sheltered from.
But we can see it now,
like we can see that lightning strike
in Philadelphia, in 1985, hit 61 homes,
fire fighters kept idle.
In ‘85 we were old enough but never told—
we can see it now. Sonia Sanchez
points at our 50 year-old wound, Kent State,
calls it the same, calls us brother and sister.
We can count the seconds between
explosions.
We can feel them in our teeth.
Even as one voice says
a storm is coming, another says it isn’t.
When I was young I thought the rain fell
in such a generously democratic manner,
eyes closed and counting Mississippis.
His first full-length collection, Working Hypothesis is forthcoming with Finishing Line Press in 2020. His chapbook "Questions About Circulation" is out with Driftwood Press as part of the Adrift Chapbook Series.
He edited the collection "A Poetic Inventory of Rocky Mountain National Park" with Wolverine Farm Publishing and has work recently published or forthcoming in Hotel Amerika, The Best of Boneshaker: A Bicycling Almanac, The Sugar House Review, The Dunes Review, and Saltfront. Charles now works at the Wick Poetry Center at Kent State University coordinating community outreach programs.
https://www.cjmalone.com/
#192 Backstory of the Poem
#203 Backstory of the Poem
“Un Poco Pequeño”
BACKSTORY OF THE POEM LINKS
001 December 29, 2017
Margo Berdeshevksy’s “12-24”
002 January 08, 2018
Alexis Rhone Fancher’s “82 Miles From the Beach, We Order The Lobster At Clear Lake Café”
003 January 12, 2018
Barbara Crooker’s “Orange”
004 January 22, 2018
Sonia Saikaley’s “Modern Matsushima”
005 January 29, 2018
Ellen Foos’s “Side Yard”
006 February 03, 2018
Susan Sundwall’s “The Ringmaster”
007 February 09, 2018
Leslea Newman’s “That Night”
008 February 17, 2018
Alexis Rhone Fancher “June Fairchild Isn’t Dead”
009 February 24, 2018
Charles Clifford Brooks III “The Gift of the Year With Granny”
010 March 03, 2018
Scott Thomas Outlar’s “The Natural Reflection of Your Palms”
011 March 10, 2018
Anya Francesca Jenkins’s “After Diane Beatty’s Photograph “History Abandoned”
012 March 17, 2018
Angela Narciso Torres’s “What I Learned This Week”
013 March 24, 2018
Jan Steckel’s “Holiday On ICE”
014 March 31, 2018
Ibrahim Honjo’s “Colors”
015 April 14, 2018
Marilyn Kallett’s “Ode to Disappointment”
016 April 27, 2018
Beth Copeland’s “Reliquary”
017 May 12, 2018
Marlon L Fick’s “The Swallows of Barcelona”
018 May 25, 2018
Juliet Cook’s “ARTERIAL DISCOMBOBULATION”
019 June 09, 2018
Alexis Rhone Fancher’s “Stiletto Killer. . . A Surmise”
020 June 16, 2018
Charles Rammelkamp’s “At Last I Can Start Suffering”
021 July 05, 2018
Marla Shaw O’Neill’s “Wind Chimes”
022 July 13, 2018
Julia Gordon-Bramer’s “Studying Ariel”
023 July 20, 2018
Bill Yarrow’s “Jesus Zombie”
024 July 27, 2018
Telaina Eriksen’s “Brag 2016”
025 August 01, 2018
Seth Berg’s “It is only Yourself that Bends – so Wake up!”
026 August 07, 2018
David Herrle’s “Devil In the Details”
027 August 13, 2018
Gloria Mindock’s “Carmen Polo, Lady Necklaces, 2017”
028 August 21, 2018
Connie Post’s “Two Deaths”
029 August 30, 2018
Mary Harwell Sayler’s “Faces in a Crowd”
030 September 16, 2018
Larry Jaffe’s “The Risking Point”
031 September 24, 2018
Mark Lee Webb’s “After We Drove”
032 October 04, 2018
Melissa Studdard’s “Astral”
033 October 13, 2018
Robert Craven’s “I Have A Bass Guitar Called Vanessa”
034 October 17, 2018
David Sullivan’s “Paper Mache Peaches of Heaven”
035 October 23, 2018
Timothy Gager’s “Sobriety”
036 October 30, 2018
Gary Glauber’s “The Second Breakfast”
037 November 04, 2018
Heather Forbes-McKeon’s “Melania’s Deaf Tone Jacket”
038 November 11, 2018
Andrena Zawinski’s “Women of the Fields”
039 November 00, 2018
Gordon Hilger’s “Poe”
040 November 16, 2018
Rita Quillen’s “My Children Question Me About Poetry” and “Deathbed Dreams”
041 November 20, 2018
Jonathan Kevin Rice’s “Dog Sitting”
042 November 22, 2018
Haroldo Barbosa Filho’s “Mountain”
043 November 27, 2018
Megan Merchant’s “Grief Flowers”
044 November 30, 2018
Jonathan P Taylor’s “This poem is too neat”
045 December 03, 2018
Ian Haight’s “Sungmyo for our Dead Father-in-Law”
046 December 06, 2018
Nancy Dafoe’s “Poem in the Throat”
047 December 11, 2018
Jeffrey Pearson’s “Memorial Day”
048 December 14, 2018
Frank Paino’s “Laika”
049 December 15, 2018
Jennifer Martelli’s “Anniversary”
O50 December 19, 2018
Joseph Ross’s “For Gilberto Ramos, 15, Who Died in the Texas Desert, June 2014”
051 December 23, 2018
“The Persistence of Music”
by Anatoly Molotkov
052 December 27, 2018
“Under Surveillance”
by Michael Farry
053 December 28, 2018
“Grand Finale”
by Renuka Raghavan
054 December 29, 2018
“Aftermath”
by Gene Barry
055 January 2, 2019
“&”
by Larissa Shmailo
056 January 7, 2019
“The Seamstress:
by Len Kuntz
057 January 10, 2019
"Natural History"
by Camille T Dungy
058 January 11, 2019
“BLOCKADE”
by Brian Burmeister
059 January 12, 2019
“Lost”
by Clint Margrave
060 January 14, 2019
“Menopause”
by Pat Durmon
061 January 19, 2019
“Neptune’s Choir”
by Linda Imbler
062 January 22, 2019
“Views From the Driveway”
by Amy Barone
063 January 25, 2019
“The heron leaves her haunts in the marsh”
by Gail Wronsky
064 January 30, 2019
“Shiprock”
by Terry Lucas
065 February 02, 2019
“Summer 1970, The University of Virginia Opens to Women in the Fall”
by Alarie Tennille
066 February 05, 2019
“At School They Learn Nouns”
by Patrick Bizzaro
067 February 06, 2019
“I Must Not Breathe”
by Angela Jackson-Brown
068 February 11, 2019
“Lunch on City Island, Early June”
by Christine Potter
069 February 12, 2019
“Singing”
by Andrew McFadyen-Ketchum
070 February 14, 2019
“Daily Commute”
by Christopher P. Locke
071 February 18, 2019
“How Silent The Trees”
by Wyn Cooper
072 February 20, 2019
“A New Psalm of Montreal”
by Sheenagh Pugh
073 February 23, 2019
“Make Me A Butterfly”
by Amy Barbera
074 February 26, 2019
“Anthem”
by Sandy Coomer
075 March 4, 2019
“Shape of a Violin”
by Kelly Powell
076 March 5, 2019
“Inward Oracle”
by J.P. Dancing Bear
077 March 7, 2019
“I Broke My Bust Of Jesus”
by Susan Sundwall
078 March 9, 2019
“My Mother at 19”
by John Guzlowski
079 March 10, 2019
“Paddling”
by Chera Hammons Miller
080 March 12, 2019
“Of Water and Echo”
by Gillian Cummings
081 082 083 March 14, 2019
“Little Political Sense” “Crossing Kansas with Jim
Morrison” “The Land of Sky and Blue Waters”
by Dr. Lindsey Martin-Bowen
084 March 15, 2019
“A Tune To Remember”
by Anna Evans
085 March 19, 2019
“At the End of Time (Wish You Were Here)
by Jeannine Hall Gailey
086 March 20, 2019
“Garden of Gethsemane”
by Marletta Hemphill
087 March 21, 2019
“Letters From a War”
by Chelsea Dingman
088 March 26, 2019
“HAT”
by Bob Heman
089 March 27, 2019
“Clay for the Potter”
by Belinda Bourgeois
#090 March 30, 2019
“The Pose”
by John Hicks
#091 April 2, 2019
“Last Night at the Wursthaus”
by Doug Holder
#092 April 4, 2019
“Original Sin”
by Diane Lockward
#093 April 5, 2019
“A Father Calls to his child on liveleak”
by Stephen Byrne
#094 April 8, 2019
“XX”
by Marc Zegans
#095 April 12, 2019
“Landscape and Still Life”
by Marjorie Maddox
#096 April 16, 2019
“Strawberries Have Been Growing Here for Hundreds of
Years”
by Mary Ellen Lough
#097 April 17, 2019
“The New Science of Slippery Surfaces”
by Donna Spruijt-Metz
#098 April 19, 2019
“Tennessee Epithalamium”
by Alyse Knorr
#099 April 20, 2019
“Mermaid, 1969”
by Tameca L. Coleman
#100 April 21, 2019
“How Do You Know?”
by Stephanie
#101 April 23, 2019
“Rare Book and Reader”
by Ned Balbo
#102 April 26, 2019
“THUNDER”
by Jefferson Carter
#103 May 01, 2019
“The sight of a million angels”
by Jenneth Graser
#104 May 09, 2019
“How to tell my dog I’m dying”
by Richard Fox
#105 May 17, 2019
“Promises Had Been Made”
by Sarah Sarai
#106 June 01, 2019
“i sold your car today”
by Pamela Twining
#107 June 02, 2019
“Abandoned Stable”
by Nancy Susanna Breen
#108 June 05, 2019
“Cupcake”
by Julene Tripp Weaver
#109 June 6, 2019
“Bobby’s Story”
by Jimmy Pappas
#110 June 10, 2019
“When You Ask Me to Tell You About My Father”
by Pauletta Hansel
#111 Backstory of the Poem’s
“Cemetery Mailbox”
by Jennifer Horne
#112 Backstory of the Poem’s
“Relics”
by Kate Peper
#113 Backstory of the Poem’s
“Q”
by Jennifer Johnson
#114 Backstory of the Poem’s
“Brushing My Hair”
by Tammika Dorsey Jones
#115 Backstory of the Poem
“Because the Birds Will Survive, Too”
by Katherine Riegel
#116 Backstory of the Poem
“DIVORCE”
“DIVORCE”
by Joan Barasovska
#117 Backstory of the Poem
“NEW YEAR”S EVE 2016”
by Michael Meyerhofer
#118 Backstory of the Poem
“Dear the estranged,”
by Gina Tron
#119 Backstory of the Poem
“In Remembrance of Them”
by Janet Renee Cryer
#120 Backstory of the Poem
“Horse Fly Grade Card, Doesn’t Play Well With Others”
by David L. Harrison
#121 Backstory of the Poem
“My Mother’s Cookbook”
by Rachael Ikins
#122 Backstory of the Poem
“Cousins I Never Met”
by Maureen Kadish Sherbondy
#123 Backstory of the Poem
“To Those Who Were Our First Gods”
by Nickole Brown
#124 Backstory of the Poem
“Looking For Sunsets (In the Early Morning)”
“Looking For Sunsets (In the Early Morning)”
by Paul Levinson
#125 Backstory of the Poem
“Tracy”
by Tiff Holland
#126 Backstory of the Poem
“Legs”
by Cindy Hochman
“Legs”
by Cindy Hochman
#127 Backstory of the Poem
“Anathema”
“Anathema”
by Natasha Saje
#128 Backstory of the Poem
“How to Explain Fertility When an Acquaintance Asks Casually”
by Allison Blevins
#129 Backstory of the Poem
“The Art of Meditation In Tennessee”
by Linda Parsons
#130 Backstory of the Poem
“Schooling High, In Beslan”
by Satabdi Saha
#131 Backstory of the Poem
““Baby Jacob survives the Oso Landslide, 2014”
by Amie Zimmerman
#132 Backstory of the Poem
“Our Age of Anxiety”
by Henry Israeli
#133 Backstory of the Poem
“Earth Cries; Heaven Smiles”
by Ken Allan Dronsfield
#134 Backstory of the Poem
“Eons”
by Janine Canan
#135 Backstory of the Poem
“Sworn”
by Catherine Zickgraf
#136 Backstory of the Poem
“Bushwick Blue”
by Susana H. Case
#137 Backstory of the Poem
“Then She Was Forever”
by Paula Persoleo
#138 Backstory of the Poem
“Enough”
by Kris Bigalk
#139 Backstory of the Poem
“From Ghosts of the Upper Floor”
by Tony Trigilio
#140 Backstory of the Poem
“Cloud Audience”
by Wanita Zumbrunnen
#141 Backstory of the Poem
“Condition Center”
by Matthew Freeman
#142 Backstory of the Poem
“Adventuresome Woman”
by Cheryl Suchors
#143 Backstory of the Poem
“The Way Back”
“The Way Back”
by Robert Walicki
#144 Backstory of the Poem
“If I Had Three Lives”
by Sarah Russell
#145 Backstory of the Poem
“Reservoir”
by Andrea Rexilius
#146 Backstory of the Poem
“The Night Before Our Dog Died”
by Melissa Fite Johnson
#147 Backstory of the Poem
“Pileated”
by David Anthony Sam
#148 Backstory of the Poem
“A Kitchen Argument”
by Matthew Gwathmey
#149 Backstory of the Poem
“Insulation”
by Bruce Kauffman
#150 Backstory of the Poem
“I Will Tell You Where I’ve Been”
by Justin Hamm
#151 Backstory of the Poem
“Comfort”
by Michael A Griffith
#152 Backstory of the Poem
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
“VAN GOGH TO HIS MISTRESS”
by Margo Taft Stever
#153 Backstory of the Poem
“1. Girl”
by Margaret Manuel
#154 Backstory of the Poem
“Trading Places”
by Maria Chisolm
#155 Backstory of the Poem
“The Reoccurring Woman”
by Debra May
#156 Backstory of the Poem
“Word Falling”
by Sheryl St. Germain
#157 Backstory of the Poem
“Vel’ d’Hiv Roundup of 7,000 Jews Detained in an
Arena”
by Liz Marlow
#158 Backstory of the Poem
“Why Otters Hold Hands”
by William Walsh
#159 Backstory of the Poem
“The Invisible World”
by Rocco de Giacoma
#160 Backstory of the Poem
“Last Call”
“Last Call”
by Ralph Culver
#161 Backstory of the Poem
“ALIVE”
by David Dephy
#162 Backstory of the Poem
“Mare Nostrum”
“Mare Nostrum”
by Janice D Soderling
#163 Backstory of the Poem
“Winnipeg Noir”
by Carmelo Militano
#164 Backstory of the Poem
“Needlepoint Roses”
“Needlepoint Roses”
by Jason O’Toole
#165 Backstory of the Poem
“Singing, Studying on Whiteness, This Penelope Strings”
by Jeanne Larsen
#166 Backstory of the Poem
“How To Befriend Uncertainty”
“How To Befriend Uncertainty”
by Prartho Sereno
#167 Backstory of the Poem
“Shostakovich: Five Pieces”
“Shostakovich: Five Pieces”
by Pamela Uschuk
#168 Backstory of the Poem
“Bouquet for Amy Clampitt”
“Bouquet for Amy Clampitt”
by Peter Kline
#169 Backstory of the Poem
“Heartbroken”
“Heartbroken”
by Catherine Arra
#170 Backstory of the Poem
“Silence – a lost art”
by Megha Sood
#171 Backstory of the Poem/ May 09, 2020
“Horribly Dull”
by Mark DeCharmes
#172 Backstory of the Poem/ May 12, 2020
“Celebrating His Ninety-Second Birthday the Year his Wife Died”
by Michael Mark
#173 Backstory of the Poem/ May 14, 2020
“Night Clouds in the Black Hills”
by Cameron Morse
#174 Backstory of the Poem/ May 18, 2020
“I’ve Been In Heaven For Long”
by Evanesced Dethroned Angel
#175 Backstory of the Poem/ May 20, 2020
“Tutti-Frutti”
by Barbara Crooker
#176 and #177 Backstory of the Poem/ May 25, 2020
“My Small World” and
“My Mistake”
by Tina Barry
#178 Backstory of the Poem/ June 05, 2020
“Against Numbers”
by Andrea Potos
#179 Backstory of the Poem/ June 15, 2020
“Wish”
by Julie Weiss
#180 Backstory of the Poem/ June 20, 2020
“The Tree That Stood Beside Me”
by Carly My Loper
#181 Backstory of the Poem/ June 23, 2020
“Electric Mail”
by Julie E. Bloemeke
#182 Backstory of the Poem
June 24, 2020
“Her First Ten Days”
by Julieta Corpus
#183 Backstory of the Poem
June 26, 2020
“Outside My House Is A Guava Tree”
by Dr. Ampat Varghese Koshy
#184 Backstory of the Poem
July 2, 2020
“Torpor”
by Victor Enns
#185 Backstory of the Poem
July 5, 2020
“A Way of Life”
by Dan Provost
#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
#186 Backstory of the Poem
July 6, 2020
“The Alabama Wiregrassers”
by Charles Ghigna
#187 Backstory of the Poem
July 7, 2020
“The Seer”
by Kathleen Winter
#188 Backstory of the Poem
July 11, 2020
“Stuck At Home”
by Valerie Frost
#189 Backstory of the Poem
July 13, 2020
“Between the Earth and Sky”
by Eleanor Kedney
#190 Backstory of the Poem
July 14, 2020
““ΜΕΡΕΣ ΥΠΟΜΟΝΗΣ/ Days
of patience”
by Eftichia Kapardell’
#191 Backstory of the Poem
July 15, 2020
“Threnody by the President for Victims of COVID-19, Beginning with a Line from Milosz”
by Ralph Culver
#192 Backstory of the Poem
July 16, 2020
“Will Be Done”
by Tom Hunley
#193 Backstory of the Poem
July 17, 2020
“The Love of Two Trees”
by Hussein Habasch
#194 Backstory of the Poem
July 18, 2020
“June Almeida”
by Lev RI Ardiansyah
#195 Backstory of the Poem
July 19. 2020
“After Grano Maturo”
by Matthew Gavin Frank
by Matthew Gavin Frank
#196 Backstory of the Poem
July 20, 2020
“Practice”
by Linda Neal Reising
#197 Backstory of the Poem
July 21, 2020
“Will Be Done”
by Tom C Hunley
#198 Backstory of the Poem
July 22, 2020
“Shroud”
by Ted Morrissey
#199 Backstory of the Poem
July 23, 2020
“Being In Love at Fifty”
by Anne Walsh Donnelly
#200 Backstory of the Poem
July 25, 2020
“Star pinwheel poem”
by Andrea Watson
#201 Backstory of the Poem
July 30, 2020
“Gentle Women, Adult Female Persons, and Housewives in Indonesia ♀”
by Kimberly Burnham
#202 Backstory of the Poem
July 31, 2020
July 31, 2020
“192”
by Don Yorty
#203 Backstory of the Poem
August 01, 2020
“I want to unfold the disease”
by Vanessa Shields
#204 Backstory of the Poem
August 06, 2020
“A Bone of Contention with the Ghost of John Lennon Over Strawberry Fields Forever”
by Ruth Weinstein
#205 Backstory of the Poem
August 07 2020
“Statement by the Pedestrian Liberation Organisation”
by Thomas McColl
#206 Backstory of the Poem
August 08 2020
“Un Poco Pequeño”
by Damon Chua
#207 Backstory of the Poem
August 10, 2020
“mary lou williams’s piano workshop (after Fred Moten)”
by Makalani Bandele
#208 Backstory of the Poem
August 18, 2020
“Roll Credits by KCK”
by Casey Kirkpatrick aka KCK
#209 Backstory of the Poem
August 21, 2020
August 21, 2020
“Ancient Pyramid”
by Mark Tulin
#210 Backstory of the Poem
August 23, 2020
“How Far the Strom?”
by Charles Malone
